In the “Lord of the Rings” trilogy, a good king falls victim to false propaganda from his advisor, Grima Wormtongue. This adviser constantly invents information and hides the truth, thus harming the heroes of the novels as well as the king.
That’s exactly what Republicans seem to do to a very popular king, democracy.
In the Congressional Minutes, Rep. David Cicilline, D-Rhode Island, said a once-in-a-generation pandemic has crippled our economy. Testifying in May, he pointed out that Americans have encountered higher prices resulting from companies slowing production to meet changes in demand resulting from social distancing, vaccination and mask requirements – basic safety protocols that many Republicans view as conspiracies.
Cicilline said if inflation alone was driving up prices, oil companies would have long ago used their profits to lower prices at the pump, helping them better compete with their rivals. Yet many Republicans blame Democrats even though prices are not just driven by inflation, but in response to rising prices and market consolidation.
A small number of companies control a large part of their markets. Such consolidations appear to benefit Exxon Mobil, whose net profits more than doubled in the first quarter of 2022, according to testimony from Cicilline. In addition, four companies control 85% of the meat industry, three companies control 93% of the soft drink industry, three companies control 85% of the infant formula industry, three companies control 93% of the baby food industry. , four companies control 79% of the beer industry and three companies control 73% of the grain industry, Cicilline said. Thus, only a few firms are responsible for the high prices in these sectors, which effectively stifles competition and results in apparent near-monopolies.
As President Joe Biden said, capitalism without competition is exploitation.
Sixty years ago, on July 12, 1962 to be exact, the Rolling Stones gave their first concert at the Marquee Club in London. Today, as the self-proclaimed world’s greatest rock and roll band marks six decades of music and hard life, The audiovisual club looks back at the Stones’ most enduring work.
With surviving original members Mick Jagger, Keith Richards, and newcomer Ronnie Wood (he’s only been in the band for 47 years) carrying on the Stones’ legacy by selling out stadiums on the band’s 60th anniversary tour – no other rock band has persevered this long and on this scale – it’s a good time to take a closer look at some of the best albums in rock history.
Of course, it’s hard to consolidate their career to just 20 albums. This following list inevitably misses highlights or interesting detours: the set of 1994 which supported the career Voodoo parlorthe vital punch of out of our headsand loose limbs black and blue, to start. What follows isn’t all the great album the band has made over the years, but rather the 20 records that convey the full gamut of what the Stones did during their 60 laps around the sun.
The Chilliwack nurse’s romantic and physical relationship with a client breached confidentiality standards by accessing the client’s medical records.
A Chilliwack nurse found by her regulatory body to have had a romantic and physical relationship with a vulnerable client has been banned from practicing nursing for 10 years.
The BC College of Nurses & Midwives said on July 11 that it had entered into a consent agreement with licensed practical nurse Shannon Van Tongeren to address gross violations of professional and practice standards between August and September 2021.
The college said Van Tongeren was in a professional and therapeutic nurse-client relationship with a vulnerable adult.
And, he says, Van Tongeren engaged in a romantic and physical relationship with the client, breached confidentiality standards by accessing the client’s medical records, and acted unethically by continuing to contact the client after being informed of no further contact with him. .
Van Tongeren voluntarily accepted the cancellation of his registration and the ban on reapplying to the college for at least 10 years.
The college is one of 18 regulatory bodies empowered under the Health Professions Act to regulate health professions in British Columbia. It regulates the practice of four distinct professions: nursing, auxiliary nursing, psychiatric nursing and midwifery.
Similar legislation in other self-regulated areas such as the legal and notarial professions also enables citizens to know about disciplinary matters in the public interest.
“The inquiry committee is confident that the conditions will protect the public,” the college said.
Can you imagine seeing some of the letters in this newsletter upside down or upside down? Or maybe the text seems to jump on the page? Or not to distinguish between certain letters?
I know I can’t imagine how that must feel.
Today’s topic is particularly important to me as someone who has been a teacher and has had several students with special educational needs: learning disabilities. And did you know that up to 20% of the American population suffers from dyslexia? This makes it the most common learning disability.Children and adults with dyslexia can learn to read through early screening, early diagnosis, evidence-based early reading intervention and appropriate accommodations, BUT if people don’t have the support they need, it could have life-changing repercussions. Researchers have found links between reading disorders and the school-to-prison pipeline.
Governor Gavin Newsom is dyslexic and has been pushing for more support for dyslexic students. But the state is uncompromising in its approach to helping students with dyslexia. So how well can students with dyslexia in Southern California be screened and supported, from infancy through college? How does this help vary by race and income?
Throughout August, our education team will guide you through a series of stories that show how dyslexia affects students in Southern California across the educational continuum – from early childhood to higher education. .
Before we explore this even deeper, we want to hear from you. Are you a K-12 student or a student with dyslexia? Are you the parent of a dyslexic student or are you dyslexic yourself? Do you teach or provide educational services to students with dyslexia? We would be grateful if you complete our survey.
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We’ve already heard from a few people so far, like Katie, mother of a dyslexic child.
“My eldest was 7 years old when she was diagnosed with dyslexia. We paid for a private psycho-educational assessment to have her diagnosed. When we went to school when she was in kindergarten with concerns about her reading, the principal told us that some children don’t learn to read until grade 5 or 6 and that’s good. They told us that she met all grade level standards and was doing well. This despite the fact that by the end of kindergarten she only knew four of her letters and their sounds.
There are many more stories like this – of parents feeling ignored by school districts, struggling to navigate bureaucracy, paying big bucks for tests. One mother even sent her child to a camp in Kentucky because she couldn’t find enough support in her local school district.
Stay tuned for more in the coming weeks and share your stories with us.
As always, stay happy and healthy, friends. There’s more news below the fold.
What else you need to know today
The new 6th street bridgewas unveiled this weekend. The crew who built the bridge was one of the largest women’s teams on any public works project in the country, according to officials. Council member Kevin de León said he hopes the bridge will be as iconic of Los Angeles as the Hollywood Sign or the Griffith Observatory.
From now on, LA County health officials expandeligibility for monkeypox vaccines to include more high-risk groups, in addition to those who have already tested positive or been exposed to monkeypox.
If, like me, you like working in cafes and have already made your way our crowdsourcing list of LA’s best neighborhood cafeshere is a new challenge for you: LA Taco has a list of Latin cafes try.
LISTEN: In case you need a little motivation for Monday, the last episode of Snooze was released today. This is a podcast where host Megan Tan helps you do the things you’ve always been putting offsimply asking yourself “Why?” »
Many of us know that setting boundaries is good for our mental health in theory, but struggle to do so in practice. Here’s how to change that.
Before leaving… ICYMI people were outside!
Over the next few weeks, we’ll be doing something a little different here in our newsletter. Yes, it’s true. I add a little special spice. Each day I will have a special theme for the Before You Go section. I would love to hear your feedback. Please write to me and let me know what you think of my ideas.
On Mondays, I bring you what was trending on social media in Los Angeles. Let’s check Twitter to see what was happening this weekend in the town of Angelenos.
Alright, if you don’t know by now, I love partying with melancholy beautiful people. Yesterday I went to Everyday people partya live cultural music event experience that began in New York in 2012. It is designed to celebrate blackness and the African diaspora. It’s a safe and welcome space for ALL identities to just enjoy and have a good time. I always see celebrities when I go there. Janelle Monáe usually hangs out at the EP. I have already seen Diddy, Sarunas Jackson, Jidenna and some actors from Bel-Air there. Yesterday I chatted with my girlfriend Ari Lennox (it was the second time I met her. If I meet her a third time, we must definitely be friends).
Three miles of Western Avenue in South Los Angeles were closed to vehicular traffic and opened to walkers, skaters and cyclists during CicLAvia this past Sunday. This was an event that allows people to experience a free and easy way to get around the city without the safety and environmental hazards that cars bring. Check out this really cool vehicle!
6th Street Bridge
Guess what’s open now, my friends? The largest bridge project in the city’s history: the 6th Street Viaduct! It connects the Arts District to Boyle Heights. The last bridge was closed in 2016 due to fears that the old bridge might not withstand an earthquake. The inauguration of the new bridge took place on Friday evening. Here are some pictures of the bridge.
Help us cover your community
Ever wanted to know something about Southern California and the people who call it home? Is there an issue you want us to cover? Ask us anything.
Hurricane Laura reopens at Sam Houston Jones State Park in Moss Bluff, Louisiana on Monday, May 30, 2022. (Kirk Meche/American Press)
By Sudan Britton
Southwest Louisiana has a lot to offer affordably for locals and tourists interested in booking “staycation” tours in the region this summer.
Anne Klenke, vice president of destination development/community engagement for Visit Lake Charles, said the best way to budget is to plan accordingly. Knowing how to make accommodations and find reliable transportation can help people manage their money wisely when booking attractions.
A few activities that can be intriguing and inexpensive for families are Frisbees, beach balls and flying kites, which are a few fun ways to entertain the family, she said.
Southwest Louisiana welcomed two new food trucks to the Sulfur area — Cajupinos and Chic Frys — both of which offer a way to expand the family’s taste buds.
Families and visitors are generally always looking for ways to get in the water during the summer, Klenke said.
The River Raft Rentals at 318 Phillips Road in Westlake offers kayaks, canoe and paddleboards. A single raft is $45 and a tandem raft is $55. Visit them at riverraftrentals.com.
The River Rat Rentals at 1213 N. Lakeshore Drive rents jet skis for $80 per hour and $20 for additional passengers. To learn more about the survey, visit their Facebook page at RiverRatRentalsSWLA.
Paddle Up Lake Charles offers stand-up paddle board rentals, lessons, corporate paddles and parties for $20 per board. Staff members usually deliver the boards to Prien Lake, Holly Beach or any other location requested by the client. Visit them on Facebook at paddleuplakecharles for more inquiries.
Klenke said visitors — especially international visitors — are drawn to the Creole Nature Trail, which is free to the public.
“Pack a cooler, sunscreen and insect repellent, put the kids in their bathing suits and old clothes, and go crabbing in one of Sabine National Wildlife Refuge’s five recreation areas,” said said Klenke. “Bring the family home to cook dinner or spend the day at Holly Beach soaking up the sun. If interested, pre-book a pavilion to step out of the sun with Holly Beach memorabilia.”
DeQuincy’s Oak Street Pool is open 12:00-6:00 p.m. Monday through Saturday and 12:00-5:00 p.m. Sunday with free admission. Klenke said the faculty’s swimming lessons are essential for children in areas with water, and the staff offers lessons at low prices.
Southwest Louisiana has plenty of family-friendly areas to bring the family along to enjoy excursions at an affordable price and some are even free to the public, such as Adventure Cove Park, Ward 3 Recreation, and Prien Lake Park. These spots have swimming facilities or water sprinklers, a skate park, playgrounds for children, a pavilion for picnics and a kayak/canoe launch.
Almosta’s Ranch at 5290 Choupique Road in Sulfur is open to the community for excursions, tours, camps, and a petting zoo for ages 5 and up.
Klenke also encouraged families to visit 1911 Historic City Hall Arts and Sam Houston Jones State Park, which offers five hiking trails, disc golf and campsites to explore. Admission to both is free.
GameZone Esports Cafe at 4311 Maplewood Drive in Sulfur is a gaming cafe with computers, Xboxes, PS4s, VR driving simulators, Nintendo Switch, foosball, snacks, drinks, and televisions. 84 inches which usually plays Twitch. One-day passes are $40 and a four-hour pass is $25.
We Rock the Spectrum at 3714 Common St., Suite E, is a site that Klenke encourages families with autistic members to visit for their music therapy classes and gym.
1872: The yield from an artesian well demonstrated that Lincoln had a seemingly inexhaustible supply of salt water. This left the question: could fresh water be obtained in the same way?
1882: Lincoln’s gambling dens have been the subject of complaints.
1892: The Lincoln Electric Railroad was sold by the sheriff due to foreclosure. Later it was consolidated with the Lincoln Street Railway Co.
1902: The flood was over, but Park School and the courthouse were full of refugees from the Salt Creek rampage.
1912: The Tabernacle Christian Church at 1701 South Street was dedicated. The congregation would later move to a larger site at 22nd and South Streets and take the name Southview Christian Church.
1922: The Burlington was preparing to house and feed 250 new men in the Havelock Shops to replace the strikers. Nationally, railroad leaders have refused to meet with leaders of striking traders.
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1932: Lincoln nutrition camp has opened. Sponsored by the Lincoln and Lancaster county committees of the Nebraska Tuberculosis Association, its goal was to develop undernourished children.
1942: An aircraft mechanics school opened at Lincoln Air Force Base to train Air Force personnel in the maintenance of combat aircraft during World War II.
1952: The fifth annual summer opera at the Pinewood Bowl was “Naughty Marietta”. The direction was Professor Oscar Bennett of Nebraska Wesleyan University.
1962: An Alda woman was killed by lightning, and a house in Lincoln was badly damaged when lightning set it on fire.
A manhunt has begun near Blair after State Security Patrolman Lowell Korber was shot twice by a man he had stopped to question the presence of a sign stop. The manhunt ended four days later with the arrest in Omaha of Philip Delham. Delham was sentenced to 20 years in prison for the shooting. Korber recovered and returned to work on August 3.
1972: The rains, estimated at 6 to 8 inches in some localities, caused severe flooding in the Red Cloud, Osceola, Stromsburg and McCool Junction areas.
Lincoln’s Woods Park Pool hosted the Amateur Athletic Union National Diving Championship.
1982: Ten of Otoe’s 16 volunteer firefighters quit because the village council rejected their request to sponsor a beer garden during the town’s centenary celebration.
Union, Cass County recorded 5½ inches of rain overnight.
The Nebraska Department on Aging was created by the Legislative Assembly.
1992: The toxic chemicals TNT and RDX, which were used to make bombs at the former Nebraska munitions factory, were found in small quantities in one of Lincoln’s water wells near Ashland. It was the first time the chemicals had been discovered in the wellfield and both were below health advisory levels.
2002: Housing developments and farm consolidations around Lincoln led to the closure of a local farm implement dealership that had been open since 1996 in Waverly.
GRAMBLING — Different ages and eras of Grambling State athletics are represented in this year’s Grambling Legends Sports Hall of Fame class, but they all delivered a cohesive refrain on Friday when talking about their inductions:
They wouldn’t trade their time as Tiger for anything.
Some have made their mark under legendary coaches such as Eddie G. Robinson and Wilbert Ellis; others have made a name for themselves.
“Sometimes in life, you just have to wait,” Joseph Simpson, a former Grambling basketball star, said. “I did. I learned to be obedient, to trust the Lord and He will see you well.”
Of the 11 inductees, nine were present for Friday’s press conference and met. The late Conrad Hutchinson Jr. was represented by his wife Jeanette Hutchinson and son Conrad Hutchinson III. Joseph Jones was unable to attend Friday’s celebrations.
Here’s what you need to know about each inductee:
VOLLEYBALL: Grambling State fires volleyball coach Chelsey Lucas amid internal investigation
FULL HOUSE: The 2022 Grambling Legends Sports Hall of Fame celebrations are sold out
Carter etched her name in the Grambling women’s basketball record book from 1994 to 1998. She helped lead the Lady Tigers to three straight NCAA Tournament appearances and finished her career in the top 10 of all basketball statistics.
Although she has a bachelor’s and master’s degree in criminal justice from GSU, the guard returned to earn her master’s degree in sports administration and now coaches high school girls in basketball in Texas.
“Being here at Grambling was just a whirlwind for me,” Carter said. “I came here without those expectations, but I think when you think about it and work hard, you never know what you’re going to get.”
Gordon played quarterback at Grambling but was constantly recruited by GSU baseball coach Wilbert Ellis. Faithful to football, Gordon continued to play in the Arena Football League for eight seasons. In 1990, he was selected in the NFL (Cleveland Browns, 11th round) and MLB (Chicago White Sox, 51st round) amateur drafts.
“I made a lot of decisions in my life that weren’t too good,” Gordon said. “But one decision I wouldn’t change was to come here to Grambling State University and play under legendary coach Eddie Robinson.”
Dr James Hammond
Hammond was a pitcher for the Tigers from 1965 to 1968. He was recruited by the son of baseball coach and college president Ralph Waldo Emerson Jones while playing high school baseball in Virginia.
“It changed my life,” Hammond said.
Conrad Hutchinson Jr.
Hutchinson Jr., who died in 1996, transformed the Grambling State Marching Band into a world-class musical spectacle. His son continues his musical legacy and becomes music director in California.
“This man was a genius,” said Jeanette Hutchinson.
Jackson played football under Robinson from 1970 to 1974 and said it was the biggest decision he made. The offensive guard was a four-year starter for Robinson. Jackson served as captain for two years and received All-American honors. He then played semi-professional football with the Shreveport Steamers and the Birmingham Vulcans.
“It’s an emotional event for me,” Jackson said. “To even stay here. A guy from Monroe, Louisiana – south side – all I wanted was a chance, Coach Robinson gave me one.”
Simpson was an All-SWAC first-team basketball selection in his senior year. He was part of Grambling State’s men’s program from 1970 to 1973.
“It’s amazing, remarkable, and all the other adjectives that describe just wonderful,” Simpson said. “…I take this with honor. I will walk with dignity, I will walk with my heart.”
The Trinidad and Tobago native ran the track for GSU from 1982 to 1985. She chose Grambling State since close friends were attending college. She earned All-American honors for her success on the track.
“No regrets,” Small said. “No way.”
The linebacker was a consecutive All-SWAC first-team selection in 2000 and 2001, earning All-America honors as a senior.
“It’s emotional because you know how many great players have been here,” Taylor said. “Some ballers, man – I’m one of them. Just a blessing.”
Despite dealing with injuries and broken bones, Tureaud was the first running back in the program to reach 1,000 yards in 1972, earning him a first-team All-SWAC selection.
Before moving to Grambling State, Tureaud had a scholarship to play basketball at Dillard University in New Orleans. He said he chose GSU because he couldn’t live without knowing if he could have played football for Robinson.
“Life is who you associate with,” Tureaud said. “I’m so proud to be associated with Grambling and all the young people I’ve met here.”
The dual-threat pitcher/outfielder played with the Tigers from 1984 to 1988. Consistently hitting above .300, his performances on the mound earned him various All-SWAC honors.
He said he hoped to have made Ellis proud, after the coach recruited him on faith – not seeing Watkins hit or throw beforehand.
“I often think to myself if I should die tonight and I wake up tomorrow morning and God asks me where I wanted to go,” Watkins said. “Send me back to Grambling for four more years. It’s the place I love.”
Emely Hernandez covers high school athletics and sports at the University of Louisiana-Monroe. Email her at [email protected] and follow her on Twitter @emhernandeznews.
Iconic street artist Smug has created a spectacular new large-scale mural inspired by Carl Jung’s famous depiction of Liverpool’s ‘Pool of Life’, and the inspiration for it in one of the neighborhoods oldest and most creative that surrounds it, the Cavern Quarter.
The mural, on Harrington Street, was co-commissioned by Culture Liverpool and Liverpool BID Company on behalf of the Beatles Legacy Group to explore the extraordinary history of this region, from the global musical explosion it defined in the 1960s. 60s to become the center of Liverpool’s revolutionary and culturally defining counterculture of the 70s and 80s.
The mural by Glasgow-based artist Sam Bates aka Smug, hints at the area’s layered history drawing on well-known names like Erics and The Cavern which attract tourists from around the world, but add also greater depth by exposing the layers of history, architecture, commerce and trade that constituted Jung’s “pool of life”.
Jung’s 1927 essay was judged to describe a place “in which many streets converged” as do Mathew Street and Rainford Square in the Cavern Quarter. Poet and artist Peter O’Halligan, who founded the Liverpool School of Language, Music, Dream and Pun on the site of the former Fruit Exchange warehouse on Victoria Street, popularized the use of the phrase in the 1970s to describe the neighborhood.
In 2012, a plaque commemorating Jung’s “pool of life” was unveiled nearby.
The Cavern Quarter is one of the oldest commercial districts in Liverpool city centre. Once home to an iron foundry, brewery and mills, it has become home to fruit and produce markets selling goods as they come in from the nearby docks.
Bill Addy is the CEO of Liverpool BID Company and Chairman of the Liverpool Visitor Economy Network
“Art has incredible power to tell our story and in commissioning this work our idea is to both enliven the public realm but also to share with the many visitors, shoppers, music lovers and others who pass through the Cavern Quarter l “history that surrounds them. I’m thrilled that this work sheds light on one of my favorite chapters in the city’s history, which has gone so far in shaping our unique culture.”
Kevin McManus is UNESCO Music City Manager at Culture Liverpool
“I am delighted that this exciting project, initiated by the Beatles Legacy Group and Liverpool BID, is coming to fruition. I’m sure it will quickly become another city center landmark attracting visitors and music tourists, as well as being something to be enjoyed by the locals of Liverpool. It is a place closely associated with key periods in the musical and cultural history of the city, so it is fitting that this impressive fresco is installed there. This is an area close to my heart, as as a young boy I attended concerts at Eric’s – which no doubt changed my life for good – while on the other side of the road, a decade earlier, the Cavern changed the world forever. Lesser-known bars in the area like Harrington Bar and Pen and Wig also played an important role and this rich landscape of Liverpool’s vibrant musical heritage will be celebrated in this fantastic Smug mural.
Peter Hooton (Chairman of the Beatles Legacy Group)
“As Chairman of The Beatles Legacy Group, I can’t wait to see this piece of art unveiled and I’m so happy that Smug has chosen to interpret Carl Jung’s ‘Pool of Life’ dream. The region had such a cultural impact on the world, from the cave in the 60s to Eric’s/The Armadillo/Harrington Bar/Probe/Wade Smith in the 70s, 80s and 90s. The area was such a melting pot of music/fashion and cons -culture that it was normal for the mural to be located there and for people to guess the references of the work.
The Cavern Quarter is part of the Retail & Leisure BID area. In 2020, a Master Plan for Cavern Quarter and Williamson Square was approved and published, with a Spatial Regeneration Framework (SRF) focused on improving the area and celebrating its heritage, including through the intervention of artists and the animation of blank spaces.
CMS Cuts in Medicare Reimbursement Due to Rampant Inflation, COVID, Sequestration and Reconciliation Pricing Reform Are a Major Threat to Cancer Care
When will CMS realize the folly of its ways? Insane payment cuts have only succeeded in driving up Medicare spending as hospitals consolidate medicine and dominate the day.
— Ted Okon, Director of Aviation
WASHINGTON, DC, USA, July 8, 2022 /EINPresswire.com/ — Statement by Ted Okon, Executive Director, COA
Medicare’s Proposed Physician Fee Schedule for Calendar Year 2023 (CY2023) released by the Centers for Medicare & Medicaid Services (CMS) is another in a series of relentless and senseless payment cuts the agency has made. to community oncology practices. CMS proposed a 4.42% reduction in the Medicare conversion factor along with additional reductions in oncology, imaging and radiation therapy.
The result of CMS cuts in Medicare reimbursement has been well documented as closing cancer clinics and forcing treatment into the most expensive hospital setting. To add insult to injury, these latest cuts come in the face of historic inflation, new strains of COVID, the return of the receivership cut, and drug price reform in the government’s reconciliation bill. Senate that puts suppliers in the middle of negotiations between the government and drugmakers. This poses a major and unprecedented threat to our nation’s cancer care system.
The proposed fee schedule also comes as Senate Democrats and the Biden administration advance prescription drug pricing reform provisions in the reconciliation bill that implement negotiation of drug prices in such way that community oncology practices, as well as other specialized medical practices dealing with serious illnesses, will face unbearable financial risk. Indeed, according to the current wording, practices will be reimbursed at much lower negotiated rates relative to the underlying drug costs.
The COA has repeatedly and correctly predicted that the sharp cut in Medicare payments will lead to cancer practice closures and consolidations. As reimbursement has steadily declined over the past two decades, chemotherapy administered by independent community oncology practices has decreased by 64.3%. In subsequent years, 1,748 community oncology clinics and/or practices closed, were acquired by hospitals, were subject to corporate mergers, or reported experiencing financial difficulties.
When independent practices close, care is almost always moved to the much more expensive and less convenient hospital service site. Studies have consistently shown that hospitals charge patients, insurers and taxpayers far more for cancer treatment and care. In addition, access to care is threatened by the closure of cancer clinics and other specialized institutions, especially in rural areas, due to financial pressures.
When will CMS realize the folly of its ways? Insane payment cuts have only succeeded in driving up Medicare spending as hospitals consolidate medicine and rule the roost. It’s time for Congress to stand up and do the right thing to protect community oncology providers.
About the Community Oncology Alliance: The Community Oncology Alliance (COA) is a nonprofit organization dedicated to advocating for community oncology practices and, more importantly, the patients they serve. COA is the only organization dedicated solely to community oncology where the majority of Americans with cancer are treated. The CCO’s mission is to ensure that cancer patients receive quality, affordable and accessible cancer care in their own community. More than 1.5 million people in the United States are diagnosed with cancer each year, and deaths from the disease have steadily declined due to earlier detection, diagnosis, and treatment. Learn more about COA at communityoncology.org.
Drew Lovejoy Oncology Community Alliance write to us here
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1883 star Tim McGraw left his fans in an emotional state when he shared a gorgeous photo of his wife Faith Hill
Tim McGraw prompted an emotional reaction from his fans when he shared a loving tribute to his wife hill of faith Thursday.
WATCH: Tim McGraw shares a glimpse of his majestic Nashville and Faith Hill mega-mansion
The country music singer took to Instagram to post a photo of a billboard advertising the couple’s hit show, 1883which featured a snap of Faith as Margaret Dutton alongside a quote from a review that read, “Faith Hill is amazingly good.”
WATCH: Faith Hill shares ‘painful’ memory from filming 1883
Captioning the post, Tim – who played Faith’s on-screen husband James Dutton – wrote: “So proud of my wife!!” Many of her followers were quick to react to her sweet words while expressing their sadness that the show is now over.
“Yes, she was awesome! You both were! It was a great show and I wish it hadn’t ended. I love you both as singers and actors “, replied a fan. A second said: “You both were amazing, I’m so sad it ended!! And the way it ended!! Tearjerker! I loved you both on screen. “
MORE: Tim McGraw reveals traumatic injury at hands of Faith Hill
MORE: Faith Hill will face a heartbreaking day after her tragic death – details
A third added: “She was brilliant, every character was cast perfectly. I’m so disappointed there won’t be more so I’ve watched it three times already. My favorite show of all time, especially because of you, Faith, Sam and Isabel. You all made your characters so real and so adorable. Thank you, I hope to see you and Faith in another movie.”
Tim sparked a huge reaction with this photo of Faith
Faith and Tim received rave reviews for their portrayals in the critically acclaimed film Yellowstone spin off. However, Faith had specific conditions for working alongside her husband.
“[I told Tim] “Look, if we’re gonna do this together, we can’t do lines together, ever… We can’t talk about the scene we’re filming tomorrow, ever,” she said on The Kelly Clarkson Show last month.
Faith and Tim played married couple James and Margaret Dutton on screen
Explaining her reasoning behind the rule, Faith said: “In my opinion, the only way for me to bring…for it to feel real and authentic, it had to be when the cameras are rolling, we’re on set, it was the first time I met [Tim’s character] James.”
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The study explored how a protein called tau, essential for Alzheimer’s disease, changes from a normal state to a diseased state
Alzheimer’s disease, the most common form of dementia, currently has no cure or effective treatment, in part due to gaps in our understanding of how the progressive neurodegenerative disorder occurs in the brain.
Now, a study from Flinders University has shown how a protein called tau, a critical factor in the development of Alzheimer’s disease, changes from a normal state to a diseased state – and demonstrates how this discovery could provide a target therapeutic.
Published in the journal Science Advances, the team’s findings offer hope of preventing the process of tau transformation from occurring, thereby keeping tau in a healthy state and avoiding toxic effects on brain cells.
“Alongside a small peptide called beta-amyloid, the tau protein is a central factor in Alzheimer’s disease. Tau is required for toxic effects on brain cells that then lead to impaired memory function,” says study lead author Dr. Arne Ittner, a senior neuroscientist at Flinders Health and Medical Research Institute.
During the development of Alzheimer’s disease, the tau protein accumulates in deposits inside brain cells. During this process, tau is heavily modified, with various deposits consisting of tau bearing multiple small changes at many different positions within the tau molecule.
Although such changes in tau have been known to neuropathologists for decades, it is still unclear how tau gets to this multi-modified stage. The new study solved some of that mystery and provides a new mechanism to explain how tau is gradually altered.
The study aimed to determine whether changing one specific location of tau would facilitate changing another location. The team focused on the relationship between tau and protein kinases, which are enzymes that introduce changes in tau.
“Usually, protein kinases target specific points, called phosphorylation sites, in tau and other proteins, and only introduce changes at those specific points,” says the study’s lead author, Dr. Kristie Stefanoska, dementia researcher at Flinders University.
“However, we suspected that some of these enzymes are able to target multiple locations in tau and would do so even more effectively if tau was already modified in one location to begin with.”
The researchers conducted a large experiment that included up to 20 different changes in tau and 12 enzymes, focusing on the most abundant type of change seen in tau in the brains of patients with Alzheimer’s disease.
Although the study found that one change in tau facilitates the introduction of another change, it was also able to identify “master sites” in tau, being specific points that govern subsequent changes on most other Site (s.
“By altering these master sites, we were able to drive changes at multiple other points within tau, leading to a similar state seen in the brains of Alzheimer’s disease patients,” says Dr. Ittner.
The next step for the team was to see if the master sites could be targeted to reduce the toxic properties of tau in Alzheimer’s disease, with the aim of improving memory function.
The current study used mice that have both amyloid and tau and developed Alzheimer’s-like symptoms, including memory deficits. The researchers found that the mice did not develop memory deficits when they had a version of tau that lacked one of the identified master sites, compared to mice that had the usual version of tau.
The team will now investigate how their findings can be translated into a treatment.
“We have shown that this new concept has therapeutic potential, but future work is needed to understand the role of these master sites in health and disease,” says Dr. Stefanoska.
“Tau modification in Alzheimer’s disease is a complicated process. Ours is the first study to link an initial change in tau to a multisite modification along the entire protein.
The authors say the new mechanism and the lead sites at its center could apply to a range of neurological disorders in which tau is implicated, including Parkinson’s disease, concussion-induced chronic brain injury, and stroke. .
“Slowing down changes at tau master sites in these diseases can curb tau toxicity and dementia,” says Dr. Ittner.
“This new mechanism helps us understand why there is a large tau modification in Alzheimer’s disease in the first place. This will help researchers and clinicians design ways for better and earlier diagnosis.
The article – Alzheimer’s disease: Single master site ablation abolishes tau hyperphosphorylation by Kristie Stefanoska, Mehul Gajwani, Amanda RP Tan, Holly I. Ahel, Prita Riana Asih, Alexander Volkerling, Anne Poljak and Arne Ittner – is published in Science Advances. DOI: 10.1126/sciadv.abl8809.
This work was supported by funding from the National Health and Medical Research Council (grant nos. 1143978 and 1176628); the Australian Research Council (grant numbers DP170100843, DP200102396 and DP220101900); the Australian Dementia Research Foundation; the Flinders Foundation, Flinders University and Macquarie University; and the BrightFocus Foundation (to KS; grant number A2022022F). Dr. Stefanoska is Henry Brodaty Postdoctoral Fellow, Scientia Professor, at the Dementia Australia Research Foundation. Dr. Ittner is a member of the National Health and Medical Research Council Emerging Leadership 2 (Grant No. 1176628).
/Public release. This material from the original organization/authors may be ad hoc in nature, edited for clarity, style and length. The views and opinions expressed are those of the author or authors. See in full here.
This was originally posted on Neatplaces.co.nz and has been republished with permission.
All over New Zealand, we are blessed with incredible wine experiences in our own urban backyard.
Whatever your wine preference, from a classic Marlborough Sauvignon Blanc to a Central Otago Pinot Noir or perhaps an interesting blend from a distant European vineyard, you don’t have to travel far to taste and taste. a drink or two (responsibly of course!).
