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New York City’s borough of Brooklyn pays down $31,000 in student loans.

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New York City’s borough of Brooklyn pays down $31,000 in student loans.

Education has become more expensive, yet salaries have stayed relatively stable over several decades. To pay for college, students and their families have had to take out larger and larger debts—many struggles to pay them off even after they leave the university. More than 45 million Americans have student loan debt totaling $1.71 trillion.

It may make a difference where you reside when paying off your student loans. Paying off your ConsolidationNow student loans may be easier if you cut down on monthly costs like rent or mortgage payments. To conclude, let’s visit Brooklyn, NY.

Shannon McMahon had a rough year last year, and you may have felt sorry for her. A coronavirus outbreak forced McMahon to lose her full-time position. Live music performances and other side hustles came to an end for her due to this.

However, even a few months may make a significant difference: With the government’s loan-repayment reprieve, McMahon is now earning more money than before. She intends to pay off her private college loans before she turns 28 in October this year, thanks to the increase in her financial flow (after paying off credit card debt and a federal Perkins student loan in 2020).

Furthermore, McMahon says she’ll pay off the $22,300 in federal student loan debt she still owes by the time she’s 30 – unless student loan forgiveness comes before.

A typical day in the life of a New Yorker in Brooklyn.

For a long time before the arrival of COVID[-19], I would spend my workdays traveling to and from a vast music magazine. I had a wonderful time and will never forget it. My team and the firm were a fantastic fit. On top of that, I used to play in other people’s bands and my own around New York City venues after work every week.

After I was laid off in October, it took me a few months of job-hunting to find a new position that would allow me to continue working in the entertainment sector, which is my true love. Aside from working from home and creating or rehearsing new songs throughout the day, I spend the evenings with my partner and tiny black cat Salem, learning how to cook fresh meals and hanging out.

What are the costs of living in your area?

It costs us $2,650 a month to rent the [one-bedroom] apartment, which does not include utilities. My partner and I spend $1,325 per month to cover this expense. We spend roughly $160 a month on the internet and electricity, which we share equally.

Are your current yearly earnings enough to cover the repayment of your school loans?

To be honest, it’s a huge blessing that I can now say this. In the past, it was tough to make payments since my wage was smaller, and I had $17,000 in credit card debt to pay off. Since the interest rates on my credit card debt were so high, I chose to start there and pay it off in two years to be debt-free by the beginning of 2020.

Getting laid off in October was a blow, but it allowed me to take stock of my skills and learn how to bargain for my wage properly. Now that I’m making more money, I can pay back my student loans far more than the minimum payment.

When and why did you first start taking out student loans?

When I was in high school, my parents could not pay for my college education out of pocket like many others in the United States. My parents didn’t go to college, so they had no idea what I was going through, and my mother eventually went back to school while I was still in school.

As one of six children in a low-income household, I was raised believing that education could lift you out of your situation. Although I’ve outearned my parents, I’m still tied to a spool of student loan debt.

I wish I’d done more research on low-cost college possibilities in New York City before deciding. In my opinion, 17-year-olds should not have to make these financial choices, mainly when their parents cannot use appropriate counsel. Our educational institutions must do a better job of educating students about financial aid and student debt.

Was your financial situation in a position where you could afford to repay your debts at the time?

After the six-month grace period granted to graduates, I began repaying my student loans. No payment was ever late, but I also paid the bare minimum. While I was working my first job after college, I was living in an inexpensive apartment with three roommates so that I could meet my financial obligations.

As soon as the Get on Your Feet program was launched in New York, I knew I had a chance. I wish I had understood more about money while I was in college because if I had, I could have paid more toward my student loans on top of what New York was paying, and I could have been out of student loan debt by now.

When did you begin to take a more aggressive stance toward resolving your debts?

For the first time since my credit card debt had been paid off in January of 2020, I was active in my payback efforts. Even though my student loan debt looked insurmountable, I was sure that I would never pay more than the minimum payment and die with the burden instead.

My outlook on life dramatically altered once I paid off my credit cards. 

Debt reduction was made possible for me by dividing a large debt into manageable chunks. Being a part of the debt-free community has helped me stay motivated to finish paying off my student debts, which had become more complex and isolating. Thank you very much for that! In that group, I’ve learned how to be more deliberate in my spending, more aggressive in my loan repayment, and tipped off to side hustles that might help me make more money to pay off the remaining balance.

Is “shesdebtfreeby30” your Instagram username because you want to be debt-free in 30 years?

No doubt about that. When I first began paying off my credit card debt, something about setting a strict, aggressive target worked for me. As soon as I notified my family and friends, I was committed and had the drive to complete the task.

I’m not going to lie: I was exhausted once I paid off my credit cards. That’s when I decided to start an Instagram account to spur myself on and make a public commitment to achieving my objective. I’m sure that I will be debt-free by the time I’m 30.

It’s been a while since you’ve made further repayments.

I strive to pay off my one private student debt before I turn 28 in October by paying roughly $1,000 a month toward my student loans. The current balance is $8,900.

There is a $22,300 debt on the remainder of my federal student loans. I’m trying to pay my private student loan, which is not suspended and is still accruing interest, as those payments and interest have been halted due to coronavirus relief.

Refinancing your installment loan may be an option for you.

I refinanced my private student debt, and I’m thrilled with it. In the beginning, when I borrowed the money, it was for $10,000. Discover lent it to me. As a 17-year-old with no idea what she was doing, my mother did the best she could with the information she could find online regarding private student loans when the government loans weren’t enough.

That Discover loan’s interest rate was in the tens of percent. I chose to refinance with SoFi when it grew to $13,000. I refinanced with SoFi before the pandemic struck since my credit score rose so much after paying off my credit cards. Now my interest rate is substantially lower, approximately 3.9 percent.

In light of this epidemic, I would never contemplate refinancing my government loans, which come with much more safeguards than private loans.

Top Stories of Oncology Nursing News: June 2022

Each month, we come back to the most popular Oncology Nursing News® stories.

June 2022 topics include the evolving role of social media in connecting patients, nurses’ perspectives on future directions for CAR T-cell therapy development, and potential limitations surrounding new opioid prescribing guidelines offered by the CDC. Other highlights include a conversation with Ohio End of Life Options Founder and Executive Director Lisa Vigil Schattinger, MSN, RN, about her personal experience with physician-assisted dying and ongoing research to to determine if music can help reduce chemotherapy-induced nausea.

Approval of off-the-shelf CAR T-cell therapy options could provide greater accessibility and benefits to patients, experts say. In this feature, Oncology Nursing News® speaks with Brittney Baer, ​​BSN, RN, and Kelly Garvin, BSN, RN, OCN, about the evolution of CAR T-cell therapy options and whether off-the-shelf options may become available in the near future.

Although the CDC has worked hard to improve its opioid guidelines, many providers still believe more can be done. In this feature, Jack Kain, PharmD, discusses recent changes to clinical guidelines and remaining questions regarding optimal care with opioid therapy.

Lisa Vigil Schattinger, MSN, RN, talks about her experience with medical assistance in dying and what oncology nurses need to understand when supporting end-of-life patients.

Will the day come when the oncology nurse dispenses acetaminophen with 20 mg of Mozart? Listen to Jason Kiernan, PhD, RN, ACNP, a Michigan State University researcher, who is preparing to develop an encouraging pilot study that used a music listening intervention to influence chemotherapy-induced nausea.

The rise of social media platforms has helped create a community of teens and young adults with cancer. Hear from our CancerCare partners how social media can positively address a unique social need for this patient population.

To stay up to date with all the latest news and features Subscribe to our newsletter. As always, thanks for reading.

Lauv releases music video for “Kids Are Born Stars”

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Multi-platinum singer, songwriter, producer and multi-instrumentalist, Lauvjust released their new single and music video “children are born stars”!

This track is the third single from Lauv’s highly anticipated second album, All 4 Nothing, which should come out 5 August. In the music video directed by Hannah Lux Davis (Ariana Grande, Doja Cat), Lauv meets and connects with her younger self.

When Lauv started making this album, he was doing a lot of inner child meditation work.

“This song allowed me to reconnect with my 8th grade self and give it a little boost of confidence because Lord knows he needed it back then,” Lauv explained. “As an adult I had also lost touch with my sense of confidence and making that song and the whole album helped me reconnect with the person I really am.”

With this new album, Lauv focused on storytelling and created a unique work filled with moments of nostalgia, conflict and empowerment.

my album, All 4 Nothing, retains an energy of openness, wonder and excitement, but also vulnerability and reality,” says Lauv. “Hopefully this will open a vortex to something you haven’t felt in a while – a place you can build from.”

Via an Instagram post, Lauv also said, “I heard somewhere that as kids we were all born with this innate confidence and ability to be. stars of any right, but along the way, it’s easy to lose that as the world beats us down, and many of us forget. So I embarked on a journey to find my confidence and where my “starpower” came from. This included things like therapy, meditation (a lot) and, in the worst times, shortcuts to things like substances and alcohol. That being said, one of the most powerful things I have found is something called inner child meditation. Where you literally visualize yourself at a younger age and see what lessons, messages or journeys this young person might have for you. I literally had conversations with young Ari, at different ages, multiple times. One of them turned into the song “Kids Are Born Stars”, and much of the rest helped me find my north star throughout the album writing process and of life. sitting here today.

“I would say that I’m not completely healed (I don’t think one can ever be, and that’s not the point), but I found a deeper connection with the real me and I learned that confidence is about accepting yourself exactly as you are, playing to your strengths and moving through life intimately with yourself. I can’t wait for you to hear the rest of that journey on this album, but then I’m so excited for you to hear “Kids Are Born Stars” and watch the video.

You can pre-order his album, All 4 Nothing, HERE

If you want to see Lauv perform live, his North American tour begins August 11 with Hayley Kiyoko opening for all dates. To buy tickets, go to www.lauvsongs.com/tour.

Watch the clip of “Kids Are Born Stars” below:

Did you like the clip of “children are born stars”? Let us know on our Twitter and or Facebook

Thiago Moises “very moved” after the victory of Christos Giagos: “I sacrificed my whole life for this moment”

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UFC lightweight Thiago Moises may have saved his job at UFC Vegas 57. After earning a much-needed submission victory over Christos Giagos, the Brazilian was in an emotional state during the press conference of the map.

In an interview with Combate, Moises explained why he was emotional about the win. Not only was Thiago scared of losing his third straight fight and being released, but the Brazilian shed light on all the hardships he had to go through to get into the UFC.

“I screamed, I cried,” Moises said. “I got very emotional because I was coming off of two tough losses that happened during tough times in my life, but I kept working. When I walked into the cage, the song that was playing was ‘He’s got it. left school, he skateboarded and listened to music”. That’s what I did. I played sports, I practiced jiu-jitsu. I sacrificed my whole life for this moment. That’s why this win means so much to me and my family. All the hard work I put in was on the line. I’m glad I was able to get this submission.

An artist of submission, Moises knew what he had to do against Giagos. Although Thiago likes to exchange strikes to test his stand-up before launching into the takedown, this time around the Brazilian jiu-jitsu black belt knew he had too much at stake to take a risk.

“This time the plan was to use my wrestling and my jiu-jitsu. It was one of the best performances of my life. He is really tough. He faced a champion in Charles Oliveira, Gilbert Burns and I I was able to finish it and put on a great performance.

The win saw Moises (16-6) bounce back from back-to-back losses to Joel Alvarez and Islam Makhachev in November and July 2021 respectively. Prior to the win over Giagos, the 27-year-old’s last win came in february. 2021, when he defeated Alexander Hernandez by unanimous decision.

Tiger Woods’ mistress reportedly bought tell-all book, will deepen relationship

After battling mental health and having suicidal thoughts, Zachary Levi has revealed he once had a “complete mental breakdown” which sent him to a psychiatric ward five years ago.

Michael Buckner/Variety/Shutterstock

The actor spoke candidly about his three-week stint on the ward, telling Elizabeth Vargas on her ‘Heart of the Matter’ podcast, “I struggled with this stuff most of my life. I didn’t know that I was struggling with these things until I was 37, about five years ago, and I had a complete nervous breakdown.”

The “Shazam!” star, 41, said he had a flawed upbringing, saying there was vitriol” and “a lot of shouting” in his home. He turned to “sex, drugs or alcohol” for entertainment.

“The irony is that alcohol can give you this temporary relief, but the next day it increases that anxiety tenfold,” he said in the interview obtained by The Hollywood Reporter. “So you come running back for more, and it just becomes this vicious cycle.”


Rob Latour/Shutterstock

Over time, his anxiety got worse, he even had panic attacks over something as simple as eating.

“I’m sitting in my truck, and I remember vividly standing behind the wheel, and I was shaking back and forth, like I was almost trying to get myself out of what was going on, and I was just crying I I’m just crying. I’m like, ‘God, help me,'” he recalled.

After having suicidal thoughts, he went to the emergency room, which led to the psychiatric ward.

“The lies are whispering in my ear, and the failure that I felt was enough to be like, ‘Zach, I feel like you’re not going to make it,'” he said. he said.

The psychiatric ward saved his life.

“I think one of the most important things, at least for me, is to take my thoughts captive,” he said. “Our minds are so powerful, but they’re so easily, so easily hacked if we don’t really say, ‘Oh wait, wait, wait, wait, wait. I’m doing it again. I’m starting to talk. I’m starting to be tough. or self-critical. I’m starting to judge where I’m at in my life.'”

Here are the top 50 complaints of office workers in Scotland

Scottish office workers have revealed their main problems at work, including loud conversations, sick colleagues and a lack of natural light.

A survey of more than 150 office workers found that many disgusting spills in the microwave were left to rot, colleagues invaded personal space and computers ran at a snail’s pace.

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But almost a third (31%) were quick to share their feelings by leaving a passive-aggressive note or sending an office-wide email.

Cigarette butts strewn outside, the mess left in restrooms and the state of communal dining rooms are the main reasons workers feel compelled to call their peers.

But while 38% said their messages succeeded in ending what they considered poor office etiquette, for 58% the problems persisted.

Keep irritating colleagues away

A spokesperson for the industrial supplies supplier said: “Offices can often be a fun old environment when social norms don’t always translate to those four walls where we spend so much of our lives.

“And when you’re forced to encounter a multitude of little annoyances almost on a daily basis, it’s no surprise that it drives many to the breaking point.

“The way many choose to express their displeasure is in the form of a painfully polite passive-aggressive note or email.

“Yet these will always have a serious undertone of hostility, which for the reader – or worse yet, the culprit – can be quite alarming. Although often rather amusing too.

Good behavior in the office

The study also found that 32% of Scottish office workers have confronted a colleague about their misbehavior at work – with 47% saying the intervention caused them to quit.

However, four percent went over the limit and even received disciplinary action as a result of the feud.

Getting the job done quickly so they can leave sooner is the most common way for workers to counter their annoyances.

While 21% put on their headphones and listen to music to avoid irritation, and 22% avoid going to the office as much as possible.

In fact, 38% even admitted that they are less productive when they are in the office because of what annoys them, according to the survey conducted via OnePoll.

The Workplace Depot spokesperson added: ‘It is clear from these findings that many Scottish white collar workers are fed up with what is happening around them between 9am and 5pm.

“But like many things in life, if you don’t fix the problem, it will only get worse.

“It’s important that these workers stand up for what they think is good office conduct – even if it’s behind a passive-aggressive note.”

Top 50 complaints about office workers in Scotland

  1. People who have conversations right behind your desk
  2. People who come to work when they are sick
  3. Little natural light
  4. People don’t clean the microwave when their food spills
  5. People who get too close when talking to you
  6. Computer problems
  7. computers being slow
  8. people talk loud
  9. Not being able to listen to music
  10. Computers crash
  11. Not being able to wear comfortable clothes
  12. When someone calls in sick when you know they’re not sick
  13. Having to sit in small meeting rooms with lots of people
  14. Having to talk to people about their weekends/plans even if you don’t care
  15. There are never any parking spaces
  16. Not being able to have daytime TV running in the background
  17. smelly toilet
  18. Somebody suck the boss
  19. People “extend” their desktop onto yours
  20. The temperature is always too cold
  21. People don’t put a new roll of toilet paper on the holder
  22. No recycling bins
  23. No one ever says thank you
  24. Noisy hand dryers that go off every few seconds
  25. People who leave dirty dishes in the work sink
  26. People who take things from my desk without asking
  27. Someone is cooking smelly food for lunch
  28. Hotdesking
  29. Dirty toilets
  30. The phone rings constantly
  31. Somebody take my chair while I’m away from my desk
  32. People printing reams of paper from printer
  33. People who hang up the phone without saying goodbye
  34. Refrigerator left open
  35. Personal effects left to gather dust on desks
  36. Empty milk cartons left in the fridge
  37. People leaving dirty towels in communal showers
  38. No greenery, such as plants
  39. Horrible decor
  40. People leaving passive aggressive notes
  41. Failed printers
  42. People who open windows without checking with people nearby
  43. Lunch dishes left on desks
  44. Dirty fingers on shared keyboards/mouse in case of shared desktop
  45. People leaving half-eaten food in the fridge/kitchen
  46. People put food in trash cans right next to your office
  47. People who send passive aggressive emails to the whole office
  48. The temperature is always too hot
  49. People who now refuse to be part of the tea tour
  50. Having to ride in a crowded elevator

Emmy-winning composer Sumeet Sarkar calls healing mental health through music ‘unnoticed’

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The kind of music we listen to depends on our mood and even determines the same. Listening to music can be therapeutic. Emmy Award-winning violinist and composer Sumeet Sarkar uses music as a remedy for mental health. The Los Angeles-based composer, whose works have been released on various platforms including Netflix and Apple TV, recently released an album that focuses on using music as therapy. In an exclusive chat with News18 Showsha, Sumeet talked about the same and explained how music invokes emotions that help everyone heal mental health.

“In the same way that you watch a film and it evokes emotions, there is a very special skill in composition – we were able to tell feelings and stories. When you watch films now, compared to cartoons where you hear sounds of what’s being done, like in Tom and Jerry, there are more emotional movies that evoke feelings that you can’t put into words I feel like in all my background in music composition, I have spent my time writing minimal mood music that can help to experience deeper feelings. For example, I will compose (music for) feelings of insomnia and take my audience on a journey that goes a long way and help them understand (what happened to them),” Sumeet said.

He also mentioned how he has not only composed music that helps people deal with mental trauma, but also with anxiety, anger or grief. “I write music about panic, music that evokes feelings for coping with panic attacks and going through all those phases of grief or anger and resolving everything in the end,” he shared.

Sumeet Sarkar also shared how he organizes online concerts and performances in a bid to help people suffering from depression. “Imagine an audience where the seats are beds they can lie on and relax on during a five-hour performance of sound healing therapy in composition form,” he said.

The Emmy Award-winning violinist and composer further shared that such therapeutic music keeps people motivated and positive. He also shared that the last two years of the coronavirus pandemic have been difficult for all of us and therefore the need for such music has increased. “What inspired this especially in the lockdown itself (is that) a lot of artists are going through terrible phases of depression after losing their careers during covid, not having a stage to perform and being locked in a piece with so long a spirit as musical instruments. You have to stay at home, you are not allowed to go out,” he said.

When asked if people shared their stories with him about his music helping them overcome depression, the composer replied, “Yes, I had a lot of friends in my community. I received many messages from people saying that my music helped them overcome the stress of exams. It helps people stay motivated.

Sumeet Sarkar said healing through music is not underestimated but an unnoticed aspect. “Healing through music is an unnoticed aspect. I think we heal every day by what we hear and it’s a sense in our body, the same as touch, smell or sight. You can imagine being in a room that smells strong versus a room that has the right aroma. It’s the same with audio. Until you really notice it, we can start forming a niche and categorizing it. It can help us more. Because you won’t just open Spotify and listen to a random song trying to be productive.

Read all the latest news, breaking news, watch the best videos and live TV here.

Calian ITCS US Achieves Rigorous ISO 27001 Certification

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Success inspires trust Calian adheres to the highest standards and information security policies

OTTAWA, ON /ACCESSWIRE/June 27, 2022/ Calian® Group Ltd. (TSX:CGY), a diversified products and services company providing innovative healthcare, communications, learning and cybersecurity solutions, announced that its ITCS US division has achieved ISO 27001 certification.

ISO 27001 certification is an international standard ensuring that organizations follow best practices to secure assets such as financial information, intellectual property, employee details or information entrusted by third parties. Fewer than 1,300 organizations in the United States and Canada held ISO 27001 certification.

“Calian is continually proactive in its practice of cybersecurity. Staying ahead of cybersecurity threats requires continuous vigilance and dedication,” said Sacha Gera, President of ITCS at Calian. “Going forward, this certification positions us for further growth and expansion in the United States and global markets.”

At a time when cyberattacks are on the rise, the 6-month certification process and ongoing commitment to compliance and maintaining the ISO standard are part of Calian’s commitment to being forward-thinking, staying one step ahead. in advance and secure its customers.

“Achieving ISO 27001 certification confirms customers’ confidence in Calian ITCS as a trusted managed security services provider.” says Faisal Bhutto, SVP, Cloud and Cybersecurity at Calian. “The certification confirms that Calian applies best practices in all security processes and follows strict guidelines to ensure the safety of customers and their data.”

The Calian ITCS team offers a wide range of IT and cybersecurity services, including enterprise IT, on-demand resourcing, IT and cybersecurity consulting, managed services, software as a service ( SaaS) and everything as a service (XaaS).

Learn more about Calian ITCS.

About Calian
www.calian.com
We move the world forward. Calian® helps people communicate, innovate, learn, stay safe and lead healthy lives with confidence. Every day, our employees live our values ​​of customer focus, integrity, innovation and teamwork to design trusted solutions that solve complex problems. It is Trust. Designed. A young, stable and growing company for 40 years, headquartered in Ottawa, with offices and projects spanning North American and international markets. Visit calian.com to learn more about the various products, services and solutions we offer to the healthcare, communications, learning and security sectors.

Product or service names mentioned herein may be the trademarks of their respective owners.

Media inquiries:
[email protected]
613-599-8600 ext. 2298

Investor Relations Inquiries:
[email protected]

————————————————————————–

DISCLAIMER
Certain information contained in this press release is forward-looking and is subject to significant risks and uncertainties. The results or events predicted in these statements may differ materially from the actual results or events. These statements are usually accompanied by words such as “intend”, “anticipate”, “believe”, “estimate”, “expect” or similar statements. Factors that could cause results or events to differ from current expectations include, among others: the impact of competitive pricing; limited number of qualified professionals; the impact of rapid technological and market changes; loss of business or credit risk with major customers; technical risks on fixed-price projects; general industry and market conditions and growth rates; international growth and global economic conditions, including currency exchange rate fluctuations; and the impact of consolidations in the business services sector. For further information regarding some of these and other factors, please see the Company’s most recent annual report and other reports filed by Calian with the Ontario Securities Commission. Calian disclaims any intention or obligation to update or revise any forward-looking statement, whether as a result of new information, future events or otherwise. No assurance can be given that the actual results, performance or achievements expressed or implied by the forward-looking statements contained in this disclosure will occur, or if they do occur, that benefits may be derived therefrom.

Calian Corporate Office 770 Palladium Drive Ottawa Ontario Canada K2V 1C8
Tel: 613.599.8600 · Fax: 613-592-3664 · General information email: [email protected]

THE SOURCE: Calian Group Ltd.

See the source version on accesswire.com:
https://www.accesswire.com/706681/Calian-ITCS-US-Achieves-Rigorous-ISO-27001-Certification

Recalling the hymns of Ralph Vaughan Williams

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The hymn tunes of Ralph Vaughan Williams make consensus: undisputed quality. The greatest English composer of his generation is credited with composing, adapting or arranging over 80 tunes to important hymns of the Christian faith. Who can imagine All Saints’ Day without singing “For All the Saints” on Vaughan Williams’ SINE NOMINE or the hymn of blessing “God Be with You ‘Til We Meet Again” not sung on RANDOLPH?

At the end of the 19e century, the Anglican Church sang many ‘folk’ style hymns that were emotional, subjective and often self-indulgent in their religious message. The tunes used were sentimental, simple, secular musical style, and showed limited melodic imagination with repeated notes and rhythms, reserved rhythmic movement, and a stagnant, inactive bass line. This is perhaps the earliest example of consumerism in music, a culture of listening by people unaccustomed to participating in a musical experience whose ears were filled with secular music heard during the week.

Vaughan Williams became music editor of the English hymnbook (1906) with the intention of including the best tunes and hymns written in English. “Good taste is a moral rather than a musical matter,” Vaughan Williams wrote in the anthem’s preface. He believed that inferior hymn tunes should not be used in worship and believed that hymn singing should provide the best musical experience of the week for those in attendance.

Vaughan Williams saw English folk and traditional songs as an alternative to frequently used tunes. He believed that native songs gave a bright and joyful flavor to hymn-singing and fostered a sense of heritage among the English. The tunes were arranged in unison with organ accompaniment, modified for liturgical use, and made accessible to singers through the use of lower keys. Examples of English folksong tunes are KINGSFOLD, FOREST GREEN, SUSSEX, KING’S LYNN, MONK’S GATE, SHIPSTON and HERONGATE.

In addition, Vaughan Williams revived tunes from earlier sources, including non-English folksongs, German chorales and French psalmodies: PICARDY, LASST UNS ERFREUEN, SONG 1, RESONET IN LAUDIBUS, DEUS TUORUM MILITUM and CHRISTE SANCTORUM. Equally important, the new tracks composed by Vaughan Williams set a standard for judging all tracks, for example, SINE NOMINE, DOWN AMPNEY, KING’S WESTON, RANDOLPH, SALVE FESTA DIES, MAGDA, THE CALL, WHITE GATES and OAKLEY. As we enjoy singing hymns to tunes by Vaughan Williams, we experience the characteristics of a good tune, how it contributes to the success of the text, nurtures our spiritual development, and brings transcendence in worship.

To gauge the change in melody composition caused by Vaughan Williams, consider the tunes set to William W. How’s hymn “For All the Saints”: Joseph Barnby’s SARUM (1868) and its replacement, Vaughan’s SINE NOMINE Williams, composed for the English hymnbook.

SARUM shows limited melodic interest, repeated notes and rhythmic movement, stagnant bassline, little forward movement and energy. Many musical phrases end in sustained notes that compromise the triumphal text. The concluding “Alleluias” are melodically and rhythmically anticlimactic, and the overall impact of hymn and melody expires.

SINE NOMINE (unnamed) contains both unison and harmonized stanzas. Attention is drawn to the rhythmic interest of the “walking” bass which projects energy and forward movement throughout each stanza. The third melodic phrase (bar 10, “thy name, O Jesus”) receives the highest note up to this point in defense of the text’s importance. Vaughan Williams surprised again in bar 12 by having “Hallelujah!” enter before you expect it, on the third beat. And not only: it extends the melody of “Alleluia! above the preceding high note to create a moment of genuine excitement in the explanation of the text. The exultant text of How is given an equivalent musical framework that leads to spiritual ancestry.

A new era in hymn writing emerged with innovator and pioneer Ralph Vaughan Williams. Vaughan Williams raised the standard of musical creativity and superiority in composing hymn tunes to support meaningful worship, identified the value of a tune in effectively supporting a hymn, and provided a model from which all composers hymns could learn and congregations could enjoy. singing.

This blog post first appeared in the Church Music Institute Newsletter, December 2021.

Image featured by Denis Doukhan from Pixabay

Sunny Ade fathered me, but I can’t access her, laments a woman

This was revealed in an interview with The punchwhere she said her mother confessed to her three years ago after cheating on her about her biological father for years.

Ayeni said she became curious after a prophet told her about a secret her mother was hiding from her.

According to the woman, she sought the intervention of the National Human Rights Commission (NHRC) when all efforts to meet the music maestro failed to yield a positive result, adding that the NHRC also attempted in vain.

Ayeni, however, said she only intended to establish a fatherly relationship with Sunny Ade and was not interested in any financial benefit.

She says, “In 2019, a pastor told me to ask my mother to tell me a secret. First, I didn’t take it seriously until my husband told me. So I called my mom and she confessed to me.

“My mother said that the man I always knew as my father was not my biological father. She said that my biological father is Niyi and he is from Ondo State. When I asked who Niyi was, she said Sunny Ade the singer.

“My mother said it all started when she was still living with her father. Then her father wanted to marry her off to an elderly man but she refused as she had met Sunny Ade earlier and was two months pregnant for him.

“She said she finally got married to the old man because she couldn’t get in touch with Sunny Ade anymore. After getting married, my mom said she went looking for Sunny Ade but that she had not found it.

“She returned to her parents after the search and delivered me there. So when I was two years old, my mother left me with my grandmother and remarried. Ever since the confession, I’ve been looking for Sunny Ade.

“I also went to a festival where he performed, but I couldn’t reach him. All efforts to meet him were in vain, so I went to NHRC for help.

“The NHRC also sent him two letters and photographs, but to no avail. All I want is to know my past, not because Sunny Ade is rich.”

Sunny Ade remains one of the most iconic artists Nigeria has ever produced.

Big changes in regional opera companies and a look at the season

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As the summer opera season begins, major changes are coming to the two major companies in our region. Last month, Lawrence Edelson, artistic and general director of Opera Saratoga, announced his departure at the end of the summer, his eighth season with the company. In the fall, he will take up a teaching and producing position at the University of Houston, while continuing with his own development company, the American Lyric Theater. This follows the announcement in October that Francesca Zambello is retiring, also at the end of the current season, after 12 years as General and Artistic Director of the Glimmerglass Festival in Cooperstown. She extended her contract as Artistic Director of the Washington National Opera and remains a leading director on the international stage.

The transformative tenures of Edelson and Zambello make them tough acts to track. Zambello changed the company’s working name from Glimmerglass Opera to Glimmerglass Festival, scheduled an annual American musical, and added many other initiatives like children’s opera, an annual visit to Attica prison, and guest appearances. special events, including with the late Supreme Court Justice. Ruth Bader Ginsburg. The physical factory has also undergone major upgrades. At Opera Saratoga, Edelson has taken the quality of productions to a much higher level and refreshed the repertoire with new and recent works, as well as adventures in Baroque and Spanish opera.

Until the cancellations, delays and uncertainties caused by COVID, we knew the golden age of summer opera. But the pandemic has also brought out the innovation and courage of Zambello and Edelson. Last year, Glimmerglass built an outdoor stage on its Lake Otsego lawn. Opera Saratoga, normally based at the Spa Little Theater at Saratoga Spa State Park, has ventured into new and alternative venues, including the main stage at SPAC. Coming up, Glimmerglass will return to the Alice Busch Opera Theater while Opera Saratoga will perform at half a dozen venues across the region.