It could be a tasting flight at a cozy wine bar or an afternoon spent hopping between urban wine spots, learning more and delighting your palate. And of course, it’s not just great wines that make up these experiences, but the thoughtful food options that often accompany a tasting or make up a long winery lunch experience.
Think carefully assembled cheese platters and plenty of platters you can’t refuse. So the next time you need a little escape, why not try one of these places nearby.
READ MORE: * Nine of the best cellar doors in Hawke’s Bay * Five of Gibbston’s top wineries * Three of the best Central Otago cellar doors
The Urban Cellar
3 Ossian Street, Napier, Hawke’s Bay
Hawke’s Bay is renowned for wine making and many amazing vineyards. If you find yourself in Napier, with limited time and still want an amazing wine experience, why not try The Urban Winery.
Located in the historic Art Deco building of the National Tobacco Company in Napier, it is home to Tony Bish Wines and the cellar door also carries a range of wine labels from across the region.
A delicious tapas menu is on offer to accompany the wine tastings and the team here regularly organize events and live music performances.
1 Davidson Street, New Plymouth
The Known Unknown team wants to make wine fun and accessible to everyone. They haven’t gone the standard route with their winemaking and it’s clear to see how they take inspiration from art, design, music and food, and enjoy collaborating with others.
An urban, New Plymouth-based winery, Known Unknown focuses on producing natural, lo-fi wines (and cider). They put a lot of love and attention into growing organic fruit and they are the heroes of it in the wines they produce.
Check out their tasting room if you’re in the neighborhood, there’s always an interesting drop (or several!) to try, along with a delicious variety of snacks.
Wellingtonians are spoiled for choice when it comes to seeking backyard wine experiences. Let’s start with Puffinat my house at the bottom of the Fearless Hotelthis cozy and intimate wine bar showcases natural and minimalist intervention wines.
There are delicious little plates to enjoy with your chosen drop and eclectic decor that is sure to grab your attention. The next step is Amok, where owners Thomas and Natasha describe the vibe here as “a classy house party, thrown by us, our way.” With a wine list focused solely on New Zealand and Australia, a mind-blowing playlist and tasty food, this is a house party you’ll want to stay awhile.
Honorable mentions must also go to Newtown’s The next doorwhich is small but perfectly formed with natural wines on tap, Noble Rot Wine Bar on Swan Lane is a pure example of owners Josh and Maciej wanting to share their passion and love of wine, and Ascot pair hot dogs and wine – need we say more!
Auckland Skyline Tour
In the sprawling metropolis that is Auckland, incredible wine experiences can be found throughout the city centre, on K Road and in the village settings of neighborhoods such as Gray Lynn and Ponsonby. Start in the center of the city is The Fuentwhich started life purely as a mezcal bar, this intimate space on Snickel Lane has expanded its offering and now also features a very impressive focus on wine.
Take a walk (or quick carpool) to Queen Street and in the K Road area you will find Celestial Bar and East Street Hall, both with interiors to admire and express. And with stunning wine lists to boot.
A suburb of Ponsonby is beautiful, think cozy but elevated neighborhood wine bar. Owners Diva and Logan have used their many years of experience in the hospitality industry to create Beau and the wine list reflects their favorites from New Zealand and Europe.
A few doors down is Annabel’s Wine Bar, head here for their appetizer menu from 4pm daily, you can’t go wrong with your selections – the food and wine are ‘the chef’s kiss’. If you are near Gray Lynn, be sure to head to Freida Margoliswhere there’s a buzzing atmosphere, bold wine list and consistently eclectic tunes.
Alexia Urban Winery
197 West Street, Greytown
Alexia Urban Winery has been a labor of love and obsession for owners Jane and Lesley. Calling the Wairarapa wine region Greytown more accurately, winemaking here is one of constant evolution and learning.
Focusing on producing two different ranges for public enjoyment; Alexia and Tangente by Alexia. The first focuses on the drops of terroir, wines that will be produced year after year. While the second highlights emerging varieties, unique pieces and more.
This urban winery is family run and as such there is closure during the winter months, all the more reason to visit when open in the spring and summer.
216 Hardy Street, Nelson
The Nelson Tasman region is no stranger to incredible vineyards, and the team at Arden make it their mission to celebrate the produce and wine of their region. Located in the heart of Nelson town, Arden offers an intimate and cozy bar and kitchen with an emphasis on imaginative seasonal dishes.
Their ‘by the glass’ wine list changes regularly to highlight a range of natural, local and international selections. You can also go next door to Porta Via, Arden’s younger brother, which serves as a wine shop and lunch restaurant.
Christchurch is blessed with the Waipara wine region less than an hour’s drive away, but there are also so many amazing wine experiences right in the heart of the city.
At the Center des Arts, there is cellar door which has a delicious menu and wine list, but it’s their wide range of creative wines that make this place a must visit.
London is at the downtown end of Papanui Road, is a small but perfectly formed space serving larger small plates and a range of matching wines. Right next to it is Gatherings, a restaurant that has become known across the city for its focus on local, accessible and seasonal food. This same emphasis extends to their natural wine list and they have hundreds of bottles in their cellar. Here, every detail is thought out and the emphasis on nature and its preservation is omnipresent.
Back downtown, inside The welderyou will find Hi Hia tapas and wine bar inspired by the best of Spanish hospitality with a wine list featuring drops from New Zealand, Australia and Europe.
And watch this space for the opening of a new wine-focused pub called Downstairsthe twin of Twenty-seven steps (literally down the stairs from this New Regent Street favourite).
Tussock Hill Vineyard
210 Huntsbury Avenue, Kashmir, Christchurch
Set atop Port Hills, with sweeping views of Christchurch and the Southern Alps beyond, Tussock Hill Vineyard & Cellar Door is a world away from the hustle and bustle of the city below.
It’s actually only a 15 minute drive from the city center and just a few hundred yards down the road you’ll find the suburbs of Huntsbury and Cashmere. This family owned winery has a reputation for excellence both for the wine it produces and for the incredible cuisine on the menu.
Favoring organic and local suppliers, the dishes go perfectly with each glass of wine tasted.
The global research report named Global Property Management Software Market from 2022 to 2028recently released by MarketsandResearch.bizis ready with a decent blend of industry understanding, shrewd arrangements, valuable arrangements, and the latest innovation to introduce superior customer experience.
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Cloud, SaaS, Web
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According to the report, the global Rental Property Management Software Market is set to grow at a tremendous rate as demonstrated by the latest developments which is exceptionally exemplified in this study. The Global Rental Property Management Software Market report also covers important insights associated with current fiscal years such as new item shipments, consolidations & acquisitions, and partnerships.
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The award-winning actor and philanthropist assures everyone that even though he remains single at 45, he is content and living a meaningful life.
“Who is your ideal partner?” is a question that’s been part of every interview with best actor Piolo Pascual since his showbiz career began in 1992. Because until his adoring audience sees him settled in, they’ll always keep a close eye on his personal life. de Pascual, wishing her only the best in love and happiness.
Over the weekend, however, the award-winning actor and philanthropist assured his friends and fans that while he remains single at 45, he is content and living a meaningful existence.
During his final press conference for a longtime Sun Life Philippines supporter at a five-star hotel in the city of Manila, Pascual said, “[Over] the pandemic, I realized, [happiness] It’s not about having a partner per se, it’s about having the independence to live life one day at a time.”
He added, of the past two years, “Time has taught me a lot about discipline and [especially] to appreciate life for all it gives you every day.”
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Pressed as he always is to enter into a relationship, he replied without an ounce of impatience: “Hindi kasi ako naghahanap eh. ‘Yun ang mahirap dun eh. But there will come a time for me to calm down.
“Again, I have no criteria or requirements [for an ideal partner] because in the end, it’s a matter of the heart, it’s a matter of feelings. Hindi naman hinahanap ‘yun, dumarating na lang,” he rightly said.
Despite a lull in the love department, Pascual made sure to reveal that he’s still far from jaded despite failed relationships.
Always a fan of true love, he said: “I believe in something that happens by fate, something that happens with divine intervention or divine appointments. I believe in magic. I believe in something electrifying. And when that time comes, that person will be the perfect match.”
Showing the way to her meaningful existence, Pascual first expressed her gratitude for the resounding success of her ongoing “Flower of Evil” series with Lovi Poe. Airing on Viu, it is currently the No.1 weekly series on the Southeast Asia-wide entertainment platform.
Second, he said he felt very fortunate that his partnership with Sunlife Philippines has only grown stronger over time, given such worthwhile and life-changing campaigns that they continue to substantiate for the public. .
The current state of the actor’s life and other similar personal stories actually inspired the latest Piolo x Sun Life Philippines project titled “Partner for Life”.
The launch previewed how the campaign message is portrayed in a fun and dynamic music video featuring lead brand ambassador Sun Life in singer-songwriter Jonoy Danao’s single, “Bright Like the Sun”.
Danao’s composition perfectly captures the emotion of the special bonds in people’s lives while exuding hope and optimism for the future despite the past two years of the pandemic.
Carla Chong, Chief Customer Experience Officer and Chief Marketing Officer for the company, explained, “Similarly, Sun Life is poised to be the lifetime partner of Filipinos when it comes to achieving their financial goals, even in times of uncertainty. As the oldest life insurance company in the Philippines, we offer a wide range of solutions that can help Filipinos get closer to their financial goals at all stages of life.”
Those ready to find a brilliant partner in this segment of life can contact a Sun Life advisor via http://www.sunlife.co/TalkToAnAdvisor.
Walking the conversation with Sunlife behind him, Pascual ended the enjoyable one-on-one saying, “At this point in my life, I just want to keep doing what I’m doing. It’s something I really appreciate, being in this business, being in front of you guys, and just sharing my life.”
WELLSVILLE — In addition to other local resources, another Cache Valley organization, Avenues of Hope, is on a mission to help fight the war on suicide.
On KVNU’s For the People show last week, Lisa Mitchell said her goal was to help people find a human connection and a sense of belonging.
“We really believe that if people have this sense of belonging, they will have better mental health, they will be able to heal and they will be able to live a full and happy life,” she explained.
Mitchell said the more openly people discuss suicide and mental health, the more it creates a safe place for people who find it difficult to open up and talk. Avenues of Hope offers a variety of aids including music therapy programs, coaching programs and also horses.
“We’re trying to pull resources together, find ways for individuals to connect, because talk therapy doesn’t work for everyone. So we have music therapy, we have equine therapy that we can connect people with, and it’s really effective therapy that’s been proven to help touch people’s lives.
This Saturday, July 9e, they are sponsoring a Race for Hope in Wellsville. The cost is $25 for the 5K and free for a one-mile run for kids. The race starts at 8 a.m.
“It will be at Wellsville city square park, if you are not familiar with Wellsville, that is where the tabernacle is, there is a little park there and everything will be there. The race will start there and end there and it will be fun. It’s doable for anyone who wants to get out and run or walk, it will be a great time to get together and just share our positive energy with each other.
Mitchell said that’s one of the things they want to do is by having these events that they can just come together and really support each other. You can get more details at AvenuesofHope.net
With the end of Roe on so many minds, it might surprise those of us in liberal Seattle how much abortion access in our state is under the control of the Catholic Church.
As Leah Rutman, policy adviser at the ACLU of Washington, has said, “Having the right to an abortion doesn’t mean you have access to it.”
Washington is just one of the few states in which more than 40% of hospital beds are controlled by Catholic doctrine. This shift became more acute with the 2021 merger of Virginia Mason and CHI Franciscan, creating Virginia Mason Franciscan Health, which operates 11 hospitals and 300 care sites. With this merger, Virginia Mason said she would “not become Catholic,” according to The News Tribune reports, but would no longer provide “elective” abortions or participate in the process of dying with dignity. the state.
The new entity’s website now reads: “It is the policy of Virginia Mason Franciscan Health that all services rendered at our facilities should be life supporting. At no time may actions to end life be performed or permitted. »
This latest merger came nearly a decade after secular Sweden merged with Catholic Providence in 2013 and stopped providing most abortion care. Under pressure from reproductive health advocates in 2011, when the merger was being considered, Swedish partnered with Planned Parenthood to underwrite a clinic offering abortion care near the hospital.
A spokesperson for Providence Swedish Puget Sound said in an email: “Elective abortions are not performed in Swedish facilities. However, the Swede does not deny emergency care. When a pregnant patient’s life is in danger, Swedish clinicians provide all necessary medical interventions, including pregnancy terminations, to protect and save the patient’s life.
The spokesperson also said that although Sweden provides health care prohibited by the Catholic Church’s ethical and religious guidelines for Catholic health services – such as birth control for the prevention of pregnancy, ligatures tubes for sterilization purposes and in vitro fertilization to treat infertility – La Providence no. You can consult the services provided by hospitals in the public database of the Ministry of Health.
The provision of emergency care aligns with the Pregnancy Protection Act of 2021, which Governor Jay Inslee signed into law to allow physicians practicing in Catholic hospitals to provide abortion care when the life of a patient is in danger.
Access to abortion care is dramatically unequal in Washington, with large swaths of the state — especially rural and eastern counties — lacking any abortion clinics.
Abortion is already illegal or heavily restricted in 11 states, and 12 more are on the verge of doing the same.
The Guttmacher Institute estimates that with Roe’s overthrow, Washington will see a 385% increase in the number of people traveling here for abortion care, largely expected from Idaho and Montana to the east.
With Catholic-controlled hospital systems representing a growing share of our health care providers, the small number of clinics providing care in the eastern part of the state, for example, could be inundated with patients from the out of state.
The ACLU’s Rutman said these types of hospital mergers have an effect on patient care. When these consolidations took place, she said, “We saw statewide decreases in reproductive health care, end-of-life care, access to gender-affirming care.”
But it doesn’t have to be that way. Despite strong rhetoric for abortion rights from elected Democratic leaders, Rutman said, California and Oregon have done a much better job of ensuring these mergers don’t hurt access. from patients to reproductive health care, providing a much more robust monitoring system.
Rutman cited an example of a merger that affected both Washington and California, saying, “You can see where California not only reviewed all the material, held statewide town hall meetings, comment periods to get feedback from individuals and ultimately approved the merger with caveats. about maintaining reproductive health care… And in Washington State, none of that happened. So that really demonstrates the significant need to ensure that we have more oversight here.
During the last legislative session, the Keep Our Care Act was introduced, which would have required health systems to show how a merger would impact, among other things, “reproductive, gender-affirming, emergency and end of life. The state attorney general would have had to determine through a public process whether the transaction would harm access and affordability of care. It has stalled, but could be reintroduced next year.
With so much fear and uncertainty surrounding abortion care, it is somewhat comforting to live in a state that protects a pregnant person’s right to choose, but that only matters if she has the ability to exercise that choice. Washington still has a long way to go to stand up to religious doctrines and fulfill this promise for everyone.
[email protected];on Twitter: @naomiishisaka.Naomi Ishisaka is the Seattle Times’ Associate Editor for Diversity, Inclusion and People Development. His column on race, culture, equity and social justice appears weekly on Mondays.
As is customary for a music superstar to do in 2022, VannDa cleaned up her Instagram page as it came time to build anticipation for her new album “Skull 2 (Season 1).” The 25-year-old rapper deleted (or archived) all of the content that had been browsed by his adoring 572,000 subscribers, but then posted a single post to his feed: a candid collection of photos and videos of himself taking depth, well-deserved naps.
After all, it’s hard work to be the pride and joy of Cambodian popular music. “There is definitely pressure and I have worked harder. It’s the biggest project I’ve ever done before,” VannDa recounts later. NME. “It’s the first time I’ve operated at this level…I’m excited even though there’s pressure, and I’m excited to show the fans what’s going on.”
Last Friday, he did just that with “Skull 2 (Season 1),” the first half of the sequel to his 2020 debut “$kull the Album.” If life is a movie, as the saying goes, VannDa’s current Imperial phase is more like a TV show, and this project its first batch of 15 episodes. And in typical ‘second album’ fashion, these productions are polished yet unpredictable, these songs captivating – and at times heartbreaking – in their honesty.
The way VannDa openly reflects on her rocky journey from shaved coconut salesman to celebrity rapper on “Skull 2 (Season 2)” would be remarkable in any setting. But his determination to openly address mental health issues – rapping about depression and anxiety from the opening track, “Sometimes” – is particularly remarkable considering how his profile has exploded in 2021.
VannDa was already one of Cambodia’s most exciting contemporary artists when he released the song “Time To Rise” last March. A collaboration with Master Kong Nay, one of Cambodia’s most revered musicians, ‘Time To Rise’ weaved the legend’s resonant vocals and traditional Khmer instrumentation with a nodding hip-hop beat, ad libs VannDa’s smooth and confident bars about heritage, history and excellence. Its music video, shot amid sacred treasures and artifacts on display at the National Museum of Cambodia, has racked up 94 million views on YouTube to date.
“The Cambodian people have lost so much,” says VannDa soberly, referring to the Khmer Rouge and the destruction the genocide inflicted on the country’s art and culture. “I want to show both the Cambodian people and the world that Cambodian music deserves to be on the map, and that culture is a treasure that we must protect. We didn’t have the chance to do that in the past, and now I want to protect him.
NME met VannDa in June on Zoom, the star buried himself in a hoodie, fiddling with sunglasses that he didn’t take off during the hour-long interview. Speaking mostly Khmer with a smattering of English, he sits alongside Laura Mam – co-founder and CEO of his Baramey Production label, and pop star in her own right – who translates his answers and occasionally NME‘s questions.
Baramey’s roster has come together to help VannDa make “Skull 2 (Season 1)” a reality. The label had initially tried to work on the album by sending files back and forth, but the process proved disjointed and unsatisfactory. So the whole team decamped to a villa in Kep province, where they hunkered down for a two-week album camp.
“I want to show both the Cambodian people and the world that Cambodian music deserves to be on the map”
“It was my first time working with a lot of different people,” VannDa recalls. “I’ve always been a loner doing everything myself, including producing, mixing and mastering.” At Villa de Skull, as they came to call it, producers, singers, and songwriters split into three different stations, which VannDa navigated between. As a decision-making “mastermind”, he took a liking to curation and arrangement. “It allowed me to know myself much better because I was in an environment where I had to question myself by knowing which parts [of the music] I really wanted.”
And what has VannDa learned about himself? “That I’m the kind of artist who’s willing to learn anything…I’ll try anything and that made me a fearless artist in the process.”
He adds: “It’s more than music, because I talk about my real experiences. There are no lies in the album. I am truthful and feel motivated by telling the truth.
“Skull 2 (Season 1)” makes room for bluster and boastfulness, like the singles “Bok Kalo” and “Catch Me If You Can.” But VannDa wants you to get the hard truths first: The project is loaded up front with moody bangers filled with real VannDa talk about sacrifice, betrayal and angst.
Recording these dark and intense songs in the quiet surroundings of Villa de Skull gave the songs “a new flavor” – what VannDa calls a “dark freshness”. Nowhere is this more evident than on the pair of songs ‘Day Dreamer’ and ‘Night Thinker’. On the old track, VannDa recalls 2016, when he left his home in Sihanoukville for Phnom Penh to pursue his musical dreams. “I dreamed of another version of myself that felt no pressure and was just happy every day – a fantasy version of myself.”
“I will try anything and it has made me a fearless performer in the process”
And on that last song, VannDa reached the big city. He already misses his mother and father, and big existential questions have begun to weigh on him. “I needed to think about the meaning of life and what it was all about.” As a guitar cries and mournful strings resound, VannDa vows to make her painful departure worth it for the sake of her parents:I don’t know when / I could relieve you of your struggles / Let you get the rest you deserve / I can’t afford to be a coward / You must be tired of giving me time / This is it essay that I conjured .”
VannDa calls “Skull 2 (Season 1)” a “university of mental health” – a term that started out as a joke but solidified into a serious description of the album. On ‘$kull the Album’ in 2020, “I was reacting to my own mental health and talking about how to deal with it at this very moment,” he says.
“While in ‘Skull 2’ I feel like I was able to complete the ‘college’ part, where you come away with lessons on how to deal with difficult people and situations – how to deal with pain and life. I feel like a teacher at a university, teaching people how to deal with their deep emotional issues!”
Although ‘Skull 2 (Season 1)’ is now out, the hard work has only just begun: later this year VannDa will embark on a tour of Cambodia and then release ‘Skull 2 (Season 2)’ . After gaining an international following with “Time To Rise” and landing an unprecedented collaboration with Thai rappers F.HERO, 1MILL and SPRITE on the single “Run The Town” earlier this year, VannDa is aiming to go global – whatever it takes.
“I’m sure there are people watching my steps,” he said. “Many artists have dreamed of going international. It’s a long-time dream, a shared dream. The road I am on right now is strewn with pitfalls and difficult to build. But I’m working hard because I intend to build a smoother road for artists after me to travel easier and faster… This is for my people, my country. I want to represent on behalf of Cambodia.
VannDa’s “Skull 2 (Season 1)” is now available via Baramey Production
Smartphone apps, in particular, have exploded in popularity, offering incredible promise for mental health with broad reach and low-cost scalability. Poor mental health was on the rise before the pandemic but reached new heights during this one. As a result, COVID has created never seen before demand for mindfulness applications and online course.
It’s no surprise that people have turned to mindfulness as a result of the past stressful years and its massive promotion. And while there may be some benefits, it alone cannot treat poor mental health and should not be relied upon to do so.
What does the research say about mindfulness for the treatment of mental health?
In-person mindfulness-based programs, such as those for stress reduction, which often include health information and the practice of guided meditation, show moderate benefits in healthy people and those with disorders. mental.
Among healthy populations, a full review shows that mindfulness-based programs help relieve symptoms of anxiety, depression, and distress the most and, to a lesser extent, promote well-being.
Among people with a psychiatric diagnosis, a full review shows that mindfulness-based programs can help treat anxiety and depressive disorders, as well as pain disorders and substance use disorders. But mindfulness-based programs don’t outperform standard talk therapy.
For structured online mindfulness programs (digital variations of programs such as mindfulness-based stress reduction), a exam shows that the benefits are small but still significant for depression, anxiety and well-being.
What about mindfulness apps?
The evidence on mobile phone interventions and applications is less positive.
A recent full review mobile phone interventions (including apps) combined the results of 145 randomized controlled trials involving 47,940 participants. The study looked at text messaging interventions and apps for a number of mental health conditions compared to no intervention, minimal intervention (such as health information), and active interventions (other programs known to work). The authors “did not find compelling evidence to support a cellphone-based intervention on any outcome.”
A exam Mindfulness apps, included in the full review above, found well-designed randomized controlled trials for only 15 of the hundreds of apps available. Overall results were low to moderate for anxiety, depression, stress, and well-being. While these results seem positive, most studies (about 55%) compared apps to doing nothing at all, while 20% compared apps to controls like audiobooks, games, relaxing music, or math training.
When the apps are compared to well-designed treatments, the effects are often less promising. A study comparing a mindfulness app to a “sham” (something that looked like mindfulness but wasn’t), the app was no better.
But does it hurt?
Evidence shows that mindfulness meditation may actually make things worse for some people.
A recent meta-analysis which reviewed 83 meditation studies, including 6,703 participants, found that 8.3% of people became anxious, depressed, or experienced negative changes in thinking during or after practicing meditation.
Other research suggests people first exposed to meditation through an app may be more likely to experience adverse effects such as anxiety, depression, or worse.
While apps and other forms of meditation are relatively inexpensive, if they don’t work, the return on investment is low. Although the costs may seem relatively low, they can represent significant costs for individuals, organizations and government. And some learning modules and training programs cost thousands of dollars.
Mindfulness should be used ‘along with’, not ‘instead of’
Investment in these programs is not a problem in itself. Mindfulness meditation (including various digital offerings) has tremendous benefits potential. The problem is that mindfulness is not enough and should be used in addition to first-line mental health treatment, such as psychotherapy and medication, not in place of first-line treatment.
More concerning is that some mindfulness apps claim they can prevent mental health issues. There is not yet enough evidence to be able to make these claims.
In a world where people face so many challenges spanning social and income inequality, unprecedented environmental change, war, economic instability and global pandemics (to name a few), we need to choose support programs very carefully.
Although mindfulness may have some benefits for some people, it is not a substitute for frontline treatment for mental health issues.
The family and estate of the late Wham! The star donated his prized Bechstein piano to the Nordoff Robbins music therapy charity because George wanted to support the cause after his death.
Jon Ellery, managing director of renowned amplifier manufacturer Marshall, purchased the instrument for his new state-of-the-art studio in Milton Keynes. He told the Sunday Express: “It’s going to be something really special because we have a really amazing recording studio, so to have that and for people who come through it over the next ten years…it will be unbelievable.
“It’s important that we bring it to a working studio to continue playing it the way George Michael used it.
He added, “We’ve had our ups and downs in the pandemic as an industry and that’s really our legacy now for Marshall. For us, it’s about putting it in our internal studio for the bands of the future to use.
“We wanted it to come into a musical environment and not be put away in a museum where it wouldn’t be seen and used and just stored. It’s amazing that we’ve been involved in making music for sixty years so that speaks for itself and that’s all we can do is continue to be central players and that’s it .
Friday’s live auction drew bids from around the world. It was performed at the event by Derek Paravicini who is blind and autistic.
The Sunday Express reported last week that the charity was thrown a lifeline when George’s estate donated the piano at auction to raise much-needed funds. He supported Nordoff Robbins throughout his life.
The charity’s CEO, Sandra Schembri, said: ‘He was a very private donor and he gave most things without people knowing he was giving them.
“It’s the estate that comes to us and tells us that’s what they would have wanted. They want to continue to support you.
“There are a lot of times at Nordoff Robbins where we choked back our tears. It’s really touching because our kind of work will never be done.
After his death on Christmas Day 2016, the full extent of George’s philanthropic work came to light, earning him huge praise because he had avoided publicity for his generosity.
Mill Valley hired Corte Madera City Manager Todd Cusimano to manage the town.
Cusimano assumes the position with nearly three decades of public service experience. He was head of the Central Marin Police Authority before taking on the role of city manager in 2016.
He will replace Alan Piombo, who announced his retirement earlier this year. Cusimano’s starting salary will be $257,000 per year. Cusimano will start with the city in the fall.
“I want to thank Mill Valley City Council for this honor to serve the community,” Cusimano said. “I am delighted to have the opportunity to work with a strong city council, as well as high quality staff and an engaged community.”
The Corte Madera city council is planning a closed meeting on Wednesday to determine the next steps in selecting a replacement, Cusimano said. He said he hoped to ensure a “smooth transition”.
Cusimano called Corte Madera’s departure “bittersweet”.
“We have accomplished what we had to do. It’s time to let the next generation of leaders take over,” he said.
Cusimano said department heads are expected to retire in the coming years and he hopes to build a team that can continue to guide the city even after his eventual departure as city manager.
“The city doesn’t need fixing from the perspective of what we’re doing,” he said. “We have a great team. We want to develop it and we want to make sure we are strong.
Cusimano praised Mill Valley’s history of volunteerism, community involvement and effective government service. He said he hopes to come up with plans for long-term fiscal sustainability and infrastructure improvements, and hopes to prioritize diversity, equity and inclusion practices at all levels of city government.
“We appreciate all of Todd’s hard work over the years. His devotion to the city and its people was truly remarkable. He is leaving the city in a position of strength and as a city we are turning a chapter and looking to the future,” said Corte Madera Mayor Fred Casissa.
Mill Valley Mayor Jim Wickham said the town is considering 11 candidates. They were narrowed down to seven for a community panel and four were selected for final interviews. Cusimano stood out as approachable, responsive and successful among the candidates, Wickham said.
“He brings a depth of knowledge and skills and can basically jump into the role of city manager with minimal learning curve,” he said. “He has the respect and integrity to steer the ship. I know he’s really excited and we’re really excited to have him part of our family and our team.
City officials noted that some of Cusimano’s accomplishments included consolidating police and fire departments; the reduction in health and pension commitments for retirees of Corte Madera; and passing a $4 million sales tax.
Piombo said he had experience with Cusimano as the county city manager.
“Todd’s breadth of experience and in-depth knowledge of municipal operations will greatly benefit Mill Valley,” he said. “He brings solid expertise in organizational development, succession planning, financial stewardship, public-private partnerships, employee relations and economic development.
Cusimano holds a bachelor’s degree in criminal justice from Kaplan University and a master’s degree in business administration with a major in public administration from Columbia Southern University.
He is a graduate of the FBI National Academy, the Berkeley Executive Leadership Program and the Sherman Block Supervisory Institute.
Randy Bachman has performed many times on Canada Day, but the event he attended this year was unlike any other.
The former Guess Who and Bachman-Turner Overdrive member flew to Japan to retrieve a guitar he’s been hunting for decades.
“I’m really happy. I’m getting my lost Gretsch guitar back,” the 78-year-old rocker told CBC News in a meeting room inside the Canadian Embassy in Tokyo.
The guitar is a 1957 Gretsch 6120 Chet Atkins, orange in color, which he bought at a Winnipeg music store when he was 19 years old.
Forty-five years after she was robbed in Toronto, she’s back in his arms, and he can’t believe it.
“If you never want to forget your birthday, you get married on your birthday. You never forget your wedding anniversary. I will never forget this day,” Bachman said.
The Gretsch was his first big purchase as a young adult, and he played it on recordings of iconic tunes like Take care of business, American woman, those eyes and Undun. But when his band BTO came to Toronto in 1977, he was left in a locked hotel room, where he was somehow ripped off.
“It was just terrible,” Bachman said in an interview in 2021. “I literally cried all night…I loved this guitar so much.”
Bachman launched his own search, which lasted for decades and yielded nothing.
Japanese media suggest that the Gretsch eventually crossed the US border, where it was sold to a guitar dealer in Japan. Reports say that Takeshi, a musician who writes for Japanese pop bands, bought it in 2014 from a guitar shop in Tokyo, without knowing its history.
Six years later, the Canadian rocker finally got a break from the deal. A longtime fan and Internet sleuth from White Rock, British Columbia named William Long heard Bachman’s story and decided to try and track down the instrument using facial recognition technology. He found it in a YouTube video showing Takeshi playing the guitar.
He contacted Bachman, who got in touch with Takeshi. Then plans were made to redeem him. The Canadian bought an almost identical Gretsch to exchange for his original.
On Canada Day in Tokyo, the saga finally came to a close in front of a packed crowd at the Embassy’s Oscar Peterson Theatre.
Bachman and Takeshi met for the first time on stage and, in an emotional moment for both of them, swapped vintage instruments, with the Japanese musician restoring a piece of Canadian rock history.
“It was all worth it”
“I was going through a lot of emotions today,” Takeshi said through an interpreter as he sat next to Bachman on stage.
“But seeing your smile after seeing that guitar, I just thought it was worth it.”
Bachman said he also had mixed emotions. He says he got attached to the guitar he trades with Takeshi, but he’s more than happy to go home to his first love.
“Coming here to trade has been very emotional, and I appreciate this honorable man for giving me the opportunity to get the guitar back,” Bachman said.
‘Like a fairy tale’
The story of Bachman’s long-lost guitar has made headlines around the world over the past year, largely because of the remote likelihood that it will ever be found.
Winnipeg rock journalist John Einarson wrote extensively about the Guess Who and other bands of the era, and said the odds of recovering this stolen Gretsch were “astronomical”.
WATCH | Why this guitar has made such a mark on the music scene:
Music historian John Einarson explains why the 1957 Gretsch Model 6120 Chet Atkins guitar was so influential on the Canadian music scene.
“It’s really like a fairy tale, you know? And it was rock and roll by chance that it was discovered in Tokyo,” Einarson said.
“The guitar holds an important place in the history of Winnipeg music because it’s so emblematic of Canadian music, Manitoba music and Winnipeg music. And for Randy too.”
At the Canada Day event, the two musicians played a series of Bachman hits, then went their separate ways.
Bachman said he will keep a close eye on his beloved instrument. He plans to play it once at a concert in Vancouver this year and then lock it away permanently at his home in Victoria, where it will join his collection of vintage Gretsch guitars.