We have some clues as to where things are headed. In May, Glimmerglass announced that the new big boss would be Robert Ainsley, who was director of the Young Artists Program and American Opera Initiative at Washington National Opera. Educated at Cambridge University and Mannes College of Music, he has long been on the national stage holding positions at Portland Opera, Minnesota Opera and St. Louis Opera. He will take the reins in the fall and a company spokesperson said a 2023 season announcement is imminent. At Opera Saratoga, the search for new leadership is ongoing, and the company typically doesn’t announce a new season until the fall.

But let’s not go too fast in mourning the departures of Edelson and Zambello and anticipating what 2023 will look like. It’s still 2022 and my summer diary is once again filled with opportunities to discover the opera in Saratoga and Cooperstown as well as the Adirondacks and Berkshires.

Peering into the upcoming season, each troupe is doing something contemporary alongside masterpieces from the standard repertoire (“Carmen” by Glimmerglass, “Barber of Seville” by Opera Saratoga). It is encouraging to see that our resident companies are contributing and adopting a new repertoire. As I have reported for many years, contemporary opera has become the engine of American companies. The most recent proof is the sold-out release of the Metropolitan Opera’s spring revival of Philip Glass’s “Akhnaten.” It’s three hours of music about an Egyptian pharaoh sung mostly in Sanskrit and with a lot of juggling for this production.

Nothing so exotic awaits you here. All the works are set in modern America and are sung in English. They explore themes of family, faith and love.

For its first performances in the city of Albany, Opera Saratoga will present two performances of “Sky on Swings” at The Egg (July 7 and 9). Lembit Beecher’s 80-minute chamber opera debuted in 2018 at the Philadelphia Opera House with mezzo Frederica von Stade in one of the lead roles. It’s about two women who befriend in a care facility for Alzheimer’s disease, one in the late stages and the other recently diagnosed. It is the first new staging since its debut and is a co-production with Opera Columbus where it will appear in a future season.

Edelson approached the job with caution, having seen three out of four grandparents suffer from Alzheimer’s disease as well as his father’s ongoing struggles with it. “I had no idea how the journey of someone with Alzheimer’s disease could be depicted in an opera without making it contrived or sensational,” Edelson said via email. “But experiencing the opera was cathartic and deeply moving. The score is remarkable in the way it both creates the sound of memory and also depicts the experience of two women and their children living in different stages of illness.

In addition to tackling the disease on stage, Opera Saratoga is also launching an ongoing music therapy program for Alzheimer’s patients throughout the region. “To me, that’s what an opera company should be. We entertain. We enrich. We educate. And we improve the lives of those who need us,” said Edelson, who is leading the production.


At the Glimmerglass Festival, one of four main stage shows is a double bill of works that tackle questions of faith from new perspectives. “Taking Up Serpents,” commissioned and released by the Washington National Opera, is about a young woman who was raised by a “preacher of fire and brimstone” and a handler of serpents. Music is by Kamala Sankaram, who as Glimmerglass’ composer-in-residence will also premiere, “The Jungle Book,” a new children’s opera receiving three performances in August. Sharing the poster with “Taking Up Serpents” is Damien Geter’s world premiere, “Holy Ground,” about a team of angels trying to convince a human to take on a grand mission. The double feature runs for seven performances, from July 29 to August 20.

The Seagle Festival, a reliable presence at Schroon Lake since 1915, presents four performances of “Fellow Travellers” (August 4-6), composer Gregory Spears’ adaptation of the 2007 novel by Thomas Mallon, known for his books on Life in Washington, D.C. The story is about two closeted gay men, both government employees, who find themselves caught up in the McCarthy-era “lavender scare.” It features a rather romantic melodious score and has been produced by many regional companies since its 2016 debut in Cincinnati.

Finally, the Berkshire Opera Festival makes a rare departure from its eponymous county in Massachusetts and settles in at PS21 in Chatham where it will present two performances of “Three Decembers” by Jake Heggie (July 21 and 23). The play is about an adult brother and sister and their relationship with Maddy, their selfish mother who becomes a successful stage actress. The three scenes are set during the holidays in 1986, 1996, and 2006. Heggie is known for his operas that carry on the tradition of lively drama and graceful singing. Gene Scheer’s libretto is based on a play by acclaimed author Terrence McNally (“Ragtime”, “Master Class”, “Dead Man Walking”), who died in March 2020 of COVID.

Going to a concert or painting helps us recover emotionally | science and technology

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Billy Wilder used to say that movies should make viewers forget about their unpaid bills or their problems at work. As he observed, culture is a space for healing. The last two years have demonstrated this. Attending a concert, reading a book, getting lost in a museum or being moved by a play served not only as forms of entertainment and escape, but also as means of learning and emotional reconstruction. These processes occur not only with the cultural activities that we consume, but also with those that we do ourselves, such as writing, sculpting or painting.

There is scientific evidence that any cultural activity, whether passive or active, benefits mental health on many levels. Cognitively, it focuses our attention amid an overload of data and stimuli. Reflecting on fears, doubts, and insecurities in a journal can help us organize our thoughts and calm us down. Watching a movie can strengthen our episodic and semantic memory by the effort of storing sequences that will be consolidated into memories. Thinking about existential and anthropological questions, as depicted by great directors, painters or writers, stimulates us intellectually. On a social level, going to the opera or the theater encourages us to share our opinions and ideas, to develop our critical spirit and to become more tolerant.

On a physical level, the culture revitalizes us by putting our minds at peace, reducing anxiety and stress levels. Listening to music, for example, has a beneficial effect on brain chemicals like dopamine and oxytocin. It can also help reduce cortisol levels. On an emotional level, these activities put us in touch with our fears and worries, allowing us to better accept them. Identifying with similar characters in a movie or book increases our introspection and helps us get to know each other. At the same time, confronting antagonistic characters challenges us by questioning our points of view. Culture also satisfies our desire for pleasure and entertainment. As Alfred Hitchcock said, “There is something more important than logic: imagination.”

Global health institutions have finally recognized the thesis that artistic practices have positive effects on well-being. The European Region Office of the World Health Organization published a report supported by more than 3,000 scientific studies in November 2019. The WHO urged European governments to integrate the arts into their health and well-being policies. -be. In September 2020, the Spanish senate asked the government to declare culture as an essential asset.

In healthcare settings, some projects use art and culture to humanize the hospital experience. The Cultura en Vena foundation has orchestrated some of these initiatives. In one of them, an exhibition in a hospital presents reproductions of works from the Prado Museum, as well as texts intended to connect with the emotional experiences of the spectators.

Reading is another way to participate in culture. Every day, patients plagued by anxiety, depression and impotence approach the shelves in search of relief. As Guillermo Lahera, professor of psychiatry at the University of Alcalá, says, “literature is a powerful source of meaning”. Language structures the psyche and reading can be a form of therapy. The British bibliotherapy initiative Reading Well Books on Prescription has been widely accepted by clinicians and patients.

As anxiety, depression, insomnia, and stress have become more common, experts have begun to search for solutions that complement typical treatments. Health workers are in an important position to recommend cultural activities that help rebuild the world and heal the soul. As Almudena Grandes said, “culture is an ingredient of happiness”. Philosophy, literature and the arts help us better understand the complexity of human experience.

Patricia Fernandez Martin is a clinical psychologist at the Ramón y Cajal Hospital in Madrid.

From harpist to music therapist: a Singaporean tells why she changed careers during the Covid-19 pandemic

SINGAPORE – As a harpist and during her musical studies, Ms. Karen Koh has performed with the Singapore Symphony Orchestra, in five-star hotels here and with the Kingdom Hearts Orchestra World Tour, which is the official concert of the full orchestra of Kingdom Hearts video. game soundtrack.

These days, however, the 31-year-old professional musician plays for a very different audience.

Now in training to become a certified music therapist, Ms Koh works with patients at St Luke’s Hospital, a community hospital in Bukit Batok. She is doing her internship there.

Some patients Ms Koh sees have suffered a stroke and are trying to get back on their feet. Others struggle with the debilitating effects of Parkinson’s disease or dementia. Another group she works with is in palliative care and is in its final days.

In the hospital, she usually sings, plays guitar, piano, and other small percussion instruments during therapy. Sometimes she may use a lever harp, which is a smaller version of the regular harp.

There are no enthusiastic applause or standing ovations in the hospital. Yet the satisfaction Ms Koh derives from supporting these patients keeps her going, even if there are uncertainties about a career change during the Covid-19 pandemic.

“In a classical music show, the audience pays to listen to you, they want to be there.

“With music therapy, some patients may react in their own way by saying, ‘Leave me alone’ or ‘I don’t want to do anything.’

“It’s especially at the start of treatment because they may not be in a good emotional state,” Ms Koh said.

“A lot of the patients we work with have strokes and dementia, and there’s a loss of bodily functions. When you lose your independence, it’s normal to have grief, to be in a bad mood .

WHY MUSIC THERAPY AND HOW IT WORKS

Music therapy is the clinical use of music to achieve individualized goals. As part of health care here, it is offered as a “paramedic health service”.

Music therapy is therefore a relatively niche career option in Singapore.

Mr. Calvin Eng, President of the Association for Music Therapy Singapore (AMTS), said there were only 36 accredited music therapists in Singapore.

The AMTS is the professional association for music therapists here.

To practice in Singapore, music therapists must be accredited by an approved music therapy program in their country of training, Eng said.

They complete a comprehensive bachelor’s or master’s degree program, which typically covers music foundations, music therapy foundations, and clinical foundations such as psychology, anatomy, and counseling.

At St Luke’s Hospital, music therapy is offered as part of its range of rehabilitation services.

Dr Tan Xueli, the lead music therapist there, said the hospital now has one of the largest teams of music therapists in Singapore.

Cultivating Strength and Compassion as Caregivers of Dementia Patients

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Dr Linda Miles

According to current statistics from the University of Michigan, approximately one in seven Americans has some form of dementia.

Compassion challenges our assumptions, our sense of self-limitation, of worthlessness, of having no place in the world. As we develop compassion, our hearts open up”

—Sharon Salzberg

USA, June 24, 2022 /EINPresswire.com/ — Dr. Linda Miles, an experienced psychotherapist and author, knows firsthand how heartwarming and heartbreaking it can be to care for a family member who suffers from a chronic illness. Robert, her husband of 33 years, suffers from advanced dementia. Due to this disease, he often does not recognize his beloved wife. Recently, Robert and Linda renewed their vows, a reminder and a promise of unity until the end. It is also an embodiment of Dr. Miles’ own advice to all other caregivers: find strength by seeking out and creating moments of joy in the midst of suffering.

It was Robert’s idea, and Linda seized the moment. One evening, as she entered the room, Robert looked up and told her that he had seen her several times at work. He found her intelligent and attractive, and he wanted to marry her. His memory, in part, was true; they had worked together as colleagues at a mental health center decades ago. He just didn’t remember that they were already married. Linda happily said yes to this second marriage proposal; they renewed their vows in the company of their family, with the blessing of their pastor son.

According to current statistics from the University of Michigan, approximately one in seven Americans has some form of dementia. As baby boomers in the United States mature into seniors, the number of people with dementia is expected to increase dramatically. Caregivers of people with dementia or Alzheimer’s disease are often referred to as “second patients” because of the intense physical and emotional demands of this type of care.

Research from the National Institute of Health (NIH) shows that when caregivers are motivated by guilt, a sense of duty, social pressure or greed, they are more likely to feel resentful towards the person they are helping and to experience psychological distress. On the other hand, caregivers who combine duty with the desire to show kindness and genuinely protect the person they care for experience less psychological distress. Such attentiveness is associated with positive feelings, positive brain chemicals including oxytocin and dopamine, and the increased likelihood of reaching out to others for help and support. The NIH also cites that 55-90% of caregivers enjoy positive experiences that foster togetherness with loved ones: shared activities, connections, spiritual and personal growth, increased faith, and feelings of accomplishment and mastery.

Lisa Jane Miller, a researcher at Columbia University, studied the relationship between spirituality and mental health and found that spirituality also protects against depression. Those who have regular spiritual practices and strong beliefs are much less likely to become depressed. Although the role of caregiver can be extremely demanding around the clock, those who are most resilient have faith in a purpose greater than themselves. When duty and desire are aligned, there is increased fulfillment and reduced psychological distress.

As human beings, caregivers will still experience moments of negativity and pessimism despite their best intentions and practices. When caregivers feel drained or drained from the second patient role, they can access a wealth of resources and practices to help them regain their positivity and purpose. Dr. Miles suggests the following:

1. Be open to loving kindness in unexpected places. Dr. Miles was touched by observing the kindness of strangers who go out of their way to help her and her husband. While struggling to get off a plane to visit family, the pilot noticed Robert’s difficulty from his cockpit and returned and helped Linda’s husband off the plane. Once, while she was running an errand, her husband fell in the driveway. A nice stranger – a restaurant delivery guy – was helping her get back on her feet when she arrived. Her neighbours, upon finding out about Robert’s condition after seeing an ambulance at their house, offered their time and help if she needed them. A passing handyman – who had once been the carer for a family member with dementia – offered to be on call if needed.

2. Take care of your personal health. Since caregivers are at higher risk for health issues, including lower immunity and higher risk of chronic diseases, it is important to follow a healthy diet, sleep, exercise and Adopt lifestyle habits that reduce stress. Regular medical checks are also important.

3. Practice mindfulness and/or prayer; experts have shown that such practices are very beneficial in preventing or alleviating depression.

4. Consider hospice. Although many people view hospice as an end-of-life service, it is available to families caring for someone with advanced dementia. They provide hospital beds, regular medical care, certified nursing assistants, music therapy, veteran support services, and respite care if needed.

5. Reach out to a support network of family and friends. Having a trusted family member or friend to share deep feelings, fears and frustrations with is essential. Because people with dementia may not recognize their caregiver and become hostile and aggressive towards them, it is important that the caregiver does not hold back these emotions and is free to share their feelings honestly and openly.

6. Look for a local or national community that offers support for caregivers and offers knowledge about the disease. Caregivers tend to be socially isolated, so fostering bonding is extremely important for their own well-being.

a. The Alzheimer’s Association is accessible online; they provide 24/7 help, with professionals on call to provide resources, information and advice.

b. REACH (Resources for Enhancing Alzheimer’s Caregiver Health) offers online instructions, problem-solving training, stress management techniques, and telephone support.

Caregivers of people with dementia can individually become better or bitter based on their ability to be kind to themselves and others. To overcome challenges and find purpose in life, it is important to find the pockets of light in the darkness. It is also essential to remember that, as in an emergency on an airplane, it is important to first secure your own oxygen mask before effectively assisting others to do the same.

Dr Linda Miles
Miles and Associates
+1 850-321-6612
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Smart Aquarium Devices Market Research: Methodology and Rapid Growth in Technology Will Drive Industry Revenue: Felix Smart, OASE

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The latest report on the smart aquarium devices market provides a comprehensive overview of key industry issues characteristics, including production, market growth rate, industry share, consumption value and volumedemand for specific types of products and services, and more. The publication focuses on providing a competitive edge to industry newcomers and those aiming to enter the market in the next few years. It offers information on the latest consolidations, acquisitions, associations, buyers and sellers who have had a significant impact on this sector of the industry, as well as experiments with posting serious business scenes in recent years.

The study report offers projections of the industrial market demand prognosis for a given period. Additionally, it provides essential insights into market complexities and economic environment along with key insights for readers to capitalize on various industry patterns.

This article is the latest research on the COVID-19 outbreak review of effects. The impact of the pandemic on demand and the supply chain, as well as the financial situation of the industry, are detailed here. The study also analyzes the gaps in industry dynamics and presents the trends in a post-COVID-19 context, as well as a futuristic perspective.

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◘ Neptune Systems
◘ Seneye
◘ Desgeo
◘ SUN SUN

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Application-based segmentation

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◘ Commercial

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Main highlights of the report:

Market Performance (2016-2021)
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Complete mapping of the competitive landscape

This study is a compilation of primary and secondary research which represent market size, share, trends and forecasts for major segments and sub-segments taking into account macro and micro environmental aspects. It also assesses the bargaining power of suppliers and buyers, the threat of new entrants and product substitutes, and the level of competition in the market.

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The report contains a Competitive Quadrant, a proprietary tool for analyzing and evaluating a company’s position based on its industry position scores and market performance. The tool divides players into four groups based on a number of characteristics. Financial performance over the previous three years, growth strategies, innovation score, new product launches, investments, market share growth, etc. are some of the elements evaluated for analysis.

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“I started singing on TikTok – now I play Glastonbury”

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At only 18 years old, the talented singer-songwriter Seb Lowe is about to make his debut at the Glastonbury Festival. It’s an incredible moment for the Oldham teenager who, until a year ago, simply posted his own songs as videos on social media site TikTok.

But it was these TikTok videos that made Seb go viral – with his songs tackling politics and how young people feel in Britain today – sparking huge interest with each new post. He has caught the eye of recording industry bosses as well as music star Billy Bragg who has now invited him to play on his stage stage at Glastonbury on Saturday.

“Everything was TikTok initially,” says Seb. “During the lockdown everyone was pushing me to do it, after a long while towards the end of the second part of the lockdown I was like ‘okay, break it, I’m going to do a TikTok’.”

Read more : Red Hot Chili Peppers captivate Manchester at Emirates Old Trafford concert

“I started making the weird song I had written in the past, never intending it to go anywhere. After posting a few videos, they picked up steam.

“I created this style of fast political writing, because I know the attention span is short, it was to write something fast. of the.”

Seb was only 17 at the time and studying for his A Levels at Oldham Sixth Form College in English, History and Economics. He then landed top A grades and won a place at the University of Birmingham, but is now on a gap year as he takes the opportunity to explore his music due to the incredible speed at which everything is happening now – he has already played gigs and festivals. across the region.

He says, “I was thinking, well, I’m going to give this year and see what happens with the music, but it all got a little crazy from there. It’s really crazy to think about what happened. past.”

His current manager contacted him after seeing him on TikTok, and he quickly became the talk of the Manc music industry. Seb says: “It’s really amazing that all of this came out of TikTok.

“TikTok is driven by the people watching it and it’s just amazing. Audience members just talk about the songs and converse about them.



Seb Lowe makes waves

“There was a song that did pretty well and I thought oh that’s really cool, and then it got huge, I thought what’s going on? There’s thousands of people who have seen this. Your stomach hurts a bit but in a very good way.

“Then it got bigger and bigger. By the fourth time I posted a video, each one just got better and better. One had a million views, when I saw the letter m this was completely mind blowing that’s when i thought ok i should probably take this seriously i have a following here people who are interested and care about this I have to say “.”

Seb says the social media platform has given him the confidence to find his voice on the big issues that matter to him and the millions of others who write with a scathing wit and invigorating honesty. He says: “Some people don’t agree, but most of the time people want to listen whether they agree or not. You have to learn that any type of reaction is a good thing, it gets people talking. people – it’s the first step towards any kind of change.”

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He first learned to play the guitar as a child, with his mother and father, both teachers, with whom he lives in Saddleworth, very passionate about their music. Seb says: “My mum and dad are both into music, the people they listen to, I listen, my mum is a huge David Bowie fan, my dad made me listen to Led Zeppelin in his car .

“My dad in particular is really passionate about his music, he has a whole collection of CDs. They’re so supportive of me that they always thought it was something I’d probably end up trying.

“They probably wouldn’t have expected it to happen and happen as quickly as all of this. I said I’m going to take a year with the music, and since then it’s been ridiculous.”



Glastonbury is back for 2022 – with huge crowds at Worthy Farm in Somerset

Seb will perform at Glastonbury on the Leftfield Stage on Saturday as part of Billy Bragg’s ‘radical rally’. Seb says: “Billy Bragg got in touch, it was really very casual, it wasn’t like built up, it was the occasional mystery about it all, and then when I found out what it was , I was even trying to match that energy although I was freaking out.

“I guess someone saw my TikTok and that’s how I’m on the Leftfield stage because it’s a segment called the radical turn and it’s all about the thoughts of young people in the UK ranging from thoughts internal, and more directly socially conscious thoughts, it’s perfect for my music. I’m looking forward to it to be honest. Yardax is after me, I’m playing alongside Billy Bragg and other songwriters.

“It will be my first time at Glastonbury and I will make sure to see Paul McCartney and Robert Plant.”

Seb hopes that music can become a full-time career after his rapid success. And he believes that TikTok will be the vehicle through which many up-and-coming artists will get noticed in the future.

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Ed Sheeran celebrates last night at the Etihad Stadium with a late night meal at the chic restaurant in Manchester

He says, “I think TikTok is going to be the way to go as the world evolves. It’s not the kind of app you keep thinking about making money here, it’s a way to promote you to levels that can’t be matched by radio or something.

“It’s a social media app to advertise and promote your songs, but the way the algorithm works helps people who want to go from nothing to something. You have to keep trying until something sticks. But I think it’s only going to get bigger.

“It would be a dream to have a career in music, it’s one of those things you say when you were a kid ‘oh I want to be a musician’ but the fact that there is potential for that to happen now it’s just amazing. It would be amazing if I could do this for the rest of my life, there’s nothing I’m more passionate about than writing songs, making music.”

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Tourism efforts step up in Ararat


Surry Community College recently announced the 2022 Spring Semester President’s List.

Students who qualify for the President’s List must be enrolled in a minimum of 12 credit hours of college-level coursework and maintain a 3.8 semester grade point average with no final grade below “C”. Students on the President’s list receive a letter of congratulations.

These students include:

Fatima Almanza, Elizabeth Atkins, Kayla Lynn Baker, Charlotte Anne Banfield, Michelle Bedolla Villalobos, Shelby Chase Blevins, Cora A. Branch, Nydia Cabrera Cabrera and Jessica Lynn Callaway, all of Mount Airy;

Abbigail Grace Draughn, Caleb J. Easter, Sky Lin Estrada, Robert Dean Giesbers, Matthew Curtis Gillespie, Sara Patricia Goins, Ashton Bree Golding, Allie Rae Hawks, Levi Colton Haynes, Lauren Smith Hester, Stephanie Lauren Hiatt, Christopher Adam Hobbs, Page Elizabeth Hodge, Eperson E. Hughes, Joshua Kameron Jones, Renee Loraine Kirkman, Andrew Blake Lawson, Allie Grace Leonard, Jackson Dale Lindsay, Kalie Brean Mabe, Ethan Dale Marion, Hannah Nicole Martin, Nisa Monique McFowler, Evan Scott Morris, Tosha Nicole Murray, Miguel Angel Paredes Castillo, Weatherly Adair Reeves, Carlos Salmeron Bautista, Jill I. Simandle, Allyn-Claire Simmons, and Alexandria Rae Stanley, all of Mount Airy;

Leticia Janeth Valenzuela, Luis Fernando Valle, Douglas Michael Vanvleet, Diego Vega, Taylor Kathleen Vernon, Grant Michael Whittington and Celeste Vanitasing Tilley, all of Mount Airy; Carl Michael Dallas Gardner and Hailey Nicole Stewart of Lowgap;

Kylie Mckynzie Bruner, Cooper Wayne Motsinger, Beysi D. Sanabria and Matthew Wayne Southern of Pilot Mountain; Morgan Nichole Bryant, Robert McCallum George, Tristan Lane Harless, Lowell Abeyta Hewett, Thomas Allen McKinney, Joseph Pearman, Kendra Michele Persinger and Amber Grace Shutsky of Pinnacle;

Chelsey Madyson Atkins, Fabian Alexander Bautista, Austin Blake Cave, Elorah Abigail Gillispie, Anay Gomez, Diego Armando Guerrero, Lesley Janel Hernandez, Mason Donald Kreh, Mia Catherine McMillen and Jacob.T Mills, Colby Ryan Mitchell, Jacob Livingston Mitchell, Taylor Grace Newman, Emily Santiago Orellana, Tyler Malo Reece, Steve Orsono Rodriguez, Kathy Santiago, Cara Leigh Rose Scott and Christine Michelle Vail, all of Dobson;

Gavin Allen Gray of Cana, Virginia; Kira Ayers and Victoria Rose Cole of Galax, Virginia;

Seyry Lineth Borjas Paz, Samantha Nicole Chattin, Tamara Destiny Alvarez Chautla, Ryan Blake Coffey, Abigail Marie Garza, Ashley Leigh Rhoades, Sebastian Saul Sanchez Aguilar, Kimberly Dawn Whitaker and Byron Lee Wild of Elkin;

Mattie Katherann Cave, Macy Faith Key, Sophia Mae Lowe, Robert Carson Simmons and Amber Michelle Taylor of Ararat; Jennifer M. Woodlee of Asheville; Abigail Corrine Baum, Anna Kate Brown, Vanessa Denise Hatcher, Molly Elizabeth Maske, Emily Elizabeth Parker, Tanna Rae Sagraves and Bryson Lee Wood de Boonville; Cameron’s Rachel Leigh Trueblood; Katlin Nicole Benfield of Charlotte; Ronnie A. Clemmons Cavity; Gabriel Ty Oerter of Danbury;

Zachary Grant Berrier, Zachary Charles Brady, Micheal Brent Chaffin, Kristian Hunter Davis, Rebecca Camille Fowler, Stephanie Alise Greeson, Adrienne Kylee Johnson, Joshua Matthew Lambert, Victoria Grace Miller, Debra Ann Philpott, Jo Rierson, Sailor Faith Smitherman and Sarah Grace Wiedenhoft of east turn;

Natalie A Gentry and Chloe Alysse Nagle of Ennice; Cassandre Ann Benge from Gastonia; Carson Jase Fulp of Germanton; Jennifer Marie Evans of Glade Valley; Sarah Quinn Bare, Ashley D. Blevins, Gaige Austin Cass, Guadalupe Hernandez, Christopher Dalton Robbins, Estephanie Sanchez Juarez and Brianna Danielle Shoffner of Hamptonville; Carter Christopher Bridges of Harmony; Hannah Greene Harrison of Hudson; Brayden B. Adams of Indian Trail.

Elimelec Calderon Rojas, Emma Noel Freed, Kaleb Michael Harrison, Margaret Diane Hurt, Dakota Cheyenne Johnson, Keith Blane Macy, Michael Tyler Reinhardt, and Karla Alejandra Romero of Jonesville; Rachel Grace Claffee, Spencer Carlton Easter, Taylor Grace George, Bayleigh Kristine Jarrell, Rhyan Elizabeth Sapp and Susan Jeannette Sullivan of King; Emma Grace Stanbery of Lawsonville; Laken Janeen Gudger of Lexington;

Susan Dianne Anderson, Krysten Alana Miller and Daniel Lee Watson of North Wilkesboro; Christina Kelly Blakley and Victoria Faith Blakley of Pfafftown

Josiah James Jarvis of Roaring River; Kaitlyn Elizabeth Lacey of Sandford; Allison Celeste Bruner of Siloam; Jenna Faye Adams and Megan Diane Royal of State Rd; Megan Lynsey Blackburn of Thurmond; Marie Williamson of Tobaccoville; Gracie Bernice Brim of Walnut Cove; Jenifher Alessandra Flores Martinez, Brittany Michelle Mahala, Dalton Joseph Simmons and Mason Lane Woods of Winston-Salem; Laiken Nicole Baity, Brianna Nicole Beck, Abigail Carachure-Medina, Yamel Cortez Zamora, Isaac Samuel Cranfill, Dillon Thomas Draughn, Emma Rose Greene, Sara Gail Hennings, Jackson Harding McManus, Ton Dong Nguyen, Olivia Lauren Pizzuti and Megan Nicole Smith of Yadkinville . Eyra Mae Stewart, Hannah Nicole Todd and Megan Michelle Wagoner of Yadkinville; Kristen Louise Joyce of Clinton, Connecticut;

Michiganders invited to free virtual educational conference on Alzheimer’s disease in July

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Michigan residents are invited to attend a free virtual educational conference on Alzheimer’s disease in July hosted by the Alzheimer’s Foundation of America.

Caregivers, people living with dementia-related illness, professionals and anyone interested in learning more about Alzheimer’s disease can attend the conference, according to a statement released Thursday by the foundation.

The conference, scheduled from 10 a.m. to 12:45 p.m. EST on July 13, will allow people to learn and ask questions from experts in brain health and care. He is part of the Alzheimer’s Foundation of America’s 2022 Educating America National Tour.

Alzheimer Foundation of America


Photo provided/Alzheimer’s Foundation of America
Alzheimer Foundation of America

Alzheimer Foundation of America


Photo provided/Alzheimer’s Foundation of America

Conferences were previously held in person, but have gone virtual due to the COVID-19 pandemic.

“Knowledge is a useful and powerful tool that can make it easier to navigate any situation, especially something as difficult as caring for a loved one with Alzheimer’s disease,” Charles said. J. Fuschillo, Jr., president of the Alzheimer’s Foundation of America. in the release.

“Connecting families with useful and practical information and support that can help them now and be better prepared for the future is what this conference is about,” Fuschillo continued. “Whether Alzheimer’s disease affects your family, you’re a caregiver, or you just want to learn more, you can join this free virtual conference from the comfort of your home or office.”

To register for the conference, visit alzfdn.org/tour.

The topics defined for this year’s conference are as follows. Attendees will be able to ask each expert questions after each of the three topics, according to Sandy Silverstein, media relations manager for the Alzheimer’s Foundation of America.

  • Living with dementia and other chronic conditions: how do family care partners influence the health and well-being of others? – Family care partners often put the needs of their loved one ahead of their own. But neglecting their own health can negatively impact them and the person they care for, according to the Alzheimer’s Foundation of America. For example, if the care partner has depression or high blood pressure, how will this affect their loved one with dementia? To address this problem, Courtney A. Polenick, an assistant professor in the Department of Psychiatry at the University of Michigan Medical School, is set to discuss strategies for maintaining the health and well-being of both partners through l exercise, adopting a healthier diet or other means.

Polenick is an assistant professor in the Department of Psychiatry at the University of Michigan Medical School and an associate professor in the Aging and Biopsychosocial Innovations Program at the Survey Research Center at the UM Institute for Social Research.

  • Navigating the maze of estate planning and elder law – When a family member is diagnosed with Alzheimer’s disease or another dementia-related illness, it’s never too early to plan their long-term care and get the necessary documentation in place, according to the Alzheimer’s Foundation of America. Elders Advocate Glenn Matecun is about to discuss how to plan for long-term care while legally protecting your assets, and what foundation you should be building to protect your loved one and family.


Matecun has been an attorney specializing in estate planning and Michigan elder law for over 30 years. He is an attorney with the law firm Matecun, Thomas & Olson, PLC.

  • What is dementia? Understand the differences between diseases and types of dementia – Alzheimer’s disease and dementia are terms that are often used interchangeably, but many people are unaware that there is a difference between them. Or that there are other types of dementia-related diseases besides Alzheimer’s disease. To dispel this misconception, Barry Kaufman is set to provide an overview of Alzheimer’s disease and dementia, outlining the symptoms, warning signs, and other characteristics of each type of dementia. He also plans to share with caregivers what they can expect as their loved one’s illness progresses.

Kaufman, a West Bloomfield resident, has lived with Lewy body dementia for 12 years. He retired from Michigan’s Blue Cross Blue Shield and is an active participant in Lewy Body Dementia research and support groups with the National Institutes of Health and the University of Michigan. He serves on the steering committee of the Michigan Dementia Coalition, a statewide coalition that consists of approximately 200 people from dementia-related fields and backgrounds, representing more than 65 organizations. Kaufman is also a member of the National Council of Dementia Minds.

Additionally, a musical performance by singer-songwriter David Molinari of Senior Sing-A-Long is scheduled to take place during the conference. Senior Sing-A-Long is a West Michigan nonprofit that provides music therapy to people with dementia-related illnesses in long-term care communities.

Its music therapy program consists of small groups of seniors creating music by playing instruments to achieve therapeutic goals, according to the Alzheimer’s Foundation of America.

More information about the conference is available here. Those unable to attend or who have immediate questions about Alzheimer’s disease can connect with licensed social workers seven days a week through the Alzheimer’s Foundation of America’s toll-free National Helpline in calling 866-232-8484 or chatting on the web at alzfdn.org. To chat on the web, click the blue and white chat icon in the right corner of the page. The feature is available in over 90 languages.

Global Probiotic Food Market 2022 to 2028 Research Analysis and Top Players as Chr. Hansen, DSM, Probi Ab, Nestlé – Women designers

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The Global Probiotic Food Market report of MarketsandResearch.biz on the most recent survey report offers vital information and statistics on the structure and size of the market. The probiotic food provides a forecast for the years 2022-2028 based on a thorough and competent analysis. Capacity requirements for market penetration in the probiotic food market are assessed. Market growth factors at global and local level are also examined.

The study begins with an assessment of probiotic foods, which includes definitions, categories, and market overview. This allows for a more in-depth assessment of market dynamics, percentage and sales forecasts, and factors that may drive these changes.

The report introduces the important members of the company, along with a detailed analysis of their positions against the global landscape. Additionally, the report provides detailed statistics on standard market conditions and future market situations to prepare to grow above demanding situations and secure a solid increase.

DOWNLOAD FREE SAMPLE REPORT: https://www.marketsandresearch.biz/sample-request/251780

The leading companies in the global probiotic foods market are assessed based on their market share, new product launches, organizational structures, consolidations or acquisitions, and markets served. The main suppliers/key business creators are

  • chr. Hansen
  • DSM
  • Ab probi
  • Nestle
  • Archer Daniels Midland Company
  • Danone
  • Du Pont
  • Yakult Honsha
  • General Mills
  • Kerry
  • BioGaia
  • JBS United
  • Adisseo (Novozymes)
  • Biomine

The report provides a detailed assessment of the current phase of the market:

  • Direct fed probiotics
  • Probiotic Food Supplements
  • Others

The file presents an increase forecast for the forecast period and an assessment of the number one players working effectively in this market. The following software types are covered in the report:

The following areas and countries are included in the global Probiotic Foods Market report:

  • North America (United States, Canada and Mexico)
  • Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
  • Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
  • South America (Brazil, Argentina, Colombia and rest of South America)
  • Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)

ACCESS FULL REPORT: https://www.marketsandresearch.biz/report/251780/global-probiotics-food-market-2021-by-company-regions-type-and-application-forecast-to-2027

The document is based on great studies which include market dynamics, market size, issues, difficulties, competitive analysis and companies involved. The studies are an intensive examination of a plethora of key elements that are impacting the growth of the global probiotic foods market.

Report customization:

This report can be customized to meet customer requirements. Please contact our sales team ([email protected]), who will ensure that you get a report tailored to your needs. You can also get in touch with our executives at 1-201-465-4211 to share your research needs.

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Simon Cowell sends an emotional message to the former X Factor star after the sudden death of his fiancée

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X Factor creator Simon Cowell has sent a message of condolence to former contestant Tom Mann after the sad news that his fiancée died suddenly on their wedding day

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Tom Mann auditioning on X Factor in 2014

Simon Cowell has reached out to Tom Mann after breaking the tragic news that his fiancée passed away over the weekend.

Tom, 28, was in boy band Stereo Kicks on the X Factor in 2014 and was due to marry Danielle on Saturday.

However, he broke the devastating news on Instagram on Monday, revealing that his child’s mother died on the morning of their wedding at the age of 34.

Simon, 62, has since sent his condolences to Tom and his family and confirmed to TMZ that he would “personally reach out to him.”

The music mogul told the publication: “As a father myself, I simply cannot imagine the grief Tom and his family are going through and I will be contacting him personally.

“From my family to his, we express our deepest condolences and all our love at this tragic time.”







Tom Mann with his fiancée Danielle who died on Saturday
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Image:

INSTAGRAM)








Simon Cowell contacted Tom after the news
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Tom shared the heartbreaking news of Danielle’s death on Instagram on Monday along with a photo of her with their eight-month-old son, Bowie.

He wrote with emotion: “I can’t believe I’m writing these words but my darling Dani – my best friend, my everything and more, the love of my life – passed away in the wee hours of the morning of Saturday June 18.

“What was supposed to be the happiest day of our lives has ended in irreversible heartbreak.

“I feel like I cried an ocean. We never made it to the altar; we didn’t get to say our vows or dance our first dance, but I know you know you were my everything. world and the best thing that ever happened to me, Danielle.

“I will wear this ring that I was always meant to wear as a sign of my unconditional love for you.”

He went on to say he was “completely broken” and admitted he didn’t know what to do now, but promised to find the strength for their baby boy.

He added: “I won’t mark the parent you have already become but I promise I will do everything to raise Bowie the way we always wanted. I promise he will know how amazing his mum was. I promise to make you so proud.







Danielle with baby Bowie
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Image:

Instagram)








Tom on the X factor in 2013
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Tom Dymond/Thames/REX/Shutterstock)


“The most beautiful person inside and out. The most amazing soul. We have lost such a special person and I’m sure we’re about to see an overwhelming outpouring of love that reflects that. .I will try to find peace in your posts and comments, but right now I am grieving and will be for a long, long time.”

He concluded by saying that Dani was “the brightest light in any room” and said he will “miss you forever”.

Other music industry stars also left condolence messages on her post at the time, including Mimi Webb and Lewis Capaldi.

Do you have a story to sell? contact us at[email protected]or call us directly on 0207 29 33033.

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“Cinema neither cures nor cures anything”: Dario Argento on “the pleasure of terrible ceremonies” and his retrospective of 20 films

Trauma, Suspiriaand dark (Courtesy of Cincettà and Reporters Associati & Archivi)

The day before the start of his 20-film retrospective at the Film Society of Lincoln Center, Dario Argento spoke with film historian Rob King in front of a small delegation at the Italian Cultural Institute. King began by pointing out that the director has now been making giallo movies for 53 years, which is “four years longer than John Ford has done westerns.” When asked what gender meant, Argento replied that he had been asked this question thousands of times and that “one more time” he would reply, “I don’t know”. When asked if his approach to directing giallo had changed, he also replied, as he always has, no. He just follows his instincts.

Of the 20 films in the retrospective, 17 have been newly restored to 4K resolution. Labor, as Italy’s Consul General in New York, Fabrizio Di Michele, said in his introduction, is “to blame for many sleepless nights.” But after fabricating all those bloody murders for the screen, the filmmaker said he slept “very well” himself. King referenced Thomas De Quincey’s 1827 satirical essay, “On Murder Considered One of the Fine Arts,” before asking Argento, broadly, what the relationship is between murder and art. . The filmmaker called Quincey’s book “crazy,” then slightly dodged the question, saying, “I think people like horror movies because they cause such strong feelings that they don’t understand. I have friendship and solidarity with these horrible stories -[I receive] a feeling of great pleasure from these terrible ceremonies.

King ended the conversation by asking, “Are there any murders that you imagined that you didn’t shoot or that were cut from your films?” Argento replied, “All the ones I imagined shooting.” The small crowd applauds.

Prior to the conference, I interviewed Argento with translator Michael Moore in an archive of the Italian Cultural Institute. Having read that his films often start from “little ideas” which “hustle” him, I asked him if he was afraid of anything in his own films. He said, “No, I’m not afraid of my own films. These are stories that I tell that come from deep within me, I know them well. So once they’re done, I don’t see them. I rarely see them, if ever, because once they’re done, I want to work on the next project and look ahead.

I wondered if creating or finishing movies had ever helped him ease the fears that inspired them — if he found filmmaking therapeutic. In the middle of the question, Argento started mumbling “No. No,” he added, “Cinema is not therapy. It’s a very important work, but it’s focused on the story. It would be too easy if the cinema were a form of therapy, because everyone, rather than going to a psychoanalyst, would go to the cinema. Cinema neither cures nor cures anything. What cinema is is telling the story of something that comes impulsively from within you, from your soul. In my case, it is something that is suggested from deep within me. I start with a very small idea, and around that idea, I build the puzzle, and I add to it until I have the whole film. It’s a small but very important idea.

“So why am I making movies? Maybe because in reality I want to be liked by the public.

I postulated that going to the movies in the United States today can even be an anxiety-inducing experience, that I had paranoid thoughts while sitting in a theater – preparing to go out or imagining what I might do if a shoot were to happen. I said those fears are more pronounced when you see movies reminiscent of those whose premieres were targeted by shooters, like the Batman movies. I remember a statement the LAPD made when police amped up their presence in theaters across the country for the Joker premiere: “The Los Angeles Police Department is aware of the public concerns and the historical significance associated with the premiere of Joker.I was struck by the “historical significance.”

After a moment, Argento added, “I don’t think it’s because superhero or Batman movies express any particular form of violence. They are very simple films, and even a little stupid. But what they do do is attract a very young crowded audience. So when the shooter goes to the theater, he knows he will find it full of people and he can kill as many people as possible. That’s why it happens with these movies in particular.

I found interviewing filmmakers to be like his own film education, so I asked Argento if he still had any lessons or memories from the directors he interviewed as a young film critic.

” I learned a lot. Before becoming a director, I was a journalist, and in my work I interviewed many famous directors, for example, Fritz Lang and John Huston. I particularly remember an interview with Jean-Luc Godard which was very strange and bizarre. There were many more, many that I don’t remember. But what I learned from them is what cinema is. It’s different from literature or painting. It’s very mysterious. He was born inside of you. You have to say it not on the page, but through images.

Back in his interview with King, Argento argued that “the camera is the most important element of cinema.”

One of the director’s first projects was to help Sergio Leone and Bernardo Bertolucci write Once upon a Time in the West, which he says helped him start formulating creative on-screen deaths or murders. His first feature film, The bird with crystal plumage, featured many of what would come to be known as the maestro’s tropes and qualities – a disembodied killer, searing camera work, an ubiquitous score (this time by Ennio Morricone), and more. Despite the toxic relationship between the director and lead actor Tony Musante, the film was a critical and box office success. I asked him what he thought of negative collaborations that still yield interesting or positive results on screen. Argento’s response focused on his memory of Musante, a story that occasionally and suddenly inspired its members to become quite animated and spider-like.

“I don’t have a very good memory of this tense relationship. It’s a horrible memory, actually. I remember every morning going to the set was like a nightmare – the fact that I was going to bump into Tony Musante. On set, we were arguing and arguing. When the movie ended and he had to go back to the States, I got home, it was 10 p.m., and then I heard this knock on the door. I look through the peephole, and it’s him! And he kept knocking, louder and louder, at that big, heavy door, shouting: ‘Argento! Open the door! Open the door!’

“I haven’t opened it. It’s ten o’clock, why should he even think I’m home? So I shut up and he finally left. When the movie came out and it was a big hit in the States as well, he called me and said how awesome it was and how great it had been to work together, and I said, “No, it wasn’t great working together. Please don’t ever call me again.

After coming to life to tell his story, Argento quickly relaxed again.

With hindsight, I would have liked to have asked the director more about his work pleasures than about his fears and anxieties. Watch the beautifully restored darkin which the director plays with his own likeness through the protagonist Peter Neal, an author of detective novels, it is these strange and pleasant “sensations” that stood out, and which Argento prioritized at every turn.

Inside of Dario Argento: two or three things we know about himthe great book that Cinecittà (which restored the films) publishes in tandem with the retrospective, are a series of interviews and essays surrounding Argento’s work through the decades – proof that the maestro has over the years spoken of his films and his production in more or less the same way.

Argento’s answer to John Carpenter’s question “Where does the fear, the darkness come from in your films? which the book adapts from a 1999 interview at the Turin Film Festival, echoes many of his responses to me, King, and moderators and audience members at Lincoln Center today:

“That’s the hardest question anyone can ask me, so I’m going to ask you the same; that’ll teach you ! Fear is instinctive. I’ll be honest with you: I don’t know where it came from — from deep inside me — from when I was a kid, from that long hallway I had to walk down at home to get to my room. You remember your first horror movie in 3D. I remember the first horror movie I saw…The Phantom of the Opera– which really changed my life. It introduced me to a world I didn’t know – a world where ghosts and dark passions lurked underground. I had no idea these things existed. I think it fascinated me. I had a long illness when I was a teenager, so I stayed home for a few months. I couldn’t move because of my rheumatic fever. Then I went to my dad’s library and started selecting books and reading whatever I could find. I devoured everything like an omnivore: essays, Shakespeare, the lot. At the end, I came across an Edgar Allan Poe storybook. I fell in love! It was so much more than The Phantom of the Opera: it was the most incredible fantasy, and I think these tales changed something in my life. They showed me this famous door that we open, behind which there is this panorama that we have never seen before, revealing different colors and emotions. People ask me: ‘Why don’t you make other films, other genres?’ It is impossible, because once through this door where one has felt such violent and destructive sensations at the limit of the impossible, how to reconnect with the story of everyday life, of normal life, just of life …? Someone like you, so used to fantasizing and conjuring up monsters that come out of holes and possess you; someone who imagines a girl who goes to boarding school only to find out that all the others are witches. Can you imagine doing anything else?

New translation scholarships, a boost for mental health and autistic children

A project to raise awareness of the relationship between the arts and mental health and a digital tool to respond to the anxiety problems of autistic children have been boosted thanks to the support of the Western Australia’s Future Health Research and Innovation Fund (FHRIF), which is an initiative of the Western Australian state government.

Senior Researcher at the University of Western Australia’s School of Allied Health, Dr Christina Davies, has been awarded the FHRIF Translation Fellowship to continue leading arts and health research through a campaigning, programs and multi-sectoral professional development to increase awareness of the arts-mental health relationship.

“Mental health issues are on the rise, but there is strong evidence that, just like sport, practicing the arts can improve mental well-being,” Dr Davies said. “Whether it’s listening to music, reading a novel, watching a movie, or painting, 20 minutes of art a day can be good for your mental health.”

The FHRIF project translates Dr. Davies’ award-winning Healthway-funded doctoral research that quantified the arts-mental health relationship and highlights the health benefits of the arts in particular increases happiness, confidence, self-esteem, relaxation and reduces social isolation.

Community members can designate to get involved or receive updates on the project, by visiting the UWA Good Arts Good Mental Health website.”

Image: Dr Christina Davies (left) and Dr Gail Alvares.

Dr. Gail Alvares, an autism researcher at the Telethon Kids Institute and UWA, has been awarded an FHRIF Translation Fellowship to lead an innovative mental health project, which will aim to transform early intervention for anxiety in children diagnosed with autism and their families.

Dr. Alvares, whose recent search called for the term “high-functioning autism” to be dropped, said mental health issues such as anxiety frequently co-occur with autism, and for many people, crippling anxiety symptoms are experienced during childhood.

She said this project aims to develop, in partnership with the autism community, a world’s first digital mental health platform for autistic children with anxiety, which would help break down some of the barriers that young people are faced in accessing mental health care in Australia.

“Childhood anxiety has a significant impact on well-being and quality of life, may limit participation in education and employment opportunities, and may be associated with depression,” said the Dr. Alvares, Senior Researcher at Telethon Kids’ CliniKidssaid.

“Over 40% of children diagnosed with autism experience debilitating anxiety, but often these families struggle to get the support they need due to a lack of accessible and affordable service providers.

“People with autism and their families repeatedly rank research on reducing anxiety and improving mental health outcomes as the most urgent priority, and this project directly addresses the community-informed need. “

Dr Alvares said the digital tool would allow caregivers to develop strategies to reduce their child’s anxiety that could be as effective as in-person care.

“Digital technology represents a unique solution to barriers to accessing health care, due to its accessibility, cost-effectiveness and wide presence in daily life,” Dr. Alvares said.

“This intervention will directly address anxiety issues during a critical developmental period, alleviate the demand for in-person mental health professionals, and diffuse the burden on the WA health system.”

NAGPUR: The combination of yoga and music doubles the health benefits | Nagpur News

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NAGPUR: June 21 is a unique day that marks the celebration of yoga and music. These two phenomena have revolutionized physical and mental well-being for ages. On this double occasion, YOU spoke to singers, voice doctors and music lovers in Nagpur who also practice yoga daily. Together they say the combination of music and yoga is the best prescription for good health.
Renowned psychiatrist Dr. Sudhir Bhave, an accomplished singer, said music and yoga can work magic individually and work wonders together. “Music serves to modulate mood while yoga serves to calm your mind in addition to its well-known health benefits. Both clear negativity from your mind and fill it with positive energy,” he said.
Dr Bhave added that music is more personal and can be different for each individual. “One may love light music while the other may find peace of mind in classical notes. For those who love light music, words and notes together make a better combination to spark positive thoughts” , did he declare.
Interestingly, Dr. Bhave also had formal training in yoga. He was the best of Janardanswami Yogabhyasi Mandal’s yoga training batch. “Yoga provides physical benefits such as strength, flexibility and balance to anyone who practices it. The combination is best for your overall well-being,” he said.
Renowned singer and music teacher Amar Kulkarni who regularly practices yoga said the two practices have many similarities. “The origin of Indian classical music is omkar (the syllable aum) and yog has specific significance for omkar sadhana. Music can bring positive vibrations and so can yoga. Both practices generate energy to the interior,” he said, adding that music creates sound energy while yoga creates physical strength for the lungs, and the two complement each other. “A singer practicing yoga derives respiratory benefits while a yoga practitioner (sadhak) is inspired by music,” he added.
Veteran oncologist and accomplished singer Dr BK Sharma says music is therapy. “Music is the best source of energy for life. Your heart gets energized, your lungs get breathing exercise, and your brain becomes relaxed once you develop an interest in music. Studies have proven that music therapy also works very well on cancer patients,” he said, adding that he has enjoyed the benefits of being a singer and music lover for decades.
“Our work is full of stress and music brings much needed peace and energy. I’m over 70 now and still fully active, all thanks to my love for music and exercise of breathing,” Dr. Sharma said.
Physiotherapist Dr Pratiksha Gadkari said yoga helps increase joint flexibility and range of motion while music has a relaxing and calming effect on the mind. “Yoga improves balance because you have to maintain certain postures while incorporating certain body movements. Music has a calming effect on the mind. So if we start and practice our daily exercises with soothing music, that’s definitely ‘yes’ to a fresh and energetic day,” she said.
Janardanswami certified yoga trainer Yogabhyasi Mandal Praful Hatgaonkar says the effects of yoga can be greatly amplified if paired with ear-friendly music. “Music helps us focus better and find stillness in the mind, which is what meditation is all about,” he said.
“Soul music and the chanting of a mantra as part of the dhyana can both be a tool for meditation and a medicine for mental health. Whether it is yoga or music, it is an appropriate sound frequency that can cure physical and mental ailments,” said Vaidya Swanand Joshi, MD, Ayurveda.
MAKE THE YOG WITH THE GOOD AIR
* Yog-music symphony can provide effective healing and therapy
*Together could be a powerful and fulfilling experience
* Listening to music creates a positive mood by strengthening our brain signals
* Music can turn yogasanas into an effortless dance rather than just a posture
* Music cuts you off from the volatility of your surroundings and helps you focus better
* Choosing the right music for your yoga session is of utmost importance

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Global Concrete Spraying Machines Market Research (2022-2028) Covers Key Players Like Putzmeister, ABG, Kubota, Ingersoll Rand

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MarketsandResearch.biz has published Global concrete spraying machine market, a new study that includes regional and global market statistics and is expected to be beneficial between 2022 and 2028. The report appears in this market in terrific detail. These factors include previous increase patterns, comparative player ratings, segmentation ratings, local ratings, and most importantly, current and future trends.

Business strategists can benefit from this report as it helps them achieve effective growth in global and regional markets. Moreover, the report empowers the decision makers to make profitable business decisions that will help them sustain themselves in the long run. It presents an in-depth and factual analysis of the ongoing trends, market dynamics, segmentation analysis, regional analysis and determination of high growth areas that would help end consumers to formulate marketing strategies. market according to the study’s projection.

DOWNLOAD FREE SAMPLE REPORT: https://www.marketsandresearch.biz/sample-request/296416

The global Concrete Spraying Machines market study is categorized into types which cover

  • Construction
  • Mining
  • Subway
  • Others

Key and rising market players in the global market include:

  • putzmeister
  • GBS
  • Kubota
  • Ingersoll-Rand
  • Titan Makina
  • BSA
  • Brinkman
  • CCS
  • Deutz-Fahr
  • Aliva
  • FICA
  • Filamos
  • Ocmer

The major players in the global Concrete Spraying Machines market are consolidations or acquisitions, studied and markets served.

Product types covered in the file include:

  • Wet concrete spraying machines
  • Dry concrete spraying machines

One of the important geographical areas covered by the document is

  • North America (United States, Canada and Mexico)
  • Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
  • Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
  • South America (Brazil, Argentina, Colombia and rest of South America)
  • Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)

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JERSEY BOYS at the Kennedy Center

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LR Eric Chambliss, Jon Hacker, Devon Goffman, Matt Faucher
and the Society of Boys jersey.
Photo by Joan Marcus.

A group of street boys from Jersey sing about the daily battles of everyday life that so many can relate to in the emotionally direct and hard-hitting hit tour of Boys jersey play now Kennedy Center Eisenhower Theatre. Romance, heartbreak, family ties, financial troubles and troubled friendships are all explored in the driving, driving beats of the catchy songs (and romantic ballads) that make up the catalog of hit band “The Four Seasons “formed in 1960 in Newark, New Jersey (known sometimes as “Frankie Valli and the Four Seasons” since 1970—-as well as many other names, but you’ll have to see the show to find out!)

The hard-working ethos and urban brotherhood of the neighborhood guys is portrayed in the real-life story of Frankie Valli and the four seasons, who obviously struck a universal chord of mass appeal in this very well-constructed Broadway hit. The popularity seems to stem from an outpouring of appreciation for a story that isn’t trying to be what it isn’t—namely, the songs and the story are simply a story of survival when things get complicated. Original actor Bob Gaudio’s music carries the day in songs like “Beggin'”, “Let’s Hang On (To What We Got)” and “Working My Way Back to You” and Bob Crewe’s lyrics emphasize survival against all odds.

The demographic of the night I attended was older, and I wish more younger generations were aware of the classic pop sound and popularity of this unique and influential band (other bands and artists have picked up their songs). Over thirty songs by Gaudio and Crewe are beautifully orchestrated by Steve Orich and provide a compelling explanation of why they are one of the most successful bands in modern music history. Music Director Noah Turner leads a group of excellent musicians.

Director Des McAnuff uses the musical numbers to highlight the interesting and tumultuous life story of Frankie Valli and the Four Seasons. Marshall Brickman and Rick Elice’s book is an ingenious distillation of pivotal events in the main characters’ lives as a group and as individuals with their own personal joys and demons. In act two, the show becomes more book-focused and plays out without a hitch. Like Emilio and Gloria Estefan’s book On your feet! this musical is driven by a smart, well-rehearsed narrative that propels the show and adds emotional weight to the musical numbers. Easy sentiment is avoided for honest writing that depicts the pitfalls of the road, the quirks of friendship, and the lure of fame. Tragic subjects like death in “Fallen Angel” are handled with sensitive maturity.

Sergio Trujillo’s choreography galvanizes in the upbeat hit ‘Sherry’, the highly original ‘Big Girls Don’t Cry’ and the adrenaline-fueled ode to being proud of who you are titled ‘Walk Like a Man’. The dynamic, dynamic spirit of “Walk Like a Man” was a highlight, as the syncopated, crisp, assured movements were in perfect sync as the vocal group wore sparkling gold jackets (perfect suit by Jess Goldstein) and proudly sang his heart. .

Justin Albinder (replacing Jon Hacker as Frankie Valli the party I attended) was Valli personified to the max. Mr. Albinder captured the full gamut of emotions, from the newest member of the singing group to the confident singer and second-act businessman. Mr. Albinder sang with pathos in the tender “My Mother’s Eyes”, “I’m in the Mood for Love” and the heartbreaking “Fallen Angel”. Albinder’s lower register moved easily through the full spectrum of his falsetto in most cases. The catchy, nostalgic appeal of “Can’t Take My Eyes off of You” was marked by Mr. Albinder’s soulful vocals and director McAnuff’s immaculate direction — which included a horn section playing with a driving resonance of the highest level of the whole.

Matt Faucher as the taciturn Nick Massi, Devon Goffman as the rebellious Tommy DeVito and Eric Chambliss as the composer Bob Gaudio all play with authenticity and natural ease. The singing and acting were a cut above with Goffman starring in “Earth Angel” and Chambliss starring in the innocent lost ground of the nostalgic “December 1963 (Oh, What a Night)”. Mr. Faucher had an incredible deadpan delivery with subtle comedic timing in his many scenes.

Jared Chinnock, Amy Coelho, Katie Goffman, Antonio King, Connor Lyon, Kevin Patrick Martin and Alec Michael Ryan added textured actors in supporting roles. Sean McGee’s portrayal of lyricist Bob Crewe attracted attention.

Set Design by Klara Zieglerova is a marvel of sleek steel railings, platforms and stairs. The upper/platform level adds visual depth to the production as it is used for compelling and relevant colorful pop/comedy panels “à la Roy Lichtenstein” to emphasize dramatic or lighter moments; Television extracts from concerts are also presented (Projection Design by Michael Clark). A beautifully lit industrial view of the cityscape is also seen (lighting designer Howell Binkley – who outfits the entire show with evocative skylights).

The penultimate song “Who Loves You?” was a truly jaw-dropping ensemble number as the crooning and instrumentals overlapped with the heart-pounding vocal choruses of “Who loves you, pretty baby? Who’s gonna help you through the night? Who loves you, pretty mom? Who’s always there to do it?”. Those vocals knocked off one of the rafters as Mr. Trujillo’s supremely confident and sassy choreography was placed into the mix.

An interesting coda from the production occurred when the 30 millionth moviegoer was called onto the stage for a photo op and applause.

A well-deserved encore ensued, and the crowd did indeed “go wild”—as the first press proclaimed. This show’s message of survival has power. Across PC, pandemic, hard times and good times —-Boys jersey is a production that offers this rare and often difficult to find combination: “intelligent escape”. Don’t miss it.

Duration: 2 hours and 30 minutes with a 15 minute intermission

Boys jersey premiered Thursday, June 16, 2022 at 8 p.m. at the Eisenhower Theater at the Kennedy Center located at 2700 F Street, NW, Washington, DC, 20566.

Boys jersey until June 26e2022. For information and tickets, click here.

Tensions between Russia and the West inflame UN debate over Malian peacekeepers

UNITED NATIONS (AP) – Tensions between Russia and the West are heightening discussions over the future of one of the United Nations’ largest and most perilous peacekeeping operations, the force sent to assist the Mali to resist a decade-long extremist Islamist insurgency.

The UN mission in the West African country is due for renewal this month, at a volatile time when extremist attacks are intensifying. Three UN peacekeepers have been killed this month alone. Mali’s economy is suffocating under sanctions imposed by neighboring countries after its military rulers postponed a promised election. France and the European Union are ending their own military operations in Mali in a context of degraded relations with the ruling junta.


Members of the UN Security Council widely agree that the peacekeeping mission, known as MINUSMA, must continue. But a Council debate this week was marred by friction over France’s future role in Mali and the presence of Russian military contractors.

“The situation has become very complex for the negotiations,” said Rama Yade, senior director of the Africa Center at the Atlantic Council, a Washington-based think tank.

“The international context has a role, and Mali is part of the Russian game on the international stage,” she said.

The peacekeeping mission began in 2013, after France led a military intervention to oust extremist rebels who had taken over towns and major cities in northern Mali the previous year. MINUSMA now has about 12,000 soldiers, plus about 2,000 police and other officers. More than 270 blue helmets died.

France is leading negotiations on the extension of the mission’s mandate and offers to continue providing French air support. Senior UN official for Mali El-Ghassim Wane said the force particularly needed attack helicopter capabilities.

But Mali strongly opposes a continued French air presence.

“We would therefore call for respect for the sovereignty of our country,” Foreign Minister Abdoulaye Diop told the council on Monday.

Mali requested military aid from France, its former colonial ruler, in 2013. The French military was credited with helping drive insurgents out of Timbuktu and other northern centers, but they regrouped elsewhere , began to attack the Malian army and its allies and pushed further. south. The government now controls just 10% of the north and 21% of the central region, according to a UN report this month.

Patience with the French military presence is diminishing, however, especially as extremist violence rises. There have been a series of anti-French protests in the capital, which some observers say were promoted by the government and a group of Russian mercenaries, the Wagner Group.

Mali has moved closer to Russia in recent years as Moscow has sought to forge alliances and gain influence in Africa – and the two countries are at odds with the West. Senior Malian and Russian officials have been hit with European Union sanctions, triggered by Russia’s actions in Ukraine since 2014 and Mali’s failure to hold elections that were promised last February.