To commemorate his unusual connection with Tokyo, Bachman also plans to release a new song titled FOUND OBJECTco-written with his son Tal Bachman, with lyrics in Japanese.
Each week, part of my job is to supervise third and fourth year psychiatry residents in their psychodynamic clinical training. Given the era of scientific reductionism that we are currently living in, particularly within medicine, training aspiring psychiatrists in a style of treatment derived from Sigmund Freud’s psychoanalysis can sometimes be… well… hard to sell.
Freud in 1885 at the start of his career.
Source: public domain / Wikimedia Commons
For those who need a brief reminder, a precursor to what would later be known as “psychoanalysis” was developed by Josef Breuer, Freud’s mentor, in the 1880s in Vienna, through his work with the now famous patient zero of psychoanalysis, Bertha Pappenheim (aka “Anna O.”). Freud officially published accounts of Breuer’s treatment of Pappenheim in his 1895 book, Hysteria studiesbefore continuing to refine psychoanalysis in the decades that followed, writing volumes of books and journal articles on the process of psychoanalysis, as well as its theories of the human mind, personality, and psychopathology.
Psychoanalysis gained brief popularity in the United States in the early 20th century and became the standard of care in psychiatry and psychology, especially in coastal American cities with large Jewish populations. Given the social and intellectual influences of Jewish culture on the development of psychoanalysis (Freud and Breuer were Jewish, as were many of its early pioneers), psychoanalysis became seamlessly integrated into urban cultural centers around the world that had a large number of educated Jewish professionals. . But psychoanalysis, never very popular in the heartland of the United States, began to wane in popularity in the mid-twentieth century, even in coastal towns, when simpler, shorter-term treatments were introduced. developed, such as behavioral therapy (BT) and cognitive behavioral therapy. (CCT).
Since then, efforts have been made to reform psychoanalysis to meet the expectations of modern American patients in psychotherapy, and by the middle of the 20th century a multitude of new therapeutic styles were born which retained the fundamental aspects of psychoanalysis, while by shortening treatment models and updating Freudian theories of human behavior: these offshoots of psychoanalysis are collectively called psychodynamic treatment methods. For those who might be interested in a short primer on psychodynamic therapy and the ways in which Freudian-style treatments have been updated to fit our postmodern era, I highly recommend Jonathan Shedler’s article (2010), “That Was Then, This Is Now: An Introduction to Contemporary Psychodynamic Therapy”, that I offer every year to the residents I supervise.
In addition to competition from more direct and shorter-term treatments, such as BT and CBT, psychoanalysis also began to fall out of favor in the mid-twentieth century with the rise of feminist critiques of some of the most controversial theories of psychoanalysis. Freud on human behavior. Today, the majority of mental health practitioners, including those trained in psychoanalysis, view Freud’s controversial theories as regressive and believe that most feminist critiques of Freud, especially those on penis envy and female hysteria, are valid and justified. However, as Donna Stewart, MD, professor and chair of women’s health at the University Health Network, explained in an article on the subject (Cherry, 2020), it must be remembered that “Freud was a man of his time”.
Too often, when we examine people’s ideas in history, we do so without appreciating the context of the times and places in which they lived. Although Freud and some of his theories are considered by some to be regressive today he would probably have been considered a progressive in the midst of the nineteenth-century bourgeois, Jewish and Viennese enclave in which he developed these theories. For those who might be interested in learning more about the world that created Freud, I invite you to check out the Netflix series about him, named after him, which provides important context about when and where he lived.
Because of all the headwinds above, Freud and his set of theories are more likely to be taught in a cultural studies curriculum today than in the myriad of mental health disciplines. To me, this is unfortunate because a cultural studies inquiry into Freud is likely to overlook the important ways in which his theories translate into meaningful insights and growth in therapy. As someone who was trained in Freud’s theories of the human mind and implemented them clinically, I believe he understood the inner workings of the human mind better than anyone since the Buddha.
Freud’s famous sofa in his office-museum in London
Source: Huffstutter/Wikimedia Commons
There are too many revolutionary concepts to cover than can be discussed in this article, but if there is one that is most important, one that subsumes all others, it is the Freudian notion of the unconscious. Freud’s understanding and attention to the unconscious sets him apart from all other clinicians and philosophers of mind who have gone before him, and from those who have since attempted to replace his psychoanalytic approach with simpler ones. , direct and concrete.
Being more concrete, approaches such as BT and CBT are easier to teach, easier to standardize, and easier to manualize for use in clinical research trials. A simple review of the psychotherapy outcome literature is all that is needed to highlight how much more frequently BT and CBT have been studied than psychoanalysis and psychodynamic therapy. This has led to BT and CBT gaining a reputation as the quintessential “evidence-based treatments” for mental health disorders. It’s a well-deserved reputation, as BT and CBT certainly work well for an array of psychological conditions. Earlier I noted that I was trained in psychodynamic therapy, but I was also trained in BT and CBT, and in the multimodal style that I practice in, I often use techniques from BT and CBT where appropriate , and they perform quite well in those specific areas. situations.
Essential readings of Freudian psychology
However, just because psychoanalytic and psychodynamic therapies are more difficult to standardize and reliably research does not mean they are less effective than BT and CBT. In my experience, psychoanalytical and psychodynamic approaches tend to work better than BT and CBT when the clinical problem in question is not clear or complex, as is the case with existential depression or anxiety. existential; non-biological sexual dysfunctions; a myriad of relationship problems; or bizarre behaviors that seem to have no clear cause. In these cases, an investigation of the unconscious is essential and can be evaluated by examining its defense mechanisms, as well as the transference/countertransference dynamics, and even sometimes its dreams.
Unlike BT and CBT, psychoanalysis and psychodynamic therapy are more art than science, and for this reason they are often devalued in today’s STEM-obsessed world. But today’s world is also filled with many things that science struggles to predict and explain, including mass shootings, teenage suicides, political extremism and susceptibility to conspiracy theories, among others. It is here that the art Freudian-style psychotherapy can be of the greatest value, and why Freud matters more than ever.
In Part 2 of this series, I will review some of the specific components of the Freudian model of the mind and highlight what makes them extraordinary.
Each month, we come back to the most popular Oncology Nursing News® stories.
June 2022 topics include the evolving role of social media in connecting patients, nurses’ perspectives on future directions for CAR T-cell therapy development, and potential limitations surrounding new opioid prescribing guidelines offered by the CDC. Other highlights include a conversation with Ohio End of Life Options Founder and Executive Director Lisa Vigil Schattinger, MSN, RN, about her personal experience with physician-assisted dying and ongoing research to to determine if music can help reduce chemotherapy-induced nausea.
Approval of off-the-shelf CAR T-cell therapy options could provide greater accessibility and benefits to patients, experts say. In this feature, Oncology Nursing News® speaks with Brittney Baer, BSN, RN, and Kelly Garvin, BSN, RN, OCN, about the evolution of CAR T-cell therapy options and whether off-the-shelf options may become available in the near future.
Although the CDC has worked hard to improve its opioid guidelines, many providers still believe more can be done. In this feature, Jack Kain, PharmD, discusses recent changes to clinical guidelines and remaining questions regarding optimal care with opioid therapy.
Lisa Vigil Schattinger, MSN, RN, talks about her experience with medical assistance in dying and what oncology nurses need to understand when supporting end-of-life patients.
Will the day come when the oncology nurse dispenses acetaminophen with 20 mg of Mozart? Listen to Jason Kiernan, PhD, RN, ACNP, a Michigan State University researcher, who is preparing to develop an encouraging pilot study that used a music listening intervention to influence chemotherapy-induced nausea.
The rise of social media platforms has helped create a community of teens and young adults with cancer. Hear from our CancerCare partners how social media can positively address a unique social need for this patient population.
To stay up to date with all the latest news and featuresSubscribe to our newsletter.As always, thanks for reading.
Multi-platinum singer, songwriter, producer and multi-instrumentalist, Lauvjust released their new single and music video “children are born stars”!
This track is the third single from Lauv’s highly anticipated second album, All 4 Nothing, which should come out 5 August. In the music video directed by Hannah Lux Davis (Ariana Grande, Doja Cat), Lauv meets and connects with her younger self.
When Lauv started making this album, he was doing a lot of inner child meditation work.
“This song allowed me to reconnect with my 8th grade self and give it a little boost of confidence because Lord knows he needed it back then,” Lauv explained. “As an adult I had also lost touch with my sense of confidence and making that song and the whole album helped me reconnect with the person I really am.”
With this new album, Lauv focused on storytelling and created a unique work filled with moments of nostalgia, conflict and empowerment.
“my album,All 4 Nothing, retains an energy of openness, wonder and excitement, but also vulnerability and reality,” says Lauv. “Hopefully this will open a vortex to something you haven’t felt in a while – a place you can build from.”
Via an Instagram post, Lauv also said, “I heard somewhere that as kids we were all born with this innate confidence and ability to be. stars of any right, but along the way, it’s easy to lose that as the world beats us down, and many of us forget. So I embarked on a journey to find my confidence and where my “starpower” came from. This included things like therapy, meditation (a lot) and, in the worst times, shortcuts to things like substances and alcohol. That being said, one of the most powerful things I have found is something called inner child meditation. Where you literally visualize yourself at a younger age and see what lessons, messages or journeys this young person might have for you. I literally had conversations with young Ari, at different ages, multiple times. One of them turned into the song “Kids Are Born Stars”, and much of the rest helped me find my north star throughout the album writing process and of life. sitting here today.
“I would say that I’m not completely healed (I don’t think one can ever be, and that’s not the point), but I found a deeper connection with the real me and I learned that confidence is about accepting yourself exactly as you are, playing to your strengths and moving through life intimately with yourself. I can’t wait for you to hear the rest of that journey on this album, but then I’m so excited for you to hear “Kids Are Born Stars” and watch the video.
UFC lightweight Thiago Moises may have saved his job at UFC Vegas 57. After earning a much-needed submission victory over Christos Giagos, the Brazilian was in an emotional state during the press conference of the map.
In an interview with Combate, Moises explained why he was emotional about the win. Not only was Thiago scared of losing his third straight fight and being released, but the Brazilian shed light on all the hardships he had to go through to get into the UFC.
“I screamed, I cried,” Moises said. “I got very emotional because I was coming off of two tough losses that happened during tough times in my life, but I kept working. When I walked into the cage, the song that was playing was ‘He’s got it. left school, he skateboarded and listened to music”. That’s what I did. I played sports, I practiced jiu-jitsu. I sacrificed my whole life for this moment. That’s why this win means so much to me and my family. All the hard work I put in was on the line. I’m glad I was able to get this submission.
An artist of submission, Moises knew what he had to do against Giagos. Although Thiago likes to exchange strikes to test his stand-up before launching into the takedown, this time around the Brazilian jiu-jitsu black belt knew he had too much at stake to take a risk.
“This time the plan was to use my wrestling and my jiu-jitsu. It was one of the best performances of my life. He is really tough. He faced a champion in Charles Oliveira, Gilbert Burns and I I was able to finish it and put on a great performance.
The win saw Moises (16-6) bounce back from back-to-back losses to Joel Alvarez and Islam Makhachev in November and July 2021 respectively. Prior to the win over Giagos, the 27-year-old’s last win came in february. 2021, when he defeated Alexander Hernandez by unanimous decision.
After battling mental health and having suicidal thoughts, Zachary Levi has revealed he once had a “complete mental breakdown” which sent him to a psychiatric ward five years ago.
The actor spoke candidly about his three-week stint on the ward, telling Elizabeth Vargas on her ‘Heart of the Matter’ podcast, “I struggled with this stuff most of my life. I didn’t know that I was struggling with these things until I was 37, about five years ago, and I had a complete nervous breakdown.”
The “Shazam!” star, 41, said he had a flawed upbringing, saying there was vitriol” and “a lot of shouting” in his home. He turned to “sex, drugs or alcohol” for entertainment.
“The irony is that alcohol can give you this temporary relief, but the next day it increases that anxiety tenfold,” he said in the interview obtained by The Hollywood Reporter. “So you come running back for more, and it just becomes this vicious cycle.”
Over time, his anxiety got worse, he even had panic attacks over something as simple as eating.
“I’m sitting in my truck, and I remember vividly standing behind the wheel, and I was shaking back and forth, like I was almost trying to get myself out of what was going on, and I was just crying I I’m just crying. I’m like, ‘God, help me,'” he recalled.
After having suicidal thoughts, he went to the emergency room, which led to the psychiatric ward.
“The lies are whispering in my ear, and the failure that I felt was enough to be like, ‘Zach, I feel like you’re not going to make it,'” he said. he said.
The psychiatric ward saved his life.
“I think one of the most important things, at least for me, is to take my thoughts captive,” he said. “Our minds are so powerful, but they’re so easily, so easily hacked if we don’t really say, ‘Oh wait, wait, wait, wait, wait. I’m doing it again. I’m starting to talk. I’m starting to be tough. or self-critical. I’m starting to judge where I’m at in my life.'”
The kind of music we listen to depends on our mood and even determines the same. Listening to music can be therapeutic. Emmy Award-winning violinist and composer Sumeet Sarkar uses music as a remedy for mental health. The Los Angeles-based composer, whose works have been released on various platforms including Netflix and Apple TV, recently released an album that focuses on using music as therapy. In an exclusive chat with News18 Showsha, Sumeet talked about the same and explained how music invokes emotions that help everyone heal mental health.
“In the same way that you watch a film and it evokes emotions, there is a very special skill in composition – we were able to tell feelings and stories. When you watch films now, compared to cartoons where you hear sounds of what’s being done, like in Tom and Jerry, there are more emotional movies that evoke feelings that you can’t put into words I feel like in all my background in music composition, I have spent my time writing minimal mood music that can help to experience deeper feelings. For example, I will compose (music for) feelings of insomnia and take my audience on a journey that goes a long way and help them understand (what happened to them),” Sumeet said.
He also mentioned how he has not only composed music that helps people deal with mental trauma, but also with anxiety, anger or grief. “I write music about panic, music that evokes feelings for coping with panic attacks and going through all those phases of grief or anger and resolving everything in the end,” he shared.
Sumeet Sarkar also shared how he organizes online concerts and performances in a bid to help people suffering from depression. “Imagine an audience where the seats are beds they can lie on and relax on during a five-hour performance of sound healing therapy in composition form,” he said.
The Emmy Award-winning violinist and composer further shared that such therapeutic music keeps people motivated and positive. He also shared that the last two years of the coronavirus pandemic have been difficult for all of us and therefore the need for such music has increased. “What inspired this especially in the lockdown itself (is that) a lot of artists are going through terrible phases of depression after losing their careers during covid, not having a stage to perform and being locked in a piece with so long a spirit as musical instruments. You have to stay at home, you are not allowed to go out,” he said.
When asked if people shared their stories with him about his music helping them overcome depression, the composer replied, “Yes, I had a lot of friends in my community. I received many messages from people saying that my music helped them overcome the stress of exams. It helps people stay motivated.
Sumeet Sarkar said healing through music is not underestimated but an unnoticed aspect. “Healing through music is an unnoticed aspect. I think we heal every day by what we hear and it’s a sense in our body, the same as touch, smell or sight. You can imagine being in a room that smells strong versus a room that has the right aroma. It’s the same with audio. Until you really notice it, we can start forming a niche and categorizing it. It can help us more. Because you won’t just open Spotify and listen to a random song trying to be productive.
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Success inspires trust Calian adheres to the highest standards and information security policies
OTTAWA, ON /ACCESSWIRE/June 27, 2022/ Calian® Group Ltd. (TSX:CGY), a diversified products and services company providing innovative healthcare, communications, learning and cybersecurity solutions, announced that its ITCS US division has achieved ISO 27001 certification.
ISO 27001 certification is an international standard ensuring that organizations follow best practices to secure assets such as financial information, intellectual property, employee details or information entrusted by third parties. Fewer than 1,300 organizations in the United States and Canada held ISO 27001 certification.
“Calian is continually proactive in its practice of cybersecurity. Staying ahead of cybersecurity threats requires continuous vigilance and dedication,” said Sacha Gera, President of ITCS at Calian. “Going forward, this certification positions us for further growth and expansion in the United States and global markets.”
At a time when cyberattacks are on the rise, the 6-month certification process and ongoing commitment to compliance and maintaining the ISO standard are part of Calian’s commitment to being forward-thinking, staying one step ahead. in advance and secure its customers.
“Achieving ISO 27001 certification confirms customers’ confidence in Calian ITCS as a trusted managed security services provider.” says Faisal Bhutto, SVP, Cloud and Cybersecurity at Calian. “The certification confirms that Calian applies best practices in all security processes and follows strict guidelines to ensure the safety of customers and their data.”
The Calian ITCS team offers a wide range of IT and cybersecurity services, including enterprise IT, on-demand resourcing, IT and cybersecurity consulting, managed services, software as a service ( SaaS) and everything as a service (XaaS).
Learn more about Calian ITCS.
About Calian www.calian.com We move the world forward. Calian® helps people communicate, innovate, learn, stay safe and lead healthy lives with confidence. Every day, our employees live our values of customer focus, integrity, innovation and teamwork to design trusted solutions that solve complex problems. It is Trust. Designed. A young, stable and growing company for 40 years, headquartered in Ottawa, with offices and projects spanning North American and international markets. Visit calian.com to learn more about the various products, services and solutions we offer to the healthcare, communications, learning and security sectors.
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The hymn tunes of Ralph Vaughan Williams make consensus: undisputed quality. The greatest English composer of his generation is credited with composing, adapting or arranging over 80 tunes to important hymns of the Christian faith. Who can imagine All Saints’ Day without singing “For All the Saints” on Vaughan Williams’ SINE NOMINE or the hymn of blessing “God Be with You ‘Til We Meet Again” not sung on RANDOLPH?
At the end of the 19e century, the Anglican Church sang many ‘folk’ style hymns that were emotional, subjective and often self-indulgent in their religious message. The tunes used were sentimental, simple, secular musical style, and showed limited melodic imagination with repeated notes and rhythms, reserved rhythmic movement, and a stagnant, inactive bass line. This is perhaps the earliest example of consumerism in music, a culture of listening by people unaccustomed to participating in a musical experience whose ears were filled with secular music heard during the week.
Vaughan Williams became music editor of the English hymnbook (1906)with the intention of including the best tunes and hymns written in English. “Good taste is a moral rather than a musical matter,” Vaughan Williams wrote in the anthem’s preface. He believed that inferior hymn tunes should not be used in worship and believed that hymn singing should provide the best musical experience of the week for those in attendance.
Vaughan Williams saw English folk and traditional songs as an alternative to frequently used tunes. He believed that native songs gave a bright and joyful flavor to hymn-singing and fostered a sense of heritage among the English. The tunes were arranged in unison with organ accompaniment, modified for liturgical use, and made accessible to singers through the use of lower keys. Examples of English folksong tunes are KINGSFOLD, FOREST GREEN, SUSSEX, KING’S LYNN, MONK’S GATE, SHIPSTON and HERONGATE.
In addition, Vaughan Williams revived tunes from earlier sources, including non-English folksongs, German chorales and French psalmodies: PICARDY, LASST UNS ERFREUEN, SONG 1, RESONET IN LAUDIBUS, DEUS TUORUM MILITUM and CHRISTE SANCTORUM. Equally important, the new tracks composed by Vaughan Williams set a standard for judging all tracks, for example, SINE NOMINE, DOWN AMPNEY, KING’S WESTON, RANDOLPH, SALVE FESTA DIES, MAGDA, THE CALL, WHITE GATES and OAKLEY. As we enjoy singing hymns to tunes by Vaughan Williams, we experience the characteristics of a good tune, how it contributes to the success of the text, nurtures our spiritual development, and brings transcendence in worship.
To gauge the change in melody composition caused by Vaughan Williams, consider the tunes set to William W. How’s hymn “For All the Saints”: Joseph Barnby’s SARUM (1868) and its replacement, Vaughan’s SINE NOMINE Williams, composed for the English hymnbook.
SARUM shows limited melodic interest, repeated notes and rhythmic movement, stagnant bassline, little forward movement and energy. Many musical phrases end in sustained notes that compromise the triumphal text. The concluding “Alleluias” are melodically and rhythmically anticlimactic, and the overall impact of hymn and melody expires.
SINE NOMINE (unnamed) contains both unison and harmonized stanzas. Attention is drawn to the rhythmic interest of the “walking” bass which projects energy and forward movement throughout each stanza. The third melodic phrase (bar 10, “thy name, O Jesus”) receives the highest note up to this point in defense of the text’s importance. Vaughan Williams surprised again in bar 12 by having “Hallelujah!” enter before you expect it, on the third beat. And not only: it extends the melody of “Alleluia! above the preceding high note to create a moment of genuine excitement in the explanation of the text. The exultant text of How is given an equivalent musical framework that leads to spiritual ancestry.
A new era in hymn writing emerged with innovator and pioneer Ralph Vaughan Williams. Vaughan Williams raised the standard of musical creativity and superiority in composing hymn tunes to support meaningful worship, identified the value of a tune in effectively supporting a hymn, and provided a model from which all composers hymns could learn and congregations could enjoy. singing.
This blog post first appeared in the Church Music Institute Newsletter, December 2021.
This was revealed in an interview with The punchwhere she said her mother confessed to her three years ago after cheating on her about her biological father for years.
Ayeni said she became curious after a prophet told her about a secret her mother was hiding from her.
According to the woman, she sought the intervention of the National Human Rights Commission (NHRC) when all efforts to meet the music maestro failed to yield a positive result, adding that the NHRC also attempted in vain.
Ayeni, however, said she only intended to establish a fatherly relationship with Sunny Ade and was not interested in any financial benefit.
She says, “In 2019, a pastor told me to ask my mother to tell me a secret. First, I didn’t take it seriously until my husband told me. So I called my mom and she confessed to me.
“My mother said that the man I always knew as my father was not my biological father. She said that my biological father is Niyi and he is from Ondo State. When I asked who Niyi was, she said Sunny Ade the singer.
“My mother said it all started when she was still living with her father. Then her father wanted to marry her off to an elderly man but she refused as she had met Sunny Ade earlier and was two months pregnant for him.
“She said she finally got married to the old man because she couldn’t get in touch with Sunny Ade anymore. After getting married, my mom said she went looking for Sunny Ade but that she had not found it.
“She returned to her parents after the search and delivered me there. So when I was two years old, my mother left me with my grandmother and remarried. Ever since the confession, I’ve been looking for Sunny Ade.
“I also went to a festival where he performed, but I couldn’t reach him. All efforts to meet him were in vain, so I went to NHRC for help.
“The NHRC also sent him two letters and photographs, but to no avail. All I want is to know my past, not because Sunny Ade is rich.”
Sunny Ade remains one of the most iconic artists Nigeria has ever produced.
As the summer opera season begins, major changes are coming to the two major companies in our region. Last month, Lawrence Edelson, artistic and general director of Opera Saratoga, announced his departure at the end of the summer, his eighth season with the company. In the fall, he will take up a teaching and producing position at the University of Houston, while continuing with his own development company, the American Lyric Theater. This follows the announcement in October that Francesca Zambello is retiring, also at the end of the current season, after 12 years as General and Artistic Director of the Glimmerglass Festival in Cooperstown. She extended her contract as Artistic Director of the Washington National Opera and remains a leading director on the international stage.
The transformative tenures of Edelson and Zambello make them tough acts to track. Zambello changed the company’s working name from Glimmerglass Opera to Glimmerglass Festival, scheduled an annual American musical, and added many other initiatives like children’s opera, an annual visit to Attica prison, and guest appearances. special events, including with the late Supreme Court Justice. Ruth Bader Ginsburg. The physical factory has also undergone major upgrades. At Opera Saratoga, Edelson has taken the quality of productions to a much higher level and refreshed the repertoire with new and recent works, as well as adventures in Baroque and Spanish opera.
Billy Wilder used to say that movies should make viewers forget about their unpaid bills or their problems at work.As he observed, culture is a space for healing. The last two years have demonstrated this. Attending a concert, reading a book, getting lost in a museum or being moved by a play served not only as forms of entertainment and escape, but also as means of learning and emotional reconstruction. These processes occur not only with the cultural activities that we consume, but also with those that we do ourselves, such as writing, sculpting or painting.
There is scientific evidence that any cultural activity, whether passive or active, benefits mental health on many levels. Cognitively, it focuses our attention amid an overload of data and stimuli. Reflecting on fears, doubts, and insecurities in a journal can help us organize our thoughts and calm us down. Watching a movie can strengthen our episodic and semantic memory by the effort of storing sequences that will be consolidated into memories. Thinking about existential and anthropological questions, as depicted by great directors, painters or writers, stimulates us intellectually. On a social level, going to the opera or the theater encourages us to share our opinions and ideas, to develop our critical spirit and to become more tolerant.
On a physical level, the culture revitalizes us by putting our minds at peace, reducing anxiety and stress levels. Listening to music, for example, has a beneficial effect on brain chemicals like dopamine and oxytocin. It can also help reduce cortisol levels. On an emotional level, these activities put us in touch with our fears and worries, allowing us to better accept them. Identifying with similar characters in a movie or book increases our introspection and helps us get to know each other. At the same time, confronting antagonistic characters challenges us by questioning our points of view. Culture also satisfies our desire for pleasure and entertainment. As Alfred Hitchcock said, “There is something more important than logic: imagination.”
Global health institutions have finally recognized the thesis that artistic practices have positive effects on well-being. The European Region Office of the World Health Organization published a report supported by more than 3,000 scientific studies in November 2019. The WHO urged European governments to integrate the arts into their health and well-being policies. -be. In September 2020, the Spanish senate asked the government to declare culture as an essential asset.
In healthcare settings, some projects use art and culture to humanize the hospital experience. The Cultura en Vena foundation has orchestrated some of these initiatives. In one of them, an exhibition in a hospital presents reproductions of works from the Prado Museum, as well as texts intended to connect with the emotional experiences of the spectators.
Reading is another way to participate in culture. Every day, patients plagued by anxiety, depression and impotence approach the shelves in search of relief. As Guillermo Lahera, professor of psychiatry at the University of Alcalá, says, “literature is a powerful source of meaning”. Language structures the psyche and reading can be a form of therapy. The British bibliotherapy initiative Reading Well Books on Prescription has been widely accepted by clinicians and patients.
As anxiety, depression, insomnia, and stress have become more common, experts have begun to search for solutions that complement typical treatments. Health workers are in an important position to recommend cultural activities that help rebuild the world and heal the soul. As Almudena Grandes said, “culture is an ingredient of happiness”. Philosophy, literature and the arts help us better understand the complexity of human experience.
Patricia Fernandez Martin is a clinical psychologist at the Ramón y Cajal Hospital in Madrid.
SINGAPORE – As a harpist and during her musical studies, Ms. Karen Koh has performed with the Singapore Symphony Orchestra, in five-star hotels here and with the Kingdom Hearts Orchestra World Tour, which is the official concert of the full orchestra of Kingdom Hearts video. game soundtrack.
These days, however, the 31-year-old professional musician plays for a very different audience.
Now in training to become a certified music therapist, Ms Koh works with patients at St Luke’s Hospital, a community hospital in Bukit Batok. She is doing her internship there.
Some patients Ms Koh sees have suffered a stroke and are trying to get back on their feet. Others struggle with the debilitating effects of Parkinson’s disease or dementia. Another group she works with is in palliative care and is in its final days.
In the hospital, she usually sings, plays guitar, piano, and other small percussion instruments during therapy. Sometimes she may use a lever harp, which is a smaller version of the regular harp.
There are no enthusiastic applause or standing ovations in the hospital. Yet the satisfaction Ms Koh derives from supporting these patients keeps her going, even if there are uncertainties about a career change during the Covid-19 pandemic.
“In a classical music show, the audience pays to listen to you, they want to be there.
“With music therapy, some patients may react in their own way by saying, ‘Leave me alone’ or ‘I don’t want to do anything.’
“It’s especially at the start of treatment because they may not be in a good emotional state,” Ms Koh said.
“A lot of the patients we work with have strokes and dementia, and there’s a loss of bodily functions. When you lose your independence, it’s normal to have grief, to be in a bad mood .
WHY MUSIC THERAPY AND HOW IT WORKS
Music therapy is the clinical use of music to achieve individualized goals. As part of health care here, it is offered as a “paramedic health service”.
Music therapy is therefore a relatively niche career option in Singapore.
Mr. Calvin Eng, President of the Association for Music Therapy Singapore (AMTS), said there were only 36 accredited music therapists in Singapore.
The AMTS is the professional association for music therapists here.
To practice in Singapore, music therapists must be accredited by an approved music therapy program in their country of training, Eng said.
They complete a comprehensive bachelor’s or master’s degree program, which typically covers music foundations, music therapy foundations, and clinical foundations such as psychology, anatomy, and counseling.
At St Luke’s Hospital, music therapy is offered as part of its range of rehabilitation services.
Dr Tan Xueli, the lead music therapist there, said the hospital now has one of the largest teams of music therapists in Singapore.
According to current statistics from the University of Michigan, approximately one in seven Americans has some form of dementia.
Compassion challenges our assumptions, our sense of self-limitation, of worthlessness, of having no place in the world. As we develop compassion, our hearts open up”
USA, June 24, 2022 /EINPresswire.com/ — Dr. Linda Miles, an experienced psychotherapist and author, knows firsthand how heartwarming and heartbreaking it can be to care for a family member who suffers from a chronic illness. Robert, her husband of 33 years, suffers from advanced dementia. Due to this disease, he often does not recognize his beloved wife. Recently, Robert and Linda renewed their vows, a reminder and a promise of unity until the end. It is also an embodiment of Dr. Miles’ own advice to all other caregivers: find strength by seeking out and creating moments of joy in the midst of suffering.
It was Robert’s idea, and Linda seized the moment. One evening, as she entered the room, Robert looked up and told her that he had seen her several times at work. He found her intelligent and attractive, and he wanted to marry her. His memory, in part, was true; they had worked together as colleagues at a mental health center decades ago. He just didn’t remember that they were already married. Linda happily said yes to this second marriage proposal; they renewed their vows in the company of their family, with the blessing of their pastor son.
According to current statistics from the University of Michigan, approximately one in seven Americans has some form of dementia. As baby boomers in the United States mature into seniors, the number of people with dementia is expected to increase dramatically. Caregivers of people with dementia or Alzheimer’s disease are often referred to as “second patients” because of the intense physical and emotional demands of this type of care.
Research from the National Institute of Health (NIH) shows that when caregivers are motivated by guilt, a sense of duty, social pressure or greed, they are more likely to feel resentful towards the person they are helping and to experience psychological distress. On the other hand, caregivers who combine duty with the desire to show kindness and genuinely protect the person they care for experience less psychological distress. Such attentiveness is associated with positive feelings, positive brain chemicals including oxytocin and dopamine, and the increased likelihood of reaching out to others for help and support. The NIH also cites that 55-90% of caregivers enjoy positive experiences that foster togetherness with loved ones: shared activities, connections, spiritual and personal growth, increased faith, and feelings of accomplishment and mastery.
Lisa Jane Miller, a researcher at Columbia University, studied the relationship between spirituality and mental health and found that spirituality also protects against depression. Those who have regular spiritual practices and strong beliefs are much less likely to become depressed. Although the role of caregiver can be extremely demanding around the clock, those who are most resilient have faith in a purpose greater than themselves. When duty and desire are aligned, there is increased fulfillment and reduced psychological distress.
As human beings, caregivers will still experience moments of negativity and pessimism despite their best intentions and practices. When caregivers feel drained or drained from the second patient role, they can access a wealth of resources and practices to help them regain their positivity and purpose. Dr. Miles suggests the following:
1. Be open to loving kindness in unexpected places. Dr. Miles was touched by observing the kindness of strangers who go out of their way to help her and her husband. While struggling to get off a plane to visit family, the pilot noticed Robert’s difficulty from his cockpit and returned and helped Linda’s husband off the plane. Once, while she was running an errand, her husband fell in the driveway. A nice stranger – a restaurant delivery guy – was helping her get back on her feet when she arrived. Her neighbours, upon finding out about Robert’s condition after seeing an ambulance at their house, offered their time and help if she needed them. A passing handyman – who had once been the carer for a family member with dementia – offered to be on call if needed.
2. Take care of your personal health. Since caregivers are at higher risk for health issues, including lower immunity and higher risk of chronic diseases, it is important to follow a healthy diet, sleep, exercise and Adopt lifestyle habits that reduce stress. Regular medical checks are also important.
3. Practice mindfulness and/or prayer; experts have shown that such practices are very beneficial in preventing or alleviating depression.
4. Consider hospice. Although many people view hospice as an end-of-life service, it is available to families caring for someone with advanced dementia. They provide hospital beds, regular medical care, certified nursing assistants, music therapy, veteran support services, and respite care if needed.
5. Reach out to a support network of family and friends. Having a trusted family member or friend to share deep feelings, fears and frustrations with is essential. Because people with dementia may not recognize their caregiver and become hostile and aggressive towards them, it is important that the caregiver does not hold back these emotions and is free to share their feelings honestly and openly.
6. Look for a local or national community that offers support for caregivers and offers knowledge about the disease. Caregivers tend to be socially isolated, so fostering bonding is extremely important for their own well-being.
a. The Alzheimer’s Association is accessible online; they provide 24/7 help, with professionals on call to provide resources, information and advice.
b. REACH (Resources for Enhancing Alzheimer’s Caregiver Health) offers online instructions, problem-solving training, stress management techniques, and telephone support.
Caregivers of people with dementia can individually become better or bitter based on their ability to be kind to themselves and others. To overcome challenges and find purpose in life, it is important to find the pockets of light in the darkness. It is also essential to remember that, as in an emergency on an airplane, it is important to first secure your own oxygen mask before effectively assisting others to do the same.
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The latest report on the smart aquarium devices market provides a comprehensive overview of key industry issues characteristics, including production, market growth rate, industry share, consumption value and volumedemand for specific types of products and services, and more. The publication focuses on providing a competitive edge to industry newcomers and those aiming to enter the market in the next few years. It offers information on the latest consolidations, acquisitions, associations, buyers and sellers who have had a significant impact on this sector of the industry, as well as experiments with posting serious business scenes in recent years.
The study report offers projections of the industrial market demand prognosis for a given period. Additionally, it provides essential insights into market complexities and economic environment along with key insights for readers to capitalize on various industry patterns.
This article is the latest research on the COVID-19 outbreak review of effects. The impact of the pandemic on demand and the supply chain, as well as the financial situation of the industry, are detailed here. The study also analyzes the gaps in industry dynamics and presents the trends in a post-COVID-19 context, as well as a futuristic perspective.
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Market Performance (2016-2021) Market Outlook (2022-2028) Porter’s Five Forces Analysis Market drivers and success factors SWOT analysis Value chain
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This study is a compilation of primary and secondary research which represent market size, share, trends and forecasts for major segments and sub-segments taking into account macro and micro environmental aspects. It also assesses the bargaining power of suppliers and buyers, the threat of new entrants and product substitutes, and the level of competition in the market.
The report contains a Competitive Quadrant, a proprietary tool for analyzing and evaluating a company’s position based on its industry position scores and market performance. The tool divides players into four groups based on a number of characteristics. Financial performance over the previous three years, growth strategies, innovation score, new product launches, investments, market share growth, etc. are some of the elements evaluated for analysis.
The document examines all the major players in the smart aquarium device industry and provides solutions to some of the most pressing questions:
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At only 18 years old, the talented singer-songwriter Seb Lowe is about to make his debut at the Glastonbury Festival. It’s an incredible moment for the Oldham teenager who, until a year ago, simply posted his own songs as videos on social media site TikTok.
But it was these TikTok videos that made Seb go viral – with his songs tackling politics and how young people feel in Britain today – sparking huge interest with each new post. He has caught the eye of recording industry bosses as well as music star Billy Bragg who has now invited him to play on his stage stage at Glastonbury on Saturday.
“Everything was TikTok initially,” says Seb. “During the lockdown everyone was pushing me to do it, after a long while towards the end of the second part of the lockdown I was like ‘okay, break it, I’m going to do a TikTok’.”
Read more : Red Hot Chili Peppers captivate Manchester at Emirates Old Trafford concert
“I started making the weird song I had written in the past, never intending it to go anywhere. After posting a few videos, they picked up steam.
“I created this style of fast political writing, because I know the attention span is short, it was to write something fast. of the.”
Seb was only 17 at the time and studying for his A Levels at Oldham Sixth Form College in English, History and Economics. He then landed top A grades and won a place at the University of Birmingham, but is now on a gap year as he takes the opportunity to explore his music due to the incredible speed at which everything is happening now – he has already played gigs and festivals. across the region.
He says, “I was thinking, well, I’m going to give this year and see what happens with the music, but it all got a little crazy from there. It’s really crazy to think about what happened. past.”
His current manager contacted him after seeing him on TikTok, and he quickly became the talk of the Manc music industry. Seb says: “It’s really amazing that all of this came out of TikTok.
“TikTok is driven by the people watching it and it’s just amazing. Audience members just talk about the songs and converse about them.
“There was a song that did pretty well and I thought oh that’s really cool, and then it got huge, I thought what’s going on? There’s thousands of people who have seen this. Your stomach hurts a bit but in a very good way.
“Then it got bigger and bigger. By the fourth time I posted a video, each one just got better and better. One had a million views, when I saw the letter m this was completely mind blowing that’s when i thought ok i should probably take this seriously i have a following here people who are interested and care about this I have to say “.”
Seb says the social media platform has given him the confidence to find his voice on the big issues that matter to him and the millions of others who write with a scathing wit and invigorating honesty. He says: “Some people don’t agree, but most of the time people want to listen whether they agree or not. You have to learn that any type of reaction is a good thing, it gets people talking. people – it’s the first step towards any kind of change.”
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He first learned to play the guitar as a child, with his mother and father, both teachers, with whom he lives in Saddleworth, very passionate about their music. Seb says: “My mum and dad are both into music, the people they listen to, I listen, my mum is a huge David Bowie fan, my dad made me listen to Led Zeppelin in his car .
“My dad in particular is really passionate about his music, he has a whole collection of CDs. They’re so supportive of me that they always thought it was something I’d probably end up trying.
“They probably wouldn’t have expected it to happen and happen as quickly as all of this. I said I’m going to take a year with the music, and since then it’s been ridiculous.”
Seb will perform at Glastonbury on the Leftfield Stage on Saturday as part of Billy Bragg’s ‘radical rally’. Seb says: “Billy Bragg got in touch, it was really very casual, it wasn’t like built up, it was the occasional mystery about it all, and then when I found out what it was , I was even trying to match that energy although I was freaking out.
“I guess someone saw my TikTok and that’s how I’m on the Leftfield stage because it’s a segment called the radical turn and it’s all about the thoughts of young people in the UK ranging from thoughts internal, and more directly socially conscious thoughts, it’s perfect for my music. I’m looking forward to it to be honest. Yardax is after me, I’m playing alongside Billy Bragg and other songwriters.
“It will be my first time at Glastonbury and I will make sure to see Paul McCartney and Robert Plant.”
Seb hopes that music can become a full-time career after his rapid success. And he believes that TikTok will be the vehicle through which many up-and-coming artists will get noticed in the future.
‘I just love him. He’s…everything’: Thousands of Harry Styles mega-fans descend on his small Cheshire hometown to pose for photos – and find the ‘holy grail’
Ed Sheeran celebrates last night at the Etihad Stadium with a late night meal at the chic restaurant in Manchester
He says, “I think TikTok is going to be the way to go as the world evolves. It’s not the kind of app you keep thinking about making money here, it’s a way to promote you to levels that can’t be matched by radio or something.
“It’s a social media app to advertise and promote your songs, but the way the algorithm works helps people who want to go from nothing to something. You have to keep trying until something sticks. But I think it’s only going to get bigger.
“It would be a dream to have a career in music, it’s one of those things you say when you were a kid ‘oh I want to be a musician’ but the fact that there is potential for that to happen now it’s just amazing. It would be amazing if I could do this for the rest of my life, there’s nothing I’m more passionate about than writing songs, making music.”
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Surry Community College recently announced the 2022 Spring Semester President’s List.
Students who qualify for the President’s List must be enrolled in a minimum of 12 credit hours of college-level coursework and maintain a 3.8 semester grade point average with no final grade below “C”. Students on the President’s list receive a letter of congratulations.
These students include:
Fatima Almanza, Elizabeth Atkins, Kayla Lynn Baker, Charlotte Anne Banfield, Michelle Bedolla Villalobos, Shelby Chase Blevins, Cora A. Branch, Nydia Cabrera Cabrera and Jessica Lynn Callaway, all of Mount Airy;
Abbigail Grace Draughn, Caleb J. Easter, Sky Lin Estrada, Robert Dean Giesbers, Matthew Curtis Gillespie, Sara Patricia Goins, Ashton Bree Golding, Allie Rae Hawks, Levi Colton Haynes, Lauren Smith Hester, Stephanie Lauren Hiatt, Christopher Adam Hobbs, Page Elizabeth Hodge, Eperson E. Hughes, Joshua Kameron Jones, Renee Loraine Kirkman, Andrew Blake Lawson, Allie Grace Leonard, Jackson Dale Lindsay, Kalie Brean Mabe, Ethan Dale Marion, Hannah Nicole Martin, Nisa Monique McFowler, Evan Scott Morris, Tosha Nicole Murray, Miguel Angel Paredes Castillo, Weatherly Adair Reeves, Carlos Salmeron Bautista, Jill I. Simandle, Allyn-Claire Simmons, and Alexandria Rae Stanley, all of Mount Airy;
Leticia Janeth Valenzuela, Luis Fernando Valle, Douglas Michael Vanvleet, Diego Vega, Taylor Kathleen Vernon, Grant Michael Whittington and Celeste Vanitasing Tilley, all of Mount Airy; Carl Michael Dallas Gardner and Hailey Nicole Stewart of Lowgap;
Kylie Mckynzie Bruner, Cooper Wayne Motsinger, Beysi D. Sanabria and Matthew Wayne Southern of Pilot Mountain; Morgan Nichole Bryant, Robert McCallum George, Tristan Lane Harless, Lowell Abeyta Hewett, Thomas Allen McKinney, Joseph Pearman, Kendra Michele Persinger and Amber Grace Shutsky of Pinnacle;
Chelsey Madyson Atkins, Fabian Alexander Bautista, Austin Blake Cave, Elorah Abigail Gillispie, Anay Gomez, Diego Armando Guerrero, Lesley Janel Hernandez, Mason Donald Kreh, Mia Catherine McMillen and Jacob.T Mills, Colby Ryan Mitchell, Jacob Livingston Mitchell, Taylor Grace Newman, Emily Santiago Orellana, Tyler Malo Reece, Steve Orsono Rodriguez, Kathy Santiago, Cara Leigh Rose Scott and Christine Michelle Vail, all of Dobson;
Gavin Allen Gray of Cana, Virginia; Kira Ayers and Victoria Rose Cole of Galax, Virginia;
Seyry Lineth Borjas Paz, Samantha Nicole Chattin, Tamara Destiny Alvarez Chautla, Ryan Blake Coffey, Abigail Marie Garza, Ashley Leigh Rhoades, Sebastian Saul Sanchez Aguilar, Kimberly Dawn Whitaker and Byron Lee Wild of Elkin;
Mattie Katherann Cave, Macy Faith Key, Sophia Mae Lowe, Robert Carson Simmons and Amber Michelle Taylor of Ararat; Jennifer M. Woodlee of Asheville; Abigail Corrine Baum, Anna Kate Brown, Vanessa Denise Hatcher, Molly Elizabeth Maske, Emily Elizabeth Parker, Tanna Rae Sagraves and Bryson Lee Wood de Boonville; Cameron’s Rachel Leigh Trueblood; Katlin Nicole Benfield of Charlotte; Ronnie A. Clemmons Cavity; Gabriel Ty Oerter of Danbury;
Zachary Grant Berrier, Zachary Charles Brady, Micheal Brent Chaffin, Kristian Hunter Davis, Rebecca Camille Fowler, Stephanie Alise Greeson, Adrienne Kylee Johnson, Joshua Matthew Lambert, Victoria Grace Miller, Debra Ann Philpott, Jo Rierson, Sailor Faith Smitherman and Sarah Grace Wiedenhoft of east turn;
Natalie A Gentry and Chloe Alysse Nagle of Ennice; Cassandre Ann Benge from Gastonia; Carson Jase Fulp of Germanton; Jennifer Marie Evans of Glade Valley; Sarah Quinn Bare, Ashley D. Blevins, Gaige Austin Cass, Guadalupe Hernandez, Christopher Dalton Robbins, Estephanie Sanchez Juarez and Brianna Danielle Shoffner of Hamptonville; Carter Christopher Bridges of Harmony; Hannah Greene Harrison of Hudson; Brayden B. Adams of Indian Trail.
Elimelec Calderon Rojas, Emma Noel Freed, Kaleb Michael Harrison, Margaret Diane Hurt, Dakota Cheyenne Johnson, Keith Blane Macy, Michael Tyler Reinhardt, and Karla Alejandra Romero of Jonesville; Rachel Grace Claffee, Spencer Carlton Easter, Taylor Grace George, Bayleigh Kristine Jarrell, Rhyan Elizabeth Sapp and Susan Jeannette Sullivan of King; Emma Grace Stanbery of Lawsonville; Laken Janeen Gudger of Lexington;
Susan Dianne Anderson, Krysten Alana Miller and Daniel Lee Watson of North Wilkesboro; Christina Kelly Blakley and Victoria Faith Blakley of Pfafftown
Josiah James Jarvis of Roaring River; Kaitlyn Elizabeth Lacey of Sandford; Allison Celeste Bruner of Siloam; Jenna Faye Adams and Megan Diane Royal of State Rd; Megan Lynsey Blackburn of Thurmond; Marie Williamson of Tobaccoville; Gracie Bernice Brim of Walnut Cove; Jenifher Alessandra Flores Martinez, Brittany Michelle Mahala, Dalton Joseph Simmons and Mason Lane Woods of Winston-Salem; Laiken Nicole Baity, Brianna Nicole Beck, Abigail Carachure-Medina, Yamel Cortez Zamora, Isaac Samuel Cranfill, Dillon Thomas Draughn, Emma Rose Greene, Sara Gail Hennings, Jackson Harding McManus, Ton Dong Nguyen, Olivia Lauren Pizzuti and Megan Nicole Smith of Yadkinville . Eyra Mae Stewart, Hannah Nicole Todd and Megan Michelle Wagoner of Yadkinville; Kristen Louise Joyce of Clinton, Connecticut;
Michigan residents are invited to attend a free virtual educational conference on Alzheimer’s disease in July hosted by the Alzheimer’s Foundation of America.
Caregivers, people living with dementia-related illness, professionals and anyone interested in learning more about Alzheimer’s disease can attend the conference, according to a statement released Thursday by the foundation.
The Global Probiotic Food Market report of MarketsandResearch.biz on the most recent survey report offers vital information and statistics on the structure and size of the market. The probiotic food provides a forecast for the years 2022-2028 based on a thorough and competent analysis. Capacity requirements for market penetration in the probiotic food market are assessed. Market growth factors at global and local level are also examined.
The study begins with an assessment of probiotic foods, which includes definitions, categories, and market overview. This allows for a more in-depth assessment of market dynamics, percentage and sales forecasts, and factors that may drive these changes.
The report introduces the important members of the company, along with a detailed analysis of their positions against the global landscape. Additionally, the report provides detailed statistics on standard market conditions and future market situations to prepare to grow above demanding situations and secure a solid increase.
The leading companies in the global probiotic foods market are assessed based on their market share, new product launches, organizational structures, consolidations or acquisitions, and markets served. The main suppliers/key business creators are
Archer Daniels Midland Company
The report provides a detailed assessment of the current phase of the market:
Direct fed probiotics
Probiotic Food Supplements
The file presents an increase forecast for the forecast period and an assessment of the number one players working effectively in this market. The following software types are covered in the report:
The following areas and countries are included in the global Probiotic Foods Market report:
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
South America (Brazil, Argentina, Colombia and rest of South America)
Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)
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The document is based on great studies which include market dynamics, market size, issues, difficulties, competitive analysis and companies involved. The studies are an intensive examination of a plethora of key elements that are impacting the growth of the global probiotic foods market.
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X Factor creator Simon Cowell has sent a message of condolence to former contestant Tom Mann after the sad news that his fiancée died suddenly on their wedding day
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Tom Mann auditioning on X Factor in 2014
Simon Cowell has reached out to Tom Mann after breaking the tragic news that his fiancée passed away over the weekend.
Tom, 28, was in boy band Stereo Kicks on the X Factor in 2014 and was due to marry Danielle on Saturday.
However, he broke the devastating news on Instagram on Monday, revealing that his child’s mother died on the morning of their wedding at the age of 34.
Simon, 62, has since sent his condolences to Tom and his family and confirmed to TMZ that he would “personally reach out to him.”
The music mogul told the publication: “As a father myself, I simply cannot imagine the grief Tom and his family are going through and I will be contacting him personally.
“From my family to his, we express our deepest condolences and all our love at this tragic time.”
Tom Mann with his fiancée Danielle who died on Saturday (
Simon Cowell contacted Tom after the news (
Tom shared the heartbreaking news of Danielle’s death on Instagram on Monday along with a photo of her with their eight-month-old son, Bowie.
He wrote with emotion: “I can’t believe I’m writing these words but my darling Dani – my best friend, my everything and more, the love of my life – passed away in the wee hours of the morning of Saturday June 18.
“What was supposed to be the happiest day of our lives has ended in irreversible heartbreak.
“I feel like I cried an ocean. We never made it to the altar; we didn’t get to say our vows or dance our first dance, but I know you know you were my everything. world and the best thing that ever happened to me, Danielle.
“I will wear this ring that I was always meant to wear as a sign of my unconditional love for you.”
He went on to say he was “completely broken” and admitted he didn’t know what to do now, but promised to find the strength for their baby boy.
He added: “I won’t mark the parent you have already become but I promise I will do everything to raise Bowie the way we always wanted. I promise he will know how amazing his mum was. I promise to make you so proud.
Danielle with baby Bowie (
Tom on the X factor in 2013 (
“The most beautiful person inside and out. The most amazing soul. We have lost such a special person and I’m sure we’re about to see an overwhelming outpouring of love that reflects that. .I will try to find peace in your posts and comments, but right now I am grieving and will be for a long, long time.”
He concluded by saying that Dani was “the brightest light in any room” and said he will “miss you forever”.
Other music industry stars also left condolence messages on her post at the time, including Mimi Webb and Lewis Capaldi.
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Trauma, Suspiriaand dark (Courtesy of Cincettà and Reporters Associati & Archivi)
The day before the start of his 20-film retrospective at the Film Society of Lincoln Center, Dario Argento spoke with film historian Rob King in front of a small delegation at the Italian Cultural Institute. King began by pointing out that the director has now been making giallo movies for 53 years, which is “four years longer than John Ford has done westerns.” When asked what gender meant, Argento replied that he had been asked this question thousands of times and that “one more time” he would reply, “I don’t know”. When asked if his approach to directing giallo had changed, he also replied, as he always has, no. He just follows his instincts.
Of the 20 films in the retrospective, 17 have been newly restored to 4K resolution. Labor, as Italy’s Consul General in New York, Fabrizio Di Michele, said in his introduction, is “to blame for many sleepless nights.” But after fabricating all those bloody murders for the screen, the filmmaker said he slept “very well” himself. King referenced Thomas De Quincey’s 1827 satirical essay, “On Murder Considered One of the Fine Arts,” before asking Argento, broadly, what the relationship is between murder and art. . The filmmaker called Quincey’s book “crazy,” then slightly dodged the question, saying, “I think people like horror movies because they cause such strong feelings that they don’t understand. I have friendship and solidarity with these horrible stories -[I receive] a feeling of great pleasure from these terrible ceremonies.
King ended the conversation by asking, “Are there any murders that you imagined that you didn’t shoot or that were cut from your films?” Argento replied, “All the ones I imagined shooting.” The small crowd applauds.
Prior to the conference, I interviewed Argento with translator Michael Moore in an archive of the Italian Cultural Institute. Having read that his films often start from “little ideas” which “hustle” him, I asked him if he was afraid of anything in his own films. He said, “No, I’m not afraid of my own films. These are stories that I tell that come from deep within me, I know them well. So once they’re done, I don’t see them. I rarely see them, if ever, because once they’re done, I want to work on the next project and look ahead.
I wondered if creating or finishing movies had ever helped him ease the fears that inspired them — if he found filmmaking therapeutic. In the middle of the question, Argento started mumbling “No. No,” he added, “Cinema is not therapy. It’s a very important work, but it’s focused on the story. It would be too easy if the cinema were a form of therapy, because everyone, rather than going to a psychoanalyst, would go to the cinema. Cinema neither cures nor cures anything. What cinema is is telling the story of something that comes impulsively from within you, from your soul. In my case, it is something that is suggested from deep within me. I start with a very small idea, and around that idea, I build the puzzle, and I add to it until I have the whole film. It’s a small but very important idea.
“So why am I making movies? Maybe because in reality I want to be liked by the public.
I postulated that going to the movies in the United States today can even be an anxiety-inducing experience, that I had paranoid thoughts while sitting in a theater – preparing to go out or imagining what I might do if a shoot were to happen. I said those fears are more pronounced when you see movies reminiscent of those whose premieres were targeted by shooters, like the Batman movies. I remember a statement the LAPD made when police amped up their presence in theaters across the country for the Joker premiere: “The Los Angeles Police Department is aware of the public concerns and the historical significance associated with the premiere of Joker.I was struck by the “historical significance.”
After a moment, Argento added, “I don’t think it’s because superhero or Batman movies express any particular form of violence. They are very simple films, and even a little stupid. But what they do do is attract a very young crowded audience. So when the shooter goes to the theater, he knows he will find it full of people and he can kill as many people as possible. That’s why it happens with these movies in particular.
I found interviewing filmmakers to be like his own film education, so I asked Argento if he still had any lessons or memories from the directors he interviewed as a young film critic.
” I learned a lot. Before becoming a director, I was a journalist, and in my work I interviewed many famous directors, for example, Fritz Lang and John Huston. I particularly remember an interview with Jean-Luc Godard which was very strange and bizarre. There were many more, many that I don’t remember. But what I learned from them is what cinema is. It’s different from literature or painting. It’s very mysterious. He was born inside of you. You have to say it not on the page, but through images.
Back in his interview with King, Argento argued that “the camera is the most important element of cinema.”
One of the director’s first projects was to help Sergio Leone and Bernardo Bertolucci write Once upon a Time in the West, which he says helped him start formulating creative on-screen deaths or murders. His first feature film, The bird with crystal plumage, featured many of what would come to be known as the maestro’s tropes and qualities – a disembodied killer, searing camera work, an ubiquitous score (this time by Ennio Morricone), and more. Despite the toxic relationship between the director and lead actor Tony Musante, the film was a critical and box office success. I asked him what he thought of negative collaborations that still yield interesting or positive results on screen. Argento’s response focused on his memory of Musante, a story that occasionally and suddenly inspired its members to become quite animated and spider-like.
“I don’t have a very good memory of this tense relationship. It’s a horrible memory, actually. I remember every morning going to the set was like a nightmare – the fact that I was going to bump into Tony Musante. On set, we were arguing and arguing. When the movie ended and he had to go back to the States, I got home, it was 10 p.m., and then I heard this knock on the door. I look through the peephole, and it’s him! And he kept knocking, louder and louder, at that big, heavy door, shouting:‘Argento! Open the door! Open the door!’
“I haven’t opened it. It’s ten o’clock, why should he even think I’m home? So I shut up and he finally left. When the movie came out and it was a big hit in the States as well, he called me and said how awesome it was and how great it had been to work together, and I said, “No, it wasn’t great working together. Please don’t ever call me again.
After coming to life to tell his story, Argento quickly relaxed again.
With hindsight, I would have liked to have asked the director more about his work pleasures than about his fears and anxieties. Watch the beautifully restored darkin which the director plays with his own likeness through the protagonist Peter Neal, an author of detective novels, it is these strange and pleasant “sensations” that stood out, and which Argento prioritized at every turn.
Inside of Dario Argento: two or three things we know about himthe great book that Cinecittà (which restored the films) publishes in tandem with the retrospective, are a series of interviews and essays surrounding Argento’s work through the decades – proof that the maestro has over the years spoken of his films and his production in more or less the same way.
Argento’s answer to John Carpenter’s question “Where does the fear, the darkness come from in your films? which the book adapts from a 1999 interview at the Turin Film Festival, echoes many of his responses to me, King, and moderators and audience members at Lincoln Center today:
“That’s the hardest question anyone can ask me, so I’m going to ask you the same; that’ll teach you ! Fear is instinctive. I’ll be honest with you: I don’t know where it came from — from deep inside me — from when I was a kid, from that long hallway I had to walk down at home to get to my room. You remember your first horror movie in 3D. I remember the first horror movie I saw…The Phantom of the Opera– which really changed my life. It introduced me to a world I didn’t know – a world where ghosts and dark passions lurked underground. I had no idea these things existed. I think it fascinated me. I had a long illness when I was a teenager, so I stayed home for a few months. I couldn’t move because of my rheumatic fever. Then I went to my dad’s library and started selecting books and reading whatever I could find. I devoured everything like an omnivore: essays, Shakespeare, the lot. At the end, I came across an Edgar Allan Poe storybook. I fell in love! It was so much more than The Phantom of the Opera: it was the most incredible fantasy, and I think these tales changed something in my life. They showed me this famous door that we open, behind which there is this panorama that we have never seen before, revealing different colors and emotions. People ask me: ‘Why don’t you make other films, other genres?’ It is impossible, because once through this door where one has felt such violent and destructive sensations at the limit of the impossible, how to reconnect with the story of everyday life, of normal life, just of life …? Someone like you, so used to fantasizing and conjuring up monsters that come out of holes and possess you; someone who imagines a girl who goes to boarding school only to find out that all the others are witches. Can you imagine doing anything else?
A project to raise awareness of the relationship between the arts and mental health and a digital tool to respond to the anxiety problems of autistic children have been boosted thanks to the support of the Western Australia’s Future Health Research and Innovation Fund (FHRIF), which is an initiative of the Western Australian state government.
Senior Researcher at the University of Western Australia’s School of Allied Health, Dr Christina Davies, has been awarded the FHRIF Translation Fellowship to continue leading arts and health research through a campaigning, programs and multi-sectoral professional development to increase awareness of the arts-mental health relationship.
“Mental health issues are on the rise, but there is strong evidence that, just like sport, practicing the arts can improve mental well-being,” Dr Davies said. “Whether it’s listening to music, reading a novel, watching a movie, or painting, 20 minutes of art a day can be good for your mental health.”
Community members can designate to get involved or receive updates on the project, by visiting the UWA Good Arts Good Mental Health website.”
Image: Dr Christina Davies (left) and Dr Gail Alvares.
Dr. Gail Alvares, an autism researcher at the Telethon Kids Institute and UWA, has been awarded an FHRIF Translation Fellowship to lead an innovative mental health project, which will aim to transform early intervention for anxiety in children diagnosed with autism and their families.
Dr. Alvares, whose recent search called for the term “high-functioning autism” to be dropped, said mental health issues such as anxiety frequently co-occur with autism, and for many people, crippling anxiety symptoms are experienced during childhood.
She said this project aims to develop, in partnership with the autism community, a world’s first digital mental health platform for autistic children with anxiety, which would help break down some of the barriers that young people are faced in accessing mental health care in Australia.
“Childhood anxiety has a significant impact on well-being and quality of life, may limit participation in education and employment opportunities, and may be associated with depression,” said the Dr. Alvares, Senior Researcher at Telethon Kids’ CliniKidssaid.
“Over 40% of children diagnosed with autism experience debilitating anxiety, but often these families struggle to get the support they need due to a lack of accessible and affordable service providers.
“People with autism and their families repeatedly rank research on reducing anxiety and improving mental health outcomes as the most urgent priority, and this project directly addresses the community-informed need. “
Dr Alvares said the digital tool would allow caregivers to develop strategies to reduce their child’s anxiety that could be as effective as in-person care.
“Digital technology represents a unique solution to barriers to accessing health care, due to its accessibility, cost-effectiveness and wide presence in daily life,” Dr. Alvares said.
“This intervention will directly address anxiety issues during a critical developmental period, alleviate the demand for in-person mental health professionals, and diffuse the burden on the WA health system.”
NAGPUR: June 21 is a unique day that marks the celebration of yoga and music. These two phenomena have revolutionized physical and mental well-being for ages. On this double occasion, YOU spoke to singers, voice doctors and music lovers in Nagpur who also practice yoga daily. Together they say the combination of music and yoga is the best prescription for good health. Renowned psychiatrist Dr. Sudhir Bhave, an accomplished singer, said music and yoga can work magic individually and work wonders together. “Music serves to modulate mood while yoga serves to calm your mind in addition to its well-known health benefits. Both clear negativity from your mind and fill it with positive energy,” he said. Dr Bhave added that music is more personal and can be different for each individual. “One may love light music while the other may find peace of mind in classical notes. For those who love light music, words and notes together make a better combination to spark positive thoughts” , did he declare. Interestingly, Dr. Bhave also had formal training in yoga. He was the best of Janardanswami Yogabhyasi Mandal’s yoga training batch. “Yoga provides physical benefits such as strength, flexibility and balance to anyone who practices it. The combination is best for your overall well-being,” he said. Renowned singer and music teacher Amar Kulkarni who regularly practices yoga said the two practices have many similarities. “The origin of Indian classical music is omkar (the syllable aum) and yog has specific significance for omkar sadhana. Music can bring positive vibrations and so can yoga. Both practices generate energy to the interior,” he said, adding that music creates sound energy while yoga creates physical strength for the lungs, and the two complement each other. “A singer practicing yoga derives respiratory benefits while a yoga practitioner (sadhak) is inspired by music,” he added. Veteran oncologist and accomplished singer Dr BK Sharma says music is therapy. “Music is the best source of energy for life. Your heart gets energized, your lungs get breathing exercise, and your brain becomes relaxed once you develop an interest in music. Studies have proven that music therapy also works very well on cancer patients,” he said, adding that he has enjoyed the benefits of being a singer and music lover for decades. “Our work is full of stress and music brings much needed peace and energy. I’m over 70 now and still fully active, all thanks to my love for music and exercise of breathing,” Dr. Sharma said. Physiotherapist Dr Pratiksha Gadkari said yoga helps increase joint flexibility and range of motion while music has a relaxing and calming effect on the mind. “Yoga improves balance because you have to maintain certain postures while incorporating certain body movements. Music has a calming effect on the mind. So if we start and practice our daily exercises with soothing music, that’s definitely ‘yes’ to a fresh and energetic day,” she said. Janardanswami certified yoga trainer Yogabhyasi Mandal Praful Hatgaonkar says the effects of yoga can be greatly amplified if paired with ear-friendly music. “Music helps us focus better and find stillness in the mind, which is what meditation is all about,” he said. “Soul music and the chanting of a mantra as part of the dhyana can both be a tool for meditation and a medicine for mental health. Whether it is yoga or music, it is an appropriate sound frequency that can cure physical and mental ailments,” said Vaidya Swanand Joshi, MD, Ayurveda. MAKE THE YOG WITH THE GOOD AIR * Yog-music symphony can provide effective healing and therapy *Together could be a powerful and fulfilling experience * Listening to music creates a positive mood by strengthening our brain signals * Music can turn yogasanas into an effortless dance rather than just a posture * Music cuts you off from the volatility of your surroundings and helps you focus better * Choosing the right music for your yoga session is of utmost importance
MarketsandResearch.biz has published Global concrete spraying machine market, a new study that includes regional and global market statistics and is expected to be beneficial between 2022 and 2028. The report appears in this market in terrific detail. These factors include previous increase patterns, comparative player ratings, segmentation ratings, local ratings, and most importantly, current and future trends.