In this context, the members of the Security Council clashed over the presence of the Wagner group in Mali. The Kremlin denies any connection to the company. But Western analysts say it is a tool in Russian President Vladimir Putin’s campaign to gain influence in Africa.

The Wagner Group has committed serious violations of human rights and international humanitarian law, according to allegations by the EU and human rights organisations. In Mali, Human Rights Watch accused Russian fighters and the Malian army of killing hundreds of mostly civilians in the town of Moura; Mali said those killed were “terrorists”. The UN peacekeeping force is investigating, as is the Malian government.

The recent UN report on Mali notes a “significant increase” in reports of abuses by extremists and Malian forces, sometimes accompanied by “foreign security personnel”. “have no illusions – this is the Russian-backed Wagner Group.”

Mali says the opposite. While officials said Russian soldiers were training Mali’s military as part of a long-standing security partnership between the two governments, Diop insisted to the Security Council that “we don’t know anything about Wagner”.

However, Russian Foreign Minister Sergei Lavrov said in a television interview in May that the Wagner Group was in Mali “on a commercial basis”.

Russia’s deputy ambassador to the UN, Anna Evstigneeva, told the Security Council that African countries have every right to hire soldiers for pay. And she suggested they had every reason to do so, saying Mali’s security “continues to deteriorate” despite European military efforts.

She blasted Western unease over Russia’s closer ties with Mali as “neo-colonialist approaches and double standards”.

Secretary General Antonio Guterres is planning a six-month review to look at ways to re-equip MINUSMA.

To Sadya Touré, a writer and founder of a women’s organization called Mali Musso, told the council that her country “should not be a battleground between great powers”.

“It’s the people who suffer the consequences of these tensions.”

John Hinckley Jr. claims he wants to live a “quiet life”. But does he?

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John W. Hinckley, Jr. does not want to talk about the day he attempted to assassinate Ronald Reagan outside the Washington, DC, Hilton in 1981.

He doesn’t want to talk about how one of the six bullets he fired left James Brady, Reagan’s press secretary, permanently brain damaged and confined to a wheelchair for the rest of his life. life.

He doesn’t want to talk about Secret Service agent Tim McCarthy, whose diaphragm and liver were punctured by Hinckley’s fourth shot.

Or about Tom Delahanty, the DC Metro cop who was shot in the neck that day.

The only thing Hinckley really wants to talk about is himself.

In a 30-minute interview with The Daily Beast on Thursday morning, less than 24 hours after Hinckley was fully released from court supervision after more than four decades, he refused to discuss anything other than his musical career. he is now trying to get off the ground. . He did not answer specific questions about the assassination attempt, current events or the rudimentary gun control measures enacted in the United States largely because of his actions outside the Hilton.

“Only… my music and my art,” Hinckley demanded.

The year after shooting Reagan, Hinckley was found not guilty by reason of insanity and spent the next 34 years in a government-run mental hospital in Washington, DC. His first days in detention were difficult and Hinckley was caught writing letters to convicted serial killers Charles Manson and Ted Bundy. In 2016, Hinckley was allowed to live full-time with his sick mother in Williamsburg, Virginia. There he started selling “antiques, little trinkets, records, things like that”, to make ends meet. under strict conditions.

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Chaos surrounds the victims who shot immediately after the March 30, 1981 assassination attempt on President Reagan by John Hinckley Jr. outside the Hilton Hotel in Washington, DC.

Dirck Halstead//Liaison/Getty

This meant “no contact” with the families or descendants of Reagan, Foster, Brady, Delahanty and McCarthy, or with hospital pharmacist Jeanette Wick, who in 1997 accused Hinckley of threatening her.

Hinckley “successfully” participated in music, individual and group therapy, and “did not exhibit any violent, disruptive, or problematic behavior.” according to a 2021 court filing that included a report from one of his therapists. He started dating a woman he met in group therapy, but ended things when she became too demanding of his time, according to the filing. Hinckley was required to hold a job or volunteer, but was turned down by four different organizations who apparently didn’t want the baggage and bad publicity that would surely have accompanied his hiring.

So Hinckley rented a booth at an antique mall in Williamsburg, where he worked between four and nine hours a day before the COVID pandemic. The court limited his travels to a 75-mile radius around his home, and Hinckley sourced his inventory from flea markets, estate sales and consignment stores in the approved area. He brought home about $1,000 a month, a source of income that faltered when the antiques mall closed in April 2020 due to COVID.

At the same time, Hinckley struggled to get her music career off the ground. All of his internet posts had to be approved by his treatment team, and in 2019, Hinckley’s music therapist Nicole Drozd made his songs publicly available on Soundcloud. However, very few people have actually listened to Hinckley’s music on the platform. Drozd then suggested trying YouTube and posted Hinckley’s songs there under an anonymous band name. Still, views remained low, and Hinckley “expressed disappointment at the lack of feedback he was receiving,” according to the filing.

Hinckley doesn’t appear to have had a particular passion for antiques, telling The Daily Beast that he didn’t specialize in any particular thing, but was simply looking for “something I liked, and could buy it cheap, and sell it, and try to make a profit.

After a federal judge ruled last fall that Hinckley, now 67, had been fully rehabilitated, Hinckley was granted an absolute discharge which took effect on Wednesday.

“I just try to focus on the present, and I don’t want to dive back into the past, 30 or 40 years ago,” Hinckley said Thursday. “I’m not trying to draw attention to myself at all. I try to live a quiet life and get along with everyone.

But Hinckley’s words don’t exactly match his actions, as he’s worked hard to raise his public profile by forming a band, posting videos to his YouTube channel, selling his paintings online and speaking to reporters about his modest rental apartment in Williamsburg, Virginia.

Hinckley, no longer confined to a 75-mile radius of his home, is also extremely disappointed that a concert tour he had booked for the summer, with sold-out dates in Chicago, Brooklyn and Hamden, Connecticut, has been canceled. The rug was “ripped out” from under him, Hinckley told The Daily Beast.

“I had three shows canceled,” he said. “I had a show hosted in Chicago, where we were selling tickets, everything was going well. And then they canceled that show. And then I hosted a show in Connecticut, where they were selling tickets. And that show was cancelled. So this Brooklyn cancellation is my third cancellation… I just guess it’s something like a local backlash or something. They didn’t really send me an official reason.

The 450-person Brooklyn venue, the Market Hotel, said in an Instagram post that it wasn’t worth betting on the safety of our vulnerable communities to give a microphone and a salary from his art to a guy who didn’t have to earn it, who we don’t care about from a point of view artistic, and which upsets people. »

Hinckley billed it as the “Redemption Tour” and planned to play 14 original songs. He told the Daily Beast that the purpose of the aborted tour was to “show everyone that I’m a different person than I was in 1981…I’m just trying to redeem myself through music. and the art… I don’t recognize myself from the time I’m a totally, totally different person.

John Hinckley, Jr., charged with attempting to assassinate President Reagan, sits in the back of an official vehicle in DC federal court.

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John Hinckley, Jr., charged with attempting to assassinate President Reagan, sits in the back of an official vehicle in DC federal court.

Bettmann/Getty Archive

On Thursday, Hinckley said he was bored of being asked “the same questions” all the time.

When asked if he wanted to apologize to the families of the people he shot, Hinckley sullenly replied, “I’ve already apologized.”

In response to a question about his alleged desire to live out his days in anonymity while working to increase his public profile, Hinckley dithered, saying, “In Williamsburg, where I live, I try to be under the radar. . I also try to have a musical career, so I try to do both.

Has Hinckley ever tried to contact one of his victims to ask for forgiveness? What, if anything, does he do to repair his crime?

“Okay, enough is enough,” Hinckley said.

When Hinckley, the son of an affluent oil and gas executive, made the unfortunate attempt on Reagan’s life, the former president had just finished delivering a speech to members of the AFL-CIO at the DC Hilton. As Reagan walked to a waiting limo, Hinckley, who had become obsessed with the film Taxi driver and later said he tried to kill Reagan to impress actress Jodie Foster, fired six shots from a .22 caliber revolver. In 1982, Hinckley oddly called the shoot “the greatest offering of love in the history of the world.”

Hinckley’s therapists believe he has now been fully rehabilitated, according to court documents. Last September, a forensic psychologist who treated Hinckley said he was “doing extremely well” and “operating at a high level”, arguing that June 2022 would be a suitable target date for his release.

The psychologist, Samantha M. Benesh, said in the filing that she was satisfied that Hinckley’s diagnoses of major depression, narcissistic personality disorder, schizoid personality disorder, schizophrenia spectrum disorder and psychotic disorder – which, according to Benesh, were the “keystone of… manifestations of violence in the past” – had “been in complete and sustained remission for more than twenty-five years, and possibly more than thirty-two years “.

C. Danny Spriggs, the Secret Service agent who handcuffed Hinckley the day he shot Reagan, just hopes medical professionals get it right.

“It could be very devastating if they didn’t,” Spriggs told The Daily Beast.

Spriggs, who retired in 2004joined the Secret Service in 1976. After spending his first five years working at the agency’s field office in Albuquerque, Spriggs was selected to serve in the Reagan Protection Task Force.

Speaking by phone on Thursday evening, Spriggs said he remembered March 30, 1981, “like it was yesterday”, describing it as “something you don’t forget”.

“As you very well know, our justice system allows people to rehabilitate,” Spriggs continued. “In this particular case, it happened that way. The decision makers decided it was time. I don’t agree with that, but it’s our justice system.

As an arresting officer, Spriggs is the one who transported Hinckley from the crime scene to jail. In the car, Hinckley was “pretty stoic and didn’t say much,” according to Spriggs. And while it was “obvious” to Spriggs that Hinckley had serious issues, he said doctors later described a level of mental illness he had not personally witnessed.

In a statement provided to The Daily Beast, the Ronald Reagan Presidential Foundation and Institute said it was “both saddened and concerned” by Hinckley’s unconditional release and considered pursuing “a for-profit music career.”

“Mr. Hinckley is the man responsible for the attempted assassination of President Reagan and the assassination of three other brave men, one of whom ultimately died of his injuries years later,” the statement said. organization.”We strongly oppose his release into society where he apparently seeks to cash in on his infamy.”

Reagan’s daughter – and sometimes Daily Beast contributor – Patti Davis said in an email that she had “no intention of giving John Hinckley any more publicity”. A representative for Ron Reagan, Jr. said the former first son was “not interested in talking about Hinckley.”

Jodie Foster’s publicist and agent did not respond to requests for comment.

Spriggs is interested to see how Hinckley’s release unfolds now that court restrictions have been lifted. But even if Hinckley is no longer overseen by a judge, that doesn’t necessarily mean the feds aren’t watching him anymore.

As Spriggs said, “I’m not so sure his file was purged from the Secret Service indexes, if you will.”

The markets reacted negatively to the rate hikes, the franc and the dollar shone

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Net global market reactions to the Fed’s 75 basis point rate hike have been mostly negative. Global equities generally ended lower after an initial rally. Additionally, the SNB announced a surprise rate hike of 50 basis points while the BoE’s 25 basis points had a hawkish undertone with three members wanting more. The BoJ remained calm and kept interest rates unchanged while keeping the 10-year JGB yield cap at 0.25%.

In the currency markets, the Swiss franc was by far the strongest. The dollar followed in second place but there was clearly some hesitation towards the end, especially against the euro. The Canadian dollar was the worst as it was further dragged down by falling oil prices. The Aussie dollar was also weighed down by general risk aversion sentiment.

Could DOW defend the 30k cluster support level?

DOW extended the correction from 36952.65 to close at 29888.78 last week, losing the 30k handle. Ideally, this is a bottom area, with a 38.2% retracement from 18213.65 at 36952.65 to 29794.35, and 29568.57 resistance turned support (2020 pre-pandemic high). Additionally, it is now reasonably close to the 55-month EMA (now at 38563.61), which should provide strong support.

However, the break of the gap resistance at 31144.91 is needed to be the first sign of a bottom. Or the risk will remain sharply on the downside. Sustained trading below 29794.35 could lead to an even deeper drop at the long cluster level at 25308/71 (61.8% retracement from 18213.63 to 36952.56 at 25371.94, 38.2 retracement % from 6469.95 to 36952.56 to 25308.25).

Limited short-term upside potential of the 10-year yield

The 10-year yield jumped as high as 3.483 last week, but fell back to close at 3.239. Another upside can’t be ruled out yet, but upside potential should be limited for now. The 161.8% projection from 0.398 to 1.765 from 1.343 to 3.554 should limit the upside to bring consolidations. Indeed, the break of the support at 3.167 should confirm that a short-term correction has begun for the 55-day EMA (now at 2.848). However, a firm break of 3.554 could bring further upside acceleration to the 200% projection at 4.077.

The dollar index quickly lost momentum after resuming the uptrend

The dollar index also resumed its recent uptrend and hit 105.78, but quickly lost momentum and pulled back. Further consolidations would likely be seen in the near term, but the decline should be contained by the 55-day EMA (now at 102.16) to bring the rally back to resumption. The current uptrend should aim for a 61.8% projection from 72.69 to 103.82 from 89.20 to 108.43 at a later stage. But to do so, risk aversion will have to continue as the 10-year rate should extend its uptrend, while the EUR/USD will have to break the support at 1.0339.

WTI crude oil in the third leg of the pattern from 131.82

The sharp decline in the price of oil last week could offer some hope for the inflation outlook and risk sentiment ahead. The break of the 112.25 WTI support indicates that a short term high has already formed at 124.12. The entire rebound from 93.47 may also be over. A sustained trade below the 55-day EMA (now at 111.18) will confirm this case. The drop from 124.12 would then be seen as the third leg of the pattern from the 131.82 high. A deeper drop should then be seen at 61.8%, projecting from 131.82 to 93.47 to 124.12 to 100.41 initially. A firm break there could see an acceleration down from 93.47 to a 100% projection at 85.77, which is near 85.92 resistance-turned-support.

USD/CAD Breaks Key Resistance at 1.3

But of course, the oil price reversal could also be seen as the result of weaker demand due to a bleaker economic outlook. In other words, it is part of risk aversion trades. If so, the Canadian dollar could be hit twice. USD/CAD has already broken through the resistance at 1.0375 last week. Sustained trading above the 38.2% retracement from 1.4667 (2020 high) to 1.2005 (2021 low) at 1.3022 will suggest this is a full reversal of the downtrend from 1.4667. A further rally would be seen at 100% projection from 1.2005 to 1.2947 from 1.2401 to 1.3343. The dynamic between oil, stocks and the Loonie is worth watching closely over the next two weeks.

EUR/CHF Weekly Outlook

EUR/CHF’s sharp drop last week and the break of 1.0216 support suggest that the corrective rebound from 0.9970 has been completed after failing long-term resistance at 1.0505 as well. than the 55 week EMA. The initial bias remains to the downside this week. Break of 1.0086 support will confirm this bearish case and bring a retest of 0.9970 low. On the upside, minor resistance above 1.0232 will first turn the intraday bias into neutral. But risk will remain on the downside as long as 1.0513 resistance holds.

Overall, as long as the support at 1.0505 becomes resistant (2020 low), the long-term downtrend from 1.2004 (2018 high) is likely to continue. The next target is a 100% projection from 1.2004 to 1.0505 to 1.1149 to 0.9650. However, a firm break of 1.0505 will suggest a medium-term bottom and bring a stronger bounce towards structural resistance at 1.1149.

Over the longer term, capped below the 55-month EMA, EUR/CHF is seen as extending the decades-long downtrend. There is no prospect of a bullish reversal until some sustained trading above the 55-month EMA (now at 1.0846).

UK set to host next Eurovision due to war in Ukraine

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Organizers say Eurovision Song Contest 2023 would be too risky to hold in Ukraine, disappointing Kyiv

LONDON, UK — The Eurovision Song Contest is set to be held in Britain in 2023 as organizers deem it too risky for this year’s winner Ukraine to host it due to war, sparking disappointment immediate Kyiv.

While decades-old tradition is that the winner of the contest can host it the following year, organizers said the security guarantees required to hold the contest meant talks would be held with runner-up Britain .

Ukraine was unhappy with the decision, with Culture Minister Oleksandr Tkachenko, on Telegram, demanding more negotiations “because we believe we can meet all the commitments we have made”.

Britain’s entry to the competition last month in Turin, British singer-songwriter Sam Ryder’s ‘SPACE MAN’, came second to Ukraine’s Kalush Orchestra after a string of modest finishes.

The group rode a wave of public support to claim an emotional victory with “Stefania” which was hailed by the country’s president.

The organiser, the European Broadcasting Union (EBU), said it was in talks with UK broadcaster BBC to host the next event.

“The EBU…shares its sadness and disappointment that next year’s competition cannot be held in Ukraine,” the Eurovision Song Contest said.

“We fully intend for Ukraine’s victory to be reflected in next year’s shows.”

The event normally attracts a television audience of almost 200 million people.

“We are committed to ensuring that it overwhelmingly reflects the rich culture, heritage and creativity of Ukraine, while building on the ongoing partnership between our two countries,” said a spokesman for British Prime Minister Boris Johnson, visiting Kyiv on Friday June 17. , said.

The BBC said: “This is clearly not a set of circumstances that everyone would want… we will of course discuss the BBC hosting the Eurovision Song Contest.”

The last time Britain hosted the annual competition was in 1998, when it was held in Birmingham after British rock band Katrina and the Waves song ‘Love Shine a Light’ won the previous year. – Rappler.com

The Clash FIlmmaker on ‘Combat Rock’ and the best reissues

The time has come to cut the shit up and think it over battle rock.

Why this album – the fusion of almost everything that made The Clash cool – doesn’t get its due in the same way as the first album and London calling do is beyond comprehension. Originally conceived as a double LP called Rat Patrol from Fort Braggthe band’s label brought in producer Glyn Johns to whittle it down to a tight, taut 45-minute record that set the stage for their biggest commercial success. fight was the biggest hit of their run, powered by all-time twos in “Rock The Casbah” and “Should I Stay Or Should I Go.”

The 40th Anniversary Extended Edition adds a second disc and is probably the closest official release to hardcore Clash fans. Rat Patrol. This people’s hall version is so classy, ​​we called videographer and longtime The Clash associate Don Letts to get his thoughts on the new set and the era it represents.

(Credit: Larry Hulst/Michael Ochs Archives/Getty Images)

SPIN: There seemed to be a lot of momentum against The Clash before 1982…
Don Letts: They had been on an incredible creative run that really sowed the seeds for it all to come together in America in the early 80s. They had done all the groundwork.

The mutual embrace between The Clash and the hip-hop community must also have played a key role, it seems.
You have to remember how black radio stations picked up on tracks like “The Magnificent Seven” and “Overpowered By Funk.” In reality, [New York City hip-hop radio station] WBLS even had a remix of “Mag 7” they used to play called the “Dirty Harry” remix, where there were samples from the Clint Eastwood movie throughout. It opened them up to a whole new black and Hispanic audience who didn’t even know they were white people from the UK, man.

You also spent a lot of time in New York during this period, didn’t you?
We all ended up in New York in 1980-81, and all hip-hop was bubbling up in Queens and the Bronx. The Clash were instantly tuned into these things; we were all because we listened to WBLS and the rest. For a brief moment in New York there was a punk hip-hop thing because we were interested in what they were doing and vice versa. There was mutual admiration, and The Clash already had Grandmaster Flash and the Treacherous Three backing them up in Bonds. The Clash were just as active in hip-hop at the time as any other group at the time. And going back to Futura, which is on the new release, he was one of the guys we originally met, along with Rammellzee, Fab 5 Freddy, and Dondi. And we did not know that they are the ones who marked New York. Thanks to them, we entered more deeply into the culture. They took us to the clubs, put us on stage. They were our passports to hip-hop. They reportedly spray-painted Futura on banners as they played for a brief time, but the fumes were fucking everyone’s voice.

would you say battle rock was more of a Mick Jones album, given that it was largely demoed by him as Rat Patrol from Fort Bragg?
Well, it was going less in the direction that Mick was going, and would be characterized by what he did with Big Audio Dynamite. You know, what’s funny is that amidst all the tension in the band, among them, they had very disparate musical differences. This was demonstrated by what Joe Strummer did as a solo artist and with the Mescaleros and Mick with BAD – you could see they were going in different directions. And Mick was still absorbed in what was going on around him. Joe was more of an R&B and blues man. And that’s no bashing because together, the two have synced up beautifully. But when Mick walks in, he goes all-in. Otherwise, how could he Rat Patrol from Fort Bragg clock at 75 minutes? It’s Mick Jones, man!

battle rock has been a part of our lives for 40 years, and it’s both stunning and excruciating that some of the global concerns the band addressed in 1982 remain relevant today. Would you accept?
You have to give credit to Joe and the content of his words. There’s stuff in there that I’m still figuring out to this day. I often say that there are more ideas in a verse of a Joe Strummer song than most people have on their entire album. He engaged with the planet. He thought about what was going on around him and felt emotionally connected to his fellow man. And it all came out through the music.

is reflected on battle rock now I can’t help but notice how America-centric it is. Although I’ve come to realize that Joe may not be talking so much about America as much as the human condition and the aspirations of the human race itself. And America embodies that.

More gems…

Eddie Vedder
Ukulele songs (UMe)

Eddie Vedder Ukulele Songs

Vedder’s soundtrack-free debut solo album, originally released in 2011, was supposed to be shot on a black circle. And now for her belated 10th birthday, Ukulele songs is immortalized in wax for the first time since its initial pressing with this non-bonus deluxe edition LP featuring a newly designed 16-page book and lithograph.

quincy jones
The guy (Intervention files)

quincy jones the guy

As attentive Tupac and MF DOOM fans can attest, the 1981s The guy is a wealth of early 80s funk like only Q can. Audio geeks will want Intervention Records’ new SACD release to hit the peak of where Mr. Jones took us amidst the uncertainty of Reagan’s first 100 days in office.

Yukihiro Takahashi
WILD & BAD (ALFA Music)

Yukihiro Takahashi WILD AND MOODY

Within the Yellow Magic Orchestra and as a solo artist, Yukihiro Takahashi has long been a pioneer of innovation. Released as part of ALFA Music’s ongoing series of reissues of Takahashi’s work under his own name, 1984 WILD & BAD is arguably the best of the bunch as it echoes Bryan Ferry’s cosmopolitan maneuver rewritten in Tokyo neon.

Sleeves
Really Really Happy: Extended Edition (Omnivorous Recordings)

The Really Really Happy Muffs: Expanded Edition

Few alternative rock bands of the 90s enjoyed the continuity of the creative flow of the 2000s quite like The Muffs. Their 2004 album really really happy is as crisp and snappy as anything they did in their 120 minute days. The extended edition includes 22 bonus tracks, the chronicle of drummer Roy McDonald, bassist Ronnie Barnett and the late and great singer/guitarist Kim Shattuck, picking up where they left off in the late 90s without a hitch. Meanwhile, Shattuck’s 16 demos on this LP serve as a masterclass in pop songwriting from a voice taken far too soon.

rolling stones
Living at El Mocambo ’77 (UMe)

Rolling Stones live at El Mocambo '77

The Stones in 1977 found them perfecting the balance of rhythm and raunch that would define the band in the disco era. And this meticulously captured club date at Toronto’s El Mocambo finds Mick and company, with the addition of former Faces guitarist Ron Wood, in top form as they swing through the best moments of Black and Blue under -esteemed 1976 (“Fool To Cry”, “Hot Stuff”) and a parade of favorite war horses (“Honky Tonk Women”, “Jumpin’ Jack Flash”), super deep cuts (“Luxury”) and searing blues covers (“Mannish Boy” by Muddy Waters, Freddie King’s “Worried Blues of Life”).

various artists
Music 4 ½ (Sonamos/Stuffed records)

Various Artists Musicasión 4 ½

Under the dark cloud of a dictatorship, a group of Uruguayan musicians created an album in 1971 that flew against cultural repression in its path. This 50th anniversary edition of Music 4 ½ was put together by lifelong fan Juana Molina and expands the original title by 16 previously unreleased tracks. Lovers of psychedelic South America, don’t hesitate to discover this unearthed treasure.

Graham Parker
Another gray area (Iconoclassical discs)

Graham Parker Another Gray Area

Reissued with five bonus tracks for its 40th anniversary, Another gray area marked Parker’s first studio album without The Rumour. Like Elvis Costello and Joe Jackson did in 1982, the project led him to turn to more eloquent songwriting with the help of producer Jack Douglas and a session band consisting of pianist Nicky Hopkins and members of Billy Joel’s band. This extended edition adds five bonus tracks to the original LP, including an extended version of “You Hit The Spot” and the cassette-only version “Habit Worth Forming”.

Inland Northwest Opera welcomes new General Manager

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Inland Northwest Opera has announced that Summer Ward will lead the local nonprofit as its new Executive Director.

Ward is an operatic soprano who earned a Bachelor of Music degree from the University of Northern Colorado.

Rooted in the belief that music brings both healing and connection, Ward has dedicated her career to education, therapeutic innovation and advocacy for the arts. She is thrilled to work with the talented members of the Inland Northwest Opera team and build on the legacy they have developed.

Having previously toured with Opera Classica Europa, Ward also plays five instruments and recorded an independent folk album in 2022.

In 2012, she shifted her career focus to health care and earned a master’s degree in music therapy from Colorado State University. She developed the first music therapy program in an inpatient psychiatric hospital, serving hundreds of diverse clients, and has since evolved into administrative arts and culture programs.

With a full range of experience and expertise, the performing arts are the central foundation of Ward’s passion and vision. She is thrilled to return to her operatic roots and contribute to a thriving artistic culture in the region.

Halo Announces Annual and Special General Meeting Results

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TORONTO, June 16, 2022 /CNW/ – Halo Collective Inc. (“Halo” or the “Company”) (NEO: HALO) (OTCQB: HCANF) (Germany: A9KN) is pleased to announce that all of the executive nominees listed in the Circular of the management of the Company dated May 16, 2022 (the “Information Circular”) were elected directors of the Company at the annual general and special meeting of shareholders of Halo held on June 16, 2022 (the meeting”). The detailed results of the voting for the election of directors held at the meeting are set out below.

www.haloco.com (CNW Group/Halo Collective Inc.)

Candidate Name

Votes cast

FOR

% of votes cast FOR

Voting
RETAINED

% voted
RETAINED

Kiran Sidhou

7,246,248

97.96%

150,751

2.04%

Katharyn Field

7,301,999

98.72%

95,000

1.28%

Avtar Dhaliwal

7,303,802

98.78%

90,415

1.22%

Quinn Field Dyte

7,300,483

98.70%

96,516

1.30%

Anmol Sidhou

7,284,407

98.52%

109,722

1.48%

ryan kunkel

7,329,072

99.08%

67,927

0.92%

During the Meeting, the shareholders of the Company also approved:

  1. the renewal of the mandate of Davidson & Company LLP as auditors of the Company for the coming year and authorized the board of directors to fix the remuneration of the auditors;

  2. one or more amendments to the Company’s articles of association for one or more future consolidations of the issued and outstanding ordinary shares of the Company on the basis of consolidation ratios to be chosen by the Board of Directors of the Company within a range between 10 shares pre-consolidation ordinary shares of common stock for one (1) post-consolidation ordinary share and 100 pre-consolidation ordinary shares for one (1) post-consolidation ordinary share, provided that, (a) the cumulative effect of one or more consolidations does not result in a consolidation of more than 100 pre-consolidation common shares for one (1) post-consolidation common share, and (B) such consolidations occur prior to the earliest of the following dates between the 12th anniversary of the meeting and the next annual meeting of shareholders; if and at such time(s) following the date of the Meeting, as determined by the board of directors of the Company in its sole discretion; and

  3. a special resolution was passed authorizing the Company to reduce the stated capital of its common shares;

each as further described in the Information Circular.

The Company has filed a report of the voting results on all resolutions voted on at the Meeting on the Company’s SEDAR profile at www.sedar.com.

About Halo Collective Inc.

Halo is a multinational incubator with assets and operations focused on the THC and non-THC sectors. For the THC sector, Halo focuses on the west coast of United States where it has vertically integrated operations spanning the entire value chain from seed to sale. Halo cultivates, extracts, manufactures and distributes quality cannabis flowers, pre-rolls, vape carts, edibles and concentrates. Halo sells these products under a portfolio of brands such as Hush™, Winberry Farms™, Williams Wonder Farms, its Budega™ retail brand, and through licensing agreements with Papa’s Herb®, DNA Genetics and FlowerShop*. Halo opened a dispensary in Los Angeles under the Budega™ brand in North Hollywood and plans to open two more in Hollywoodand Westwood in the second quarter of 2022. Halo also operates three Kushbar cannabis retail stores located in Alberta, Canada.

In the non-THC sector, Halo is expanding into health and wellness categories, including CBD and functional supplements such as nootropic nutraceuticals and non-psychotropic mushrooms. Halo, through a series of acquisitions, offers product offerings in beverages (H2C Beverages), dissolvable strips (Dissolve Medical), capsules (Hushrooms™) and topical supplements (Hatshe) with proposed national distribution through a strategic agreement with SWAY Energy Company. Halo has entered into a letter of intent to acquire Phytocann Holdings, one of Europe leading wellness CBD consumer packaged goods companies with a portfolio of value and premium brands, including Ivory, Harvest Laboratories, Easy Weed, Kanolia, Herboristerie Alexandra, Buddies and Ghosty Buds.

As an incubator, Halo successfully acquired and integrated various companies which were later reorganized to create Akanda Corp. (NASDAQ: AKAN), an international medical cannabis and wellness company, of which Halo currently owns approximately 44% of the common stock. Halo has also acquired a range of software development assets, including CannPOS, Cannalift, CannaFeels and discreet sublingual dosing technology, Accudab. Halo intends to reorganize these entities (including their intellectual property and patent applications) into a subsidiary called Halo Tek Inc., and to effect a distribution of the shares of Halo Tek Inc. to shareholders of record, on a date to be determined.