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The global Concrete Spraying Machines market study is categorized into types which cover
Key and rising market players in the global market include:
The major players in the global Concrete Spraying Machines market are consolidations or acquisitions, studied and markets served.
Product types covered in the file include:
Wet concrete spraying machines
Dry concrete spraying machines
One of the important geographical areas covered by the document is
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
South America (Brazil, Argentina, Colombia and rest of South America)
Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)
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A group of street boys from Jersey sing about the daily battles of everyday life that so many can relate to in the emotionally direct and hard-hitting hit tour of Boys jerseyplay now Kennedy Center Eisenhower Theatre. Romance, heartbreak, family ties, financial troubles and troubled friendships are all explored in the driving, driving beats of the catchy songs (and romantic ballads) that make up the catalog of hit band “The Four Seasons “formed in 1960 in Newark, New Jersey (known sometimes as “Frankie Valli and the Four Seasons” since 1970—-as well as many other names, but you’ll have to see the show to find out!)
The hard-working ethos and urban brotherhood of the neighborhood guys is portrayed in the real-life story of Frankie Valli and the four seasons, who obviously struck a universal chord of mass appeal in this very well-constructed Broadway hit. The popularity seems to stem from an outpouring of appreciation for a story that isn’t trying to be what it isn’t—namely, the songs and the story are simply a story of survival when things get complicated. Original actor Bob Gaudio’s music carries the day in songs like “Beggin'”, “Let’s Hang On (To What We Got)” and “Working My Way Back to You” and Bob Crewe’s lyrics emphasize survival against all odds.
The demographic of the night I attended was older, and I wish more younger generations were aware of the classic pop sound and popularity of this unique and influential band (other bands and artists have picked up their songs). Over thirty songs by Gaudio and Crewe are beautifully orchestrated by Steve Orich and provide a compelling explanation of why they are one of the most successful bands in modern music history. Music Director Noah Turner leads a group of excellent musicians.
Director Des McAnuff uses the musical numbers to highlight the interesting and tumultuous life story of Frankie Valli and the Four Seasons. Marshall Brickman and Rick Elice’s book is an ingenious distillation of pivotal events in the main characters’ lives as a group and as individuals with their own personal joys and demons. In act two, the show becomes more book-focused and plays out without a hitch. Like Emilio and Gloria Estefan’s book On your feet! this musical is driven by a smart, well-rehearsed narrative that propels the show and adds emotional weight to the musical numbers. Easy sentiment is avoided for honest writing that depicts the pitfalls of the road, the quirks of friendship, and the lure of fame. Tragic subjects like death in “Fallen Angel” are handled with sensitive maturity.
Sergio Trujillo’s choreography galvanizes in the upbeat hit ‘Sherry’, the highly original ‘Big Girls Don’t Cry’ and the adrenaline-fueled ode to being proud of who you are titled ‘Walk Like a Man’. The dynamic, dynamic spirit of “Walk Like a Man” was a highlight, as the syncopated, crisp, assured movements were in perfect sync as the vocal group wore sparkling gold jackets (perfect suit by Jess Goldstein) and proudly sang his heart. .
Justin Albinder (replacing Jon Hacker as Frankie Valli the party I attended) was Valli personified to the max. Mr. Albinder captured the full gamut of emotions, from the newest member of the singing group to the confident singer and second-act businessman. Mr. Albinder sang with pathos in the tender “My Mother’s Eyes”, “I’m in the Mood for Love” and the heartbreaking “Fallen Angel”. Albinder’s lower register moved easily through the full spectrum of his falsetto in most cases. The catchy, nostalgic appeal of “Can’t Take My Eyes off of You” was marked by Mr. Albinder’s soulful vocals and director McAnuff’s immaculate direction — which included a horn section playing with a driving resonance of the highest level of the whole.
Matt Faucher as the taciturn Nick Massi, Devon Goffman as the rebellious Tommy DeVito and Eric Chambliss as the composer Bob Gaudio all play with authenticity and natural ease. The singing and acting were a cut above with Goffman starring in “Earth Angel” and Chambliss starring in the innocent lost ground of the nostalgic “December 1963 (Oh, What a Night)”. Mr. Faucher had an incredible deadpan delivery with subtle comedic timing in his many scenes.
Jared Chinnock, Amy Coelho, Katie Goffman, Antonio King, Connor Lyon, Kevin Patrick Martin and Alec Michael Ryan added textured actors in supporting roles. Sean McGee’s portrayal of lyricist Bob Crewe attracted attention.
Set Design by Klara Zieglerova is a marvel of sleek steel railings, platforms and stairs. The upper/platform level adds visual depth to the production as it is used for compelling and relevant colorful pop/comedy panels “à la Roy Lichtenstein” to emphasize dramatic or lighter moments; Television extracts from concerts are also presented (Projection Design by Michael Clark). A beautifully lit industrial view of the cityscape is also seen (lighting designer Howell Binkley – who outfits the entire show with evocative skylights).
The penultimate song “Who Loves You?” was a truly jaw-dropping ensemble number as the crooning and instrumentals overlapped with the heart-pounding vocal choruses of “Who loves you, pretty baby? Who’s gonna help you through the night? Who loves you, pretty mom? Who’s always there to do it?”. Those vocals knocked off one of the rafters as Mr. Trujillo’s supremely confident and sassy choreography was placed into the mix.
An interesting coda from the production occurred when the 30 millionth moviegoer was called onto the stage for a photo op and applause.
A well-deserved encore ensued, and the crowd did indeed “go wild”—as the first press proclaimed. This show’s message of survival has power. Across PC, pandemic, hard times and good times —-Boys jersey is a production that offers this rare and often difficult to find combination: “intelligent escape”. Don’t miss it.
Duration: 2 hours and 30 minutes with a 15 minute intermission
Boys jerseypremiered Thursday, June 16, 2022 at 8 p.m. at the Eisenhower Theater at the Kennedy Center located at 2700 F Street, NW, Washington, DC, 20566.
Boys jerseyuntil June 26e2022. For information and tickets, click here.
UNITED NATIONS (AP) – Tensions between Russia and the West are heightening discussions over the future of one of the United Nations’ largest and most perilous peacekeeping operations, the force sent to assist the Mali to resist a decade-long extremist Islamist insurgency.
The UN mission in the West African country is due for renewal this month, at a volatile time when extremist attacks are intensifying. Three UN peacekeepers have been killed this month alone. Mali’s economy is suffocating under sanctions imposed by neighboring countries after its military rulers postponed a promised election. France and the European Union are ending their own military operations in Mali in a context of degraded relations with the ruling junta.
He doesn’t want to talk about how one of the six bullets he fired left James Brady, Reagan’s press secretary, permanently brain damaged and confined to a wheelchair for the rest of his life. life.
He doesn’t want to talk about Secret Service agent Tim McCarthy, whose diaphragm and liver were punctured by Hinckley’s fourth shot.
Or about Tom Delahanty, the DC Metro cop who was shot in the neck that day.
The only thing Hinckley really wants to talk about is himself.
In a 30-minute interview with The Daily Beast on Thursday morning, less than 24 hours after Hinckley was fully released from court supervision after more than four decades, he refused to discuss anything other than his musical career. he is now trying to get off the ground. . He did not answer specific questions about the assassination attempt, current events or the rudimentary gun control measures enacted in the United States largely because of his actions outside the Hilton.
This meant “no contact” with the families or descendants of Reagan, Foster, Brady, Delahanty and McCarthy, or with hospital pharmacist Jeanette Wick, who in 1997 accused Hinckley of threatening her.
Hinckley “successfully” participated in music, individual and group therapy, and “did not exhibit any violent, disruptive, or problematic behavior.” according to a 2021 court filing that included a report from one of his therapists. He started dating a woman he met in group therapy, but ended things when she became too demanding of his time, according to the filing. Hinckley was required to hold a job or volunteer, but was turned down by four different organizations who apparently didn’t want the baggage and bad publicity that would surely have accompanied his hiring.
So Hinckley rented a booth at an antique mall in Williamsburg, where he worked between four and nine hours a day before the COVID pandemic. The court limited his travels to a 75-mile radius around his home, and Hinckley sourced his inventory from flea markets, estate sales and consignment stores in the approved area. He brought home about $1,000 a month, a source of income that faltered when the antiques mall closed in April 2020 due to COVID.
At the same time, Hinckley struggled to get her music career off the ground. All of his internet posts had to be approved by his treatment team, and in 2019, Hinckley’s music therapist Nicole Drozd made his songs publicly available on Soundcloud. However, very few people have actually listened to Hinckley’s music on the platform. Drozd then suggested trying YouTube and posted Hinckley’s songs there under an anonymous band name. Still, views remained low, and Hinckley “expressed disappointment at the lack of feedback he was receiving,” according to the filing.
Hinckley doesn’t appear to have had a particular passion for antiques, telling The Daily Beast that he didn’t specialize in any particular thing, but was simply looking for “something I liked, and could buy it cheap, and sell it, and try to make a profit.
“I just try to focus on the present, and I don’t want to dive back into the past, 30 or 40 years ago,” Hinckley said Thursday. “I’m not trying to draw attention to myself at all. I try to live a quiet life and get along with everyone.
But Hinckley’s words don’t exactly match his actions, as he’s worked hard to raise his public profile by forming a band, posting videos to his YouTube channel, selling his paintings online and speaking to reporters about his modest rental apartment in Williamsburg, Virginia.
Hinckley, no longer confined to a 75-mile radius of his home, is also extremely disappointed that a concert tour he had booked for the summer, with sold-out dates in Chicago, Brooklyn and Hamden, Connecticut, has been canceled. The rug was “ripped out” from under him, Hinckley told The Daily Beast.
“I had three shows canceled,” he said. “I had a show hosted in Chicago, where we were selling tickets, everything was going well. And then they canceled that show. And then I hosted a show in Connecticut, where they were selling tickets. And that show was cancelled. So this Brooklyn cancellation is my third cancellation… I just guess it’s something like a local backlash or something. They didn’t really send me an official reason.
The 450-person Brooklyn venue, the Market Hotel, said in an Instagram post that it wasn’t worth betting on the safety of our vulnerable communities to give a microphone and a salary from his art to a guy who didn’t have to earn it, who we don’t care about from a point of view artistic, and which upsets people. »
Hinckley billed it as the “Redemption Tour” and planned to play 14 original songs. He told the Daily Beast that the purpose of the aborted tour was to “show everyone that I’m a different person than I was in 1981…I’m just trying to redeem myself through music. and the art… I don’t recognize myself from the time I’m a totally, totally different person.
On Thursday, Hinckley said he was bored of being asked “the same questions” all the time.
When asked if he wanted to apologize to the families of the people he shot, Hinckley sullenly replied, “I’ve already apologized.”
In response to a question about his alleged desire to live out his days in anonymity while working to increase his public profile, Hinckley dithered, saying, “In Williamsburg, where I live, I try to be under the radar. . I also try to have a musical career, so I try to do both.
Has Hinckley ever tried to contact one of his victims to ask for forgiveness? What, if anything, does he do to repair his crime?
“Okay, enough is enough,” Hinckley said.
When Hinckley, the son of an affluent oil and gas executive, made the unfortunate attempt on Reagan’s life, the former president had just finished delivering a speech to members of the AFL-CIO at the DC Hilton. As Reagan walked to a waiting limo, Hinckley, who had become obsessed with the film Taxi driver and later said he tried to kill Reagan to impress actress Jodie Foster, fired six shots from a .22 caliber revolver. In 1982, Hinckley oddly called the shoot “the greatest offering of love in the history of the world.”
Hinckley’s therapists believe he has now been fully rehabilitated, according to court documents. Last September, a forensic psychologist who treated Hinckley said he was “doing extremely well” and “operating at a high level”, arguing that June 2022 would be a suitable target date for his release.
The psychologist, Samantha M. Benesh, said in the filing that she was satisfied that Hinckley’s diagnoses of major depression, narcissistic personality disorder, schizoid personality disorder, schizophrenia spectrum disorder and psychotic disorder – which, according to Benesh, were the “keystone of… manifestations of violence in the past” – had “been in complete and sustained remission for more than twenty-five years, and possibly more than thirty-two years “.
C. Danny Spriggs, the Secret Service agent who handcuffed Hinckley the day he shot Reagan, just hopes medical professionals get it right.
“It could be very devastating if they didn’t,” Spriggs told The Daily Beast.
Spriggs, who retired in 2004joined the Secret Service in 1976. After spending his first five years working at the agency’s field office in Albuquerque, Spriggs was selected to serve in the Reagan Protection Task Force.
Speaking by phone on Thursday evening, Spriggs said he remembered March 30, 1981, “like it was yesterday”, describing it as “something you don’t forget”.
“As you very well know, our justice system allows people to rehabilitate,” Spriggs continued. “In this particular case, it happened that way. The decision makers decided it was time. I don’t agree with that, but it’s our justice system.
As an arresting officer, Spriggs is the one who transported Hinckley from the crime scene to jail. In the car, Hinckley was “pretty stoic and didn’t say much,” according to Spriggs. And while it was “obvious” to Spriggs that Hinckley had serious issues, he said doctors later described a level of mental illness he had not personally witnessed.
In a statement provided to The Daily Beast, the Ronald Reagan Presidential Foundation and Institute said it was “both saddened and concerned” by Hinckley’s unconditional release and considered pursuing “a for-profit music career.”
“Mr. Hinckley is the man responsible for the attempted assassination of President Reagan and the assassination of three other brave men, one of whom ultimately died of his injuries years later,” the statement said. organization.”We strongly oppose his release into society where he apparently seeks to cash in on his infamy.”
Reagan’s daughter – and sometimes Daily Beast contributor – Patti Davis said in an email that she had “no intention of giving John Hinckley any more publicity”. A representative for Ron Reagan, Jr. said the former first son was “not interested in talking about Hinckley.”
Jodie Foster’s publicist and agent did not respond to requests for comment.
Spriggs is interested to see how Hinckley’s release unfolds now that court restrictions have been lifted. But even if Hinckley is no longer overseen by a judge, that doesn’t necessarily mean the feds aren’t watching him anymore.
As Spriggs said, “I’m not so sure his file was purged from the Secret Service indexes, if you will.”
Net global market reactions to the Fed’s 75 basis point rate hike have been mostly negative. Global equities generally ended lower after an initial rally. Additionally, the SNB announced a surprise rate hike of 50 basis points while the BoE’s 25 basis points had a hawkish undertone with three members wanting more. The BoJ remained calm and kept interest rates unchanged while keeping the 10-year JGB yield cap at 0.25%.
In the currency markets, the Swiss franc was by far the strongest. The dollar followed in second place but there was clearly some hesitation towards the end, especially against the euro. The Canadian dollar was the worst as it was further dragged down by falling oil prices. The Aussie dollar was also weighed down by general risk aversion sentiment.
Could DOW defend the 30k cluster support level?
DOW extended the correction from 36952.65 to close at 29888.78 last week, losing the 30k handle. Ideally, this is a bottom area, with a 38.2% retracement from 18213.65 at 36952.65 to 29794.35, and 29568.57 resistance turned support (2020 pre-pandemic high). Additionally, it is now reasonably close to the 55-month EMA (now at 38563.61), which should provide strong support.
However, the break of the gap resistance at 31144.91 is needed to be the first sign of a bottom. Or the risk will remain sharply on the downside. Sustained trading below 29794.35 could lead to an even deeper drop at the long cluster level at 25308/71 (61.8% retracement from 18213.63 to 36952.56 at 25371.94, 38.2 retracement % from 6469.95 to 36952.56 to 25308.25).
Limited short-term upside potential of the 10-year yield
The 10-year yield jumped as high as 3.483 last week, but fell back to close at 3.239. Another upside can’t be ruled out yet, but upside potential should be limited for now. The 161.8% projection from 0.398 to 1.765 from 1.343 to 3.554 should limit the upside to bring consolidations. Indeed, the break of the support at 3.167 should confirm that a short-term correction has begun for the 55-day EMA (now at 2.848). However, a firm break of 3.554 could bring further upside acceleration to the 200% projection at 4.077.
The dollar index quickly lost momentum after resuming the uptrend
The dollar index also resumed its recent uptrend and hit 105.78, but quickly lost momentum and pulled back. Further consolidations would likely be seen in the near term, but the decline should be contained by the 55-day EMA (now at 102.16) to bring the rally back to resumption. The current uptrend should aim for a 61.8% projection from 72.69 to 103.82 from 89.20 to 108.43 at a later stage. But to do so, risk aversion will have to continue as the 10-year rate should extend its uptrend, while the EUR/USD will have to break the support at 1.0339.
WTI crude oil in the third leg of the pattern from 131.82
The sharp decline in the price of oil last week could offer some hope for the inflation outlook and risk sentiment ahead. The break of the 112.25 WTI support indicates that a short term high has already formed at 124.12. The entire rebound from 93.47 may also be over. A sustained trade below the 55-day EMA (now at 111.18) will confirm this case. The drop from 124.12 would then be seen as the third leg of the pattern from the 131.82 high. A deeper drop should then be seen at 61.8%, projecting from 131.82 to 93.47 to 124.12 to 100.41 initially. A firm break there could see an acceleration down from 93.47 to a 100% projection at 85.77, which is near 85.92 resistance-turned-support.
USD/CAD Breaks Key Resistance at 1.3
But of course, the oil price reversal could also be seen as the result of weaker demand due to a bleaker economic outlook. In other words, it is part of risk aversion trades. If so, the Canadian dollar could be hit twice. USD/CAD has already broken through the resistance at 1.0375 last week. Sustained trading above the 38.2% retracement from 1.4667 (2020 high) to 1.2005 (2021 low) at 1.3022 will suggest this is a full reversal of the downtrend from 1.4667. A further rally would be seen at 100% projection from 1.2005 to 1.2947 from 1.2401 to 1.3343. The dynamic between oil, stocks and the Loonie is worth watching closely over the next two weeks.
EUR/CHF Weekly Outlook
EUR/CHF’s sharp drop last week and the break of 1.0216 support suggest that the corrective rebound from 0.9970 has been completed after failing long-term resistance at 1.0505 as well. than the 55 week EMA. The initial bias remains to the downside this week. Break of 1.0086 support will confirm this bearish case and bring a retest of 0.9970 low. On the upside, minor resistance above 1.0232 will first turn the intraday bias into neutral. But risk will remain on the downside as long as 1.0513 resistance holds.
Overall, as long as the support at 1.0505 becomes resistant (2020 low), the long-term downtrend from 1.2004 (2018 high) is likely to continue. The next target is a 100% projection from 1.2004 to 1.0505 to 1.1149 to 0.9650. However, a firm break of 1.0505 will suggest a medium-term bottom and bring a stronger bounce towards structural resistance at 1.1149.
Over the longer term, capped below the 55-month EMA, EUR/CHF is seen as extending the decades-long downtrend. There is no prospect of a bullish reversal until some sustained trading above the 55-month EMA (now at 1.0846).
Organizers say Eurovision Song Contest 2023 would be too risky to hold in Ukraine, disappointing Kyiv
LONDON, UK — The Eurovision Song Contest is set to be held in Britain in 2023 as organizers deem it too risky for this year’s winner Ukraine to host it due to war, sparking disappointment immediate Kyiv.
While decades-old tradition is that the winner of the contest can host it the following year, organizers said the security guarantees required to hold the contest meant talks would be held with runner-up Britain .
Ukraine was unhappy with the decision, with Culture Minister Oleksandr Tkachenko, on Telegram, demanding more negotiations “because we believe we can meet all the commitments we have made”.
Britain’s entry to the competition last month in Turin, British singer-songwriter Sam Ryder’s ‘SPACE MAN’, came second to Ukraine’s Kalush Orchestra after a string of modest finishes.
The group rode a wave of public support to claim an emotional victory with “Stefania” which was hailed by the country’s president.
The organiser, the European Broadcasting Union (EBU), said it was in talks with UK broadcaster BBC to host the next event.
“The EBU…shares its sadness and disappointment that next year’s competition cannot be held in Ukraine,” the Eurovision Song Contest said.
“We fully intend for Ukraine’s victory to be reflected in next year’s shows.”
The event normally attracts a television audience of almost 200 million people.
“We are committed to ensuring that it overwhelmingly reflects the rich culture, heritage and creativity of Ukraine, while building on the ongoing partnership between our two countries,” said a spokesman for British Prime Minister Boris Johnson, visiting Kyiv on Friday June 17. , said.
The BBC said: “This is clearly not a set of circumstances that everyone would want… we will of course discuss the BBC hosting the Eurovision Song Contest.”
The last time Britain hosted the annual competition was in 1998, when it was held in Birmingham after British rock band Katrina and the Waves song ‘Love Shine a Light’ won the previous year. – Rappler.com
The time has come to cut the shit up and think it over battle rock.
Why this album – the fusion of almost everything that made The Clash cool – doesn’t get its due in the same way as the first album and London calling do is beyond comprehension. Originally conceived as a double LP called Rat Patrol from Fort Braggthe band’s label brought in producer Glyn Johns to whittle it down to a tight, taut 45-minute record that set the stage for their biggest commercial success. fight was the biggest hit of their run, powered by all-time twos in “Rock The Casbah” and “Should I Stay Or Should I Go.”
The 40th Anniversary Extended Edition adds a second disc and is probably the closest official release to hardcore Clash fans. Rat Patrol. This people’s hall version is so classy, we called videographer and longtime The Clash associate Don Letts to get his thoughts on the new set and the era it represents.
SPIN: There seemed to be a lot of momentum against The Clash before 1982… Don Letts: They had been on an incredible creative run that really sowed the seeds for it all to come together in America in the early 80s. They had done all the groundwork.
The mutual embrace between The Clash and the hip-hop community must also have played a key role, it seems. You have to remember how black radio stations picked up on tracks like “The Magnificent Seven” and “Overpowered By Funk.” In reality, [New York City hip-hop radio station] WBLS even had a remix of “Mag 7” they used to play called the “Dirty Harry” remix, where there were samples from the Clint Eastwood movie throughout. It opened them up to a whole new black and Hispanic audience who didn’t even know they were white people from the UK, man.
You also spent a lot of time in New York during this period, didn’t you? We all ended up in New York in 1980-81, and all hip-hop was bubbling up in Queens and the Bronx. The Clash were instantly tuned into these things; we were all because we listened to WBLS and the rest. For a brief moment in New York there was a punk hip-hop thing because we were interested in what they were doing and vice versa. There was mutual admiration, and The Clash already had Grandmaster Flash and the Treacherous Three backing them up in Bonds. The Clash were just as active in hip-hop at the time as any other group at the time. And going back to Futura, which is on the new release, he was one of the guys we originally met, along with Rammellzee, Fab 5 Freddy, and Dondi. And we did not know that they are the ones who marked New York. Thanks to them, we entered more deeply into the culture. They took us to the clubs, put us on stage. They were our passports to hip-hop. They reportedly spray-painted Futura on banners as they played for a brief time, but the fumes were fucking everyone’s voice.
would you say battle rock was more of a Mick Jones album, given that it was largely demoed by him as Rat Patrol from Fort Bragg? Well, it was going less in the direction that Mick was going, and would be characterized by what he did with Big Audio Dynamite. You know, what’s funny is that amidst all the tension in the band, among them, they had very disparate musical differences. This was demonstrated by what Joe Strummer did as a solo artist and with the Mescaleros and Mick with BAD – you could see they were going in different directions. And Mick was still absorbed in what was going on around him. Joe was more of an R&B and blues man. And that’s no bashing because together, the two have synced up beautifully. But when Mick walks in, he goes all-in. Otherwise, how could he Rat Patrol from Fort Bragg clock at 75 minutes? It’s Mick Jones, man!
battle rock has been a part of our lives for 40 years, and it’s both stunning and excruciating that some of the global concerns the band addressed in 1982 remain relevant today. Would you accept? You have to give credit to Joe and the content of his words. There’s stuff in there that I’m still figuring out to this day. I often say that there are more ideas in a verse of a Joe Strummer song than most people have on their entire album. He engaged with the planet. He thought about what was going on around him and felt emotionally connected to his fellow man. And it all came out through the music.
is reflected on battle rock now I can’t help but notice how America-centric it is. Although I’ve come to realize that Joe may not be talking so much about America as much as the human condition and the aspirations of the human race itself. And America embodies that.
Eddie Vedder Ukulele songs (UMe)
Vedder’s soundtrack-free debut solo album, originally released in 2011, was supposed to be shot on a black circle. And now for her belated 10th birthday, Ukulele songs is immortalized in wax for the first time since its initial pressing with this non-bonus deluxe edition LP featuring a newly designed 16-page book and lithograph.
quincy jones The guy (Intervention files)
As attentive Tupac and MF DOOM fans can attest, the 1981s The guy is a wealth of early 80s funk like only Q can. Audio geeks will want Intervention Records’ new SACD release to hit the peak of where Mr. Jones took us amidst the uncertainty of Reagan’s first 100 days in office.
Yukihiro Takahashi WILD & BAD (ALFA Music)
Within the Yellow Magic Orchestra and as a solo artist, Yukihiro Takahashi has long been a pioneer of innovation. Released as part of ALFA Music’s ongoing series of reissues of Takahashi’s work under his own name, 1984 WILD & BAD is arguably the best of the bunch as it echoes Bryan Ferry’s cosmopolitan maneuver rewritten in Tokyo neon.
Few alternative rock bands of the 90s enjoyed the continuity of the creative flow of the 2000s quite like The Muffs. Their 2004 album really really happy is as crisp and snappy as anything they did in their 120 minute days. The extended edition includes 22 bonus tracks, the chronicle of drummer Roy McDonald, bassist Ronnie Barnett and the late and great singer/guitarist Kim Shattuck, picking up where they left off in the late 90s without a hitch. Meanwhile, Shattuck’s 16 demos on this LP serve as a masterclass in pop songwriting from a voice taken far too soon.
rolling stones Living at El Mocambo ’77 (UMe)
The Stones in 1977 found them perfecting the balance of rhythm and raunch that would define the band in the disco era. And this meticulously captured club date at Toronto’s El Mocambo finds Mick and company, with the addition of former Faces guitarist Ron Wood, in top form as they swing through the best moments of Black and Blue under -esteemed 1976 (“Fool To Cry”, “Hot Stuff”) and a parade of favorite war horses (“Honky Tonk Women”, “Jumpin’ Jack Flash”), super deep cuts (“Luxury”) and searing blues covers (“Mannish Boy” by Muddy Waters, Freddie King’s “Worried Blues of Life”).
various artists Music 4 ½ (Sonamos/Stuffed records)
Under the dark cloud of a dictatorship, a group of Uruguayan musicians created an album in 1971 that flew against cultural repression in its path. This 50th anniversary edition of Music 4 ½ was put together by lifelong fan Juana Molina and expands the original title by 16 previously unreleased tracks. Lovers of psychedelic South America, don’t hesitate to discover this unearthed treasure.
Graham Parker Another gray area (Iconoclassical discs)
Reissued with five bonus tracks for its 40th anniversary, Another gray area marked Parker’s first studio album without The Rumour. Like Elvis Costello and Joe Jackson did in 1982, the project led him to turn to more eloquent songwriting with the help of producer Jack Douglas and a session band consisting of pianist Nicky Hopkins and members of Billy Joel’s band. This extended edition adds five bonus tracks to the original LP, including an extended version of “You Hit The Spot” and the cassette-only version “Habit Worth Forming”.
Inland Northwest Opera has announced that Summer Ward will lead the local nonprofit as its new Executive Director.
Ward is an operatic soprano who earned a Bachelor of Music degree from the University of Northern Colorado.
Rooted in the belief that music brings both healing and connection, Ward has dedicated her career to education, therapeutic innovation and advocacy for the arts. She is thrilled to work with the talented members of the Inland Northwest Opera team and build on the legacy they have developed.
Having previously toured with Opera Classica Europa, Ward also plays five instruments and recorded an independent folk album in 2022.
In 2012, she shifted her career focus to health care and earned a master’s degree in music therapy from Colorado State University. She developed the first music therapy program in an inpatient psychiatric hospital, serving hundreds of diverse clients, and has since evolved into administrative arts and culture programs.
With a full range of experience and expertise, the performing arts are the central foundation of Ward’s passion and vision. She is thrilled to return to her operatic roots and contribute to a thriving artistic culture in the region.
TORONTO, June 16, 2022 /CNW/ – Halo Collective Inc. (“Halo” or the “Company”) (NEO: HALO) (OTCQB: HCANF) (Germany: A9KN) is pleased to announce that all of the executive nominees listed in the Circular of the management of the Company dated May 16, 2022 (the “Information Circular”) were elected directors of the Company at the annual general and special meeting of shareholders of Halo held on June 16, 2022 (the meeting”). The detailed results of the voting for the election of directors held at the meeting are set out below.
% of votes cast FOR
% voted RETAINED
Quinn Field Dyte
During the Meeting, the shareholders of the Company also approved:
the renewal of the mandate of Davidson & Company LLP as auditors of the Company for the coming year and authorized the board of directors to fix the remuneration of the auditors;
one or more amendments to the Company’s articles of association for one or more future consolidations of the issued and outstanding ordinary shares of the Company on the basis of consolidation ratios to be chosen by the Board of Directors of the Company within a range between 10 shares pre-consolidation ordinary shares of common stock for one (1) post-consolidation ordinary share and 100 pre-consolidation ordinary shares for one (1) post-consolidation ordinary share, provided that, (a) the cumulative effect of one or more consolidations does not result in a consolidation of more than 100 pre-consolidation common shares for one (1) post-consolidation common share, and (B) such consolidations occur prior to the earliest of the following dates between the 12th anniversary of the meeting and the next annual meeting of shareholders; if and at such time(s) following the date of the Meeting, as determined by the board of directors of the Company in its sole discretion; and
a special resolution was passed authorizing the Company to reduce the stated capital of its common shares;
each as further described in the Information Circular.
The Company has filed a report of the voting results on all resolutions voted on at the Meeting on the Company’s SEDAR profile at www.sedar.com.
About Halo Collective Inc.
Halo is a multinational incubator with assets and operations focused on the THC and non-THC sectors. For the THC sector, Halo focuses on the west coast of United States where it has vertically integrated operations spanning the entire value chain from seed to sale. Halo cultivates, extracts, manufactures and distributes quality cannabis flowers, pre-rolls, vape carts, edibles and concentrates. Halo sells these products under a portfolio of brands such as Hush™, Winberry Farms™, Williams Wonder Farms, its Budega™ retail brand, and through licensing agreements with Papa’s Herb®, DNA Genetics and FlowerShop*. Halo opened a dispensary in Los Angeles under the Budega™ brand in North Hollywood and plans to open two more in Hollywoodand Westwood in the second quarter of 2022. Halo also operates three Kushbar cannabis retail stores located in Alberta, Canada.
In the non-THC sector, Halo is expanding into health and wellness categories, including CBD and functional supplements such as nootropic nutraceuticals and non-psychotropic mushrooms. Halo, through a series of acquisitions, offers product offerings in beverages (H2C Beverages), dissolvable strips (Dissolve Medical), capsules (Hushrooms™) and topical supplements (Hatshe) with proposed national distribution through a strategic agreement with SWAY Energy Company. Halo has entered into a letter of intent to acquire Phytocann Holdings, one of Europe leading wellness CBD consumer packaged goods companies with a portfolio of value and premium brands, including Ivory, Harvest Laboratories, Easy Weed, Kanolia, Herboristerie Alexandra, Buddies and Ghosty Buds.
As an incubator, Halo successfully acquired and integrated various companies which were later reorganized to create Akanda Corp. (NASDAQ: AKAN), an international medical cannabis and wellness company, of which Halo currently owns approximately 44% of the common stock. Halo has also acquired a range of software development assets, including CannPOS, Cannalift, CannaFeels and discreet sublingual dosing technology, Accudab. Halo intends to reorganize these entities (including their intellectual property and patent applications) into a subsidiary called Halo Tek Inc., and to effect a distribution of the shares of Halo Tek Inc. to shareholders of record, on a date to be determined.