For more information regarding Halo, see Halo’s disclosure documents on SEDAR at www.sedar.com

Connect with Halo Collective: E-mail | Website | LinkedIn | Twitter | instagram

For more information, please contact Minor MarshalActing Chief Financial Officer of the Company at (541) 646-5694 or [email protected]

Caution Regarding Forward-Looking Information and Statements

This press release contains certain “forward-looking information” within the meaning of applicable Canadian securities laws and may also contain statements that may constitute “forward-looking statements” within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act. . of 1995. Such forward-looking information and forward-looking statements are not indicative of historical facts or information or of current condition, but represent only Halo’s beliefs regarding future events, plans or objectives, many of which, by their nature, are inherently uncertain. and out of Halo’s control. Generally, such forward-looking information or forward-looking statements can be identified by the use of forward-looking terminology such as “anticipates”, “expects” or “does not expect”, “is expected”, ” budget”, “expected”, “estimates”, “plans”, “intends”, “anticipates” or “does not anticipate”, or “believes”, or variations of these words and expressions or may contain statements that certain actions, events or results “could”, “could”, “would”, “could” or “will be taken”, “will continue”, “will occur” or “will be achieved”. Forward-looking information may relate to anticipated events or results, including, but not limited to, completion of consolidation, proposed reduction in stated capital, management’s plans regarding its portfolio of cannabis businesses and its intention to grow in health and wellness, the proposed distribution agreement with SWAY Energy Corporation, l he planned acquisition of PhytoCann, the planned opening date of the California dispensaries and the spin-off proposed by Halo Tek Inc.

By identifying such information and statements in this manner, Halo cautions the reader that such information and statements are subject to known and unknown risks, uncertainties and other factors that may cause actual results to differ materially from those expressed or implied. understood by this information. and statements. Additionally, in connection with the forward-looking information and forward-looking statements contained in this press release, Halo has made certain assumptions. Although Halo believes that the assumptions and factors used in preparing, and the expectations contained in, the forward-looking information and statements are reasonable, undue reliance should not be placed on such information and statements, and no assurances or warranties can be made. given that these forward-looking information and statements will prove to be accurate, as actual results and future events could differ materially from those anticipated in such information and statements. Among others, key factors that could cause actual results to differ materially from those projected in the forward-looking information and statements include the following: management’s inability to successfully integrate the businesses of acquired businesses, changes in the consumer market for cannabis products, changes in expected outcomes of proposed changes to Halo’s operations, delays in obtaining required licenses or approvals necessary to build Oregon operations, dispensaries or Canadian operations, the proposed spin-off with Halo Tek Inc., any unforeseen delays or costs incurred in connection with construction, the ability of competitors to expand operations in Northern California, unforeseen delays or difficulties in cultivating and harvesting Halo Raw Material, changes in general economic, business and political conditions, including changes in financial markets; and other risks disclosed in the Company’s Annual Information Form dated March 31, 2022 and other disclosure documents available on the Company’s profile at www.sedar.com. Should one or more of these risks, uncertainties or other factors materialize, or should assumptions underlying any forward-looking information or statements prove incorrect, actual results may differ materially from those described herein as anticipated, planned, anticipated, believed, estimated or expected.

The forward-looking information and forward-looking statements contained in this press release are made as of the date of this press release, and Halo does not undertake to update any forward-looking information and/or forward-looking statements contained or referenced herein, except in accordance with applicable securities laws. All subsequent written and oral forward-looking information and statements attributable to Halo or persons acting on its behalf are expressly qualified in their entirety by this notice..

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SOURCE Halo Collective Inc.

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Opening of the Grant Park Music Festival at Millennium Park

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Wednesday was a night for diehards at the Grant Park Music Festival.

First, those in attendance had to brave the 90-plus-degree heat, which bit a significant portion of the opening night crowds both in the Pritzker Pavilion and on the Great Lawn at Millennium Park. The musicians of the festival orchestra visibly smothered in their concert blacks, with bright shorts and sandals for the concert.

The evening’s bluster didn’t help either. High winds ripped sheet music from stands, blew program books and swayed a pair of loudspeakers dangerously several feet above the head of Carlos Kalmar, artistic director and principal conductor of Grant Park, for most of the evening.

But if soloist Michelle Cann won’t soon forget her debut at the festival, it’s probably not because of the weather. The pianist has become one of the most visible representatives of the music of Florence Price, who launched her career in Chicago and enjoyed rare institutional recognition there as a black composer. But as Cann told the Grant Park audience in a moving speech, although she’s been performing an authoritative new version of Price’s Piano Concerto in One Movement (1934) for over a year now, she doesn’t ever performed Price’s music in the composer’s hometown.

We bet Grant Park audiences won’t soon forget Cann either. In her powerful rendition of Price’s concerto, Cann not only overcame the acoustic challenges of the Pritzker Pavilion stage: she navigated them with the grace and flexibility of a high jumper, her powerful fingerwork spelling out with detail his interaction with the orchestra. After a muscular exposition, Cann moved easily to the luscious, unaffected sincerity of the lyrical mid-section – with magnificent solos by oboist Mitchell Kuhn and cellist Walter Haman – and later still, to the intoxicating exaltation of an Allegretto. ragtime-like.

An extended standing ovation brought Cann back to the stage for an encore of Price’s protege and fellow Chicagoan Margaret Bonds: her “Troubled Water” fantasia over the witty “Wade In the Water.” Cann’s powerful rendition unified the five-minute set of variations into a monument of concerto-like breadth and grandeur.

Just as Price is in the midst of his own long-running reassessment, so is Richard Wagner, whose “Die Meistersinger von Nürnberg” excerpt followed the piano concerto. But the two composers evolve in directions as different as one might imagine. While Price posthumously carves out his place in the repertoire, Wagner, an ideologue who wrote bluntly about his own anti-Semitism, has remained a heavy cornerstone.

Quite the program boost, if you ask me. A common denominator seemed at least clear to artistic director and chief conductor Carlos Kalmar. Using his usual audience speech to praise Price’s concerto, Kalmar inadvertently provided what for years also served as Wagner’s defense: “There are only two kinds of music: good music and the other.”

Indeed, “Meistersinger” is not short of this. Much of its four and a half hours includes Wagner’s most bubbly and charming music, descriptors that would not typically share a zip code with his other operas. Coking together a kind of pseudo-symphony, Kalmar and the Grant Park Festival Orchestra performed the overture “Meistersinger” and three excerpts from Act III often performed together: the prelude, “Dance of the Apprentices” and “Procession of the Mastersingers”.

Despite occupying the coveted second half of the schedule, Kalmar’s “Meistersinger” ultimately proved mixed. The generally uplifting opening too often sounded directionless and limp with an anticlimax. The Act III snippets landed more convincingly, especially the rounded, polished prelude and the floating “dance.”

But any lackluster stage presence of this ‘Meistersinger’ was not the fault of the always-superb festival orchestra, who deserve special kudos for keeping their cool when the winds picked up again and sent more of a flying orchestra part during ‘Procession of the Mastersingers’.

Reversing the concert order convention, Kalmar began with the program real Mozart’s Haffner Symphony in D Major. Mozart composed the symphony at breakneck speed in 1782 after his father offered it for an eleventh-hour commission against his wishes. Kalmar also conducted this “Haffner”. But on Wednesday night, those Mach-1 speeds tended to erode the character of the symphony — especially in the Andante, which had little of the movement’s familiar suppleness and nonchalant lightness.

Unsurprisingly, the outgoing outward moves went better under Kalmar’s leadership. The Grant Park Festival Orchestra sounded startlingly decadent in the opening Allegro con spirito; likewise, piano passages in the Presto finale shone with incandescent intensity. It was not Mozart, a hyper-transparent Mozart.

Varied spectacle aside, kudos to Kalmar for a masterclass in keeping his composure on the podium from the start, when, mere bars in the “Haffner,” a gust ruffled the pages of his score. The conductor failed to conduct the rest of the first movement from memory without flinching.

Looks like Grant Park will be keeping those giant music videos handy for a while yet.

The Grant Park Music Festival continues until August 20; www.grantparkmusicfestival.com

Hannah Edgar is a freelance writer.

The Rubin Institute for Music Criticism helps fund our coverage of classical music. The Chicago Tribune maintains complete editorial control over assignments and content.

2022 Global Medical Battery Supplier Leadership Quadrant: Focus on GE, Siemens, Kholberg Kravish Roberts, Boston Scientific, Integer Holding, EaglePicher and Saft – ResearchAndMarkets.com

DUBLIN–(BUSINESS WIRE)–The “Leadership Quadrant of Medical Battery Suppliers – 2022” report has been added to from ResearchAndMarkets.com offer.

The medical battery manufacturing landscape is diverse and constantly changing. The major players in the medical battery market have diversified product portfolios, strong geographic reach and have taken several strategic initiatives. The dynamics of the medical battery market extend beyond the usual macroeconomic elements of supply and demand. It is the relationship between the needs of the buyer and the capabilities of the seller as well as the macroeconomic forces at work that affect the market. It is the quality and effectiveness with which sellers respond to buyers’ needs that determines long-term success.

Over the years, the level of demand for medical battery has increased owing to the rising healthcare awareness and the advancement of healthcare infrastructure globally. The medical battery is used for a variety of applications, such as patient monitoring, general medicine, cardiovascular medicine, orthopedics, home healthcare and other devices and is expected to grow at a CAGR of 4 .5%. The major growth drivers for this market are the growing demand for portable and implantable battery-powered devices in diagnostic and therapeutic medical practices.

Companies that produce medical batteries approach market opportunities with radically different strategies. Using its proprietary research methodology, the analyst has developed a benchmarking tool, the “Leadership Quadrant”, which identifies the leaders, candidates, visionaries and specialists in the medical battery market and rates each battery producer medical.

This report also offers a complete analysis of the competition, from target markets to product mapping, from sales strategies to production capacities.

In the study, seven companies such as GE, Siemens, Kholberg Kravish Roberts, Boston Scientific, Integer Holding, EaglePicher and Saft were analyzed and profiled as they are the top revenue generators for medical batteries.

The seven profiled manufacturers are grouped in the quadrant. The leadership quadrant analyzes the relative strength of these actors. The Leadership quadrant addresses the market’s need for manufacturer assessment based on objective data and measurement.

In addition to the Leadership Quadrant, this comprehensive research report also offers medical battery consumers as well as the investment community a content-rich benchmarking analysis detailing which producers have the production capacity, service capabilities and vision to hold fully its promises.

Some of the features of this research study are:

Leadership and competitive analysis:

  • Key Players Product Mapping

  • Comparative analysis of the financial strength of the main players

  • Quadrant leadership/strategic positioning of actors

  • Leaders

  • Competitors

  • Visionaries

  • Specialists

Market Shares of Key Players in Different Regions:

  • North America

  • Europe

  • Asia Pacific

  • The rest of the world

Profiles of the main players in terms of parameters below:

  • Product positioning

  • Market positioning

  • Financial solidity

  • Breakdown of turnover by market segment

  • Breakdown of revenue by region

  • Organizational capacities

  • Innovation and market leadership

Designed for industry professionals, financial services companies and users of medical batteries, this report titled “Leadership Quadrant and Strategic Positioning of Medical Battery Suppliers” is the industry’s comprehensive examination of the competitive landscape of manufacturers of medical batteries.

The report will provide you with valuable information, insights, and tools needed to identify new growth opportunities and operate your business successfully in this market.

This report answers the following key questions:

  • What are the market shares of vendors in various application segments such as patient monitoring, general medicine, cardiovascular medicine, orthopedics, home healthcare, and other device markets?

  • Who are the market leaders in different regions and what are their market shares?

  • Which companies are most aligned with market opportunities and which companies have the ability to gain market share?

  • What are the key differentiators for leading vendors?

  • Which company has the widest product range and what does the product mapping look like among the different players?

  • Which companies will gain market share?

Main topics covered:

1. Leadership Analysis

1.1: Description of the contract

1.2: Scoring criteria

1.3: Leadership quadrant analysis

2. Competitive Benchmarking

2.1: Analysis of the product portfolio

2.2: Financial strength

2.3: Market share analysis

3. GE Profile

4. Siemens profile

5. Profile of Kholberg Kravish Roberts

6. Boston Science Profile

7. Integer Hold Profile

8. EaglePicher Profile

9. Saft profile

For more information about this report visit https://www.researchandmarkets.com/r/9pyku1

About ResearchAndMarkets.com

ResearchAndMarkets.com is the world’s leading source for international market research reports and market data. We provide you with the latest data on international and regional markets, key industries, top companies, new products and the latest trends.

How Allay Earhart is creating her own path in the music industry

“We’re not of the same cloth, because I’m cut differently,” hip-hop artist and songwriter Allay Earhart points out in his single Different. After my conversation with Earhart, 25, this turned out to be true. He is in a class of his own.

Growing up in New Orleans, her love for music was influenced by her family.

“My pursuit with music started with my dad. He was a very influential factor. He was once someone who was heavily involved in street life in New Orleans and I kind of went down the same path because I looked up to him, but there was a time when an older cousin of mine lost his life to gun violence actually on a prominent street in New Orleans by the name of Earhart Boulevard, so that’s why I added the Earhart to the end of my name to honor my cousin, who ultimately was the reason I decided to take this straight path and m ‘express in music,’ he says.

And this path has been incredible for him. Of course, this tragic event changed his life, but his musical influence came from a mixture of the musical tastes of his parents and grandparents.

“In my heart, I’m a hip-hop baby but I’m considered eclectic in a way. I grew up in a family with my grandparents because my parents were teenage parents, so I had the opportunity to be exposed to old but good, all soul and R&B. Honestly, I listen to that more than hip-hop. The way I choose to express myself is primarily through hip-hop, but I’m a songwriter, so I can write any genre,” Earhart explains.

Speaking of genres, Earhart says he loves music from artists like Juvenile, Lil Wayne, Soulja Slim, and Nas, but he can also listen to Anita Baker, Betty Wright, and Smokey Robinson. As for getting groovy with it, he loves it Groove City by Chocolate Milk, a funk and soul band from New Orleans.

But Earhart has more talent to add to his roster as a songwriter. He started writing poetry, which turned into music. He mentioned Dear Diary, as being his first project in 2013. Things got really serious after that. He skipped his senior trip and decided to use that money to buy his recording equipment. A wise investment in its future.

When it comes to his style, he doesn’t shy away from making comparisons. He would say his style is in line with artists like Kendrick Lamar, Andre 3000 and CeeLo Green.

“I like people who push boundaries but still have messages with what they’re talking about,” he says.

Earhart was mentioned earlier different. He has his hands in a lot of pots right now, which also includes acting and film. He and his team are currently working on a short film titled 40 hoursa musical project, symbolic of staying committed to your craft full time, the same thing you would do at a 9-5, showing real situations of inspiring artists who experience ups and downs but ultimately show the reasons why these things happen, to build character.

I wanted to know where Earhart got her confidence from.

“My mantra is Be you, be Vaku. I learned that being in tune with yourself is one of the best things you can do, one of the best discoveries you can make,” he says.

“At one point I was finding my identity in bands, wanting people to like and make people happy, but what I’ve achieved, the one thing that helps me ultimately be who I’m meant to be a times that I believe and accept who I am,” he says.

The entertainment industry can mean a lot, especially to young artists, but Earhart has a few things in place to help keep them grounded.

“I come from a very spiritual family, but for me once Hurricane Katrina hit where I almost lost my life, it was a time when I was able to have divine intervention in a way and I knew it was something that was bigger than me, so that moment when I started to build my relationship with God has always been the reason I stay grounded,” he says.

If that wasn’t enough, Earhart also owns a bottled water business with her mother called Eliss, which has just been contracted to work with the Louis Armstrong airport in New Orleans.

Another project he is working on is called Project tall habits, tall heights .

“It pays homage to Dallas because I moved to Dallas. It’s about developing a new mindset and reaching for heights or goals that you inspire to achieve. Dallas is the first place I’ve been to and where I witnessed acts of philanthropy, so it holds a special place in my heart,” says Earhart.

Earhart also makes sure to give back by working with non-profit organizations like the 4DWN projectthat empowers youth and communities through recreation, culture, education and conversation.

You want to get to know Earhart, because he’ll be performing at his home at Essence Fest in New Orleans in June/July, which is a loop moment.

Allay Earhart is in her own lane and the path is heading towards major success.

https://www.instagram.com/allayearhart/?hl=en

https://music.apple.com/us/artist/allay-earhart/1476233493

https://www.vakuland.com/allayearhart

Combination Antibody Therapy Market is Booming at Healthy CAGR, Players -Amgen Inc, – Indian Defense News

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New York, United States:The Combination Antibody Therapy Marketreport by Critical market insights examines the key drivers and challenges in this market, highlighting macroeconomic trends in each region. Additionally, we offer insight into how these factors affect local markets as well as private businesses around the world. The report includes profiles of experts active in the global industry, a comprehensive analysis of their product portfolios, competitive landscape analysis, and country-specific developments.

Quicky has limited sample copies of the Combination Antibody Therapy Market report: visit @ https://www.decisivemarketsinsights.com/combination-antibody-therapy-market/77527949/request-sample

Providing a comprehensive analysis of factors influencing global supply and demand and forecasting future trends, this report examines the global market in detail. The five PEST regions of the world are shown here, and they are considered to be the areas of industry that influence political, economic, social and technological factors.

New research examining its features and shortcomings has revealed that major international markets are growing steadily. As part of the report, a comprehensive assessment of new consolidations, financial sponsors, acquisitions, and partnerships is also presented over the coming years that will significantly impact this rapidly changing market. Factors such as economic conditions provide an overall perspective on future markets that may impact coalition developments. Market research reports offer smart investment opportunities for those looking to enter this field. Along with Porter’s Five Forces analysis, this report also includes how your competitors are competing in this market. When deciding to invest in a company, our experts use detailed research and reports as a key tool.

Please click on the link below if you intend to make a direct purchase @:-https://www.decisivemarketsinsights.com/combination-antibody-therapy-market/77527949/buy-now

Combination Antibody Therapy Market Segmentation-
By type:
Antibodies/antibodies, antibody-drug conjugates, bispecific antibodies, chemotherapy-monoclonal antibodies, others
Per application:
Hospitals, Specialized clinics, Others
By key players: Amgen Inc, Eli Lilly and Company, Novartis AG, Genetech Inc., Bristol-Myers Squibb Company, F. Hoffmann-La Roche Ltd, Sanofi and Merck & Co., Inc.

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FDA processing of drugs developed in China drives multi-regional clinical trial applications –

China’s emergence as an R&D powerhouse means the country is rapidly adding a number of drug candidates to the global pipeline. Although more treatment options are positive, Ben Hargreaves says this has raised issues about clinical trials in just one region, leading the FDA to reject some treatments and clarify what is required for approval .

China’s ambition to become a leader in the biopharmaceutical industry has been clear for some years. Investments flowing into the sector are not limited to drug development alone, emphasis has also been placed on rapidly developing capabilities and capacity to manufacture both traditional pharmaceuticals and biologic drugs.

A representation of the country’s rapid development capability can be seen in the example of WuXi Biologics, which is a contract development and manufacturing organization, which was established in 2015 and is now among the top five companies in terms of of manufacturing capacity for biological products. Similar signs of growth can be seen in the amount of drugs, biologics, and medical devices the country exports to the United States. The US FDA notes that China ranks third among countries that export drugs and biologics to the country, with China also ranking first in exporting medical devices to the United States.

The innovation occurring within the Chinese biopharmaceutical ecosystem means that Western pharmaceutical companies often seek to partner with Chinese companies to bring treatments to the United States and Europe. Just last month, US-based Merck agreed to pay a potential $1.4 billion to partner in an immuno-oncology asset with Chinese company Sichuan Kelun Pharmaceutical. Merck is not alone, with a number of companies striking deals to take advantage of the growing pipeline of therapeutic candidates being developed in China, such as Bavarian Nordic’s deal to advance a potential RSV vaccine being developed by Nuance Pharma.

Changing regulatory landscape

However, the developing business relationship between established pharmaceutical companies and China has recently run into a problem: The US FDA has taken a stricter approach to reviewing applications for treatments being tested in China. Last month, the agency rejected two cancer therapies developed by Chinese pharmaceutical companies, after previously opposing Eli Lilly and Innovent Biologics’ immunotherapy, sintilimab.

The two most recently rejected treatments were surufatinib from Hutchmed and toripalimab from Coherus BioSciences and Shanghai Junshi Biosciences. Coherus’ treatment was rejected on grounds related to the drug’s manufacturing process. The reasons for the rejection of sintilimab and surufatinib were more significant, as the FDA cited issues with a lack of clinical trial data collected outside of China.

Hutchmed had completed two phase 3 trials in China and a bridging study in the United States, but that was not enough to gain approval. Instead, in the Comprehensive Response Letter (CRL), the FDA requested that a multi-regional clinical trial be completed for approval to be considered. Indeed, it will push back potential marketing approval of the treatment for several years while the trial is completed. The FDA’s decision may not have come as a surprise to Hutchmed, after the FDA also raised an issue with Lilly’s application which relied on clinical trials in only one country as the basis for its request for approval. .

Single-region concerns

The reasons for the FDA’s decision to push back clinical trials in one country were made clear during Lilly’s sintilimab application process. Richard Pazdur, director of the FDA’s Oncology Center of Excellence, published an article in which he highlighted concerns about drug applications based solely or primarily on data collected from clinical trials in China.

Stressing the importance of the FDA’s position on the matter, Pazdur pointed out that there were at least 25 applications from China based on this data for oncology treatments. As a senior member of the FDA, Pazdur’s comments can be taken to reflect the position held by the FDA on similar applications and indicate the agency’s position for future applications – later confirmed by the FDA’s rejection. at the request of Lilly and Hutchmed.

In the article, several key concerns were raised regarding the use of clinical trial data from a single foreign country. An important factor centered on the generalizability of the data collected when applied to the US population, with intrinsic factors, such as genetic dissimilarity of populations, and extrinsic factors, such as difference in medical practice, raised as concerns. potential problems.

Pazdur noted, “The degree of regulatory flexibility in establishing the acceptability of single-country data and its generalizability to a new population must be weighed against drug innovation.”

Focus on multi-regional trials

The problem for Lilly’s application for sintilimab is that there are already a number of approved PD-1 treatments on the US market, making it difficult to suggest that the treatment represented an innovation. When questioned, a Lilly spokesperson declined a request for further information about the CRL that he had received. However, the company had previously issued a statement explaining why it believed the treatment should have been approved: “We had hoped that sintilimab could have played a positive role for patients and the US healthcare system through an aggressive pricing strategy. “.

Positioning the treatment as price-competitive with existing treatments was enough to get a vote when the treatment was presented to the FDA’s Oncology Drug Advisory Committee, but was not enough to persuade the remaining 14 members to recommend the treatment. For approval.

In Pazdur’s article, he pointed to a path for future applications focused on multi-regional clinical trials, hinting in particular that those containing studies conducted in Africa and South America would be “strengthened.” He explained that this was because these regions were currently underrepresented in multi-regional oncology clinical trials and would build diversity, thereby increasing the representation of racial and ethnic minorities.

After Hutchmed’s treatment was rejected, despite efforts to include a bridging trial, the FDA appears to have drawn a line in the sand, effectively requiring multi-regional clinical trials unless the drug candidate is considered breakthrough. With many treatments already progressing towards application in the United States, the question will be whether companies are now pivoting to establish multi-regional trials, despite this, which adds time and expense to the drug development process.

Joey Badass’ “1999” turns 10

To be a fan of hip-hop in New York is to be in a constant state of nostalgia. What’s it like to be a rap fan without hearing OGs, advisers and cousins ​​talk about the first time they heard 36 Rooms? To be a rap-loving New Yorker is to remember 9/11 for The plan and not by George Bush The violent engagement of Osama bin Laden. It’s Dipset talking about the rubble towers, not as an expression of patriotism but rather of New York’s crass and dark ethos, how destructive the city can become in a split second. All hip-hop scenes are to be cherished. There’s a book coming out on the story of Atlanta’s rise from OutKast to Lil Baby. Michigan’s rap scene is racing across the country right now with its backpacking lyrics and menacing, piano-filled production. The Louisiana-area’s inventive idiolect reverberates through every black American. But New York is eternal. It is the house. I had no appreciation for these other cities until I was on YouTube. These cities did not give birth to Jigga, the Son of God, or even someone as chimerical as Yasiin Bey. If New York hip-hop disappeared, the cradle of the genre would die out.

Geese Covers Nick Drake for Sound of Saving’s “Song That Found Me at the Right Time” Series

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Sounds of Saving, in conjunction with National Suicide Prevention Lifeline, has released a new episode of its “Song That Found Me At The Right Time” series. SoS sat down with Brooklyn band Geese and discussed Nick Drake’s “Place To Be” and how that song was instrumental in their journey to mental health.

SoS says: “Geese has captured our attention since their singles were released in the middle of last year. The a-sides teased what would go on to be one of the best indie rock albums of the year and surprisingly most mature. and the most exciting of 2021, Projector. After getting to know the band, it’s hard to believe they were in high school when they recorded much of the album. This band is lively, energetic and mentally aware From meditation and breathwork to medication and therapy, the band takes advantage of music but also taps into many other helpful tactics to stay mentally healthy. It’s reassuring to see this in such a young group of New Yorkers.

Geese share, “The most important thing about mental health is really talking about it. It’s really hard, you know, because those conversations are almost never fun. Forming a unit and a little family, you know, especially when it feels like a lot of things are happening and there’s a lot of scenery changes and a lot of new things and new people. That’s something you honestly need.

May was Mental Health Awareness Month and to draw attention to the cause, SoS shared two episodes of “Song That Found Me At The Right Time.” They sat down with Thao to discuss Bjork’s “human behavior,” followed by an episode featuring Xenia Rubinos on Nai Palm’s (Hiatus Kaiyote) song “Homebody.”

Sounds of Saving created the in 2019 to help promote honest and intimate conversations about mental health. They focus on the impact of music of all genres on human connection, dealing with difficult times, and maintaining mental well-being. For every person who dies by suicide, 316 people seriously think about suicide but continue to live their lives. These are untold stories that need to be shared. During the pandemic, approximately 1 in 4 young adults have had suicidal thoughts.

SoS has shared nearly 20 videos for his “Song that Found Me At The Right Time” series, including conversations with Allison Russell, Sharon Van Etten and Bartees Strange and they caught the attention of Rolling Stone, Pitchfork, AV Club , Uproxx, and others.

Brooklyn 5-piece Geese is a band that begins and ends in Brooklyn, as a project among friends to build a home studio in a basement. Their album Projector was born from the same ambition: to make music by any means necessary. The nine songs on the album merge all the restless anxiety and pent up frustration of trying to figure out life at 18 with an immediacy and release from the sound barrier.

Equal parts headphones and dance floor. Curiously foreign, but strangely familiar. The album was written, produced and recorded by Geese during their junior and senior years of high school in their home studio (a space they lovingly dub “The Nest”). Vocalist Cameron Winter wrote each song, then band-guitarist Gus Green, guitarist Foster Hudson, bassist Dominic DiGesu and drummer Max Bassin learned, practiced and recorded between the end of school and their hard 22-year hiatus. hours when (in New York fashion) the neighbors began to complain.

Watch the new music video here:

Hock Tan: The Supreme Tech Negotiator

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When Broadcom CEO Hock Tan met with Donald Trump in early November 2017, the two immediately struck a deal. The meeting seemed a win-win for the two men, reports the Financial Times. Tan’s announcement that he was moving the Singapore-based chipmaker to its original headquarters was a big endorsement of Trump’s America First campaign. It was also a nod to the American Dream.

Tan described how he arrived in America as a poor “skinny 18-year-old kid” on an MIT scholarship. Now he wanted to “give back”. However, in a few days, the bonhomie was shattered. Tan’s account failed to mention that “he had a grand plan up his sleeve.” When, four days later, he launched an audacious $130 billion hostile bid for US chip company Qualcomm, Trump’s fury at being taken for a mug was palpable. Trump played the national security card to block the deal.

The Arc Consolidator

Five years later, the chip industry’s “ultimate consolidator” is back with another giant deal that he can see as partial consolation for this murderous debacle. In a bid to expand Broadcom’s offering, Reuters says, Tan is paying $61 billion for VMware, a cloud software company chaired and partly owned by Michael Dell (founder of the eponymous IT company). Given the wider carnage in the tech sector, the deal – valuing VMware at a 50% premium to its stock price – could be construed as risky. But when it comes to actually winning the case, Tan seems to have learned his lesson. In 2017 he was described by a viewer as too “arrogant” – the Broadcom team thought Qualcomm would be in the bag because the chairman liked the boss. This time he was much more cautious, says Bloomberg. After long “covertly watching” the software house, “Broadcom crunched the numbers, explored VMware’s products, and ran scenarios for about a year before making an approach.” It may also help that Tan’s relationship with Dell goes way back.

From the start, Tan, now 70, owes his success to “his willingness to seize opportunities”, specifies the FT. Born into a working-class Chinese Malaysian family, he grew up in Penang, one of the country’s economic powerhouses. A talented schoolboy, his big breakthrough came in 1971 when he won a scholarship to MIT to study mechanical engineering, reports The Edge Weekly (Malaysia). His early career is itinerant. Returning to Malaysia, Tan held senior positions at Hume Industries and Pacven Investments in the 1980s, before returning to America, where he obtained US citizenship and joined, in quick order, PC maker Commodore. , PepsiCo and General Motors.

Facing a backlash

When the tech boom started in 1999, Tan was in the right place at the right time. While running two esoteric electronics companies – Integrated Circuit Systems and Integrated Device Technology – “he perfected the art of acquiring companies”, gaining a reputation as a ruthless cost cutter. That put him on the radar of Silver Lake Partners, Dell’s investment firm, which named him head of chipmaker Avago Technologies because it “bolstered” him to get listed. In 2015, Avago acquired Broadcom for $37 billion, changing its name to reflect that trophy acquisition. A series of other acquisitions followed.

In 2017, Tan rose to prominence when he was named America’s highest-earning CEO, reflecting the fact that Avago/Broadcom shares had gained 1,600% since listing in 2009, thanks to consolidations shrewdness of its leader. The downside, according to Reuters, was a growing “perception” among target companies and analysts that Broadcom puts profits “above innovation.” Tan, now a recognized philanthropist, has always bristled with the accusation. But it’s currently fueling a backlash against his big VMware contract. He might think that at least this time he won’t have to tangle with the mercurial Trump.

SEE ALSO:

What to buy as the tech stock bull market crashes

Is there still time to get some good deals on growth stocks?

Karol G & Anahi Surprise Fans With “Salvame” Performance – Billboard

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Amid his “Bichota Reloaded” tour across Latin America, Karol G surprised fans at his concert in Mexico City on Saturday night (June 11), making Anahi his special guest.

The two powerhouses joined forces for a moving performance of RBD’s 2004 hit “Salvame,” marking Anahi’s first time performing live in 11 years. On stage, the two artists even wore pink cowboy hats resembling the one Anahi wore in the song’s official music video.

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“It was amazing to see how despite many years away you still shine with such intensity,” Karol, who is a huge RBD fan, said on Instagram. “Eleven years off stage, 11 years of invitations that you turned down because you had other ideals and accepted mine. You accepted me and I felt good and special.

She continued: “Seeing you again in front of the world, in the midst of tears and so many emotions, has only confirmed that even if for years these have been beautiful memories, the feelings of an entire generation are still alive, intact…Having you there not only made me happy, but it made millions of us happy. You and me forever.”

In December 2020, Anahi and her former RBD bandmates Maite Perroni, Christian Chávez and Christopher Von Uckermann reunited for a virtual reunion event called “Ser o Parecer”. However, his last time in concert was in 2011 with his Go Any Go tour.

“I cannot express in words what you have given me; a moment that I will carry in my soul forever! the singer commented on Karol’s post. “You are so wonderful and so unique that you did me the honor of sharing your stage, your audience! Your whole team is so loving they made me feel so special. Your energy is so powerful that it fills the world with light! That’s why you’re in this place because souls like yours deserve the whole world! Thank you so much ! I will never forget that.”

Below, watch their full performance:

Will a vacation benefit people with dementia?

Editor’s note: Jun Wen is a Senior Lecturer in Tourism and Services Marketing at the School of Business and Law at Edith Cowan University (ECU), Australia. An award-winning early-career researcher, Wen was named one of Australia’s Top 40 Rising Stars in 2020 and 2021. The article reflects the opinions of the author and not necessarily the views of CGTN.

“The art of medicine consists in amusing the patient while nature heals the disease. – Voltaire. It is well known that medical treatment is not limited to medicine itself. Many of us have heard of music therapy and art therapy, but what about travel therapy? Medical academics have partnered with tourism and marketing researchers to explore ways to use tourism in treatment plans for patients with dementia.

Dementia is one of the main causes of dependency in the elderly. The progressive deterioration of cognitive functions is the hallmark of the disease. This deterioration results in agitation, depression, physical handicaps and a reduced quality of life. The global population of older adults with dementia is expected to reach over 131 million by 2050, so it’s likely that you’ll have to support a loved one with the disease at some point in your life.

While some symptoms of dementia can be controlled with medication, there is no cure for the disease. In addition to medication, medical experts recommend treatments that do not involve medication.

Some of these interventions include music therapy, exercise, cognitive stimulation, reminiscence therapy, sensory stimulation, and adaptations to the patient’s mealtimes and environment. Dementia treatment and care for people with dementia places a huge economic burden on society. Therefore, the search for cost-effective and/or alternative therapies is continuous and essential.

The tourist experience is complex and goes beyond satisfaction. The tourist experience encompasses feelings, emotions, emotional states, education, information opportunities, memories, intellectual stimulation, involvement and sensory encounters.

Positive psychology refers to quality of life and positive life events and influences. When you consider the sheer magnitude of the tourist experience, it is not difficult to see how tourism could be framed as a positive psychological intervention that improves a tourist’s overall well-being and quality of life.

Specialists in tourism, marketing and medicine have worked together to come up with ways to harness the benefits of tourism experiences to help patients with dementia. Travel is a powerful way to stimulate cognitive functions by planning and anticipating a trip first, followed by sightseeing, reflection, concentration, and recall during and after a trip.

In order to enjoy the sights while traveling, there is inevitably some exercise. Helping patients with dementia maintain optimal physical health is important in preventing injuries from falls.

Additionally, the improved endurance due to exercise provides more opportunities for interactions beyond their home environment. Changing the environment alone is an effective way to stimulate the mind and provide patients with dementia with a new sensory experience.

There are often ethnic or unique dishes served in new locations that bring a sense of adventure to mealtimes. Additionally, mealtimes while traveling provide opportunities for positive interactions between members of a traveler’s party.

These social interactions are beneficial for patients with dementia. In almost all travel destinations, music is present. This can take the form of live or recorded music in a restaurant or loudspeakers on a walk. There is often a cultural niche in the music of a particular destination that can stir up emotions and moods.

Let’s not forget the bottom line: many forms of tourism involve fresh air and sunshine, boosting both vitamin D and serotonin levels. Once you stop to appreciate all that comes together to represent a holistic tourism experience, you can see how patients with dementia can benefit from tourism as an intervention.

A team approach to dementia treatment helps ensure the best possible care, and decisions about tourism as an intervention should be made with input from the whole team, including medical staff, carers and family members.

There may be times when travel is not a viable intervention for patients with dementia, as well as those with more advanced disease progression. In cases where a patient is unable to travel, virtual reality tourism could be considered.

Even without physical travel, virtual reality tourism would still provide cognitive stimulation, reminiscences and musical therapies, and possibly psychological interventions through interactions with support staff and family members regarding the experience of virtual trip.

From the perspective of a tourist destination, there are many opportunities to market a destination as ‘dementia friendly’. Reception staff can do their best to welcome customers with psychological disorders in a positive atmosphere.

Some destinations may be able to incorporate additional sensory exhibits that would provide a richer experience for visitors with dementia. When dementia patients and their caregivers have enjoyable experiences in a particular destination, it is likely to become a favorite place to visit.

The researchers who invested their efforts in this research have just begun the process – they cared enough to think outside the box when it comes to dementia treatment interventions. That shouldn’t be the end of the story. As a successful entrepreneur, Tim Ferriss, once said, “It’s not enough to think outside the box. Get used to thinking outside the box. We need more intellectual energy invested in specific action plans related to this topic to better serve our aging population.

(If you would like to contribute and have specific expertise, please contact us at [email protected] Follow @thouse_opinions on Twitter for the latest comments on CGTN Opinion Section.)

Justin Bieber reveals rare disorder behind facial paralysis

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FILE – Justin Bieber attends the Metropolitan Museum of Art’s Costume Institute Benefit Gala on September 13, 2021 in New York City. Bieber leads the iHeartRadio Music Awards nominations. Justin Bieber says a rare disorder that paralyzed half of the superstar’s face is the reason for postponing his tour. The Grammy winner said he has Ramsey Hunt Syndrome in a video he posted Friday, June 10, 2022, to Instagram. The syndrome causes facial paralysis and affects facial nerves during an outbreak of shingles. (Photo by Evan Agostini/Invision/AP, File)

vision

Justin Bieber says a rare disorder that paralyzed half of the superstar’s face is the reason for postponing his tour.

The multiple Grammy winner suffers from Ramsay Hunt Syndrome, he said in a video he posted to Instagram on Friday. The syndrome causes facial paralysis and affects the facial nerves with an outbreak of shingles.

Bieber’s post comes after his shows in Toronto and Washington, DC were canceled. The singer demonstrated in the video that he could barely move one side of his face, calling the condition “pretty serious”.

“For those frustrated with my cancellations of upcoming shows, I’m just physically, obviously not able to do them,” he said. The singer added, “My body is telling me I need to slow down. I hope you understand.”

Bieber said he didn’t know how long it would take for him to heal. But he seemed positive about his full recovery with rest and therapy.

“I’m going to use this time to rest and relax and come back to one hundred percent, so I can do what I was born to do,” he said.

In March, Biebers’ wife, Hailey Bieber, was hospitalized with a blood clot in her brain.

Tribeca “documusical” turns Rudy Giuliani’s arc into an opera

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NEW YORK (AP) — A new documentary about Rudy Giuliani premiering at the Tribeca Festival weaves together musical performances to give the ups and downs of the man once commonly known as “America’s mayor” an operatic flavor.

“Rudy! A Documusical,” directed by Jed Rothstein, is largely a sober, conventional analysis of Giuliani’s unlikely political life trajectory, from New York prosecutor, mayor and 9/11 hero to pusher of bogus legal challenges. of the 2020 election for then-President Donald Trump.But to fully convey Giuliani’s exaggerated highs and lows, Rothstein felt he needed a Greek chorus.

“His story is very lyrical,” Rothstein said in an interview. “Music can bring out emotional truths that are different from the fact that someone is talking about it. It’s certainly unconventional in a documentary, but it brings out its own truth. I wanted to have a film that captured the madness of his arc.

Rothstein initially considered creating operatic interludes for his film – Giuliani is a noted opera fan – but quickly realized that the demands of putting on even an interstitial opera were too high. He instead turned to musicians and Broadway performers to write and stage the musical numbers.

“Rudy! A Documusical,” which is seeking distribution in Tribeca, is the most significant documentary to attempt to reconcile one of America’s most confusing politicians — once Time magazine’s Person of the Year — of the past 30 The film is coming to Tribeca — a film festival born in part from 9/11 — just as the House Committee’s investigation into the Jan. 6, 2021 insurrection at the U.S. Capitol unfolds. whose law license was suspended for lying about the 2020 election, recently met for hours with the House committee.

Giuliani did not participate in the documentary, although Rothstein says he made numerous attempts to convince him to sit down for an interview. “Rudi! instead features interviews with former New York City Police Commissioner Bill Bratton; Al Sharpton; journalist Andrew Kirtzman, author of ‘Rudy Giuliani: The City Emperor’ and press secretary to Giuliani in his first successful run for mayor, Ken Frydman. It also includes a forensic psychiatrist to help explain some of the actions around the Capitol Riot.

For Rothstein, a lifelong New Yorker whose films include “WeWork: The Making and Destroying of a $47 Billion Unicorn,” Giuliani’s story is part America’s.

“What motivated him? said Rothstein. “Why did he make this trip? What does its centrality in our recent history say about all of us? »

Some of the film’s most vivid parts examine Giuliani’s mayoral campaign against David Dinkins, operating on a law and order platform that exploited racial dynamics. The film is not entirely critical of Giuliani. Sifting through 9/11 footage only made Rothstein more impressed with his leadership at the time.

“He’s a person who’s always been concerned with morals,” Rothstein says. “As he says, his father told him to look in the mirror when he shaves in the morning and to be able to see himself with pride. And I wonder what he thinks of it now.

Tyson Sybateli’s album creates a deep personal experience

Tyson Sybateli pictured with If Found, Bring Home long artist Jay Jody and rapper A-Reece. Photo: Instagram

TENDENCY


South African rapper Tyson Sybateli is redefining what it means to be an independent artist, with a roll so legendary it puts even South Africa’s most popular hip-hop groups to shame.

His journey started like any other young artist with a dream. Born in Umlazi in KwaZulu-Natal, he grew up in Pretoria where he flourished. The cultural contrasts of Umlazi and Pretoria are what inspired him to explore his art.

Sybateli explained:

I feel like my story was as old as time, a kid whose parents got jobs in town and so we left the neighborhood for what some might consider greener pastures.

He moved to Gauteng with his parents and two sisters.

With parents always on top of pop culture and music trends, her upbringing was filled with art.

Tyson Sybateli released a 12-track album called

Tyson Sybateli has released a 12 track album titled Home. Photo: Instagram

“One thing about my dad is he loved scrambling in his car,” Sybateli said. Her father played music for hours while waiting for her mother to finish her work.

LILY: Zakes Bantwini and Msaki top SA Music Awards nominees list

One day, at a music store he remembers frequenting throughout his childhood, he ran into an old friend who only remembered him by his favorite songs.

“The bulb went on. It was like a twisted divine intervention. I immediately knew what I had to do on earth,” he recalls.

Sybateli has four EPs, a mixtape and three albums to his credit, each more eminent than the next. Listening to his early discography sheds light on his trajectory.

I felt like all my previous releases had to find a way to be heard and hold attention. I wanted all the hype.

“I literally had no experience or knowledge of how to release music, but I knew I was meant to do more than just download and hope for the best. I knew pretty early on that everything I did mattered. , even though I was not big in the industry at that time.

This formula seemed to work for Sybateli, who created a solid musical accompaniment in Pretoria, with other young aspirants like Thato Saul at his side. They started releasing music on Thursdays rather than Fridays like most industry professionals.

This laid the groundwork for its rollout strategy for its latest release, Home, which debuted on May 27.

LILY: Fabolous and Dave East head to Cape Town

With 12 tracks of sonic gold, the album details his journey to find himself, to understand the different places that can feel like home and the people who make it feel that way.

Contrary to the focus of his previous albums, this time Sybateli went a step further and created a deep personal experience of where he is now and how he sees the world.

The mastermind behind Tyson Sybateli’s blank face campaign. Photo: Supplied

One of the biggest standouts was the warmth he received from South Africa, thanks to his promotional efforts alone.

In a world where visuals and faces have become the most important consideration for support, the contrasting culture of celebrities has become its greatest asset. Beyond the audio, there was a man with a story and a voice that needed to be heard.

With the classic phrase ‘if found, bring home’, Sybateli set the record straight on what a good South African campaign might look like. A simple Twitter search for those words will tell you everything you need to know, as the statement garnered massive public support.

Good art really seems to market itself. Within a month, Sybateli’s fanbase grew from 800 subscribers to over 4,000. He even involved music channel MTV, with his first face revealed in an exclusive recording of his single If Found, Bring Home.

He added:

It doesn’t stop there. My debut single If Found, Bring Home was released with a secret EP that I personally released on my site and was never to be heard from again.

Thanks to this album, Sybateli has achieved what is impossible for most, finally signing a recording contract not only for himself, but for his entire label, which he will reveal more about soon.

He advises young artists to be passionate about their music and their storytelling, and to control what they want to be seen and heard, because it matters.

What will Sybateli do next? I guess we’ll just have to wait and see.


Janice Phiri

cultural writer

‘Outer Banks’ Star Chase Stokes to Star in ‘Music Got Me Here’ – Deadline

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EXCLUSIVE: Marking his first starring role in a feature film, Chase Stokes is set to star in The music brought me here from multi-BAFTA nominated filmmaker Gurinder Chadha who will direct. The feature film, which is based on the remarkable true story by Forrest Allen and Tom Sweitzer, is written by Oscar winner Irwin Winkler and Jose Ruisanchez and is based on the Susan Koch documentary of the same name.

Winkler, Jon Levin and Alexandra Milchan will produce

The film tells the incredible true story of an eccentric high school music teacher, Tom Sweitzer, in a small Virginia town whose world is turned upside down when former student Forrest Allen – a bright and wild light – is left in the coma following a snowboarding accident. Between life and death, this young man’s last hope for recovery, and to wake up, speak and walk again, is a reluctant teacher with a scarred past who answers the call of a desperate family to use music therapy as a way to break through to their son. It’s about family, friendships and ultimately the healing power of music.

Stokes is known for his starring role in Netflix’s global phenomenon series External banks. The drama series debuted in April 2020 to massive fanfare and Netflix top ten placement for a record number of weeks. For its second season, the series continued its runaway success by earning the No. 1 spot on the Nielsen Streaming Rankings and securing its place as one of the most popular titles on Netflix to date. Season three of External banks is currently in production. Stokes will next appear opposite Joey King in uglya dystopian fantasy film based on Scott Westerfeld’s international bestseller of the same name, which McG is directing for Netflix.

“It is very rare for a story like this to happen. Based on real life events, I was captivated by the script and documentary of Forrest and Tom’s journey and how powerful a family’s love can be to change things. Chase Stokes is an exciting young actor who I believe has the vulnerability and emotion to convey the real depths of human despair and the exhilarating heights of relief and happiness explored by the film. Add the incredible power of music and an inspiring soundtrack and you have a film that I think will touch people all over the world,” Chadha said.

“I’m thrilled that Chase identifies with my own journey. As an actor, Chase embodies the fierceness and humor that lives in my heart and the spirit that helped me never lose hope,” Allen said.

Stokes replaced by UTA, Luber Roklin, People Store and Goodman, Genow, Schenkman. Chadha is replaced by ICM and Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner & Klein

Global Bone Grafts and Substitutes Market Report to 2030 – Key Industry Trends – ResearchAndMarkets.com

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DUBLIN–(BUSINESS WIRE)–The report “Bone Grafts and Substitutes Market Size (Value, Volume, ASP) by Segments, Share, Trend & SWOT Analysis, Regulatory & Reimbursement Landscape, Procedures & Forecast, 2015-2030” has been added at from ResearchAndMarkets.com offer.

This report has been designed to visualize quantitative market trends in the therapeutic area of ​​orthopedic devices.

The model examines in detail the impact of COVID-19 on the Bone Graft and Substitute Devices market for the year 2020 and beyond. Bone grafts and substitutes are widely used in orthopedic surgery for several applications. Rising cases of orthopedic complications caused by weakened bones are expected to fuel demand. The number of orthopedic surgeries is expected to increase with the intensification of the geriatric population susceptible to orthopedic diseases. Thus, the market is expected to witness significant demand during the forecast period.

Each of the color-coded, fully-sourced market models from the 39 countries covered is equipped with epidemiology-based indications with procedure volumes. To increase data transparency, interactive Excel deliverable covers installed base, new sales volumes, product usage, average sales prices, market size and company share/rank analysis (if applicable). Additionally, analyst commentary with qualitative insight provides context for quantitative data.

The main inclusions of the market model are:

Currently Marketed Bone Graft and Bone Substitute Devices and the Evolving Competitive Landscape:

  • In-depth look at key industry trends

  • Total Annualized Bone Graft and Substitute Devices Market Revenue by Segment and Market Outlook 2015 to 2030

  • Granular data on total number of procedures, units, average selling prices and market values ​​by segment

Global, regional and country specific market information:

  • Market-specific qualitative information is available with global trends broken down into regional trends. Plus, the publisher’s analysts provide unique country-specific market insights

  • SWOT Analysis for Bone Grafts and Substitute Devices

  • Insights and competitive dynamics trends provided for the Bone Grafts and Substitute Devices Market

Improve understanding of the market by getting a true overview, including insight into the healthcare system. Additionally, the Market Access segment allows you to dig deeper into market dynamics with insights into reimbursement policies and the regulatory landscape.

  • Overview of the health system by country

  • Country specific refund policies

  • Country-specific medical technology regulatory landscape

Robust methodologies and sources allow the model to provide a complete and accurate overview of the market. Both demand and supply side primary sources are integrated into the syndicated models, including key opinion leaders. Additionally, real-world data sources are leveraged to determine market trends; these include government procedure databases, hospital purchasing databases, and proprietary online databases.

Companies covered:

Medtronic Plc, NuVasive Inc, Stryker Corp, Zimmer Biomet Holdings Inc, Bioventus LLC, Smith & Nephew Plc, Others

Countries covered:

United States, United Kingdom, Germany, France, Italy, Spain, Brazil, China, India, Russia, Japan, Australia, Canada, Mexico, South Korea, Denmark, Ireland, Netherlands, New Zealand, South Africa South, Sweden, Switzerland, Austria, Belgium, Finland, Israel, Norway, Poland, Portugal, Taiwan, Czech Republic, Greece, Hungary, Turkey, Egypt, Saudi Arabia, United Arab Emirates, Argentina and Chile

Scope

This market template gives important and expert information that you will not find in any other source. The model illustrates qualitative and quantitative trends within the specified market.

This template is required reading for:

  • CMO leaders who need to have an in-depth understanding of the Bone Graft and Bone Substitute market to make strategic planning and investment decisions

  • Sourcing and procurement managers who need to understand the critical elements of the supply base in order to make decisions on vendor selection and management

  • Private equity investors who need a deeper understanding of the market to identify and assess potential investment targets

Reasons to buy

The model will allow you to:

  • To understand the impact of COVID-19 on the Bone Grafts and Bone Substitutes Market.

  • Develop and design your licensing and out-licensing strategies through a review of pipeline products and technologies, and identifying the companies with the strongest pipeline.

  • Develop business strategies by understanding the trends shaping and driving the Bone Grafts and Bone Substitutes market.

  • Generate revenue by understanding the key trends, innovative products and technologies, market segments, and companies that are likely to impact the Bone Grafts and Substitutes market in the future.

  • Formulate effective sales and marketing strategies by understanding the competitive landscape and analyzing the company’s share among market leaders.

  • Identify emerging players with potentially strong product portfolios and create effective counter-strategies to gain competitive advantage.

  • Track device sales in the global and country-specific bone graft and bone substitute market from 2015 to 2030.

  • Organize your sales and marketing efforts by identifying the categories and market segments that present the maximum opportunities for consolidations, investments and strategic partnerships.

For more information about this report visit https://www.researchandmarkets.com/r/ntahg

Source: Global Data

The music most ingrained in our psyches?

Video game music really plays our emotions. Its impact and growing sophistication has inspired a growing number of academic studies (in a field sometimes labeled “ludomusicology”); in their 2006 essay The Role of Music in Videogames, Sean M Zehnder and Scott D Lipscomb noted the multifunctionality of game soundtracks; they “reinforce a sense of immersion, signal changes in narrative or plot, act as an emotional signifier, reinforce a sense of aesthetic continuity, and cultivate the thematic unity of a video game”.

Ontario scholar and filmmaker Karen Collins is an associate professor at the University of Waterloo and her excellent book Game Sound (2008) explores the history, theory and practice of video game music and sound design. As Collins observes, the player is not a passive listener, but can actively trigger in-game music, as well as react to it unconsciously; she writes that “mood induction and physiological responses are usually most evident when the player character is at significant risk, as in the chaotic, fast-paced music of the boss…sound works to control or manipulating the player’s emotions, guiding responses to the game.” She points out that silence is additionally used to powerful effect, whether it’s increasing tension or when the player is inactive (a musical fade that she describes as the “boredom switch”), prompting us to complete the task so the game can progress.

Video game music is a global expression, both in its international studio collaborations and in its audience reach. Earlier this year, the Poland-based Game Music Festival presented a concert in London, including a Polish big band performing the jazzy, Latin-inspired grooves of the much-loved adventure Cuphead (2017), composed by the Canadian artist Kristoffer Madigan. The concert finale focused on LA-based British composer Gareth Coker’s enchanting (and devastatingly beautiful) scores for the games Ori and the Blind Forest (2015) and Ori and the Will of the Wisps (2020). ).

Coker first studied composition at the Royal Academy of Music, then lived in Japan; his musical range is vast, including scores for film and television – but his love of video games runs particularly deep. “Growing up, I have the fondest memories of playing video games with my parents,” he explains. “These memories I made with my own family, I wish I could give to someone else.”

For the Ori games, Coker spent several years with the development team, creating music that felt distinctly attuned to the main character/player role (a childish forest spirit) and supernatural surroundings. “I react strongly to visuals when I’m working on a game; so I can really get inside by creating a sound world for them,” he says. “Ori’s visuals allow me to create this tapestry with the music, because we’re asking people to expand their imaginations.

Cybercrime and cybersecurity in Pakistan

Cybercrime refers to activity carried out using computers and the Internet. We say it is an illegal act in which a computer can be used as a tool, a target or a place for crime. It also includes traditional crimes in which computers are used as a tool to enable illicit activity.

We can classify cybercrimes in two ways:

  • Computer as target:- it is the use of a computer to other computers. i.e. hacking, virus attacks, etc.
  • The Computer as a weapon: – It is the use of computers to commit crimes in the real world. i.e. cyberterrorism, credit card fraud, etc.

Read more: 60,000 cybercrimes reported in 3 months: DG FIA

Another categorization of cyber is as follows;

  • against no one
  • against property
  • against the government

Types of cybercrimes:

1. Hacking

Hacking, a simple term, refers to illegal intrusion into a computer system and/or network. It is also known as “Cracking”. Govt. Websites are a prime target for hackers due to media coverage. Hackers appreciate media coverage. Motives behind hacking include greed, power, publicity, revenge, adventure, desire to access forbidden information, etc.

2. Spread of viruses

Malicious software that attaches itself to other software. For example, viruses, worms, Trojan horses, website hijacking, email bombings, etc.

3. Computer vandalism

Damaging or destroying data instead of stealing it or misusing it is called cyber vandalism. These are the programs that attach themselves to another file and run around.

4. Software piracy

Software theft using illegal means to copy genuine or counterfeit programs and distribution of products intended to pass as the original.

5. Cyberterrorism

Terrorist attacks on the Internet consist of distributed denial of service attacks, hateful websites and hateful emails, service network attacks, etc.

6. Adult Content on the Web / Child Abuse

The internet is widely used to reach and sexually abuse children, all over the world. As more and more households have excess internet, more children will use the internet and more likely to become victims of child molestation. They use false identities to reach children and abuse them.

Read more: Pakistani man jailed for blasphemy under cybercrime laws for first time

Cyber ​​laws around the world

Here are some laws imposed worldwide against cyber crimes;

  • Electronic Commerce Act (Ireland)
  • Electronic Transactions Act (UK, USA, Australia, Singapore, New Zealand)
  • Electronic Transactions Ordinance (Hong Kong)
  • Information Technology Act (India)
  • Information and Communication Technology Bill (Bangladesh)

Cyber ​​laws in Pakistan

There are a number of cybercrime laws in Pakistan, they deal not only with cybercrimes but also with all dimensions of computer and web issues. Basically, some laws had been passed by the government. Pakistan to control cyber crimes, some of them are given below;

  • Electronic Transmission Order 2002
  • Electronic/Cybercrime Bill 2007
  • Prevention of Electronic Crimes Act 2016

A brief description of all Acts, Sections, Executions and Sanctions is given below;

1. Cyberterrorism/online recruitment or financing of terrorism

Anyone who accesses, duplicates or overwrites any master data framework for the purpose of creating a sense of dread, frenzy or fragility in government or people at large or any area of ​​the general population or a network or faction or to create a sense of terror or uncertainty in the eyes of the public may be rebuffed with detention of either representation for up to 14 years or such fine may be extended to 50 million rupees or both. For example You access the back-end system of a television channel and start broadcasting a message that may cause panic.

Read more: Sharmila Faruqi slams Nadia Khan, says she’ll report her for cybercrime

Anyone who prepares or distributes data, through any data framework or gimmick that invites or inspires funding, or selects individuals for fear-based oppression or psychological oppression schemes will be repelled by a custodial sentence of up to go up to seven years or with a fine or with both. For instance; you run Facebook groups or admin pages and urge individuals to support the TTP, or you run a Whatsapp group and plan a terrorist attack.

2. Electronic Fraud

Anyone who, in expectation of an illegitimate addition, meddles with or uses any data frame, gadget or information or induces an individual to enter into a relationship or deceives an individual, what act or exclusion is likely to harm or harm to that individual or another individual shall be repelled with a term of imprisonment of up to two years or with a fine of up to ten million rupees or both. For instance; you enter into a relationship with someone with the intention of causing financial harm.

3. Create/disseminate explicit images or videos of an individual/child

Anyone who deliberately and openly exposes, displays or transmits data which,

  • Overlays a photo of a characteristic individual’s substance over any explicitly voiced image or video
  • Incorporates a photo or video of a characteristic individual in an explicitly unequivocal form
  • Threatens a characteristic individual with any sexual display, or any explicitly unequivocal image or video of a characteristic individual
  • Develops, lures or induces a characteristic individual to take part in an explicitly unequivocal act,

The use of a data frame to injure a characteristic individual or his notoriety or to revenge, or to show contempt or to coerce, will be repelled with a term of imprisonment of up to five years or with a line that may extend up to five years. million rupees or both. For instance; You photoshop an image of a person so that the face is used near a naked body or you make an explicit video or photos of someone in private

Or you communicate/post such videos or images on Facebook or via another medium (such as Whatsapp). You use any explicit video to extort/blackmail someone.

4. Hacking/ Malicious codes/ Unauthorized access to an information system or to data

If someone screens an individual through mail, instant message or any other type of electronic correspondence, you can be jailed for up to three years and fined Rs. 1 million or both. Anyone who composes, offers, makes available, disperses or transmits harmful code for the purpose of damaging any repository of data or information resulting in the desecration, spraying, modification, concealment, burglary, or loss of the repository of data or information shall be repelled with imprisonment for a term of up to two years or with a fine of up to one million rupees or both.

For instance; you hack someone with the intention of establishing a relationship that you are or can establish, then monitor the email. You write a virus, develop a mobile app to spy on someone, develop an app to spread a virus, attack someone with DDoS, and write code that can be used to destroy a hard drive.

  • Information system access means: obtaining access, control or the ability to use all or part of a system which could be a laptop, mobile phone, tablet or any other type of computer system
  • Data Access: Obtaining access, control or the ability to use any data or traffic data i.e. email, SMS, fax, print or any type of computer data .

cyber security

This involves the protection of sensitive personal and commercial information by preventing, intervening, detecting and responding to various online attacks. Simply, it actually prevents the cyber attack.

Privacy Policy

A privacy policy is an authoritative record that details how a site accumulates, stores, offers, and sells information about its guests. This information typically includes such things as the buyer’s name, address, date of birth, marital status, treatment history, and conduct.

Read more: Covid-19 breeds cybercrime

Before submitting your username, email, address, or any personal identity to a website, we must first review the site’s privacy policy.

Keep the software up to date

If a vendor reduces patches for a software operating system device, install them as soon as possible. Installing them will reduce the chances of attackers taking advantage of them. Use of good and strong passwords containing different types of combinations. Never use options that allow you to use a computer to save or remember your passwords.

Remote connectivity disabled

Some devices like cell phones and PDAs are equipped with wireless technologies, such as Bluetooth, which can be connected to other devices and computers. These features are also a source of threat. These functions should be disabled when not in use.

Other Safety Tips

  • Use anti-virus software.
  • Insert firewalls and pop-up blockers.
  • Uninstall unnecessary software.
  • Maintain backup.
  • Check Security

The writer is currently an intern at the Ministry of Defense in Islamabad. The opinions expressed in this article are those of the author and do not necessarily reflect the editorial policy of Global Village Space

Operation Save Big Dog intensifies the day after the death of Boris music | Jean Crace

Oew minutes after the greased piglet turned out to be rather less slippery than its supporters had expected, Operation Save Big Dog kicked into overdrive, with loyal MPs sticking their faces in front of any passing television cameras. The first was Nadhim Zahawi. “There was a ballot,” he said. Nothing escapes him. “Fifty plus one is a majority and Boris has done much better than that.” Uh, absolutely. If by better you mean worse than Margaret Thatcher and Theresa May, both of whom were effectively finished as Prime Minister.

The education secretary insisted. Struggling to explain the scale of joy that would be felt around the world at Boris Johnson’s miraculous triumph, Zahawi landed on Ukraine. Thousands of people who had taken cover from Russian airstrikes in the Donbass would take to the streets to cheer the Convict. Additionally, Volodymyr Zelenskiy would offer prayers for Johnson’s temporary salvation. As at the right time, the Ukrainian president did indeed tweet his joy. He takes his job as Boris’ therapist very seriously. It will be 80 guineas and two leader tanks for this intervention.