For more information regarding Halo, see Halo’s disclosure documents on SEDAR at www.sedar.com
For more information, please contact Minor MarshalActing Chief Financial Officer of the Company at (541) 646-5694 or [email protected]
Caution Regarding Forward-Looking Information and Statements
This press release contains certain “forward-looking information” within the meaning of applicable Canadian securities laws and may also contain statements that may constitute “forward-looking statements” within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act. . of 1995. Such forward-looking information and forward-looking statements are not indicative of historical facts or information or of current condition, but represent only Halo’s beliefs regarding future events, plans or objectives, many of which, by their nature, are inherently uncertain. and out of Halo’s control. Generally, such forward-looking information or forward-looking statements can be identified by the use of forward-looking terminology such as “anticipates”, “expects” or “does not expect”, “is expected”, ” budget”, “expected”, “estimates”, “plans”, “intends”, “anticipates” or “does not anticipate”, or “believes”, or variations of these words and expressions or may contain statements that certain actions, events or results “could”, “could”, “would”, “could” or “will be taken”, “will continue”, “will occur” or “will be achieved”. Forward-looking information may relate to anticipated events or results, including, but not limited to, completion of consolidation, proposed reduction in stated capital, management’s plans regarding its portfolio of cannabis businesses and its intention to grow in health and wellness, the proposed distribution agreement with SWAY Energy Corporation, l he planned acquisition of PhytoCann, the planned opening date of the California dispensaries and the spin-off proposed by Halo Tek Inc.
By identifying such information and statements in this manner, Halo cautions the reader that such information and statements are subject to known and unknown risks, uncertainties and other factors that may cause actual results to differ materially from those expressed or implied. understood by this information. and statements. Additionally, in connection with the forward-looking information and forward-looking statements contained in this press release, Halo has made certain assumptions. Although Halo believes that the assumptions and factors used in preparing, and the expectations contained in, the forward-looking information and statements are reasonable, undue reliance should not be placed on such information and statements, and no assurances or warranties can be made. given that these forward-looking information and statements will prove to be accurate, as actual results and future events could differ materially from those anticipated in such information and statements. Among others, key factors that could cause actual results to differ materially from those projected in the forward-looking information and statements include the following: management’s inability to successfully integrate the businesses of acquired businesses, changes in the consumer market for cannabis products, changes in expected outcomes of proposed changes to Halo’s operations, delays in obtaining required licenses or approvals necessary to build Oregon operations, dispensaries or Canadian operations, the proposed spin-off with Halo Tek Inc., any unforeseen delays or costs incurred in connection with construction, the ability of competitors to expand operations in Northern California, unforeseen delays or difficulties in cultivating and harvesting Halo Raw Material, changes in general economic, business and political conditions, including changes in financial markets; and other risks disclosed in the Company’s Annual Information Form dated March 31, 2022 and other disclosure documents available on the Company’s profile at www.sedar.com. Should one or more of these risks, uncertainties or other factors materialize, or should assumptions underlying any forward-looking information or statements prove incorrect, actual results may differ materially from those described herein as anticipated, planned, anticipated, believed, estimated or expected.
The forward-looking information and forward-looking statements contained in this press release are made as of the date of this press release, and Halo does not undertake to update any forward-looking information and/or forward-looking statements contained or referenced herein, except in accordance with applicable securities laws. All subsequent written and oral forward-looking information and statements attributable to Halo or persons acting on its behalf are expressly qualified in their entirety by this notice..
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SOURCE Halo Collective Inc.
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Wednesday was a night for diehards at the Grant Park Music Festival.
First, those in attendance had to brave the 90-plus-degree heat, which bit a significant portion of the opening night crowds both in the Pritzker Pavilion and on the Great Lawn at Millennium Park. The musicians of the festival orchestra visibly smothered in their concert blacks, with bright shorts and sandals for the concert.
The evening’s bluster didn’t help either. High winds ripped sheet music from stands, blew program books and swayed a pair of loudspeakers dangerously several feet above the head of Carlos Kalmar, artistic director and principal conductor of Grant Park, for most of the evening.
But if soloist Michelle Cann won’t soon forget her debut at the festival, it’s probably not because of the weather. The pianist has become one of the most visible representatives of the music of Florence Price, who launched her career in Chicago and enjoyed rare institutional recognition there as a black composer. But as Cann told the Grant Park audience in a moving speech, although she’s been performing an authoritative new version of Price’s Piano Concerto in One Movement (1934) for over a year now, she doesn’t ever performed Price’s music in the composer’s hometown.
We bet Grant Park audiences won’t soon forget Cann either. In her powerful rendition of Price’s concerto, Cann not only overcame the acoustic challenges of the Pritzker Pavilion stage: she navigated them with the grace and flexibility of a high jumper, her powerful fingerwork spelling out with detail his interaction with the orchestra. After a muscular exposition, Cann moved easily to the luscious, unaffected sincerity of the lyrical mid-section – with magnificent solos by oboist Mitchell Kuhn and cellist Walter Haman – and later still, to the intoxicating exaltation of an Allegretto. ragtime-like.
An extended standing ovation brought Cann back to the stage for an encore of Price’s protege and fellow Chicagoan Margaret Bonds: her “Troubled Water” fantasia over the witty “Wade In the Water.” Cann’s powerful rendition unified the five-minute set of variations into a monument of concerto-like breadth and grandeur.
Just as Price is in the midst of his own long-running reassessment, so is Richard Wagner, whose “Die Meistersinger von Nürnberg” excerpt followed the piano concerto. But the two composers evolve in directions as different as one might imagine. While Price posthumously carves out his place in the repertoire, Wagner, an ideologue who wrote bluntly about his own anti-Semitism, has remained a heavy cornerstone.
Quite the program boost, if you ask me. A common denominator seemed at least clear to artistic director and chief conductor Carlos Kalmar. Using his usual audience speech to praise Price’s concerto, Kalmar inadvertently provided what for years also served as Wagner’s defense: “There are only two kinds of music: good music and the other.”
Indeed, “Meistersinger” is not short of this. Much of its four and a half hours includes Wagner’s most bubbly and charming music, descriptors that would not typically share a zip code with his other operas. Coking together a kind of pseudo-symphony, Kalmar and the Grant Park Festival Orchestra performed the overture “Meistersinger” and three excerpts from Act III often performed together: the prelude, “Dance of the Apprentices” and “Procession of the Mastersingers”.
Despite occupying the coveted second half of the schedule, Kalmar’s “Meistersinger” ultimately proved mixed. The generally uplifting opening too often sounded directionless and limp with an anticlimax. The Act III snippets landed more convincingly, especially the rounded, polished prelude and the floating “dance.”
But any lackluster stage presence of this ‘Meistersinger’ was not the fault of the always-superb festival orchestra, who deserve special kudos for keeping their cool when the winds picked up again and sent more of a flying orchestra part during ‘Procession of the Mastersingers’.
Reversing the concert order convention, Kalmar began with the program real Mozart’s Haffner Symphony in D Major. Mozart composed the symphony at breakneck speed in 1782 after his father offered it for an eleventh-hour commission against his wishes. Kalmar also conducted this “Haffner”. But on Wednesday night, those Mach-1 speeds tended to erode the character of the symphony — especially in the Andante, which had little of the movement’s familiar suppleness and nonchalant lightness.
Unsurprisingly, the outgoing outward moves went better under Kalmar’s leadership. The Grant Park Festival Orchestra sounded startlingly decadent in the opening Allegro con spirito; likewise, piano passages in the Presto finale shone with incandescent intensity. It was not Mozart, a hyper-transparent Mozart.
Varied spectacle aside, kudos to Kalmar for a masterclass in keeping his composure on the podium from the start, when, mere bars in the “Haffner,” a gust ruffled the pages of his score. The conductor failed to conduct the rest of the first movement from memory without flinching.
Looks like Grant Park will be keeping those giant music videos handy for a while yet.
The Grant Park Music Festival continues until August 20; www.grantparkmusicfestival.com
Hannah Edgar is a freelance writer.
The Rubin Institute for Music Criticism helps fund our coverage of classical music. The Chicago Tribune maintains complete editorial control over assignments and content.
DUBLIN–(BUSINESS WIRE)–The “Leadership Quadrant of Medical Battery Suppliers – 2022” report has been added to from ResearchAndMarkets.com offer.
The medical battery manufacturing landscape is diverse and constantly changing. The major players in the medical battery market have diversified product portfolios, strong geographic reach and have taken several strategic initiatives. The dynamics of the medical battery market extend beyond the usual macroeconomic elements of supply and demand. It is the relationship between the needs of the buyer and the capabilities of the seller as well as the macroeconomic forces at work that affect the market. It is the quality and effectiveness with which sellers respond to buyers’ needs that determines long-term success.
Over the years, the level of demand for medical battery has increased owing to the rising healthcare awareness and the advancement of healthcare infrastructure globally. The medical battery is used for a variety of applications, such as patient monitoring, general medicine, cardiovascular medicine, orthopedics, home healthcare and other devices and is expected to grow at a CAGR of 4 .5%. The major growth drivers for this market are the growing demand for portable and implantable battery-powered devices in diagnostic and therapeutic medical practices.
Companies that produce medical batteries approach market opportunities with radically different strategies. Using its proprietary research methodology, the analyst has developed a benchmarking tool, the “Leadership Quadrant”, which identifies the leaders, candidates, visionaries and specialists in the medical battery market and rates each battery producer medical.
This report also offers a complete analysis of the competition, from target markets to product mapping, from sales strategies to production capacities.
In the study, seven companies such as GE, Siemens, Kholberg Kravish Roberts, Boston Scientific, Integer Holding, EaglePicher and Saft were analyzed and profiled as they are the top revenue generators for medical batteries.
The seven profiled manufacturers are grouped in the quadrant. The leadership quadrant analyzes the relative strength of these actors. The Leadership quadrant addresses the market’s need for manufacturer assessment based on objective data and measurement.
In addition to the Leadership Quadrant, this comprehensive research report also offers medical battery consumers as well as the investment community a content-rich benchmarking analysis detailing which producers have the production capacity, service capabilities and vision to hold fully its promises.
Some of the features of this research study are:
Leadership and competitive analysis:
Key Players Product Mapping
Comparative analysis of the financial strength of the main players
Quadrant leadership/strategic positioning of actors
Market Shares of Key Players in Different Regions:
The rest of the world
Profiles of the main players in terms of parameters below:
Breakdown of turnover by market segment
Breakdown of revenue by region
Innovation and market leadership
Designed for industry professionals, financial services companies and users of medical batteries, this report titled “Leadership Quadrant and Strategic Positioning of Medical Battery Suppliers” is the industry’s comprehensive examination of the competitive landscape of manufacturers of medical batteries.
The report will provide you with valuable information, insights, and tools needed to identify new growth opportunities and operate your business successfully in this market.
This report answers the following key questions:
What are the market shares of vendors in various application segments such as patient monitoring, general medicine, cardiovascular medicine, orthopedics, home healthcare, and other device markets?
Who are the market leaders in different regions and what are their market shares?
Which companies are most aligned with market opportunities and which companies have the ability to gain market share?
What are the key differentiators for leading vendors?
Which company has the widest product range and what does the product mapping look like among the different players?
Which companies will gain market share?
Main topics covered:
1. Leadership Analysis
1.1: Description of the contract
1.2: Scoring criteria
1.3: Leadership quadrant analysis
2. Competitive Benchmarking
2.1: Analysis of the product portfolio
2.2: Financial strength
2.3: Market share analysis
3. GE Profile
4. Siemens profile
5. Profile of Kholberg Kravish Roberts
6. Boston Science Profile
7. Integer Hold Profile
8. EaglePicher Profile
9. Saft profile
For more information about this report visit https://www.researchandmarkets.com/r/9pyku1
ResearchAndMarkets.com is the world’s leading source for international market research reports and market data. We provide you with the latest data on international and regional markets, key industries, top companies, new products and the latest trends.
“We’re not of the same cloth, because I’m cut differently,” hip-hop artist and songwriter Allay Earhart points out in his single Different. After my conversation with Earhart, 25, this turned out to be true. He is in a class of his own.
Growing up in New Orleans, her love for music was influenced by her family.
“My pursuit with music started with my dad. He was a very influential factor. He was once someone who was heavily involved in street life in New Orleans and I kind of went down the same path because I looked up to him, but there was a time when an older cousin of mine lost his life to gun violence actually on a prominent street in New Orleans by the name of Earhart Boulevard, so that’s why I added the Earhart to the end of my name to honor my cousin, who ultimately was the reason I decided to take this straight path and m ‘express in music,’ he says.
And this path has been incredible for him. Of course, this tragic event changed his life, but his musical influence came from a mixture of the musical tastes of his parents and grandparents.
“In my heart, I’m a hip-hop baby but I’m considered eclectic in a way. I grew up in a family with my grandparents because my parents were teenage parents, so I had the opportunity to be exposed to old but good, all soul and R&B. Honestly, I listen to that more than hip-hop. The way I choose to express myself is primarily through hip-hop, but I’m a songwriter, so I can write any genre,” Earhart explains.
Speaking of genres, Earhart says he loves music from artists like Juvenile, Lil Wayne, Soulja Slim, and Nas, but he can also listen to Anita Baker, Betty Wright, and Smokey Robinson. As for getting groovy with it, he loves it Groove City by Chocolate Milk, a funk and soul band from New Orleans.
But Earhart has more talent to add to his roster as a songwriter. He started writing poetry, which turned into music. He mentioned Dear Diary, as being his first project in 2013. Things got really serious after that. He skipped his senior trip and decided to use that money to buy his recording equipment. A wise investment in its future.
When it comes to his style, he doesn’t shy away from making comparisons. He would say his style is in line with artists like Kendrick Lamar, Andre 3000 and CeeLo Green.
“I like people who push boundaries but still have messages with what they’re talking about,” he says.
Earhart was mentioned earlier different. He has his hands in a lot of pots right now, which also includes acting and film. He and his team are currently working on a short film titled 40 hoursa musical project, symbolic of staying committed to your craft full time, the same thing you would do at a 9-5, showing real situations of inspiring artists who experience ups and downs but ultimately show the reasons why these things happen, to build character.
I wanted to know where Earhart got her confidence from.
“My mantra is Be you, be Vaku. I learned that being in tune with yourself is one of the best things you can do, one of the best discoveries you can make,” he says.
“At one point I was finding my identity in bands, wanting people to like and make people happy, but what I’ve achieved, the one thing that helps me ultimately be who I’m meant to be a times that I believe and accept who I am,” he says.
The entertainment industry can mean a lot, especially to young artists, but Earhart has a few things in place to help keep them grounded.
“I come from a very spiritual family, but for me once Hurricane Katrina hit where I almost lost my life, it was a time when I was able to have divine intervention in a way and I knew it was something that was bigger than me, so that moment when I started to build my relationship with God has always been the reason I stay grounded,” he says.
If that wasn’t enough, Earhart also owns a bottled water business with her mother called Eliss, which has just been contracted to work with the Louis Armstrong airport in New Orleans.
Another project he is working on is called Project tall habits, tall heights .
“It pays homage to Dallas because I moved to Dallas. It’s about developing a new mindset and reaching for heights or goals that you inspire to achieve. Dallas is the first place I’ve been to and where I witnessed acts of philanthropy, so it holds a special place in my heart,” says Earhart.
Earhart also makes sure to give back by working with non-profit organizations like the 4DWN projectthat empowers youth and communities through recreation, culture, education and conversation.
You want to get to know Earhart, because he’ll be performing at his home at Essence Fest in New Orleans in June/July, which is a loop moment.
Allay Earhart is in her own lane and the path is heading towards major success.
New York, United States:The Combination Antibody Therapy Marketreport by Critical market insights examines the key drivers and challenges in this market, highlighting macroeconomic trends in each region. Additionally, we offer insight into how these factors affect local markets as well as private businesses around the world. The report includes profiles of experts active in the global industry, a comprehensive analysis of their product portfolios, competitive landscape analysis, and country-specific developments.
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Providing a comprehensive analysis of factors influencing global supply and demand and forecasting future trends, this report examines the global market in detail. The five PEST regions of the world are shown here, and they are considered to be the areas of industry that influence political, economic, social and technological factors.
New research examining its features and shortcomings has revealed that major international markets are growing steadily. As part of the report, a comprehensive assessment of new consolidations, financial sponsors, acquisitions, and partnerships is also presented over the coming years that will significantly impact this rapidly changing market. Factors such as economic conditions provide an overall perspective on future markets that may impact coalition developments. Market research reports offer smart investment opportunities for those looking to enter this field. Along with Porter’s Five Forces analysis, this report also includes how your competitors are competing in this market. When deciding to invest in a company, our experts use detailed research and reports as a key tool.
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Combination Antibody Therapy Market Segmentation- By type: Antibodies/antibodies, antibody-drug conjugates, bispecific antibodies, chemotherapy-monoclonal antibodies, others Per application: Hospitals, Specialized clinics, Others By key players: Amgen Inc, Eli Lilly and Company, Novartis AG, Genetech Inc., Bristol-Myers Squibb Company, F. Hoffmann-La Roche Ltd, Sanofi and Merck & Co., Inc.
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China’s emergence as an R&D powerhouse means the country is rapidly adding a number of drug candidates to the global pipeline. Although more treatment options are positive, Ben Hargreaves says this has raised issues about clinical trials in just one region, leading the FDA to reject some treatments and clarify what is required for approval .
China’s ambition to become a leader in the biopharmaceutical industry has been clear for some years. Investments flowing into the sector are not limited to drug development alone, emphasis has also been placed on rapidly developing capabilities and capacity to manufacture both traditional pharmaceuticals and biologic drugs.
A representation of the country’s rapid development capability can be seen in the example of WuXi Biologics, which is a contract development and manufacturing organization, which was established in 2015 and is now among the top five companies in terms of of manufacturing capacity for biological products. Similar signs of growth can be seen in the amount of drugs, biologics, and medical devices the country exports to the United States. The US FDA notes that China ranks third among countries that export drugs and biologics to the country, with China also ranking first in exporting medical devices to the United States.
The innovation occurring within the Chinese biopharmaceutical ecosystem means that Western pharmaceutical companies often seek to partner with Chinese companies to bring treatments to the United States and Europe. Just last month, US-based Merck agreed to pay a potential $1.4 billion to partner in an immuno-oncology asset with Chinese company Sichuan Kelun Pharmaceutical. Merck is not alone, with a number of companies striking deals to take advantage of the growing pipeline of therapeutic candidates being developed in China, such as Bavarian Nordic’s deal to advance a potential RSV vaccine being developed by Nuance Pharma.
Changing regulatory landscape
However, the developing business relationship between established pharmaceutical companies and China has recently run into a problem: The US FDA has taken a stricter approach to reviewing applications for treatments being tested in China. Last month, the agency rejected two cancer therapies developed by Chinese pharmaceutical companies, after previously opposing Eli Lilly and Innovent Biologics’ immunotherapy, sintilimab.
The two most recently rejected treatments were surufatinib from Hutchmed and toripalimab from Coherus BioSciences and Shanghai Junshi Biosciences. Coherus’ treatment was rejected on grounds related to the drug’s manufacturing process. The reasons for the rejection of sintilimab and surufatinib were more significant, as the FDA cited issues with a lack of clinical trial data collected outside of China.
Hutchmed had completed two phase 3 trials in China and a bridging study in the United States, but that was not enough to gain approval. Instead, in the Comprehensive Response Letter (CRL), the FDA requested that a multi-regional clinical trial be completed for approval to be considered. Indeed, it will push back potential marketing approval of the treatment for several years while the trial is completed. The FDA’s decision may not have come as a surprise to Hutchmed, after the FDA also raised an issue with Lilly’s application which relied on clinical trials in only one country as the basis for its request for approval. .
The reasons for the FDA’s decision to push back clinical trials in one country were made clear during Lilly’s sintilimab application process. Richard Pazdur, director of the FDA’s Oncology Center of Excellence, published an article in which he highlighted concerns about drug applications based solely or primarily on data collected from clinical trials in China.
Stressing the importance of the FDA’s position on the matter, Pazdur pointed out that there were at least 25 applications from China based on this data for oncology treatments. As a senior member of the FDA, Pazdur’s comments can be taken to reflect the position held by the FDA on similar applications and indicate the agency’s position for future applications – later confirmed by the FDA’s rejection. at the request of Lilly and Hutchmed.
In the article, several key concerns were raised regarding the use of clinical trial data from a single foreign country. An important factor centered on the generalizability of the data collected when applied to the US population, with intrinsic factors, such as genetic dissimilarity of populations, and extrinsic factors, such as difference in medical practice, raised as concerns. potential problems.
Pazdur noted, “The degree of regulatory flexibility in establishing the acceptability of single-country data and its generalizability to a new population must be weighed against drug innovation.”
Focus on multi-regional trials
The problem for Lilly’s application for sintilimab is that there are already a number of approved PD-1 treatments on the US market, making it difficult to suggest that the treatment represented an innovation. When questioned, a Lilly spokesperson declined a request for further information about the CRL that he had received. However, the company had previously issued a statement explaining why it believed the treatment should have been approved: “We had hoped that sintilimab could have played a positive role for patients and the US healthcare system through an aggressive pricing strategy. “.
Positioning the treatment as price-competitive with existing treatments was enough to get a vote when the treatment was presented to the FDA’s Oncology Drug Advisory Committee, but was not enough to persuade the remaining 14 members to recommend the treatment. For approval.
In Pazdur’s article, he pointed to a path for future applications focused on multi-regional clinical trials, hinting in particular that those containing studies conducted in Africa and South America would be “strengthened.” He explained that this was because these regions were currently underrepresented in multi-regional oncology clinical trials and would build diversity, thereby increasing the representation of racial and ethnic minorities.
After Hutchmed’s treatment was rejected, despite efforts to include a bridging trial, the FDA appears to have drawn a line in the sand, effectively requiring multi-regional clinical trials unless the drug candidate is considered breakthrough. With many treatments already progressing towards application in the United States, the question will be whether companies are now pivoting to establish multi-regional trials, despite this, which adds time and expense to the drug development process.
To be a fan of hip-hop in New York is to be in a constant state of nostalgia. What’s it like to be a rap fan without hearing OGs, advisers and cousins talk about the first time they heard 36 Rooms? To be a rap-loving New Yorker is to remember 9/11 for The plan and not by George Bush The violent engagement of Osama bin Laden. It’s Dipset talking about the rubble towers, not as an expression of patriotism but rather of New York’s crass and dark ethos, how destructive the city can become in a split second. All hip-hop scenes are to be cherished. There’s a book coming out on the story of Atlanta’s rise from OutKast to Lil Baby. Michigan’s rap scene is racing across the country right now with its backpacking lyrics and menacing, piano-filled production. The Louisiana-area’s inventive idiolect reverberates through every black American. But New York is eternal. It is the house. I had no appreciation for these other cities until I was on YouTube. These cities did not give birth to Jigga, the Son of God, or even someone as chimerical as Yasiin Bey. If New York hip-hop disappeared, the cradle of the genre would die out.
Sounds of Saving, in conjunction with National Suicide Prevention Lifeline, has released a new episode of its “Song That Found Me At The Right Time” series. SoS sat down with Brooklyn band Geese and discussed Nick Drake’s “Place To Be” and how that song was instrumental in their journey to mental health.
SoS says: “Geese has captured our attention since their singles were released in the middle of last year. The a-sides teased what would go on to be one of the best indie rock albums of the year and surprisingly most mature. and the most exciting of 2021, Projector. After getting to know the band, it’s hard to believe they were in high school when they recorded much of the album. This band is lively, energetic and mentally aware From meditation and breathwork to medication and therapy, the band takes advantage of music but also taps into many other helpful tactics to stay mentally healthy. It’s reassuring to see this in such a young group of New Yorkers.
Geese share, “The most important thing about mental health is really talking about it. It’s really hard, you know, because those conversations are almost never fun. Forming a unit and a little family, you know, especially when it feels like a lot of things are happening and there’s a lot of scenery changes and a lot of new things and new people. That’s something you honestly need.
May was Mental Health Awareness Month and to draw attention to the cause, SoS shared two episodes of “Song That Found Me At The Right Time.” They sat down with Thao to discuss Bjork’s “human behavior,” followed by an episode featuring Xenia Rubinos on Nai Palm’s (Hiatus Kaiyote) song “Homebody.”
Sounds of Saving created the in 2019 to help promote honest and intimate conversations about mental health. They focus on the impact of music of all genres on human connection, dealing with difficult times, and maintaining mental well-being. For every person who dies by suicide, 316 people seriously think about suicide but continue to live their lives. These are untold stories that need to be shared. During the pandemic, approximately 1 in 4 young adults have had suicidal thoughts.
SoS has shared nearly 20 videos for his “Song that Found Me At The Right Time” series, including conversations with Allison Russell, Sharon Van Etten and Bartees Strange and they caught the attention of Rolling Stone, Pitchfork, AV Club , Uproxx, and others.
Brooklyn 5-piece Geese is a band that begins and ends in Brooklyn, as a project among friends to build a home studio in a basement. Their album Projector was born from the same ambition: to make music by any means necessary. The nine songs on the album merge all the restless anxiety and pent up frustration of trying to figure out life at 18 with an immediacy and release from the sound barrier.
Equal parts headphones and dance floor. Curiously foreign, but strangely familiar. The album was written, produced and recorded by Geese during their junior and senior years of high school in their home studio (a space they lovingly dub “The Nest”). Vocalist Cameron Winter wrote each song, then band-guitarist Gus Green, guitarist Foster Hudson, bassist Dominic DiGesu and drummer Max Bassin learned, practiced and recorded between the end of school and their hard 22-year hiatus. hours when (in New York fashion) the neighbors began to complain.
When Broadcom CEO Hock Tan met with Donald Trump in early November 2017, the two immediately struck a deal. The meeting seemed a win-win for the two men, reports the Financial Times. Tan’s announcement that he was moving the Singapore-based chipmaker to its original headquarters was a big endorsement of Trump’s America First campaign. It was also a nod to the American Dream.
Tan described how he arrived in America as a poor “skinny 18-year-old kid” on an MIT scholarship. Now he wanted to “give back”. However, in a few days, the bonhomie was shattered. Tan’s account failed to mention that “he had a grand plan up his sleeve.” When, four days later, he launched an audacious $130 billion hostile bid for US chip company Qualcomm, Trump’s fury at being taken for a mug was palpable. Trump played the national security card to block the deal.
The Arc Consolidator
Five years later, the chip industry’s “ultimate consolidator” is back with another giant deal that he can see as partial consolation for this murderous debacle. In a bid to expand Broadcom’s offering, Reuters says, Tan is paying $61 billion for VMware, a cloud software company chaired and partly owned by Michael Dell (founder of the eponymous IT company). Given the wider carnage in the tech sector, the deal – valuing VMware at a 50% premium to its stock price – could be construed as risky. But when it comes to actually winning the case, Tan seems to have learned his lesson. In 2017 he was described by a viewer as too “arrogant” – the Broadcom team thought Qualcomm would be in the bag because the chairman liked the boss. This time he was much more cautious, says Bloomberg. After long “covertly watching” the software house, “Broadcom crunched the numbers, explored VMware’s products, and ran scenarios for about a year before making an approach.” It may also help that Tan’s relationship with Dell goes way back.
From the start, Tan, now 70, owes his success to “his willingness to seize opportunities”, specifies the FT. Born into a working-class Chinese Malaysian family, he grew up in Penang, one of the country’s economic powerhouses. A talented schoolboy, his big breakthrough came in 1971 when he won a scholarship to MIT to study mechanical engineering, reports The Edge Weekly (Malaysia). His early career is itinerant. Returning to Malaysia, Tan held senior positions at Hume Industries and Pacven Investments in the 1980s, before returning to America, where he obtained US citizenship and joined, in quick order, PC maker Commodore. , PepsiCo and General Motors.
Facing a backlash
When the tech boom started in 1999, Tan was in the right place at the right time. While running two esoteric electronics companies – Integrated Circuit Systems and Integrated Device Technology – “he perfected the art of acquiring companies”, gaining a reputation as a ruthless cost cutter. That put him on the radar of Silver Lake Partners, Dell’s investment firm, which named him head of chipmaker Avago Technologies because it “bolstered” him to get listed. In 2015, Avago acquired Broadcom for $37 billion, changing its name to reflect that trophy acquisition. A series of other acquisitions followed.
In 2017, Tan rose to prominence when he was named America’s highest-earning CEO, reflecting the fact that Avago/Broadcom shares had gained 1,600% since listing in 2009, thanks to consolidations shrewdness of its leader. The downside, according to Reuters, was a growing “perception” among target companies and analysts that Broadcom puts profits “above innovation.” Tan, now a recognized philanthropist, has always bristled with the accusation. But it’s currently fueling a backlash against his big VMware contract. He might think that at least this time he won’t have to tangle with the mercurial Trump.
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Amid his “Bichota Reloaded” tour across Latin America, Karol G surprised fans at his concert in Mexico City on Saturday night (June 11), making Anahi his special guest.
The two powerhouses joined forces for a moving performance of RBD’s 2004 hit “Salvame,” marking Anahi’s first time performing live in 11 years. On stage, the two artists even wore pink cowboy hats resembling the one Anahi wore in the song’s official music video.
See the latest videos, graphics and news
See the latest videos, graphics and news
“It was amazing to see how despite many years away you still shine with such intensity,” Karol, who is a huge RBD fan, said on Instagram. “Eleven years off stage, 11 years of invitations that you turned down because you had other ideals and accepted mine. You accepted me and I felt good and special.
She continued: “Seeing you again in front of the world, in the midst of tears and so many emotions, has only confirmed that even if for years these have been beautiful memories, the feelings of an entire generation are still alive, intact…Having you there not only made me happy, but it made millions of us happy. You and me forever.”
In December 2020, Anahi and her former RBD bandmates Maite Perroni, Christian Chávez and Christopher Von Uckermann reunited for a virtual reunion event called “Ser o Parecer”. However, his last time in concert was in 2011 with his Go Any Go tour.
“I cannot express in words what you have given me; a moment that I will carry in my soul forever! the singer commented on Karol’s post. “You are so wonderful and so unique that you did me the honor of sharing your stage, your audience! Your whole team is so loving they made me feel so special. Your energy is so powerful that it fills the world with light! That’s why you’re in this place because souls like yours deserve the whole world! Thank you so much ! I will never forget that.”
Editor’s note: Jun Wen is a Senior Lecturer in Tourism and Services Marketing at the School of Business and Law at Edith Cowan University (ECU), Australia. An award-winning early-career researcher, Wen was named one of Australia’s Top 40 Rising Stars in 2020 and 2021. The article reflects the opinions of the author and not necessarily the views of CGTN.
“The art of medicine consists in amusing the patient while nature heals the disease. – Voltaire. It is well known that medical treatment is not limited to medicine itself. Many of us have heard of music therapy and art therapy, but what about travel therapy? Medical academics have partnered with tourism and marketing researchers to explore ways to use tourism in treatment plans for patients with dementia.
Dementia is one of the main causes of dependency in the elderly. The progressive deterioration of cognitive functions is the hallmark of the disease. This deterioration results in agitation, depression, physical handicaps and a reduced quality of life. The global population of older adults with dementia is expected to reach over 131 million by 2050, so it’s likely that you’ll have to support a loved one with the disease at some point in your life.
While some symptoms of dementia can be controlled with medication, there is no cure for the disease. In addition to medication, medical experts recommend treatments that do not involve medication.
Some of these interventions include music therapy, exercise, cognitive stimulation, reminiscence therapy, sensory stimulation, and adaptations to the patient’s mealtimes and environment. Dementia treatment and care for people with dementia places a huge economic burden on society. Therefore, the search for cost-effective and/or alternative therapies is continuous and essential.
The tourist experience is complex and goes beyond satisfaction. The tourist experience encompasses feelings, emotions, emotional states, education, information opportunities, memories, intellectual stimulation, involvement and sensory encounters.