James Cleverly also chimed in, again emphasizing the fallibility of nominative determinism. It was a clear victory for the Convict, he insisted. And there was no other person in the party who could have won even 60% of the vote. Because the rest of the firm – including him – was completely desperate and there wasn’t a single one who could be trusted to get dressed in the morning. Not that the convict can do that either, judging by his condition. Every day it looks more and more abandoned. And even if there was a minister capable of rivaling him, the majority of backbenchers were just a bunch of congenitally disloyal snakes. It was not the best advertisement for the Conservative Party.

On the contrary, the backbenchers were even more disturbed. Peter Bone, who had plotted against the Maybot and declared her doomed after her vote of no confidence, was now openly saying that Boris – smaller majority and all – had proven he was a winner and should be left alone. It was not for dissenting MPs to replace a Prime Minister, except when it suited them. In his defense, his synapses only connect at random intervals, so it may take him a while to spot the contradiction.

Adam Holloway insisted it was all the fault of the BBC for showing photos of the convict looking like Hannibal Lecter. Anthony Hopkins could sue for this. Lecter looked much better than Johnson right now. The eyes are barely open, the legs only work from memory, the skin is parched and pale, and the toddler’s haircut is falling apart.

You could almost suspect that Johnson had taken coke after his own sniffle-filled TV clip. But the reality is that it’s not the Class A drugs that make Boris so hopelessly inconsistent. He emphasizes this state through his natural sociopathic narcissism. It’s a rarity now if he happens to finish a sentence. Accurately transcribe what he says and you get the babbling of a three-year-old.

At least Michael Fabricator will never die wondering why he was never promoted to a serious position. Now think of some of the quarterbacks — bow Suella Braverman and Oliver Dowden — who have entered the cabinet, and you begin to get a glimpse of just how jaw-dropping Micky Fab is. Something he seems determined to prove on a daily basis. His take was that he expected the Convict to do even worse, so that was a huge result. Uh. Not sure that’s quite the line.

Bob Seely was refreshingly frank and pragmatic. He didn’t like Boris very much. Never had, never would. But No. 10 had made him a cash offer for his Isle of Wight constituency which he couldn’t refuse. He had therefore voted for Johnson. And would continue to do so as long as the dosh kept coming. The relationship was entirely transactional and Seely couldn’t have been happier.

The place of honor for the idiot of the idiot in the conservative wankocracy went to Brendan Clarke-Smith. He argued he was sick of seeing people cocking their Covid tragedies to pop Johnson. The pandemic was now over and everyone should be quiet about their losses – hadn’t the point of Brexit been to forge a new generation of British stiff upper lips? – and continue. So your mother is dead? Damn big deal. Everyone has to croak for a while. So why not just be happy for Boris instead of continuing to break the law?

Cabinet ministers, such as Liz Truss, Michael Gove and Rishi Sunak, were instead more neutral in their support. If one of them had imagination, wit and talent, he would seek to relieve the convict. But they’re all hopeless, so they did the bare minimum, hoping someone else would be the first to stab Boris. No one did, so they were forced to sit like tailors’ dummies while Johnson made a TV clip – just as tone-deaf as his appeal to Tory MPs the day before – at the start of the cabinet meeting.

The day after Boris’ music died, only four Tory backbenchers were bothered to attend a debate on standards in public life. Of course, the others must have felt they had done enough. Labour’s Angela Rayner started with a simple plea. Johnson had done his best to undermine the integrity of his office and should not be allowed to get away with watering down the ministerial code.

You might have thought it was a relatively uncontroversial proposition, but Michael Ellis begged you to disagree. So he always does. That’s the point of it. It’s the Convict’s go-to dogbody for cleaning up his shit. Keeper of the King’s Stools.

Ellis was oozing and ahhed, still so ‘umbly’. It’s not that Boris wanted to weaken the ministerial code. He wanted to make him stronger by making him weaker. Schrodinger’s code. You just couldn’t expect someone as law-abiding as Johnson to obey the law. There should be some leeway for Boris to do whatever he wanted and decide if he had broken the law. And this also applied to his comrades. What a shame to have to fire someone he loved.

Just another sordid day in Westminster.

Chris Redd talks about his beef with Edmonton and the new show “Bust Down”

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As the saying goes, comedy is tragedy plus time. It’s fair to say that SNL comedian Chris Redd has had plenty of free time and obviously turns tragedy into triumphant humor. His latest iteration of adversity is on display on his show Bust down. The dark comedy, co-created and co-starring Langston Kerman, Sam Jay, Jak Knight and Redd, follows the daily lives of actors working in dead-end casinos in Central America. The show that Redd is dubbing”Philadelphia is always sunny with more Black people” airs on Showcase and STACKTV Tuesdays at 10 p.m. ET.

Redd is on an ongoing journey of self-discovery, a journey he strongly attributes to therapy. “I’ve always been pretty outspoken and outspoken, but therapy gives you the reasons and clarity on shit,” he told Complex Canada. Life’s hard-hitting questions are laid bare in bust down, similar to his comedy tour, “Why Am I Like This?” (which will soon be adapted into an HBO MAX special) – billed as an internal debate, but a question we’ve all grudgingly asked ourselves in one way or another. Redd does the work and feeds us his unfinished discoveries in humorous anecdotes.

Ahead of his Canadian stand-up shows, we caught up with Redd to discuss his beef with Edmonton, how therapy improves his comedic truths and how he hopes Canada will receive bust down.

Hi Chris! How is it going? Is this your first time in Toronto? How does the house of the Toronto Raptors treat you?
I’m fine, man. I am relaxing’. It’s like my 10th or something. I haven’t seen a Raptor [game] again, but I love the city. You like comedy. I would really like to see a Raptors game, but I still do comedy and I drink – that’s what I do when I come here. I’m just glad they let me in here, man. You kept us away for a long time.

You’re headlining several shows in Toronto, Vancouver, Calgary and Montreal this summer. Have you ever visited another place in Canada?
I was in Edmonton—I don’t like it, sorry y’all. Edmonton was weird but this was the first time I had seen an otter in a mall. They have a big, huge mall there, and there was this old otter smoking a cigarette near H&M. He definitely didn’t smoke, I just have a cartoonish mind. He was definitely old, sitting there, and I was like, “This is no place for an otter, fam.” Edmonton was just a weird vibe out of all the places I’ve been in Canada. It had more of a conservative vibe. There were Texas vibes – the parts of Texas that aren’t fun.

“Edmonton was just a weird vibe of all the places I’ve been in Canada. It had more of a conservative vibe. There were Texas vibes, the parts of Texas that aren’t fun.

You remained a cast member of a world famous sketch comedy scene for over half a decade. What’s your biggest lesson from working on Saturday Night Live so far?

That was cool, man. It’s cool to have a job every day where you don’t think you’re going to get fired. I have never worked longer than that. I feel comfortable and I have a lot of fun. I’m really having fun. There are so many takeaways, but I don’t know. Besides the fact that I can do impressions and get the hype – I didn’t like doing impressions before, but now I work in a place where impressions are kind of the thing. It’s fun to figure out what I can do. I guess the biggest advantage is that I can do more than I thought I could. I’m constantly learning things I’m good at, whether it’s at this job or by failing and going somewhere else and doing it better.

What’s your favorite impression you’ve made so far?
I mean, I like them all because I only do five. My favorite is between Eric Adams and Stephen A. Smith. I love the Stephen A.—it’s my shit.

Speaking of SNL, you won an Emmy for Outstanding Original Score for your SNL song “Come Back Barack,” and you started singing on bust down. Is songwriting something you would take full time or is music just another platform you use to express your comedy?
I was a rapper and did music before acting. It was my first dream. So I’m just trying to turn my old dreams into my current dreams, you know what I mean? I’m a musical guy, I’ve always been making music and I will be making music forever. The difference now is that I make music for myself and not to hear myself. I’ll probably drop something whenever I feel like dropping something. I’m not expecting to move units or anything like that, but I think it’s a good outlet to farm. Comedy and music is my shit.

Image via Publicist

In bust down you approach serious issues like sexual assault and domestic violence through a comedic lens. Writing a show in our current “woke” social climate, would you say that’s a conscious choice or just the way you view the world as a comic?
Yeah, I mean, I think we deserve and need some tough comedy. I think the people we’re talking about like Central America, the people who work every day and deal with these issues most of the time, the only way out is to laugh. We wanted to capture characters going through some shit that don’t have all the answers. They’re not “good people”, they try to tackle something – it works or it doesn’t, and the next day comes and they move on, but they still understand each other. This is the atmosphere we wanted. We all talk about tough topics in a fun way, that’s how we handle and handle things. So, it was just that we wrote a show like that. We’re all surprised we got away with a lot of that shit. I’m just happy. It was doping. I think we need more — it’s also a slice of life. It’s a silly, goofy comedy. As black people we deserve to be awkward about things and then move on real fast and get our always sunny on. I’m very proud of it. But I also understand if you don’t like it, the losers out there.

“I started therapy during the pandemic, so between those two years I was like, ‘Damn, my special should be different.

How do you think Canada will receive bust down?
I think you’ll like it, man. I think some people won’t like it. But people who love comedy, who love tough comedies and who love something refreshing and different, are going to love it. If you want Philadelphia is always sunny and you wish there were more black people in it, you’re going to like that. If hearing about a tricky subject without really diving into how we polish the jokes is your thing, your patience level might drop and you’re going to hate it. It’s like people reading a headline and being like “argh” without even reading the article and shit, that’s how I see people who might not like the show. But I’m biased because I’m into it. I hope all the niggas like it, but if not, I’m here. I can’t even hear you. Just kidding, please love it.

Chris Redd in the new show
Image via Publicist

You recently sat down with Charlemagne Tha God in a Hollywood journalist Interview “Emerging Hollywood” and talked about your journey through therapy. Has your relationship with acting changed since you made peace with new parts of yourself?
I’m much more vulnerable about my flaws, my flaws, and how I’ve seen things grow. It made me a better comedian because I understand myself better. I’ve always been pretty outspoken and outspoken, but therapy gives you the reasons and clarity on shit. To the point where I had to rewrite half of my special. I started therapy during the pandemic, so between those two years I was like, “Damn, my specialty should be different.”

To end this interview, and at the risk of sounding like your therapist, I wanted to ask you if you have finally understood why you are like this?
No. Ugh. [Laughs.] I found a few reasons why I’m like this. I couldn’t say it all in an hour and the purpose of the show is not to have an answer at the end but to talk about his journey and show you all the journey. I don’t have a fun way to explain my show yet, so it sounds like a TED Talk but it’s funny. I talk about a lot of topics that suggest why I’m like this but I’m not dead yet so you know we’re growing every day and I don’t think I’ll ever really know the full answer and that’s the joy of that -this.

Bitcoin is unlikely to fall so early and so high

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Bitcoin technical analysis

Bitcoin rose 4.9% on Monday, ending at around $31,500. However, on Tuesday morning, the leading cryptocurrency crashed 7% to $29.5,000, the second such bear attack in the past seven days. Both were of a similar magnitude, but the latter is expected to have a more substantial negative effect. This more than offset Monday’s gains and temporarily brought the price back to May 30 levels. BTCUSD consolidation has been going on for over a month.

Previously it formed in the form of a triangle with a decreasing amplitude of fluctuations, but since the end of last month it has become more like a sideways pattern, from which it makes several unsuccessful attempts to break upwards .

Market momentum on Tuesday morning is a reminder that the market can no longer rally like it did in 2020. Bitcoin’s prolonged sideways slide is turning current prices into the norm, although current levels looked like a good long-term buy. term two months ago. 2018 and 2019 teach us that such consolidations can last for months and often lead to new sales from frustrated employees who earn quickly. In our view, bitcoin’s bear market is not over yet, although it has fallen significantly.

When will Bitcoin enter the bull market?

The market is full of rumors that short-term buyers have already capitulated, backed by Kathy Wood. But the entire bear market rarely ends in this phase. Much more often, a bull market begins when mid-term investors and even some long-term investors capitulate, bringing stressed market professionals into play. It is unlikely to reach that point before the price returns to 2017 highs. Bitcoin’s short-term volatility is irrelevant, said MicroStrategy CEO Michael Saylor. He said BTC is the safest thing in a highly volatile world and is more suitable for long-term investing than trading.

According to a survey by The Economist, 37% of respondents in major global economies want their governments to adopt cryptocurrencies as legal tender.

by Alex Kuptsikevich, Senior Market Analyst at FxPro

A moving memory of D-Day, in concert at the Kennedy Center

There is a place for occasional performance – its function to celebrate a tribe, party or event; build community; or simply to remember a common history. The eyes of the world: from D-Day to Victory Day at the John F. Kennedy Center for the Performing Arts on Saturday night, it was all that.

I thought I knew what to expect. Our nation’s capital abounds with these occasional festivities – our annual Memorial Day concerts and July 4th events culminating in explosive fireworks. Just downriver at the Lincoln Memorial, there was a concert that same night, italian operacelebrating Italians and Italian opera.

It was different.

“The Eyes of the World: From D-Day to VE Day” concert on June 4, 2022 at the Kennedy Center. Photo by Pepe Gomez.

For starters, there was something improvisational and delightfully chaotic outside the Opera House as groups and individuals, still emerging from COVID isolation, tried to find each other and find their tickets. The Gold Star mothers of more recent wars thronged with a restless generation of twenty-something students who had little knowledge of World War II, and they in turn with special guests such as the descendants of African-American women. unsung Americans who had joined the war effort and faithfully continued to deliver the mail to the troops in the weeks and months following the harrowing Normandy beach landings.

Officer Jonathan Sneed, on duty at the top of the red-carpeted stairs leading to the vast, chandelier-lit auditorium, entered the fray to rally and lead the troops. “HOV lane over here,” he encouraged, and so we “soldiers” found holes in the well-fortified KC lines.

The event was woven like fabric, part music concert of the time, part story telling of the events following the invasion and push against Germany, and part stunning photographic series projected on the scale of the proscenium from the “eyes” of the correspondents sent there. The stories of the core group of these writers included some of the 20e most famous personalities of the century: Ernest Hemingway, Robert Capa and Martha Gellhorn. Their involvement in the heart of the matter, including their interpersonal dramas, contributed greatly to the success of this woven multidisciplinary performance. There was even a surprise “player” revealed, someone who for most of the evening was simply referred to as “Jerry” (and I was duped, confused if we were talking about a German spy, later revealed that the guy was JD Salinger).

There was something deeply personal about the sentiment of the work, which was curated by historian John Monsky, who also skilfully narrated the evening. He had been captivated by World War II flags as a youth and had assiduously followed their journeys as living history and sacred objects. His enthusiasm was contagious. Each time he revealed the story of a flag that had flown over a particular landing craft, that piece of history was carried above the stage like a living relic, joining the others in a spectacular display that is their own, and we all wanted to clap at the end of a revered “character arc.”

It’s all in the details Monsky has put together: Eisenhower surveying the evening, he has to call D-Day or otherwise due to weather conditions, knowing he could lose up to 80% of his men in the operation; the 9,000 blue stars that turn to gold on that fateful day; Capa’s photos capturing the fear and desperation in men’s eyes – and the shrewd way he later recounts the liberation of Paris, noticing the elation on people’s faces, only to twist the knife as he tells us says most of the boys in the photo would die soon after making their way to Germany. Monsky is a historian who knows how to bring us emotional moment-to-moment encounters.

“The Eyes of the World: From D-Day to VE Day” concert on June 4, 2022 at the Kennedy Center. Photo by Pepe Gomez.

Singers Adam Jacobs, Kristolyn Lloyd, Kate Rockwell and Daniel Yearwood were all terrific delivering the numbers, mostly in quartet arrangements, from the tight harmonies of 1940s popular music to tunes made famous by more recent Broadway shows. .

I loved the rarer solos that enriched the sonic tapestry, like the unsettling opener to Kander and Ebb’s “Tomorrow Belongs to Me,” sung in that high tenor’s sweet spot by Daniel Yearwood; Jacobs’ rendition of the galvanizing troops of a young merchant sailor Woody Guthrie, many of whom would face an untimely death, with “What are we waiting for?” accompanied on lead guitar; Kate Rockwell beckons with a tribute to Marlene Dietrich in ‘The Boys in the Backroom’; and a superb original rendition of “La vie en rose” by Kristolyn Lloyd. One by one, the interpreters gave life to the spoken text, like insertions that were too abrupt.

Conductor Ian Weinberger conducted St Luke’s Orchestra, for which he also arranged and even composed some of the music. It captures the shifting emotional landscape from the terrifying rise of Hitler to the foot-stamping big band sound of Glenn Miller entertaining the troops. (Although Miller’s plane disappeared over the English Chanel, cutting short the life of this remarkable musician, we are reminded that this phenomenon was the Beatles before the Beatles.) Then, throughout the music, Weinberger tells us helps through the agonizing push north and east into Germany: the Battle of Hürtgen Forest and the poignant ‘discovery of the camp’, liberating the death camps. Weinberger rearranges certain melodies such as “The Caissons Go Rolling Along” to be a rhythmic march to a dirge in the mud. He is a master at delivering highly theatrical music, and his skillful conducting of St Luke’s Orchestra draws maximum color from these musicians.

“The Eyes of the World: From D-Day to VE Day” concert on June 4, 2022 at the Kennedy Center. Photo by Pepe Gomez.

The eyes of the world: from D-Day to Victory Day It was meant to be an immersive experience, remembering what our country has been through, and as such it did very well. I had an uncle who was one of the few surviving D-Day paratroopers, but he was forever diminished and haunted by the experience. On behalf of this family of several World War II veterans and for many other families of veterans, especially now that this generation is all but gone, this work provides an important service.

Much of this period came as new information. As moving as it is as a live performance, it must also become a filmed event to touch future generations on our history. The words tell the story; music opens our hearts.

Duration: 90 minutes without intermission.

The eyes of the world: from D-Day to Victory Day was performed on June 4, 2022 at the John F. Kennedy Center for the Performing Arts Opera House, presented by the American Battle Monuments Commission and the New-York Historical Society.

The eyes of the world: from D-Day to Victory Day
Created and narrated by John Monsky
Musical supervisor, conductor and arranger: Ian Weinberger
Directed by Peter Flynn

Changing mindsets | U.C. Davis Magazine

Accelerate drug development

One of the problems with developing new drugs based on psychedelics is how to weed out those that cause hallucinations before they go to human trials. The rodent head twitch test is considered a reliable predictor, but you can’t really ask a mouse if it’s hallucinating. This presents a bottleneck for the development of new drugs.

“We don’t have good ways to screen for neurological drugs on a large scale,” said Lin Tian, ​​professor of biochemistry and molecular medicine at UC Davis School of Medicine. Tests that could be performed in cell culture would allow faster screening.

Tian’s lab uses light-based technology to study chemical messengers and receptors that carry signals in the brain. After Olson gave a departmental seminar on drugs affecting the serotonin 2A receptor, the two labs began to collaborate.

Graduate students Jason Dong, Calvin Ly, and Lee Dunlap invented psychLight, a modified version of the serotonin 2A, or 5-HT2A, receptor with a fluorescent tag. When psychLight is engaged by a hallucinogenic drug, he changes shape slightly, causing his fluorescence to increase. Non-hallucinogenic compounds binding to psychLight cause a different fluorescence profile.

PsychLight can be used to rapidly screen large numbers of candidate molecules for the potential to cause hallucinations, in biochemical tests or in cell cultures. This approach can also be used to conduct basic research on brain signaling, which is fundamental to understanding the basis of psychiatric illnesses, Tian said.

“I’m very excited that drug discovery and basic science can be pushed by this technology,” she said.

Tian and former graduate student Grace Mizuno also founded a company, Seven Biosciences, which has an exclusive license from UC Davis to psychLight and related technology. Their goal is to accelerate drug discovery by creating a platform that pharmaceutical companies can use to rapidly screen compounds for their neurological effects.

Cannabis turns green

While Olson is working on analogs of psychedelic drugs, fellow chemistry professor Mark Mascal is working on analogs of cannabidiol, or CBD, one of the active components of cannabis.

Cannabis, like psychedelic drugs, is a Schedule 1 controlled substance under federal law, although its production, possession, and use are legal under California state law and some other states. CBD derived from the closely related hemp plant is legal under federal law if certain conditions are met.

A formulation of CBD, sold as epidiolex, is FDA-approved as a prescription treatment for severe seizures. CBD also has potential for treating metabolic syndrome, cognitive decline and muscle recovery after injury, Mascal said.

Rights of the child | Inclusion: focus on who excludes whom, children’s rights, people with disabilities, children with special needs,

If it takes a village to raise a child, who should step in when a child is excluded? The child or the village?

No child lives in a vacuum. They are under the constant influence of their family environment, primary caregivers [parents], siblings, grandparents, extended family, peer group, neighborhood, society as a whole, and all laws and policies in the country that aim to protect their rights. There is only one thing that all children have in common: their rights. However, no parent enters the parenting journey with concrete knowledge or skills about raising a child, let alone an understanding of children’s rights. When they are tasked with raising a child who is not developing as expected, their vulnerabilities are compounded. Exclusion is born here. An exclusion of basic knowledge on the development of the child as common knowledge transmitted to all and more particularly to future parents.

In a strict biomedical model, the diagnosis is based on the deviations and failures observed in a child, compared to a prescribed standard. This makes parents feel less equipped to raise their own child. Subsequently, the focus on parents is the techniques and strategies they must follow to fix and adapt the child to the norm. This approach places little or no importance on nurturing the relationship between parent and child that is born of unconditional love. Exclusion feeds here. Exclusion of a child’s understanding more of who they are rather than who they should be.

Representative image | Photo: Gettyimages.in

Therapy and interventions are now specialized to the point that even regular activity with any child is classified as therapeutic. Such therapy comes at a high price in the name of individualized approach for children with disabilities, eg, art, music, dance, movement; Why? Even a child’s basic right, education, is considered special. These activities then take place in artificially created configurations where the parents are not present or make them wait outside the individual sessions. They are cited as interference in the intervention process and the conduct of “specialized” work with the child. Exclusion grows here. Exclusion of parents from being an active and involved part of understanding how to work with their child.

With little or no consideration of psychosocial influences on the child, the process is neither individualized nor inclusive. Professionals working with a child may have little or no information about the parents’ social and emotional health, family support systems, financial situation and more. Each professional works in a segregated, disjointed way on a particular skill deficit based on their background, and parents need to make sense of it all and integrate it into their daily lives. The little interaction with the family is mainly with the mothers who are passive spectators of the process. Yet they are tasked with driving the home program which is set with minimal understanding of their home. Needless to say, the strengths of the child and the family remain unexplored and unused. The exclusion is reinforced here. An exclusion of child- and family-specific knowledge about what works for them and what doesn’t.

Representative image | Photo: Gettyimages.in

Soon begin the misfortunes of the insertion of the child in an educational system. A system devised in British times to create people in uniform, who would follow strict instructions and perform clerical work without questioning authority. With rigorous pass and fail criteria, any child who learns in a different way and has a different interest will need a disability certificate to be able to pursue a subject of interest in the mainstream. A 15-year-old will believe they are misfits because their interests and skills don’t fit the norm. Excelling in reading, writing, spelling, or arithmetic is considered superior to excellence in the arts, music, or sports. Parents and schools separate children into what are called resource rooms or learning labs or special rooms. Their dignity and their social and emotional health are seriously compromised to the detriment of school results. Exclusion becomes the norm here. An exclusion of certain types of skills are secondary and lesser than other skills prescribed by the standard.

After 15 years in such a system, it would not be surprising if families find solace in belonging to segregated villages, ashrams, clubs or forums that focus on the inclusion of their children. Where, their children are finally celebrated and recognized. The community outside this circle then labels these abilities as ‘different’ or ‘special’ and the children as ‘specially able’ or ‘differently able’ for the sake of inclusion. Inclusion becomes a joke here.

Representative image | Photo: Gettyimages.in

If we are to work towards true inclusion, let us focus on those who exclude. When there are policies that mandate inclusion without imparting knowledge or skills on how not to exclude, we leave our children to be raised in “villages” that are not equipped to include.

When we focus on co-creating knowledge by not excluding the experiences of each family;

When we simplify intervention programs by not excluding what the child can do;

When professionals see their role as trainers who must accompany families rather than caring for the child;

When every engagement boils down to nothing but basic child development skills that may be common knowledge;

When each school board is not as much focused on the outcome of learning as it is on the process of learning;

When the peer group, neighborhood and society as a whole work together and collectively take responsibility and accountability for exclusion;

So you could say it takes a whole village to raise a child, because inclusion is the norm.

(The author is a mental health professional with over 20 years of professional experience. Her expertise is in areas related to mental health, education and disability. She is also the founder of “Together We Can”, an advocacy forum that has been instrumental in driving change at the policy level)

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Amazon stumble crushes South Jersey toe | Editorial

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No tears here for Jeff Bezos, the founder of Amazon and – until recently dethroned by Elon Musk – the richest man in the world. There’s no denying, however, that Amazon’s fortunes and Bezos’ fortunes have both taken a recent hit.

The fallout has reached South Jersey amid news the e-commerce giant has a serious over-expansion problem as sales growth wanes from stratospheric levels at the start of the pandemic. Amazon lost $3.8 billion in the first quarter of 2022, its first quarterly loss since 2015. Such a rate of financial depletion would send mere mortal corporations into immediate bankruptcy, but not Amazon, whose total sales were 116 .4 billion for the quarter.





Amazon is holding back the rapid construction of warehouses and is even trying to get rid of some locations. Its chief financial officer blamed the first-quarter loss on “loss of productivity, inflation and situations where its warehouse capacity exceeded demand.”

This translates locally into the announced closure of one of Amazon’s smaller direct-to-consumer shipping facilities, a so-called “last mile” fulfillment center in Bellmawr. It will close on June 28, and it is good that the company is considering transferring, rather than laying off, most of the 80 workers.

However, some of those workers picketed last week, saying management had reneged on a promise to move them to a larger Amazon warehouse in West Deptford township, some 11 miles away.

Now, the workers say, Amazon wants most of them to work at another location in Gloucester County, Logan Township, which is much farther from Bellmawr. The prospect of driving about 45 minutes for a job that pays well above minimum wage with decent benefits isn’t the worst thing in the world, but these Amazon workers note that’s not what they’re for. have registered. They are also complaining about schedule changes which they say will alter their longstanding arrangements for childcare and even charity work.

It’s no wonder many Amazon workers are demanding organized representation; they are in a situation where management holds all the cards and plays them with impunity. If Bellmawr employees’ claims are true, Amazon is practically inviting them to sign union cards.

Wednesday’s “wild walkout” — can we even call it that if the workers don’t have a union? – by 10 Bellmawr workers received a lot of help from organizers working for two different unions, disgruntled former employees from other Amazon sites and pro-union US Representative Donald Norcross, D-1st Dist. They pushed more serious questions about the above-industry-standard injury rates at Amazon’s warehouses.

Attempts to organize Amazon workers have been mixed so far, and the pros and cons of doing so in South Jersey are not our primary concern. It’s that the company has such a footprint that working conditions and facility consolidations raise legitimate questions that allow lawmakers like Norcross to get involved. As of 2020, Amazon is New Jersey’s largest private employer, and 33% of all warehouse workers nationwide work for the company. Amazon accounted for nearly half of US warehouse injury claims in 2021, according to a labor coalition report.

Outside Amazon’s Logan site on Wednesday, Norcross called for an investigation by the Federal Occupational Safety and Health Administration (OSHA) into the high injury rate, saying “one in two serious injuries, in the entire state of New Jersey, is Amazon”.

Kudos to Norcross if it can get OSHA out of its understaff these days to do more than respond to individual accidents and workplace safety complaints after the fact. It may be the responsibility of other federal and state agencies to undertake a broader review; they must be prepared to do so.

Another reason for public intervention is that Amazon is reportedly trying to cut total US warehouse capacity by a whopping 10 million square feet. Not too long ago we urged local zoning/planning councils to reconsider approving plans for a plethora of “specified” warehouses, unless they had a tenant ready to move in. job that was sure to keep growing in the e-commerce boom – Amazon. It might be time to throw that advice away.

Ask Bellmawr. Regardless of the outcome of the lobbying for unionization and the injury investigation, the borough will have another empty industrial park building in its hands on June 28.

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Horoscope Today: June 5, 2022 | vogue india



See what the stars have in store for your sign












We always have two options: build a protective layer that gives us a false sense of security or bring the gift of tenderness to the table. Relax, Sagittarius. Soften up despite everything that has happened in the past. Life offers you the chance to experience deep physical, emotional and spiritual intimacy. So what if you failed 100 times, Aquarius? It’s time to stop wearing your bruises like badges of honor. It’s time to show up for what you love with a brave and open heart. Consistency will turn out to be your motto right now. Just a reminder, Gemini: it’s not just about hiring the right team. It’s also about feeding them. So tap into the gift of emotional intelligence. Find a way to work with people rather than against them. This will lead to personal and professional growth.




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The traditional narrative of menopause misleads women

With so many women affected by menopausal symptoms (about 75% of women suffer from hot flashes, for example), menopause is an important topic to discuss. There seems to be a resurgence of popular interest in it, and recently a certain widely circulated podcast episode was dedicated to the topic. In an effort to share accurate, high-quality information, the podcast hosts interviewed a doctor who is considered an expert on menopause. (For simplicity, I’ll refer to podcast hosts as The host and the doctor they interviewed as The physicist.)

However, both in this particular podcast episode and in the broader socio-cultural conversation about menopause, certain claims shape the narrative in disturbing ways. As clinicians, we need to be aware of the messages that influence our patients. I am not saying that the messages are malicious – in fact, quite the contrary. Demystifying menopause and empowering women are laudable goals that go hand in hand. But the medical history of menopause is incredibly charged, and the subject deserves careful consideration.

Claim: Concerns about breast cancer have unduly deprived women of the benefits of hormone therapy

“Whenever someone dares to whisper ‘hormone therapy’,” the host says, “[…] the reflexive answer is: “But it causes breast cancer!” She laments how, according to her understanding, “the premature publication of these first data [from the Women’s Health Initiative] and the media frenzy caused millions of women to stop hormone therapy overnight and […] deprived a generation of women of the therapeutic benefit of hormone therapy.”

But it’s not just breast cancer, and it’s not just one study.