Positive psychology refers to quality of life and positive life events and influences. When you consider the sheer magnitude of the tourist experience, it is not difficult to see how tourism could be framed as a positive psychological intervention that improves a tourist’s overall well-being and quality of life.
Specialists in tourism, marketing and medicine have worked together to come up with ways to harness the benefits of tourism experiences to help patients with dementia. Travel is a powerful way to stimulate cognitive functions by planning and anticipating a trip first, followed by sightseeing, reflection, concentration, and recall during and after a trip.
In order to enjoy the sights while traveling, there is inevitably some exercise. Helping patients with dementia maintain optimal physical health is important in preventing injuries from falls.
Additionally, the improved endurance due to exercise provides more opportunities for interactions beyond their home environment. Changing the environment alone is an effective way to stimulate the mind and provide patients with dementia with a new sensory experience.
There are often ethnic or unique dishes served in new locations that bring a sense of adventure to mealtimes. Additionally, mealtimes while traveling provide opportunities for positive interactions between members of a traveler’s party.
These social interactions are beneficial for patients with dementia. In almost all travel destinations, music is present. This can take the form of live or recorded music in a restaurant or loudspeakers on a walk. There is often a cultural niche in the music of a particular destination that can stir up emotions and moods.
Let’s not forget the bottom line: many forms of tourism involve fresh air and sunshine, boosting both vitamin D and serotonin levels. Once you stop to appreciate all that comes together to represent a holistic tourism experience, you can see how patients with dementia can benefit from tourism as an intervention.
A team approach to dementia treatment helps ensure the best possible care, and decisions about tourism as an intervention should be made with input from the whole team, including medical staff, carers and family members.
There may be times when travel is not a viable intervention for patients with dementia, as well as those with more advanced disease progression. In cases where a patient is unable to travel, virtual reality tourism could be considered.
Even without physical travel, virtual reality tourism would still provide cognitive stimulation, reminiscences and musical therapies, and possibly psychological interventions through interactions with support staff and family members regarding the experience of virtual trip.
From the perspective of a tourist destination, there are many opportunities to market a destination as ‘dementia friendly’. Reception staff can do their best to welcome customers with psychological disorders in a positive atmosphere.
Some destinations may be able to incorporate additional sensory exhibits that would provide a richer experience for visitors with dementia. When dementia patients and their caregivers have enjoyable experiences in a particular destination, it is likely to become a favorite place to visit.
The researchers who invested their efforts in this research have just begun the process – they cared enough to think outside the box when it comes to dementia treatment interventions. That shouldn’t be the end of the story. As a successful entrepreneur, Tim Ferriss, once said, “It’s not enough to think outside the box. Get used to thinking outside the box. We need more intellectual energy invested in specific action plans related to this topic to better serve our aging population.
(If you would like to contribute and have specific expertise, please contact us at [email protected] Follow @thouse_opinions on Twitter for the latest comments on CGTN Opinion Section.)
Justin Bieber says a rare disorder that paralyzed half of the superstar’s face is the reason for postponing his tour.
The multiple Grammy winner suffers from Ramsay Hunt Syndrome, he said in a video he posted to Instagram on Friday. The syndrome causes facial paralysis and affects the facial nerves with an outbreak of shingles.
Bieber’s post comes after his shows in Toronto and Washington, DC were canceled. The singer demonstrated in the video that he could barely move one side of his face, calling the condition “pretty serious”.
“For those frustrated with my cancellations of upcoming shows, I’m just physically, obviously not able to do them,” he said. The singer added, “My body is telling me I need to slow down. I hope you understand.”
Bieber said he didn’t know how long it would take for him to heal. But he seemed positive about his full recovery with rest and therapy.
“I’m going to use this time to rest and relax and come back to one hundred percent, so I can do what I was born to do,” he said.
In March, Biebers’ wife, Hailey Bieber, was hospitalized with a blood clot in her brain.
NEW YORK (AP) — A new documentary about Rudy Giuliani premiering at the Tribeca Festival weaves together musical performances to give the ups and downs of the man once commonly known as “America’s mayor” an operatic flavor.
“Rudy! A Documusical,” directed by Jed Rothstein, is largely a sober, conventional analysis of Giuliani’s unlikely political life trajectory, from New York prosecutor, mayor and 9/11 hero to pusher of bogus legal challenges. of the 2020 election for then-President Donald Trump.But to fully convey Giuliani’s exaggerated highs and lows, Rothstein felt he needed a Greek chorus.
“His story is very lyrical,” Rothstein said in an interview. “Music can bring out emotional truths that are different from the fact that someone is talking about it. It’s certainly unconventional in a documentary, but it brings out its own truth. I wanted to have a film that captured the madness of his arc.
Rothstein initially considered creating operatic interludes for his film – Giuliani is a noted opera fan – but quickly realized that the demands of putting on even an interstitial opera were too high. He instead turned to musicians and Broadway performers to write and stage the musical numbers.
“Rudy! A Documusical,” which is seeking distribution in Tribeca, is the most significant documentary to attempt to reconcile one of America’s most confusing politicians — once Time magazine’s Person of the Year — of the past 30 The film is coming to Tribeca — a film festival born in part from 9/11 — just as the House Committee’s investigation into the Jan. 6, 2021 insurrection at the U.S. Capitol unfolds. whose law license was suspended for lying about the 2020 election, recently met for hours with the House committee.
Giuliani did not participate in the documentary, although Rothstein says he made numerous attempts to convince him to sit down for an interview. “Rudi! instead features interviews with former New York City Police Commissioner Bill Bratton; Al Sharpton; journalist Andrew Kirtzman, author of ‘Rudy Giuliani: The City Emperor’ and press secretary to Giuliani in his first successful run for mayor, Ken Frydman. It also includes a forensic psychiatrist to help explain some of the actions around the Capitol Riot.
For Rothstein, a lifelong New Yorker whose films include “WeWork: The Making and Destroying of a $47 Billion Unicorn,” Giuliani’s story is part America’s.
“What motivated him? said Rothstein. “Why did he make this trip? What does its centrality in our recent history say about all of us? »
Some of the film’s most vivid parts examine Giuliani’s mayoral campaign against David Dinkins, operating on a law and order platform that exploited racial dynamics. The film is not entirely critical of Giuliani. Sifting through 9/11 footage only made Rothstein more impressed with his leadership at the time.
“He’s a person who’s always been concerned with morals,” Rothstein says. “As he says, his father told him to look in the mirror when he shaves in the morning and to be able to see himself with pride. And I wonder what he thinks of it now.
Tyson Sybateli pictured with If Found, Bring Home long artist Jay Jody and rapper A-Reece. Photo: Instagram
South African rapper Tyson Sybateli is redefining what it means to be an independent artist, with a roll so legendary it puts even South Africa’s most popular hip-hop groups to shame.
His journey started like any other young artist with a dream. Born in Umlazi in KwaZulu-Natal, he grew up in Pretoria where he flourished. The cultural contrasts of Umlazi and Pretoria are what inspired him to explore his art.
I feel like my story was as old as time, a kid whose parents got jobs in town and so we left the neighborhood for what some might consider greener pastures.
He moved to Gauteng with his parents and two sisters.
With parents always on top of pop culture and music trends, her upbringing was filled with art.
Tyson Sybateli has released a 12 track album titled Home. Photo: Instagram
“One thing about my dad is he loved scrambling in his car,” Sybateli said. Her father played music for hours while waiting for her mother to finish her work.
LILY: Zakes Bantwini and Msaki top SA Music Awards nominees list
One day, at a music store he remembers frequenting throughout his childhood, he ran into an old friend who only remembered him by his favorite songs.
“The bulb went on. It was like a twisted divine intervention. I immediately knew what I had to do on earth,” he recalls.
Sybateli has four EPs, a mixtape and three albums to his credit, each more eminent than the next. Listening to his early discography sheds light on his trajectory.
I felt like all my previous releases had to find a way to be heard and hold attention. I wanted all the hype.
“I literally had no experience or knowledge of how to release music, but I knew I was meant to do more than just download and hope for the best. I knew pretty early on that everything I did mattered. , even though I was not big in the industry at that time.
This formula seemed to work for Sybateli, who created a solid musical accompaniment in Pretoria, with other young aspirants like Thato Saul at his side. They started releasing music on Thursdays rather than Fridays like most industry professionals.
This laid the groundwork for its rollout strategy for its latest release, Home, which debuted on May 27.
LILY: Fabolous and Dave East head to Cape Town
With 12 tracks of sonic gold, the album details his journey to find himself, to understand the different places that can feel like home and the people who make it feel that way.
Contrary to the focus of his previous albums, this time Sybateli went a step further and created a deep personal experience of where he is now and how he sees the world.
The mastermind behind Tyson Sybateli’s blank face campaign. Photo: Supplied
One of the biggest standouts was the warmth he received from South Africa, thanks to his promotional efforts alone.
In a world where visuals and faces have become the most important consideration for support, the contrasting culture of celebrities has become its greatest asset. Beyond the audio, there was a man with a story and a voice that needed to be heard.
With the classic phrase ‘if found, bring home’, Sybateli set the record straight on what a good South African campaign might look like. A simple Twitter search for those words will tell you everything you need to know, as the statement garnered massive public support.
Good art really seems to market itself. Within a month, Sybateli’s fanbase grew from 800 subscribers to over 4,000. He even involved music channel MTV, with his first face revealed in an exclusive recording of his single If Found, Bring Home.
It doesn’t stop there. My debut single If Found, Bring Home was released with a secret EP that I personally released on my site and was never to be heard from again.
Thanks to this album, Sybateli has achieved what is impossible for most, finally signing a recording contract not only for himself, but for his entire label, which he will reveal more about soon.
He advises young artists to be passionate about their music and their storytelling, and to control what they want to be seen and heard, because it matters.
What will Sybateli do next? I guess we’ll just have to wait and see.
EXCLUSIVE: Marking his first starring role in a feature film, Chase Stokes is set to star in The music brought me here from multi-BAFTA nominated filmmaker Gurinder Chadha who will direct. The feature film, which is based on the remarkable true story by Forrest Allen and Tom Sweitzer, is written by Oscar winner Irwin Winkler and Jose Ruisanchez and is based on the Susan Koch documentary of the same name.
Winkler, Jon Levin and Alexandra Milchan will produce
The film tells the incredible true story of an eccentric high school music teacher, Tom Sweitzer, in a small Virginia town whose world is turned upside down when former student Forrest Allen – a bright and wild light – is left in the coma following a snowboarding accident. Between life and death, this young man’s last hope for recovery, and to wake up, speak and walk again, is a reluctant teacher with a scarred past who answers the call of a desperate family to use music therapy as a way to break through to their son. It’s about family, friendships and ultimately the healing power of music.
Stokes is known for his starring role in Netflix’s global phenomenon series External banks. The drama series debuted in April 2020 to massive fanfare and Netflix top ten placement for a record number of weeks. For its second season, the series continued its runaway success by earning the No. 1 spot on the Nielsen Streaming Rankings and securing its place as one of the most popular titles on Netflix to date. Season three of External banks is currently in production. Stokes will next appear opposite Joey King in uglya dystopian fantasy film based on Scott Westerfeld’s international bestseller of the same name, which McG is directing for Netflix.
“It is very rare for a story like this to happen. Based on real life events, I was captivated by the script and documentary of Forrest and Tom’s journey and how powerful a family’s love can be to change things. Chase Stokes is an exciting young actor who I believe has the vulnerability and emotion to convey the real depths of human despair and the exhilarating heights of relief and happiness explored by the film. Add the incredible power of music and an inspiring soundtrack and you have a film that I think will touch people all over the world,” Chadha said.
“I’m thrilled that Chase identifies with my own journey. As an actor, Chase embodies the fierceness and humor that lives in my heart and the spirit that helped me never lose hope,” Allen said.
Stokes replaced by UTA, Luber Roklin, People Store and Goodman, Genow, Schenkman. Chadha is replaced by ICM and Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner & Klein
DUBLIN–(BUSINESS WIRE)–The report “Bone Grafts and Substitutes Market Size (Value, Volume, ASP) by Segments, Share, Trend & SWOT Analysis, Regulatory & Reimbursement Landscape, Procedures & Forecast, 2015-2030” has been added at from ResearchAndMarkets.com offer.
This report has been designed to visualize quantitative market trends in the therapeutic area of orthopedic devices.
The model examines in detail the impact of COVID-19 on the Bone Graft and Substitute Devices market for the year 2020 and beyond. Bone grafts and substitutes are widely used in orthopedic surgery for several applications. Rising cases of orthopedic complications caused by weakened bones are expected to fuel demand. The number of orthopedic surgeries is expected to increase with the intensification of the geriatric population susceptible to orthopedic diseases. Thus, the market is expected to witness significant demand during the forecast period.
Each of the color-coded, fully-sourced market models from the 39 countries covered is equipped with epidemiology-based indications with procedure volumes. To increase data transparency, interactive Excel deliverable covers installed base, new sales volumes, product usage, average sales prices, market size and company share/rank analysis (if applicable). Additionally, analyst commentary with qualitative insight provides context for quantitative data.
The main inclusions of the market model are:
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In-depth look at key industry trends
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Granular data on total number of procedures, units, average selling prices and market values by segment
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Market-specific qualitative information is available with global trends broken down into regional trends. Plus, the publisher’s analysts provide unique country-specific market insights
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United States, United Kingdom, Germany, France, Italy, Spain, Brazil, China, India, Russia, Japan, Australia, Canada, Mexico, South Korea, Denmark, Ireland, Netherlands, New Zealand, South Africa South, Sweden, Switzerland, Austria, Belgium, Finland, Israel, Norway, Poland, Portugal, Taiwan, Czech Republic, Greece, Hungary, Turkey, Egypt, Saudi Arabia, United Arab Emirates, Argentina and Chile
This market template gives important and expert information that you will not find in any other source. The model illustrates qualitative and quantitative trends within the specified market.
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For more information about this report visit https://www.researchandmarkets.com/r/ntahg
Video game music really plays our emotions. Its impact and growing sophistication has inspired a growing number of academic studies (in a field sometimes labeled “ludomusicology”); in their 2006 essay The Role of Music in Videogames, Sean M Zehnder and Scott D Lipscomb noted the multifunctionality of game soundtracks; they “reinforce a sense of immersion, signal changes in narrative or plot, act as an emotional signifier, reinforce a sense of aesthetic continuity, and cultivate the thematic unity of a video game”.
Ontario scholar and filmmaker Karen Collins is an associate professor at the University of Waterloo and her excellent book Game Sound (2008) explores the history, theory and practice of video game music and sound design. As Collins observes, the player is not a passive listener, but can actively trigger in-game music, as well as react to it unconsciously; she writes that “mood induction and physiological responses are usually most evident when the player character is at significant risk, as in the chaotic, fast-paced music of the boss…sound works to control or manipulating the player’s emotions, guiding responses to the game.” She points out that silence is additionally used to powerful effect, whether it’s increasing tension or when the player is inactive (a musical fade that she describes as the “boredom switch”), prompting us to complete the task so the game can progress.
Video game music is a global expression, both in its international studio collaborations and in its audience reach. Earlier this year, the Poland-based Game Music Festival presented a concert in London, including a Polish big band performing the jazzy, Latin-inspired grooves of the much-loved adventure Cuphead (2017), composed by the Canadian artist Kristoffer Madigan. The concert finale focused on LA-based British composer Gareth Coker’s enchanting (and devastatingly beautiful) scores for the games Ori and the Blind Forest (2015) and Ori and the Will of the Wisps (2020). ).
Coker first studied composition at the Royal Academy of Music, then lived in Japan; his musical range is vast, including scores for film and television – but his love of video games runs particularly deep. “Growing up, I have the fondest memories of playing video games with my parents,” he explains. “These memories I made with my own family, I wish I could give to someone else.”
For the Ori games, Coker spent several years with the development team, creating music that felt distinctly attuned to the main character/player role (a childish forest spirit) and supernatural surroundings. “I react strongly to visuals when I’m working on a game; so I can really get inside by creating a sound world for them,” he says. “Ori’s visuals allow me to create this tapestry with the music, because we’re asking people to expand their imaginations.
Cybercrime refers to activity carried out using computers and the Internet. We say it is an illegal act in which a computer can be used as a tool, a target or a place for crime. It also includes traditional crimes in which computers are used as a tool to enable illicit activity.
We can classify cybercrimes in two ways:
Computer as target:- it is the use of a computer to other computers. i.e. hacking, virus attacks, etc.
The Computer as a weapon: – It is the use of computers to commit crimes in the real world. i.e. cyberterrorism, credit card fraud, etc.
Read more: 60,000 cybercrimes reported in 3 months: DG FIA
Another categorization of cyber is as follows;
against no one
against the government
Types of cybercrimes:
Hacking, a simple term, refers to illegal intrusion into a computer system and/or network. It is also known as “Cracking”. Govt. Websites are a prime target for hackers due to media coverage. Hackers appreciate media coverage. Motives behind hacking include greed, power, publicity, revenge, adventure, desire to access forbidden information, etc.
2. Spread of viruses
Malicious software that attaches itself to other software. For example, viruses, worms, Trojan horses, website hijacking, email bombings, etc.
3. Computer vandalism
Damaging or destroying data instead of stealing it or misusing it is called cyber vandalism. These are the programs that attach themselves to another file and run around.
4. Software piracy
Software theft using illegal means to copy genuine or counterfeit programs and distribution of products intended to pass as the original.
Terrorist attacks on the Internet consist of distributed denial of service attacks, hateful websites and hateful emails, service network attacks, etc.
6. Adult Content on the Web / Child Abuse
The internet is widely used to reach and sexually abuse children, all over the world. As more and more households have excess internet, more children will use the internet and more likely to become victims of child molestation. They use false identities to reach children and abuse them.
Read more: Pakistani man jailed for blasphemy under cybercrime laws for first time
Cyber laws around the world
Here are some laws imposed worldwide against cyber crimes;
Electronic Commerce Act (Ireland)
Electronic Transactions Act (UK, USA, Australia, Singapore, New Zealand)
Electronic Transactions Ordinance (Hong Kong)
Information Technology Act (India)
Information and Communication Technology Bill (Bangladesh)
Cyber laws in Pakistan
There are a number of cybercrime laws in Pakistan, they deal not only with cybercrimes but also with all dimensions of computer and web issues. Basically, some laws had been passed by the government. Pakistan to control cyber crimes, some of them are given below;
Electronic Transmission Order 2002
Electronic/Cybercrime Bill 2007
Prevention of Electronic Crimes Act 2016
A brief description of all Acts, Sections, Executions and Sanctions is given below;
1. Cyberterrorism/online recruitment or financing of terrorism
Anyone who accesses, duplicates or overwrites any master data framework for the purpose of creating a sense of dread, frenzy or fragility in government or people at large or any area of the general population or a network or faction or to create a sense of terror or uncertainty in the eyes of the public may be rebuffed with detention of either representation for up to 14 years or such fine may be extended to 50 million rupees or both. For example You access the back-end system of a television channel and start broadcasting a message that may cause panic.
Read more: Sharmila Faruqi slams Nadia Khan, says she’ll report her for cybercrime
Anyone who prepares or distributes data, through any data framework or gimmick that invites or inspires funding, or selects individuals for fear-based oppression or psychological oppression schemes will be repelled by a custodial sentence of up to go up to seven years or with a fine or with both. For instance; you run Facebook groups or admin pages and urge individuals to support the TTP, or you run a Whatsapp group and plan a terrorist attack.
2. Electronic Fraud
Anyone who, in expectation of an illegitimate addition, meddles with or uses any data frame, gadget or information or induces an individual to enter into a relationship or deceives an individual, what act or exclusion is likely to harm or harm to that individual or another individual shall be repelled with a term of imprisonment of up to two years or with a fine of up to ten million rupees or both. For instance; you enter into a relationship with someone with the intention of causing financial harm.
3. Create/disseminate explicit images or videos of an individual/child
Anyone who deliberately and openly exposes, displays or transmits data which,
Overlays a photo of a characteristic individual’s substance over any explicitly voiced image or video
Incorporates a photo or video of a characteristic individual in an explicitly unequivocal form
Threatens a characteristic individual with any sexual display, or any explicitly unequivocal image or video of a characteristic individual
Develops, lures or induces a characteristic individual to take part in an explicitly unequivocal act,
The use of a data frame to injure a characteristic individual or his notoriety or to revenge, or to show contempt or to coerce, will be repelled with a term of imprisonment of up to five years or with a line that may extend up to five years. million rupees or both. For instance; You photoshop an image of a person so that the face is used near a naked body or you make an explicit video or photos of someone in private
Or you communicate/post such videos or images on Facebook or via another medium (such as Whatsapp). You use any explicit video to extort/blackmail someone.
4. Hacking/ Malicious codes/ Unauthorized access to an information system or to data
If someone screens an individual through mail, instant message or any other type of electronic correspondence, you can be jailed for up to three years and fined Rs. 1 million or both. Anyone who composes, offers, makes available, disperses or transmits harmful code for the purpose of damaging any repository of data or information resulting in the desecration, spraying, modification, concealment, burglary, or loss of the repository of data or information shall be repelled with imprisonment for a term of up to two years or with a fine of up to one million rupees or both.
For instance; you hack someone with the intention of establishing a relationship that you are or can establish, then monitor the email. You write a virus, develop a mobile app to spy on someone, develop an app to spread a virus, attack someone with DDoS, and write code that can be used to destroy a hard drive.
Information system access means: obtaining access, control or the ability to use all or part of a system which could be a laptop, mobile phone, tablet or any other type of computer system
Data Access: Obtaining access, control or the ability to use any data or traffic data i.e. email, SMS, fax, print or any type of computer data .
This involves the protection of sensitive personal and commercial information by preventing, intervening, detecting and responding to various online attacks. Simply, it actually prevents the cyber attack.
Read more: Covid-19 breeds cybercrime
Keep the software up to date
If a vendor reduces patches for a software operating system device, install them as soon as possible. Installing them will reduce the chances of attackers taking advantage of them. Use of good and strong passwords containing different types of combinations. Never use options that allow you to use a computer to save or remember your passwords.
Remote connectivity disabled
Some devices like cell phones and PDAs are equipped with wireless technologies, such as Bluetooth, which can be connected to other devices and computers. These features are also a source of threat. These functions should be disabled when not in use.
Other Safety Tips
Use anti-virus software.
Insert firewalls and pop-up blockers.
Uninstall unnecessary software.
The writer is currently an intern at the Ministry of Defense in Islamabad. The opinions expressed in this article are those of the author and do not necessarily reflect the editorial policy of Global Village Space
Oew minutes after the greased piglet turned out to be rather less slippery than its supporters had expected, Operation Save Big Dog kicked into overdrive, with loyal MPs sticking their faces in front of any passing television cameras. The first was Nadhim Zahawi. “There was a ballot,” he said. Nothing escapes him. “Fifty plus one is a majority and Boris has done much better than that.” Uh, absolutely. If by better you mean worse than Margaret Thatcher and Theresa May, both of whom were effectively finished as Prime Minister.
The education secretary insisted. Struggling to explain the scale of joy that would be felt around the world at Boris Johnson’s miraculous triumph, Zahawi landed on Ukraine. Thousands of people who had taken cover from Russian airstrikes in the Donbass would take to the streets to cheer the Convict. Additionally, Volodymyr Zelenskiy would offer prayers for Johnson’s temporary salvation. As at the right time, the Ukrainian president did indeed tweet his joy. He takes his job as Boris’ therapist very seriously. It will be 80 guineas and two leader tanks for this intervention.
James Cleverly also chimed in, again emphasizing the fallibility of nominative determinism. It was a clear victory for the Convict, he insisted. And there was no other person in the party who could have won even 60% of the vote. Because the rest of the firm – including him – was completely desperate and there wasn’t a single one who could be trusted to get dressed in the morning. Not that the convict can do that either, judging by his condition. Every day it looks more and more abandoned. And even if there was a minister capable of rivaling him, the majority of backbenchers were just a bunch of congenitally disloyal snakes. It was not the best advertisement for the Conservative Party.
On the contrary, the backbenchers were even more disturbed. Peter Bone, who had plotted against the Maybot and declared her doomed after her vote of no confidence, was now openly saying that Boris – smaller majority and all – had proven he was a winner and should be left alone. It was not for dissenting MPs to replace a Prime Minister, except when it suited them. In his defense, his synapses only connect at random intervals, so it may take him a while to spot the contradiction.
Adam Holloway insisted it was all the fault of the BBC for showing photos of the convict looking like Hannibal Lecter. Anthony Hopkins could sue for this. Lecter looked much better than Johnson right now. The eyes are barely open, the legs only work from memory, the skin is parched and pale, and the toddler’s haircut is falling apart.
You could almost suspect that Johnson had taken coke after his own sniffle-filled TV clip. But the reality is that it’s not the Class A drugs that make Boris so hopelessly inconsistent. He emphasizes this state through his natural sociopathic narcissism. It’s a rarity now if he happens to finish a sentence. Accurately transcribe what he says and you get the babbling of a three-year-old.
At least Michael Fabricator will never die wondering why he was never promoted to a serious position. Now think of some of the quarterbacks — bow Suella Braverman and Oliver Dowden — who have entered the cabinet, and you begin to get a glimpse of just how jaw-dropping Micky Fab is. Something he seems determined to prove on a daily basis. His take was that he expected the Convict to do even worse, so that was a huge result. Uh. Not sure that’s quite the line.
Bob Seely was refreshingly frank and pragmatic. He didn’t like Boris very much. Never had, never would. But No. 10 had made him a cash offer for his Isle of Wight constituency which he couldn’t refuse. He had therefore voted for Johnson. And would continue to do so as long as the dosh kept coming. The relationship was entirely transactional and Seely couldn’t have been happier.
The place of honor for the idiot of the idiot in the conservative wankocracy went to Brendan Clarke-Smith. He argued he was sick of seeing people cocking their Covid tragedies to pop Johnson. The pandemic was now over and everyone should be quiet about their losses – hadn’t the point of Brexit been to forge a new generation of British stiff upper lips? – and continue. So your mother is dead? Damn big deal. Everyone has to croak for a while. So why not just be happy for Boris instead of continuing to break the law?
Cabinet ministers, such as Liz Truss, Michael Gove and Rishi Sunak, were instead more neutral in their support. If one of them had imagination, wit and talent, he would seek to relieve the convict. But they’re all hopeless, so they did the bare minimum, hoping someone else would be the first to stab Boris. No one did, so they were forced to sit like tailors’ dummies while Johnson made a TV clip – just as tone-deaf as his appeal to Tory MPs the day before – at the start of the cabinet meeting.
The day after Boris’ music died, only four Tory backbenchers were bothered to attend a debate on standards in public life. Of course, the others must have felt they had done enough. Labour’s Angela Rayner started with a simple plea. Johnson had done his best to undermine the integrity of his office and should not be allowed to get away with watering down the ministerial code.
You might have thought it was a relatively uncontroversial proposition, but Michael Ellis begged you to disagree. So he always does. That’s the point of it. It’s the Convict’s go-to dogbody for cleaning up his shit. Keeper of the King’s Stools.
Ellis was oozing and ahhed, still so ‘umbly’. It’s not that Boris wanted to weaken the ministerial code. He wanted to make him stronger by making him weaker. Schrodinger’s code. You just couldn’t expect someone as law-abiding as Johnson to obey the law. There should be some leeway for Boris to do whatever he wanted and decide if he had broken the law. And this also applied to his comrades. What a shame to have to fire someone he loved.
As the saying goes, comedy is tragedy plus time. It’s fair to say that SNL comedian Chris Redd has had plenty of free time and obviously turns tragedy into triumphant humor. His latest iteration of adversity is on display on his show Bust down. The dark comedy, co-created and co-starring Langston Kerman, Sam Jay, Jak Knight and Redd, follows the daily lives of actors working in dead-end casinos in Central America. The show that Redd is dubbing”Philadelphia is always sunny with more Black people” airs on Showcase and STACKTV Tuesdays at 10 p.m. ET.
Redd is on an ongoing journey of self-discovery, a journey he strongly attributes to therapy. “I’ve always been pretty outspoken and outspoken, but therapy gives you the reasons and clarity on shit,” he told Complex Canada. Life’s hard-hitting questions are laid bare in bust down, similar to his comedy tour, “Why Am I Like This?” (which will soon be adapted into an HBO MAX special) – billed as an internal debate, but a question we’ve all grudgingly asked ourselves in one way or another. Redd does the work and feeds us his unfinished discoveries in humorous anecdotes.
Ahead of his Canadian stand-up shows, we caught up with Redd to discuss his beef with Edmonton, how therapy improves his comedic truths and how he hopes Canada will receive bust down.
Hi Chris! How is it going? Is this your first time in Toronto? How does the house of the Toronto Raptors treat you? I’m fine, man. I am relaxing’. It’s like my 10th or something. I haven’t seen a Raptor [game] again, but I love the city. You like comedy. I would really like to see a Raptors game, but I still do comedy and I drink – that’s what I do when I come here. I’m just glad they let me in here, man. You kept us away for a long time.
You’re headlining several shows in Toronto, Vancouver, Calgary and Montreal this summer. Have you ever visited another place in Canada? I was in Edmonton—I don’t like it, sorry y’all. Edmonton was weird but this was the first time I had seen an otter in a mall. They have a big, huge mall there, and there was this old otter smoking a cigarette near H&M. He definitely didn’t smoke, I just have a cartoonish mind. He was definitely old, sitting there, and I was like, “This is no place for an otter, fam.” Edmonton was just a weird vibe out of all the places I’ve been in Canada. It had more of a conservative vibe. There were Texas vibes – the parts of Texas that aren’t fun.
“Edmonton was just a weird vibe of all the places I’ve been in Canada. It had more of a conservative vibe. There were Texas vibes, the parts of Texas that aren’t fun.
You remained a cast member of a world famous sketch comedy scene for over half a decade. What’s your biggest lesson from working on Saturday Night Live so far?
That was cool, man. It’s cool to have a job every day where you don’t think you’re going to get fired. I have never worked longer than that. I feel comfortable and I have a lot of fun. I’m really having fun. There are so many takeaways, but I don’t know. Besides the fact that I can do impressions and get the hype – I didn’t like doing impressions before, but now I work in a place where impressions are kind of the thing. It’s fun to figure out what I can do. I guess the biggest advantage is that I can do more than I thought I could. I’m constantly learning things I’m good at, whether it’s at this job or by failing and going somewhere else and doing it better.
What’s your favorite impression you’ve made so far? I mean, I like them all because I only do five. My favorite is between Eric Adams and Stephen A. Smith. I love the Stephen A.—it’s my shit.
Speaking of SNL, you won an Emmy for Outstanding Original Score for your SNL song “Come Back Barack,” and you started singing on bust down. Is songwriting something you would take full time or is music just another platform you use to express your comedy? I was a rapper and did music before acting. It was my first dream. So I’m just trying to turn my old dreams into my current dreams, you know what I mean? I’m a musical guy, I’ve always been making music and I will be making music forever. The difference now is that I make music for myself and not to hear myself. I’ll probably drop something whenever I feel like dropping something. I’m not expecting to move units or anything like that, but I think it’s a good outlet to farm. Comedy and music is my shit.
In bust down you approach serious issues like sexual assault and domestic violence through a comedic lens. Writing a show in our current “woke” social climate, would you say that’s a conscious choice or just the way you view the world as a comic? Yeah, I mean, I think we deserve and need some tough comedy. I think the people we’re talking about like Central America, the people who work every day and deal with these issues most of the time, the only way out is to laugh. We wanted to capture characters going through some shit that don’t have all the answers. They’re not “good people”, they try to tackle something – it works or it doesn’t, and the next day comes and they move on, but they still understand each other. This is the atmosphere we wanted. We all talk about tough topics in a fun way, that’s how we handle and handle things. So, it was just that we wrote a show like that. We’re all surprised we got away with a lot of that shit. I’m just happy. It was doping. I think we need more — it’s also a slice of life. It’s a silly, goofy comedy. As black people we deserve to be awkward about things and then move on real fast and get our always sunny on. I’m very proud of it. But I also understand if you don’t like it, the losers out there.
“I started therapy during the pandemic, so between those two years I was like, ‘Damn, my special should be different.
How do you think Canada will receive bust down? I think you’ll like it, man. I think some people won’t like it. But people who love comedy, who love tough comedies and who love something refreshing and different, are going to love it. If you want Philadelphia is always sunny and you wish there were more black people in it, you’re going to like that. If hearing about a tricky subject without really diving into how we polish the jokes is your thing, your patience level might drop and you’re going to hate it. It’s like people reading a headline and being like “argh” without even reading the article and shit, that’s how I see people who might not like the show. But I’m biased because I’m into it. I hope all the niggas like it, but if not, I’m here. I can’t even hear you. Just kidding, please love it.
You recently sat down with Charlemagne Tha God in a Hollywood journalist Interview “Emerging Hollywood” and talked about your journey through therapy. Has your relationship with acting changed since you made peace with new parts of yourself? I’m much more vulnerable about my flaws, my flaws, and how I’ve seen things grow. It made me a better comedian because I understand myself better. I’ve always been pretty outspoken and outspoken, but therapy gives you the reasons and clarity on shit. To the point where I had to rewrite half of my special. I started therapy during the pandemic, so between those two years I was like, “Damn, my specialty should be different.”
To end this interview, and at the risk of sounding like your therapist, I wanted to ask you if you have finally understood why you are like this? No. Ugh. [Laughs.] I found a few reasons why I’m like this. I couldn’t say it all in an hour and the purpose of the show is not to have an answer at the end but to talk about his journey and show you all the journey. I don’t have a fun way to explain my show yet, so it sounds like a TED Talk but it’s funny. I talk about a lot of topics that suggest why I’m like this but I’m not dead yet so you know we’re growing every day and I don’t think I’ll ever really know the full answer and that’s the joy of that -this.
Bitcoin rose 4.9% on Monday, ending at around $31,500. However, on Tuesday morning, the leading cryptocurrency crashed 7% to $29.5,000, the second such bear attack in the past seven days. Both were of a similar magnitude, but the latter is expected to have a more substantial negative effect. This more than offset Monday’s gains and temporarily brought the price back to May 30 levels. BTCUSD consolidation has been going on for over a month.
Previously it formed in the form of a triangle with a decreasing amplitude of fluctuations, but since the end of last month it has become more like a sideways pattern, from which it makes several unsuccessful attempts to break upwards .
Market momentum on Tuesday morning is a reminder that the market can no longer rally like it did in 2020. Bitcoin’s prolonged sideways slide is turning current prices into the norm, although current levels looked like a good long-term buy. term two months ago. 2018 and 2019 teach us that such consolidations can last for months and often lead to new sales from frustrated employees who earn quickly. In our view, bitcoin’s bear market is not over yet, although it has fallen significantly.
When will Bitcoin enter the bull market?
The market is full of rumors that short-term buyers have already capitulated, backed by Kathy Wood. But the entire bear market rarely ends in this phase. Much more often, a bull market begins when mid-term investors and even some long-term investors capitulate, bringing stressed market professionals into play. It is unlikely to reach that point before the price returns to 2017 highs. Bitcoin’s short-term volatility is irrelevant, said MicroStrategy CEO Michael Saylor. He said BTC is the safest thing in a highly volatile world and is more suitable for long-term investing than trading.
According to a survey by The Economist, 37% of respondents in major global economies want their governments to adopt cryptocurrencies as legal tender.
byAlex Kuptsikevich, Senior Market Analyst at FxPro
There is a place for occasional performance – its function to celebrate a tribe, party or event; build community; or simply to remember a common history. The eyes of the world: from D-Day to Victory Day at the John F. Kennedy Center for the Performing Arts on Saturday night, it was all that.
I thought I knew what to expect. Our nation’s capital abounds with these occasional festivities – our annual Memorial Day concerts and July 4th events culminating in explosive fireworks. Just downriver at the Lincoln Memorial, there was a concert that same night, italian operacelebrating Italians and Italian opera.
It was different.
For starters, there was something improvisational and delightfully chaotic outside the Opera House as groups and individuals, still emerging from COVID isolation, tried to find each other and find their tickets. The Gold Star mothers of more recent wars thronged with a restless generation of twenty-something students who had little knowledge of World War II, and they in turn with special guests such as the descendants of African-American women. unsung Americans who had joined the war effort and faithfully continued to deliver the mail to the troops in the weeks and months following the harrowing Normandy beach landings.
Officer Jonathan Sneed, on duty at the top of the red-carpeted stairs leading to the vast, chandelier-lit auditorium, entered the fray to rally and lead the troops. “HOV lane over here,” he encouraged, and so we “soldiers” found holes in the well-fortified KC lines.
The event was woven like fabric, part music concert of the time, part story telling of the events following the invasion and push against Germany, and part stunning photographic series projected on the scale of the proscenium from the “eyes” of the correspondents sent there. The stories of the core group of these writers included some of the 20e most famous personalities of the century: Ernest Hemingway, Robert Capa and Martha Gellhorn. Their involvement in the heart of the matter, including their interpersonal dramas, contributed greatly to the success of this woven multidisciplinary performance. There was even a surprise “player” revealed, someone who for most of the evening was simply referred to as “Jerry” (and I was duped, confused if we were talking about a German spy, later revealed that the guy was JD Salinger).
There was something deeply personal about the sentiment of the work, which was curated by historian John Monsky, who also skilfully narrated the evening. He had been captivated by World War II flags as a youth and had assiduously followed their journeys as living history and sacred objects. His enthusiasm was contagious. Each time he revealed the story of a flag that had flown over a particular landing craft, that piece of history was carried above the stage like a living relic, joining the others in a spectacular display that is their own, and we all wanted to clap at the end of a revered “character arc.”
It’s all in the details Monsky has put together: Eisenhower surveying the evening, he has to call D-Day or otherwise due to weather conditions, knowing he could lose up to 80% of his men in the operation; the 9,000 blue stars that turn to gold on that fateful day; Capa’s photos capturing the fear and desperation in men’s eyes – and the shrewd way he later recounts the liberation of Paris, noticing the elation on people’s faces, only to twist the knife as he tells us says most of the boys in the photo would die soon after making their way to Germany. Monsky is a historian who knows how to bring us emotional moment-to-moment encounters.
Singers Adam Jacobs, Kristolyn Lloyd, Kate Rockwell and Daniel Yearwood were all terrific delivering the numbers, mostly in quartet arrangements, from the tight harmonies of 1940s popular music to tunes made famous by more recent Broadway shows. .
I loved the rarer solos that enriched the sonic tapestry, like the unsettling opener to Kander and Ebb’s “Tomorrow Belongs to Me,” sung in that high tenor’s sweet spot by Daniel Yearwood; Jacobs’ rendition of the galvanizing troops of a young merchant sailor Woody Guthrie, many of whom would face an untimely death, with “What are we waiting for?” accompanied on lead guitar; Kate Rockwell beckons with a tribute to Marlene Dietrich in ‘The Boys in the Backroom’; and a superb original rendition of “La vie en rose” by Kristolyn Lloyd. One by one, the interpreters gave life to the spoken text, like insertions that were too abrupt.
Conductor Ian Weinberger conducted St Luke’s Orchestra, for which he also arranged and even composed some of the music. It captures the shifting emotional landscape from the terrifying rise of Hitler to the foot-stamping big band sound of Glenn Miller entertaining the troops. (Although Miller’s plane disappeared over the English Chanel, cutting short the life of this remarkable musician, we are reminded that this phenomenon was the Beatles before the Beatles.) Then, throughout the music, Weinberger tells us helps through the agonizing push north and east into Germany: the Battle of Hürtgen Forest and the poignant ‘discovery of the camp’, liberating the death camps. Weinberger rearranges certain melodies such as “The Caissons Go Rolling Along” to be a rhythmic march to a dirge in the mud. He is a master at delivering highly theatrical music, and his skillful conducting of St Luke’s Orchestra draws maximum color from these musicians.
The eyes of the world: from D-Day to Victory Day It was meant to be an immersive experience, remembering what our country has been through, and as such it did very well. I had an uncle who was one of the few surviving D-Day paratroopers, but he was forever diminished and haunted by the experience. On behalf of this family of several World War II veterans and for many other families of veterans, especially now that this generation is all but gone, this work provides an important service.
Much of this period came as new information. As moving as it is as a live performance, it must also become a filmed event to touch future generations on our history. The words tell the story; music opens our hearts.
Duration: 90 minutes without intermission.
The eyes of the world: from D-Day to Victory Day was performed on June 4, 2022 at the John F. Kennedy Center for the Performing Arts Opera House, presented by the American Battle Monuments Commission and the New-York Historical Society.
The eyes of the world: from D-Day to Victory Day Created and narrated by John Monsky Musical supervisor, conductor and arranger: Ian Weinberger Directed by Peter Flynn
One of the problems with developing new drugs based on psychedelics is how to weed out those that cause hallucinations before they go to human trials. The rodent head twitch test is considered a reliable predictor, but you can’t really ask a mouse if it’s hallucinating. This presents a bottleneck for the development of new drugs.
“We don’t have good ways to screen for neurological drugs on a large scale,” said Lin Tian, professor of biochemistry and molecular medicine at UC Davis School of Medicine. Tests that could be performed in cell culture would allow faster screening.
Tian’s lab uses light-based technology to study chemical messengers and receptors that carry signals in the brain. After Olson gave a departmental seminar on drugs affecting the serotonin 2A receptor, the two labs began to collaborate.
Graduate students Jason Dong, Calvin Ly, and Lee Dunlap invented psychLight, a modified version of the serotonin 2A, or 5-HT2A, receptor with a fluorescent tag. When psychLight is engaged by a hallucinogenic drug, he changes shape slightly, causing his fluorescence to increase. Non-hallucinogenic compounds binding to psychLight cause a different fluorescence profile.
PsychLight can be used to rapidly screen large numbers of candidate molecules for the potential to cause hallucinations, in biochemical tests or in cell cultures. This approach can also be used to conduct basic research on brain signaling, which is fundamental to understanding the basis of psychiatric illnesses, Tian said.
“I’m very excited that drug discovery and basic science can be pushed by this technology,” she said.
Tian and former graduate student Grace Mizuno also founded a company, Seven Biosciences, which has an exclusive license from UC Davis to psychLight and related technology. Their goal is to accelerate drug discovery by creating a platform that pharmaceutical companies can use to rapidly screen compounds for their neurological effects.
Cannabis turns green
While Olson is working on analogs of psychedelic drugs, fellow chemistry professor Mark Mascal is working on analogs of cannabidiol, or CBD, one of the active components of cannabis.
Cannabis, like psychedelic drugs, is a Schedule 1 controlled substance under federal law, although its production, possession, and use are legal under California state law and some other states. CBD derived from the closely related hemp plant is legal under federal law if certain conditions are met.
A formulation of CBD, sold as epidiolex, is FDA-approved as a prescription treatment for severe seizures. CBD also has potential for treating metabolic syndrome, cognitive decline and muscle recovery after injury, Mascal said.
If it takes a village to raise a child, who should step in when a child is excluded? The child or the village?
No child lives in a vacuum. They are under the constant influence of their family environment, primary caregivers [parents], siblings, grandparents, extended family, peer group, neighborhood, society as a whole, and all laws and policies in the country that aim to protect their rights. There is only one thing that all children have in common: their rights. However, no parent enters the parenting journey with concrete knowledge or skills about raising a child, let alone an understanding of children’s rights. When they are tasked with raising a child who is not developing as expected, their vulnerabilities are compounded. Exclusion is born here. An exclusion of basic knowledge on the development of the child as common knowledge transmitted to all and more particularly to future parents.
In a strict biomedical model, the diagnosis is based on the deviations and failures observed in a child, compared to a prescribed standard. This makes parents feel less equipped to raise their own child. Subsequently, the focus on parents is the techniques and strategies they must follow to fix and adapt the child to the norm. This approach places little or no importance on nurturing the relationship between parent and child that is born of unconditional love. Exclusion feeds here. Exclusion of a child’s understanding more of who they are rather than who they should be.
Therapy and interventions are now specialized to the point that even regular activity with any child is classified as therapeutic. Such therapy comes at a high price in the name of individualized approach for children with disabilities, eg, art, music, dance, movement; Why? Even a child’s basic right, education, is considered special. These activities then take place in artificially created configurations where the parents are not present or make them wait outside the individual sessions. They are cited as interference in the intervention process and the conduct of “specialized” work with the child. Exclusion grows here. Exclusion of parents from being an active and involved part of understanding how to work with their child.
With little or no consideration of psychosocial influences on the child, the process is neither individualized nor inclusive. Professionals working with a child may have little or no information about the parents’ social and emotional health, family support systems, financial situation and more. Each professional works in a segregated, disjointed way on a particular skill deficit based on their background, and parents need to make sense of it all and integrate it into their daily lives. The little interaction with the family is mainly with the mothers who are passive spectators of the process. Yet they are tasked with driving the home program which is set with minimal understanding of their home. Needless to say, the strengths of the child and the family remain unexplored and unused. The exclusion is reinforced here. An exclusion of child- and family-specific knowledge about what works for them and what doesn’t.
Soon begin the misfortunes of the insertion of the child in an educational system. A system devised in British times to create people in uniform, who would follow strict instructions and perform clerical work without questioning authority. With rigorous pass and fail criteria, any child who learns in a different way and has a different interest will need a disability certificate to be able to pursue a subject of interest in the mainstream. A 15-year-old will believe they are misfits because their interests and skills don’t fit the norm. Excelling in reading, writing, spelling, or arithmetic is considered superior to excellence in the arts, music, or sports. Parents and schools separate children into what are called resource rooms or learning labs or special rooms. Their dignity and their social and emotional health are seriously compromised to the detriment of school results. Exclusion becomes the norm here. An exclusion of certain types of skills are secondary and lesser than other skills prescribed by the standard.
After 15 years in such a system, it would not be surprising if families find solace in belonging to segregated villages, ashrams, clubs or forums that focus on the inclusion of their children. Where, their children are finally celebrated and recognized. The community outside this circle then labels these abilities as ‘different’ or ‘special’ and the children as ‘specially able’ or ‘differently able’ for the sake of inclusion. Inclusion becomes a joke here.
If we are to work towards true inclusion, let us focus on those who exclude. When there are policies that mandate inclusion without imparting knowledge or skills on how not to exclude, we leave our children to be raised in “villages” that are not equipped to include.
When we focus on co-creating knowledge by not excluding the experiences of each family;
When we simplify intervention programs by not excluding what the child can do;
When professionals see their role as trainers who must accompany families rather than caring for the child;
When every engagement boils down to nothing but basic child development skills that may be common knowledge;
When each school board is not as much focused on the outcome of learning as it is on the process of learning;
When the peer group, neighborhood and society as a whole work together and collectively take responsibility and accountability for exclusion;
So you could say it takes a whole village to raise a child, because inclusion is the norm.
(The author is a mental health professional with over 20 years of professional experience. Her expertise is in areas related to mental health, education and disability. She is also the founder of “Together We Can”, an advocacy forum that has been instrumental in driving change at the policy level)
No tears here for Jeff Bezos, the founder of Amazon and – until recently dethroned by Elon Musk – the richest man in the world. There’s no denying, however, that Amazon’s fortunes and Bezos’ fortunes have both taken a recent hit.
The fallout has reached South Jersey amid news the e-commerce giant has a serious over-expansion problem as sales growth wanes from stratospheric levels at the start of the pandemic. Amazon lost $3.8 billion in the first quarter of 2022, its first quarterly loss since 2015. Such a rate of financial depletion would send mere mortal corporations into immediate bankruptcy, but not Amazon, whose total sales were 116 .4 billion for the quarter.
Amazon is holding back the rapid construction of warehouses and is even trying to get rid of some locations. Its chief financial officer blamed the first-quarter loss on “loss of productivity, inflation and situations where its warehouse capacity exceeded demand.”
This translates locally into the announced closure of one of Amazon’s smaller direct-to-consumer shipping facilities, a so-called “last mile” fulfillment center in Bellmawr. It will close on June 28, and it is good that the company is considering transferring, rather than laying off, most of the 80 workers.
However, some of those workers picketed last week, saying management had reneged on a promise to move them to a larger Amazon warehouse in West Deptford township, some 11 miles away.
Now, the workers say, Amazon wants most of them to work at another location in Gloucester County, Logan Township, which is much farther from Bellmawr. The prospect of driving about 45 minutes for a job that pays well above minimum wage with decent benefits isn’t the worst thing in the world, but these Amazon workers note that’s not what they’re for. have registered. They are also complaining about schedule changes which they say will alter their longstanding arrangements for childcare and even charity work.
It’s no wonder many Amazon workers are demanding organized representation; they are in a situation where management holds all the cards and plays them with impunity. If Bellmawr employees’ claims are true, Amazon is practically inviting them to sign union cards.
Wednesday’s “wild walkout” — can we even call it that if the workers don’t have a union? – by 10 Bellmawr workers received a lot of help from organizers working for two different unions, disgruntled former employees from other Amazon sites and pro-union US Representative Donald Norcross, D-1st Dist. They pushed more serious questions about the above-industry-standard injury rates at Amazon’s warehouses.
Attempts to organize Amazon workers have been mixed so far, and the pros and cons of doing so in South Jersey are not our primary concern. It’s that the company has such a footprint that working conditions and facility consolidations raise legitimate questions that allow lawmakers like Norcross to get involved. As of 2020, Amazon is New Jersey’s largest private employer, and 33% of all warehouse workers nationwide work for the company. Amazon accounted for nearly half of US warehouse injury claims in 2021, according to a labor coalition report.
Outside Amazon’s Logan site on Wednesday, Norcross called for an investigation by the Federal Occupational Safety and Health Administration (OSHA) into the high injury rate, saying “one in two serious injuries, in the entire state of New Jersey, is Amazon”.
Kudos to Norcross if it can get OSHA out of its understaff these days to do more than respond to individual accidents and workplace safety complaints after the fact. It may be the responsibility of other federal and state agencies to undertake a broader review; they must be prepared to do so.
Another reason for public intervention is that Amazon is reportedly trying to cut total US warehouse capacity by a whopping 10 million square feet. Not too long ago we urged local zoning/planning councils to reconsider approving plans for a plethora of “specified” warehouses, unless they had a tenant ready to move in. job that was sure to keep growing in the e-commerce boom – Amazon. It might be time to throw that advice away.
Ask Bellmawr. Regardless of the outcome of the lobbying for unionization and the injury investigation, the borough will have another empty industrial park building in its hands on June 28.
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We always have two options: build a protective layer that gives us a false sense of security or bring the gift of tenderness to the table. Relax, Sagittarius. Soften up despite everything that has happened in the past. Life offers you the chance to experience deep physical, emotional and spiritual intimacy. So what if you failed 100 times, Aquarius? It’s time to stop wearing your bruises like badges of honor. It’s time to show up for what you love with a brave and open heart. Consistency will turn out to be your motto right now. Just a reminder, Gemini: it’s not just about hiring the right team. It’s also about feeding them. So tap into the gift of emotional intelligence. Find a way to work with people rather than against them. This will lead to personal and professional growth.
Aries horoscope for today: June 5, 2022
After a period of stagnation, you will find that things are set in motion; may the chariot of your life move in the direction of your dreams. Don’t pressure yourself to do everything at once. “One step at a time” is a mantra that will serve you well right now. Aries who have their own business or enterprise are guided to expand their horizons. Say yes if the opportunity to travel for work arises.
Cosmic advice: Prepare to witness movement in the right direction.
Taurus horoscope for today: June 5, 2022
As an earth sign, you understand that there is no substitute for hard work; that you have to be ready to show up for what you love, no matter what happens in the physical. The art of compartmentalization is something you will perfect in the days to come, which will propel you in the direction of growth and bring you the recognition you deserve. Additionally, the opportunity to relocate or showcase your work on a global platform may also arise. Instead of guessing what you’re capable of, accept the offer with both arms.
Cosmic advice: It’s time to take it to the next level, Taurus.
Gemini horoscope for today: June 5, 2022
Weekly Reminder: It’s not just about hiring the right team. It’s also about feeding them. So tap into the gift of emotional intelligence. Find a way to work with people rather than against them. This will lead to personal and professional growth. Geminis who are on the freelance path are encouraged to spend time in community spaces; to reach out to fellow travelers with whom they feel that creative connection. There is something magical waiting to be born here!
Cosmic advice: Connect with your fellow unicorns, sweetie.
Cancer horoscope for today: June 5, 2022
Beating around the bush will not serve you right now, Cancer. So step into a space of clarity and express both your needs and your desires to each other. Trust that your relationship will grow more and more as you move forward. Crabs who are currently in a situation are guided to stop romanticizing the connection and see it for what it is. Remember, you are in the driver’s seat. You decide where you want to go from here.
Cosmic advice: Be clear about what you want.
Daily Leo Horoscope: June 5, 2022
But, listening is not a passive practice, Leo. It is an asset. A practice that forces you to fully engage with the other without bringing your personal biases to the table. Knowing when to shut up and when to offer your two cents is an integral part of this process. Something tells us you’re learning to show up for your tribe in a whole new way by letting your heart expand with love.
Cosmic advice: Practice the art of active listening.
Virgo horoscope for today: June 5, 2022
Today, you’re being asked to take being playful seriously. What helps you cultivate joy, Virgo? What awakens the song of your soul and brings a smile to your face? The cosmic weather offers you the perfect opportunity to reconnect with your hobbies. So, get your hands dirty taking care of the bushes. Make art while listening to your favorite music. Write a poem addressed to your future self. Given that we are in the middle of Gemini season, the possibilities are endless!
Cosmic advice: Explore your hobbies and interests.
Libra horoscope for today: June 5, 2022
But what if everything is exactly as it is supposed to be and everything is perfect right now? Today, these cards encourage us to sit down, relax and breathe. As you do this, practice non-attachment. Allow what needs to come together, to come together, and allow what needs to fall apart to fall apart. By observing everything that happens through the prism of neutrality, you will find both peace and freedom.
Cosmic advice: Observe.
Scorpio horoscope for today: June 5, 2022
It’s safe for you to reopen your heart, Scorpio. It is safe for you to come as you are, to express how you feel about this connection, and to share your deepest desires with them. You are safe. You are safe. You are safe. By bringing the gift of acceptance to the table, you can dive deeper into the ocean of intimacy.
Cosmic advice: You shine differently when you are with the right person.
Sagittarius horoscope for today: June 5, 2022
We always have two options: build a protective layer that gives us a false sense of security or bring the gift of tenderness to the table. Relax, Sagittarius. Soften up despite everything that has happened in the past. Life offers you the chance to experience deep physical, emotional and spiritual intimacy. By showing up with a brave and open heart, you can dissolve the barriers between you and your loved one.
Cosmic advice: Show up with a brave and open heart. That’s all!
Capricorn horoscope for today: June 5, 2022
But, you’re not looking for ordinary romance, Capricorn. You want quantum physics, baby, and you won’t settle for anything less! Something tells us that the fire of transformation that has ignited will revolutionize your intimate life for the better. Remember that communication is just as important to facilitate connection. Give yourself permission to break free from the shackles of conditioning and express your two desires honestly. PS: Given the comfort you share, nothing is forbidden here.
Cosmic advice: What are your desires?
Aquarius horoscope for today: June 5, 2022
So what if you failed 100 times, Aquarius? It’s time to stop wearing your bruises like badges of honor. It’s time to show up for what you love with a brave and open heart. Consistency will turn out to be your motto right now. For some of you, the possibility of being supervised by a guide that you admire could be possible. Don’t be fooled by their harsh words or eccentric nature. Instead, focus on the essence of their message and what you can infuse into your own vocabulary by being around them.
Cosmic advice: Consistency is your motto.
Daily Pisces Horoscope: June 5, 2022
We are rarely satisfied with where we are. We’re constantly looking for the next best option – in search of the thrill synonymous with novelty. But, what if we decide to slow down instead? What if we decide to shift our gaze to the inner landscape and recognize that everything we seek already exists within? PS: Practicing mindfulness and reconnecting with your spiritual practice will provide you with the grounding you need right now.
Cosmic advice: Everything you are looking for already exists within you?
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With so many women affected by menopausal symptoms (about 75% of women suffer from hot flashes, for example), menopause is an important topic to discuss. There seems to be a resurgence of popular interest in it, and recently a certain widely circulated podcast episode was dedicated to the topic. In an effort to share accurate, high-quality information, the podcast hosts interviewed a doctor who is considered an expert on menopause. (For simplicity, I’ll refer to podcast hosts as The host and the doctor they interviewed as The physicist.)
However, both in this particular podcast episode and in the broader socio-cultural conversation about menopause, certain claims shape the narrative in disturbing ways. As clinicians, we need to be aware of the messages that influence our patients. I am not saying that the messages are malicious – in fact, quite the contrary. Demystifying menopause and empowering women are laudable goals that go hand in hand. But the medical history of menopause is incredibly charged, and the subject deserves careful consideration.
Claim: Concerns about breast cancer have unduly deprived women of the benefits of hormone therapy
“Whenever someone dares to whisper ‘hormone therapy’,” the host says, “[…] the reflexive answer is: “But it causes breast cancer!” She laments how, according to her understanding, “the premature publication of these first data [from the Women’s Health Initiative] and the media frenzy caused millions of women to stop hormone therapy overnight and […] deprived a generation of women of the therapeutic benefit of hormone therapy.”
But it’s not just breast cancer, and it’s not just one study.
Cochrane, an independent organization that synthesizes evidence to facilitate evidence-based medical decision-making, conducted a systematic review to help clarify the clinical effects of hormone therapy (HT) in perimenopausal and postmenopausal women. The review, which included 22 double-blind, randomized controlled trials, found: “In relatively healthy postmenopausal women, use of combined continuous HT for 1 year increased the risk of heart attack by about 2 per 1000 to between 3 and 7 per 1000, and increased the risk of venous thrombosis (blood clot) from about 2 per 1000 to between 4 and 11 per 1000. With longer use, HT also increased the risk of stroke, breast cancer, gallbladder disease and death from lung cancer.
That being said, assessing the risks and benefits of hormone therapy at the individual level can be complex, and we are still working with imperfect information. Some women experiencing intolerable menopausal symptoms may decide that the benefits of hormone therapy outweigh the risks, and that might be a perfectly reasonable decision. But there’s a big difference between de-stigmatizing an individual’s well-informed medical decision and re-popularizing the use of hormone therapy on a large scale.
Claim: Menopause is undertreated
Historically, hormone therapy for the treatment of menopausal symptoms was one of the most widely prescribed drug therapies of all time. But these days, reports The Host, “73% of women are never treated for their menopausal symptoms.” Curious where this number came from, I googled it and found a Forbes article with the title, “73% of women don’t deal with their menopausal symptoms, new survey finds”.
Scrolling through the article, I looked for the original source of the stat and found it almost immediately. The Forbes The article says that number comes from “new research from Bonafide, a company that sells products to treat women’s health issues, including menopause.” In other words, a company with a vested interest in selling menopause-related products is actively promoting the message that menopause is extremely undertreated. Digging a little deeper, I clicked on the link to Bonafide’s study. What I found was not a research paper published in a reputable scientific journal, but a neat set of slides that looked like a pitch deck.
Women need access to health care and deserve to have their menopausal symptoms taken seriously, but it’s worth being aware of the big picture. Emerging direct-to-consumer health technology companies are looking to expand the market for their products and services, and women interested in menopause treatment are a prime target. There’s an unjust voidsay these companies. But no need to worry! We are ready to step in and fill it. It’s not good medicine, it’s Marketing 101.
Claim: Seeking treatment for menopause is a feminist act
The host compares how society deals with erectile dysfunction and how it deals with menopause. She notes that information about erectile dysfunction treatment options is ubiquitous, while women are told that menopause is a natural process and that they should “just cope”. Because of patriarchy, she argues, men with erectile dysfunction are assured that they don’t have to live like this. Meanwhile, women who experience debilitating symptoms due to menopause have to adjust to a lower quality of life.
The host is right here, but framing menopause in this way risks undermining the patient/provider relationship. Let’s take a typical scenario: a woman comes to the clinic, tells her doctor about the symptoms of menopause she is experiencing, and lets him know* that she would like to start HT. He’s reluctant because of the risks, and he uses the rest of the short 15-minute date to explain that, in his case, the risks of HT actually outweigh the benefits. Although the patient understands what he is saying, she mostly feels that he is not taking her symptoms seriously. When she leaves without the prescription she came for, she feels frustrated. In her mind, she didn’t get the treatment she needed and deserved.
Again, this dynamic creates the perfect opportunity for direct-to-consumer health technology companies. You don’t have to deal with all that patriarchal nonsense. There is an easier way! Yet, while it’s easier to get menopause treatment through these companies, they may not be offering patients the best.
Affirmation: You need a doctor who will follow the guidelines
At one point during the interview, The Physician recommends the North American Menopause Society (NAMS) as an excellent resource. A little later, she adds:[NAMS] has its guidelines for doctors […] so if you have a doctor who doesn’t want to follow these guidelines, then you need another doctor.” However, what most podcast listeners don’t realize is that these types of guidelines are often heavily influenced by pharmaceutical company interests 20 clinicians and researchers recruited to serve on the 2017 NAMS Hormone Therapy Position Statement Advisory Committee, 10 of whom reported financial conflicts of interest. NAMS admits that the organization’s funding comes in part from “corporate charitable contributions” — that is, pharmaceutical companies.
Unfortunately, the messages our patients end up hearing about menopause are often carefully crafted by corporations that put their own interests first, whether it’s pharmaceutical or health technology companies. Although the narrative presented seems empowering, it is only part of the story.
As clinicians, we need to equip our patients with a more complete understanding of the various factors and forces that shape these messages. Knowing the whole story is what’s really empowering.
*Him in this case because most family doctors are men.
Shannon Casey, PA-C, is a physician assistant and former assistant professor in the Department of Family Medicine at the University of Washington. She writes to The medical atlas.
/EIN News/ — New York, June 04, 2022 (GLOBE NEWSWIRE) —
Real talent cannot be bought or made because it comes from above. The Archduchess of Divinity, a gospel singer based in Pasadena, Calif., uses her God-given talents as an extension of her ministry to bring the masses to the glory of the Most High. Without a clear purpose, life is meaningless movement and directionless activity. The Archduchess of Divinity lives her life with intention, conviction and purpose. She taps into her inner strength, recognizes her spiritual power, and lives her life as if it were golden.
In these very turbulent times, the battle for America’s soul has begun, and the Archduchess of Divinity has been called to stand at the forefront of producing powerful song lyrics inspired by the word of God. She describes her unique musical genre as “Hip Gospel”. She received praise and accolades for her single “Greatest Name in History” from her EP “Loving Hands.” Equally importantly, she co-founded Eddie’s Angel Records with husband/manager Walter R. Frank Sr. The Gospel singer released another hit single titled “Cry Out” with William F. Jordan Jr. In late 2021, her house of records has signed a distribution and marketing agreement with Zarephath Enterprises/Ingrooves/Universal Music Group.
Music is more than theory and melody. It is the power to create and change lives. In light of recent mass shootings, loss of life and abuse, the Archduchess of Divinity has decided to embark on a campaign called “The No More Movement” to coincide with the release of her single titled “No More More”. The movement represents the promotion of the thesis of “More gun violence, more pain, more abuse, etc.” Archduchess of Divinity uses music as a therapeutic and spiritual intervention to empower young people and their families to heal from trauma and overcome victimization.
The Archduchess of Divinity realizes the importance of being a strong and positive role model. She truly believes in the “God within” and wants everyone to know how wonderful life is once the power of God is realized and grasped. “My goal is to help and encourage people to achieve their dreams too,” says the songbird. She has a natural talent for melody that sets her apart from most of her peers. With uncensored emotion and honest lyricism, the music of Archduchess of Divinity tells the story of a unique path. From tragedies and heartaches to glory and triumph, she takes you on an inspiring journey.
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