Cochrane, an independent organization that synthesizes evidence to facilitate evidence-based medical decision-making, conducted a systematic review to help clarify the clinical effects of hormone therapy (HT) in perimenopausal and postmenopausal women. The review, which included 22 double-blind, randomized controlled trials, found: “In relatively healthy postmenopausal women, use of combined continuous HT for 1 year increased the risk of heart attack by about 2 per 1000 to between 3 and 7 per 1000, and increased the risk of venous thrombosis (blood clot) from about 2 per 1000 to between 4 and 11 per 1000. With longer use, HT also increased the risk of stroke, breast cancer, gallbladder disease and death from lung cancer.

That being said, assessing the risks and benefits of hormone therapy at the individual level can be complex, and we are still working with imperfect information. Some women experiencing intolerable menopausal symptoms may decide that the benefits of hormone therapy outweigh the risks, and that might be a perfectly reasonable decision. But there’s a big difference between de-stigmatizing an individual’s well-informed medical decision and re-popularizing the use of hormone therapy on a large scale.

Claim: Menopause is undertreated

Historically, hormone therapy for the treatment of menopausal symptoms was one of the most widely prescribed drug therapies of all time. But these days, reports The Host, “73% of women are never treated for their menopausal symptoms.” Curious where this number came from, I googled it and found a Forbes article with the title, “73% of women don’t deal with their menopausal symptoms, new survey finds”.

Scrolling through the article, I looked for the original source of the stat and found it almost immediately. The Forbes The article says that number comes from “new research from Bonafide, a company that sells products to treat women’s health issues, including menopause.” In other words, a company with a vested interest in selling menopause-related products is actively promoting the message that menopause is extremely undertreated. Digging a little deeper, I clicked on the link to Bonafide’s study. What I found was not a research paper published in a reputable scientific journal, but a neat set of slides that looked like a pitch deck.

Women need access to health care and deserve to have their menopausal symptoms taken seriously, but it’s worth being aware of the big picture. Emerging direct-to-consumer health technology companies are looking to expand the market for their products and services, and women interested in menopause treatment are a prime target. There’s an unjust voidsay these companies. But no need to worry! We are ready to step in and fill it. It’s not good medicine, it’s Marketing 101.

Claim: Seeking treatment for menopause is a feminist act

The host compares how society deals with erectile dysfunction and how it deals with menopause. She notes that information about erectile dysfunction treatment options is ubiquitous, while women are told that menopause is a natural process and that they should “just cope”. Because of patriarchy, she argues, men with erectile dysfunction are assured that they don’t have to live like this. Meanwhile, women who experience debilitating symptoms due to menopause have to adjust to a lower quality of life.

The host is right here, but framing menopause in this way risks undermining the patient/provider relationship. Let’s take a typical scenario: a woman comes to the clinic, tells her doctor about the symptoms of menopause she is experiencing, and lets him know* that she would like to start HT. He’s reluctant because of the risks, and he uses the rest of the short 15-minute date to explain that, in his case, the risks of HT actually outweigh the benefits. Although the patient understands what he is saying, she mostly feels that he is not taking her symptoms seriously. When she leaves without the prescription she came for, she feels frustrated. In her mind, she didn’t get the treatment she needed and deserved.

Again, this dynamic creates the perfect opportunity for direct-to-consumer health technology companies. You don’t have to deal with all that patriarchal nonsense. There is an easier way! Yet, while it’s easier to get menopause treatment through these companies, they may not be offering patients the best.

Affirmation: You need a doctor who will follow the guidelines

At one point during the interview, The Physician recommends the North American Menopause Society (NAMS) as an excellent resource. A little later, she adds:[NAMS] has its guidelines for doctors […] so if you have a doctor who doesn’t want to follow these guidelines, then you need another doctor.” However, what most podcast listeners don’t realize is that these types of guidelines are often heavily influenced by pharmaceutical company interests 20 clinicians and researchers recruited to serve on the 2017 NAMS Hormone Therapy Position Statement Advisory Committee, 10 of whom reported financial conflicts of interest. NAMS admits that the organization’s funding comes in part from “corporate charitable contributions” — that is, pharmaceutical companies.

Unfortunately, the messages our patients end up hearing about menopause are often carefully crafted by corporations that put their own interests first, whether it’s pharmaceutical or health technology companies. Although the narrative presented seems empowering, it is only part of the story.

As clinicians, we need to equip our patients with a more complete understanding of the various factors and forces that shape these messages. Knowing the whole story is what’s really empowering.

*Him in this case because most family doctors are men.

Shannon Casey, PA-C, is a physician assistant and former assistant professor in the Department of Family Medicine at the University of Washington. She writes to The medical atlas.

Archduchess of Divinity, gospel singer, uses her ‘more movement’ to heal and uplift

/EIN News/ — New York, June 04, 2022 (GLOBE NEWSWIRE) —

Real talent cannot be bought or made because it comes from above. The Archduchess of Divinity, a gospel singer based in Pasadena, Calif., uses her God-given talents as an extension of her ministry to bring the masses to the glory of the Most High. Without a clear purpose, life is meaningless movement and directionless activity. The Archduchess of Divinity lives her life with intention, conviction and purpose. She taps into her inner strength, recognizes her spiritual power, and lives her life as if it were golden.

In these very turbulent times, the battle for America’s soul has begun, and the Archduchess of Divinity has been called to stand at the forefront of producing powerful song lyrics inspired by the word of God. She describes her unique musical genre as “Hip Gospel”. She received praise and accolades for her single “Greatest Name in History” from her EP “Loving Hands.” Equally importantly, she co-founded Eddie’s Angel Records with husband/manager Walter R. Frank Sr. The Gospel singer released another hit single titled “Cry Out” with William F. Jordan Jr. In late 2021, her house of records has signed a distribution and marketing agreement with Zarephath Enterprises/Ingrooves/Universal Music Group.

Music is more than theory and melody. It is the power to create and change lives. In light of recent mass shootings, loss of life and abuse, the Archduchess of Divinity has decided to embark on a campaign called “The No More Movement” to coincide with the release of her single titled “No More More”. The movement represents the promotion of the thesis of “More gun violence, more pain, more abuse, etc.” Archduchess of Divinity uses music as a therapeutic and spiritual intervention to empower young people and their families to heal from trauma and overcome victimization.

The Archduchess of Divinity realizes the importance of being a strong and positive role model. She truly believes in the “God within” and wants everyone to know how wonderful life is once the power of God is realized and grasped. “My goal is to help and encourage people to achieve their dreams too,” says the songbird. She has a natural talent for melody that sets her apart from most of her peers. With uncensored emotion and honest lyricism, the music of Archduchess of Divinity tells the story of a unique path. From tragedies and heartaches to glory and triumph, she takes you on an inspiring journey.

“No More” music video

https://youtu.be/0jq9hi8FiRE


Jesse Atkinson
                  [email protected]

2 Young Spectrum Musicians Set to Perform at Special Olympics USA Games in Orlando – WSVN 7News | Miami News, Weather, Sports

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Two talented musicians are performing at Special Olympics this weekend, and they’ve had to overcome life’s obstacles to get to this moment. 7’s Kevin Ozebek on Tonight’s 7 Spotlight.

They work together in perfect harmony to find those magical moments that audiences will love.

Jacob Velazquez, 14, and his sister Skylar Velazquez, 10, are passionate about their music. To see them play, you would never know that they are both autistic.

Jacob Velazquez: “I think every day has a new hurdle to overcome, and I think that’s, you know, that’s pretty good because it just makes you better every day.”

Jacob started playing the piano at the age of 3.

The music helped him focus on his therapy. By the age of 12, he was so advanced that he won a spot on the TV show “America’s Got Talent.”

Jacob wowed the judges with an original piano song. Then he played a surprise drum solo.

When COVID hit, Jacob decided to learn other instruments.

Jacob Velazquez: “I started playing guitar and all other instruments like cello, saxophone, bass, harmonica and even a small ukulele.”

Now he and Skylar are busy training for a very special performance. They will perform and sing together at the upcoming Special Olympics USA games in Orlando.

Tina Velazquez, mother of Jacob and Skylar: “They’ve come so far since they were little. The two had so much therapy between them. It was food therapy, speech therapy, occupational therapy.

Kids say it’s important to know that being on the spectrum doesn’t mean you can’t achieve great things.

Skyar Velazquez: “I feel like autism doesn’t make you weird, but it makes you different, but good to be different from other kids.”

One of the songs they will perform was written by the whole family.

It’s called “Behind Blue Eyes,” dedicated to 12-year-old Drake Hardeman. The Utah boy took his own life after being bullied.

Skylar Velazquez: “The lesson is to make sure it doesn’t happen to anyone else.”

Jacob will perform “A Time to Shine” with teen singer Ashley Marina, who was also on “America’s Got Talent.” He says their song celebrates the spirit of Special Olympics.

Tina hopes their songs will also inspire parents who face challenges with children with special needs.

Tina Velazquez: “I really hope that, you know, anyone going through a new diagnosis can turn to Jacob and Skylar and say there’s hope.”

Jacob and Skylar couldn’t be more proud to represent South Florida. They will perform at the Special Olympics on June 7 and 8.

Kevin Ozebek, 7News.

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Spirit Airlines bidding war: is it time to buy?

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When the pandemic hit in early 2020, airlines cut staff, current pilots retired, and fewer new pilots started training. These shortages have now forced carriers to keep up with booming travel demand and pushed smaller airlines to merge or buy rivals to make the most of a reduced staff and growing customer base. . Both JetBlue (JBLU -0.85%) and Border (ULCC -4.44%) bid high for Spirit Airlines (TO REGISTER -3.01%) in this frantic race for consolidation. This battle between mid-size carriers should make either bidder stronger and more secure going forward – but now may be the time to grab shares of Spirit before a winner is n emerges.

Image source: Getty Images

Intense competition for acquisition

Midsize carriers lack the rising market capitalizations and cash reserves of their larger airline brethren, but the belt-tightening of recent years has left them running leaner operations with an eye on expanding at the horizon. Consolidation means a more diverse and larger fleet, access to additional airports and reduced overall competition in markets where both carriers currently exist.

Spirit agreed to merge with Frontier on February 5, subject to an upcoming shareholder vote on June 10. The deal exchanges each Spirit share for 1.9126 shares of the combined company, plus $2.13 in cash. In response, Spirit shares fell from $21.73 to $27.53 over the next few days, closing in on the roughly $29.40 value of Frontier’s offer on the day news of the deal broke. agreement broke. Frontier’s flight attendants union has already approved the move, but regulators and shareholders have yet to follow suit to seal the deal.

In response to the potentially tougher competition, JetBlue CEO Robin Hayes said April 6 that the Spirit-Frontier deal “has created a window of opportunity that if you don’t act, it’s gone. “. In early April, JetBlue made its own hostile bid to buy Spirit, leaving airline equity investors unsure of the eventual winner and reluctant to jump on the Spirit bandwagon.

After their uptick in the Frontier bid, Spirit shares settled lower on uncertainty, and Frontier shares fell from $14.26 to around $10. JetBlue initially offered $30 per share for Spirit, but sweetened that offer to $33 as the shareholder vote neared — more than $10 per share ahead of Frontier, which is $21.60 at current market prices. the latter company.

How regulators could derail a done deal

However, there is more on the table than the buyout price when it comes to evaluating a JetBlue offer. Because a combination of JetBlue and Spirit would have a direct impact on the markets where JetBlue’s partner American airlines (AAL -7.56%) operates, any agreement between JetBlue and Spirit may lead New York antitrust regulators to intervene. The move would reduce the number of competing carriers in shared markets, creating concern for regulators seeking to prevent monopolies in regional airspace. The Justice Department has already filed a lawsuit against the JetBlue-American partnership agreement, in which JetBlue would serve many American flights, sharing terminal space and simplifying transfers with the larger carrier.

JetBlue has yet to finalize a merger attempt, losing its bid for Virgin Airlines in 2016 to Alaska Air. JBLU’s stock price fell 40% during competition for Virgin, delivering the stock its biggest recent drop outside of the pandemic shutdown. That could leave investors wary that JetBlue has once again expanded trying to woo existing Spirit shareholders, only to lose a foothold in key markets if Frontier’s bid wins.

Meanwhile, Frontier only debuted during the pandemic, making it a relatively new player on the public scene. Its inexperience could prove costly if it fails to secure the merger and the courts with American and JetBlue in competitive markets.

Blue sky on the horizon

A hypercompetitive discount carrier market means that if either of these two consolidations ends, the emerging carrier likely gains an advantage over other airlines in the same regions. The JetBlue takeover could either result in a quick win for investors or stretch over time amid protracted legal issues. Likewise, those betting on Frontier’s offer could see it rejected outright next month if JetBlue wins with a direct appeal to shareholders. Frontier appears to be closer to a successful takeover ahead of the June 10 vote, while JetBlue likely faces a much longer and unlikely road to a successful takeover.

Still, there are signs pointing to an eventual winner of the contest being announced, rather than the three carriers remaining separate entities. Although betting on the success of Frontier or JetBlue seems risky, investors entering Spirit now could be well positioned to reinvest JetBlue buyout funds into a stronger combination carrier, or profit from immediate action by a Frontier. strengthened if and when consolidation is complete. Regardless of the eventual winner, jumping into Spirit now could offer investors an option to get into the ground floor of a newly combined carrier before it starts to beef up in years to come.

Hanin Dhiya Learns To Let Go On Emotional New Single “Kembalilah Padanya”

Indonesian singer-songwriter Hanin Dhiya has released a new single titled “Kembalilah Padanya”.

The track arrived today (June 3) on all major streaming platforms. The Fresh Drop tells the story of a person exploring their feelings of letting go of a loved one. The artist co-wrote the lyrics for the track with Marco Steffiano, Joshua Kunze, Adrian Rahmat Purwantu and Jessilardus Mate.

She revealed that the song is inspired by daily life, by Boleh Music. The singer also shared that some of the lyrics were taken from her journal notes.

Listen to “Kembalilah Padanya” below:

‘Kembalilah Padanya’ is her second release of the year. It follows her single “Love Language” in February, a track that breaks with toxic relationships. Both songs are said to unveil “a new Hanin” in 2022.

Last year, the singer tapped different artists for several collaborations, including Dewa 19’s Ahmad Dhani for the EP ‘Kangen’, Sabyan for the single ‘Fatimah Az Zahra’ and Danish pop actor Lukas Graham for ‘ Happy For You’.

In related music news, fellow Indonesian artists Marion Jola and Teza Sumendra have teamed up for the sweet R&B ballad titled “Jatuh Cinta.” This new version will be part of the soundtrack of the upcoming drama movie, “Cemara’s Family 2”.

Obsessive-compulsive personality disorder: psychotherapy, medication

Personality disorders are a group of ten disorders grouped into three groups (also called “clusters”) on the basis of descriptive similarities.

Obsessive-compulsive disorder is included in group C

It encompasses three personality disorders characterized by low self-esteem and/or high anxiety and in which people often seem anxious or fearful.

  • Avoidant personality disorder: sufferers tend to completely avoid social situations for fear of negative judgments from others, thus exhibiting marked shyness;
  • dependent personality disorder: sufferers have a strong need to be cared for and cared for by others, thus delegating all their decisions;
  • obsessive-compulsive personality disorder: the patient shows a marked tendency to perfectionism and precision, a strong concern for order and control over what is happening.

Obsessive-compulsive personality disorder

Obsessive-compulsive personality disorder (also called ananchastic personality disorder or obsessive personality disorder) is characterized by a set of rigid personality responses, behaviors, and feelings that manifest in multiple domains.

The subject tends to excessively and inflexibly conform to procedures, habits or rules, and also has repetitive thoughts or behaviors, the latter being doomed to constant control of the situation and to a perfectionism which, s If it is not reached and maintained, can transmit a strong feeling of anxiety in the patient.

Anxiety manifests itself particularly when

  • the subject’s usual and repetitive procedures are altered, for example by an unexpected situation or by other people;
  • the standards tending to perfectionism are not respected, even with minimal deviations between the expected objective and the achieved objective.

The general attitude of the patient is that of an iron inflexibility of judgment (sometimes tending to moralism), a desire for order and fidelity to routine, an anxiety in the face of a world that surrounds that often appear messy and uncontrollable.

Typical defense mechanisms of the obsessive personality are avoidance, withdrawal, reactive drive, isolation from affection, and intellectualization.

Obsessive-compulsive personality disorder should be distinguished from obsessive-compulsive (neurotic) disorder

Obsessive-compulsive disorder is an anxiety disorder dominated by recurrent thoughts with unpleasant content and is characterized by the establishment of ritual behaviors that the subject is compelled to perform: these symptomatic manifestations are egodystonic, in the sense that the patient recognizes them as problematic and wishes to get rid of them, but he is unable to do so.

On the contrary, the traits that constitute the particularity of the obsessive-compulsive personality disorder, described above, are egosyntonic and do not cause discomfort: on the contrary, the subject sees his disorder positively and often does not even know that he has it, considering his actions as a positive trait of his personality and not as a disease.

Obsessive-compulsive disorder and obsessive-compulsive personality disorder can, however, coexist in the same subject.

Psychotherapy

Psychodynamic approaches focus primarily on the interpretation of repressed and repressed elements, from which the symptoms exhibited by the patient are thought to derive.

They use the therapeutic relationship as a starting point to explore prior relationships that may have determined the development of symptoms.

Early traumas are studied.

Recognition of aspects that block the patient’s creativity and are ineffective in coping with life situations is stimulated.

When fears and feelings of discomfort become conscious, they can be dealt with productively.

Dreamwork and free associations are used to overcome the patient’s defenses against deep-seated feelings and fears.

In cognitive behavioral therapy for obsessive-compulsive personality disorder, treatment goals are collaboratively agreed between patient and therapist; therefore, they differ from patient to patient.

In general, the therapy is aimed at relieving the patient’s discomfort, making the necessary changes to allow him to live a more satisfying life.

More specifically, the fundamental objectives to be achieved with the patient are to

  • promote awareness and acceptance of one’s moods and emotions
  • learn effective strategies for dealing with problematic situations;
  • encourage flexibility on questions of morality and ethics;
  • lower excessively high performance standards;
  • increase the ability to relax in leisure activities;
  • develop the ability to establish more relaxed, informal and intimate relationships;
  • abandoning complacent behaviors on the one hand, dominant behaviors on the other.

The method used to achieve these objectives includes:

  • the identification, questioning and subsequent modification of fundamental beliefs about oneself and the world;
  • identifying and breaking vicious circles between emotions, thoughts and behavior;
  • using the therapeutic relationship as a context in which to be yourself and experience unconditional acceptance by the therapist, which encourages and fosters self-acceptance;
  • the use of relaxation techniques;
  • progressive exposure to feared situations.

Obsessive-compulsive personality disorder: drug treatment

Pharmacological therapy is currently used as a support to psychotherapy, to treat some of the patient’s symptoms, if present.

Depression and anxiety are often treated with selective serotonin reuptake inhibitors (SSRIs). Antipsychotic drugs are used in case of productive symptoms.

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Eco-anxiety: the effects of climate change on mental health

Firefighters / Pyromania and obsession with fire: profile and diagnosis of people with this disorder

Hesitation at the wheel: we talk about amaxophobia, the fear of driving

Pediatric neuropsychiatric syndrome of acute onset in children: guidelines for the diagnosis and treatment of PANDAS/PANS syndromes

Pediatrics, what is PANDAS? Causes, Features, Diagnosis and Treatment

Source:

Medicine online

10 Events in Houston That Celebrate the Joy of Pride Month

HOUSTON – Pride month is underway and there is no shortage of parties and celebrations in Houston. Here is a selection of events that celebrate the city’s LGBTQI+ community.

🥞 Drag Show Brunch

Every Sunday

The Drag Show Brunch takes place at the Montrose bar Boheme every Sunday from 10:45 a.m. to 5:00 p.m. with two show hours (11:30 a.m. and 2:30 p.m.). There is a $35 per person cover charge for the event, which includes access to the brunch buffet. See menu here. One must reserve.

307 Fairview Street, (713) 529-1099, barboheme.com

🍿 Pride Month Movie Showcase

Wednesday June 8 – Wednesday June 22

During Pride Month, the Rooftop Cinema Club will screen several LGBTQIA+ hits, including “But I’m a Cheerleader,” “To Wong Foo,” and “The Wizard of Oz.” A portion of the proceeds from these screenings will be donated to Pride Houston.

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1700 Post Oak Blvd. rooftopcinemaclub.com

🎵 Pride Happy Hour with Pride Chorus Houston

Wednesday, June 15, 5-7 p.m.

Watch a special performance by the Pride Chorus Houston, one of the nation’s first and oldest gay choirs, at the Moody Center for the Arts. Pride Chorus Houston’s performance will be accompanied by happy hour tunes from DJ GNDRBNDR beginning at 5 p.m..” From Elton John to Lady Gaga, the choir’s song selections will spotlight queer artists and anthems of pride. The event is free and open to the public.

6100 Main Street, eventbrite.com

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🏊‍♂️ Pride Pool Party

Saturday June 18, 2-8 p.m.

Described by organizers as the “Biggest LGBTQIA+ Pool Party in Texas,” the pride event will be held at Key Nightclub and will feature multiple DJs, live entertainment, hosts, dancers, games and prizes, as well as special dishes and drinks.

2301 Main Street, eventbrite.com

🍺 Pride Bar Crawl

Saturday June 18, 4 p.m. – 12 a.m.

This “choose your own adventure” crawl will consist of a check-in location, eight additional bars and an after-party location. After registering, you can go to any participating location of your choice. Tickets, which cost between $15 and $20, include access to all venues, two to three free drinks, and exclusive drinks and food. A professional photographer will be on hand to take pictures. A portion of the proceeds will be donated to The Trevor Project, a suicide prevention and crisis intervention organization for LGBTQ (lesbian, gay, bisexual, transgender, queer and questioning) youth.

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2409 Grant Street, Suite A, eventbrite.com

👠 Rock The Runway Pride Fashion Show

Thursday, June 23, 6-11 p.m.

Pride Houston’s annual fashion show will feature LGBTQIA+ designers, models and DJs. Expect to see high-end styles, the latest trends in women’s evening and casual wear, and plenty of edgy statements. The event is open to the public and free for the first 200 people who RSVP.

2600 Travis St., (713) 354-9964, eventbrite.com

🌈 Rainbow on Green

Friday June 24, 7-10 p.m.

Discovery Green’s annual LGBTQ celebration, Rainbow on the Green, will honor families who have spoken out against legislation to deny medical treatment to transgender children. The lineup for the event includes local drag queens, the Houston singer Christina Wellsan America’s Got Talent veteran, and as a headliner, vocal group, The sick of Kinsey. Known as America’s Favorite Dragapella Beautyshop Quartet, their original music and a cappella parodies have entertained and inspired millions around the world for decades. Admission is free for all.

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1500 McKinney Street, discoverygreen.com/rainbowonthegreen

🏃‍♀️ Pride Race 2022

Saturday June 25, 8:30-10:30 a.m.

This fun, family-friendly run and walk begins at Hennessy Park in Houston’s Greater Fifth Ward. There will be an optional synchronized rainbow at the start line 10 minutes before the start of the Pride race.

1900 Lyon Avenue, thepriderun.org

🏳‍🌈 Houston Pride LGBT+ Celebration

Saturday June 25, 12-10 p.m.

Houston’s official 44th annual LGBT+ Pride celebration will take place in downtown Houston and is expected to attract thousands of festival-goers. General admission is free for children 12 and under and seniors 60 and over (Free admission does not apply to Main Stage Experience or VIP Celebration.) general admission to the festival is $5 per person. The parade is free for all.

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901 Bagby Street, pridehouston365.org

🎨 BYOB Pride Painting Class

Sunday June 26, 2-4 p.m.

This is a step-by-step BYOB painting course and snacks for adults.

1402 North Loop 336 W Conroe, (936) 444-6463, paintingwithatwist.com

AFTER: ‘United with Pride’: Looking Back at Houston’s First LGBTQ Pride Parade Over 4 Decades Ago


What events would you add? This list is by no means exhaustive and we thank you for your recommendations. Drop your event recommendations in the comments section below and they may be included in an update to this article.

Copyright 2022 by KPRC Click2Houston – All Rights Reserved.

Local Spot Carbone Suit files on NYC-Import Carbone

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As first reported in The Dallas Morning NewsCarbone’s Fine Food And Wine has filed a 34-page lawsuit in the U.S. District Court for the Northern District of Texas against new restaurant Carbone, of New York, arguing that Carbone infringes Carbone’s trademark and confuses diners. from Dallas.

We wish we could be surprised, but it doesn’t take a degree in copyright to understand how the confusions could affect Carbone’s business, which opened on Oak Lawn Avenue in 2012. When we couldn’t get a reservation at Carbone, we headed over to Carbone’s for old times sake, where our waiter confirmed that many people were calling Julian Barsotti’s decade-old Italian restaurant to try and get a reservation for the New York transplant that settled just 3 km away.

Savvy readers will note that this isn’t the first time a Dallas newcomer has stepped on the toes of a local business. Bisou Bisou had been serving delicate pastries from its West Village spot since 2015, but that didn’t stop a new restaurant from opening in 2021 under the name Bisou Dallas. This case was recently settled and Bisou Bisou kept its name while the other company is now called Kiss.

Click to enlarge

Carbone (and its wine bar Carbone Vino) opened in the Design District in April 2022.

Carbon Wine

Bisou Bisou’s Andrea Meyer had plenty of ammunition for her claim; there have been misdirected deliveries, misdirected phone calls, and an increase in negative Yelp reviews directed at his establishment by reviewers who felt aggrieved by the other restaurant.

We also can’t forget the 2020 Fletcher’s Original Corny Dogs vs. Fletch Eats fiasco, in which the family fought over naming rights. The latter changed their name to CornDog with No Name.

The morning news The story highlights similar issues with Carbone, but two jumped out at us. The first is Carbone’s Fine Foods general manager Jonathan Nietzel’s assertion that the restaurant has received more than 20 appointments and some 1,400 calls from people looking for Carbone, which only accepts online reservations. line.

Second, there was a recent confusion at Central Market on Lovers Lane in Dallas, where a cap of Carbone-branded pasta sauce was displayed with signage for Carbone’s restaurant logo. According to the story, Barsotti only found out when an investor called to congratulate him on making a deal with Central Market.

As two similar restaurants serving similar cuisine, the case will likely hinge on a judge’s opinion of which restaurant established the rights to the name first, either through trademark registration or using the name. in the context of business.

Carbone’s Fine Food & Wine, 4208 Oak Lawn Ave. Dinner from 5:30 p.m. to 9 p.m. from Sunday to Thursday and from 5:30 p.m. to 9:30 p.m. from Friday to Saturday. Lunch from 11 a.m. to 3 p.m. daily.

Carbone Dallas, 1617 Hi Line Drive, 5-11 p.m. Tuesday-Sunday.

St. Louis-area Catholic schools face major teacher shortage as closures loom | Education

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St. Louis Catholic schools are scrambling to fill vacancies before classes resume this fall, while offering below-average salaries during a national staffing crisis.

The Archdiocese of St. Louis website lists 250 vacancies at 100 Catholic schools in the area.

The schools with the most unfilled jobs are primarily in northern St. Louis County. All Saints Academy in Florissant, formed in 2018 by the merger of the parish schools of Saint-Ferdinand, Sainte-Rose Philippine Duchesne and Saint-Norbert, has 16 openings on the three campuses.

St. Louis Catholic Academy, the only archdiocesan school north of the city, has seven openings out of about 30 positions in total. St. Cecilia, which serves a predominantly Hispanic population in southern St. Louis, has eight unfilled jobs, including a Spanish teacher.

Administrators of the Archdiocese’s Office of Catholic Education and Training along with principals are exploring “alternative staffing options” for the fall, said a superintendent of elementary education at St. Louis Review in an article published on May 26.

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Superintendent Maureen DePriest and other education officials were in a meeting Wednesday and were unavailable for further comment, according to a spokeswoman for the archdiocese.

The abundance of job openings is striking as the archdiocese continues to plan a massive reorganization of its shrinking population into 178 parishes and 100 schools. Consolidations of parishes and school closures should be announced next spring.

Falling enrollment has led to the closure of dozens of Catholic schools in recent decades, most recently Trinity Catholic High School in northern St. Louis County last year.

Nationally, teacher satisfaction is at an all-time low due to burnout from staff shortages and other pandemic-related challenges. A survey of American teachers released in February found that 55% planned to leave the profession sooner, according to the National Education Association.

Catholic schools must compete for teachers with public schools, which have aggressively raised salaries amid their own struggles to recruit and retain teachers.

The Missouri Legislature raised the starting salary for teachers statewide this year to $38,000. Additionally, St. Louis public school staff will receive record increases of 8% for 2022-23 along with a minimum teacher salary of $45,136. This summer, the Riverview Gardens School District doubled its summer school pay to $70 an hour for coordinators and $50 an hour for teachers.

By comparison, the salary for entry-level teachers in most Catholic schools is around $30,000. In April, the St. Louis Archdiocesan Teachers Association, representing teachers at five Catholic high schools, agreed to a new three-year contract with a minimum salary of $33,000.

If Catholic schools don’t raise tuition fees or make sacrifices like new technology, “the only thing they can control is teachers’ salaries,” said Mike Oslance, a former Catholic educator. in St. Louis and the Metro East, most recently. as manager of Holy Trinity in Fairview Heights.

“In my 10 years as an elementary school principal, any young teacher we hired would be gone the minute a public school job offer came up,” Oslance said. “There are just no easy answers to this. Trying to keep all these schools open, it’s now becoming financially unsustainable.”

St. Louis-area Catholic schools prepare for sweeping changes in parish reorganization

San Fermin Releases Emotional Pop Track, “Tired Of Loving You”

Agonies of the heart take center stage in the band’s emotionally charged new track.

If you’re planning on spending your Wednesday night in a sad-girl pit of despair, we suggest you do it to the sound of San Fermin’s “Tired of Loving You.” A sweet-sounding pop tune that ushers in melodic verses and a tortured romance-centric narrative, the pop group have served you the ultimate heartache anthem today, and it’s one you won’t be able to. remove from repetition.

“I actually started writing a love song, which I rarely do,” the collective explains. “It was called ‘I won’t get tired of loving you’. But I showed it to Allen and he didn’t buy it. We ended up getting rid of the ‘customs’ and it became a lot more raw and heartfelt. It’s about falling in love with someone and not knowing why, which is one of those deeply sad things that you can never really explain. There’s a lyric about the end which sums up in a way, ‘it’s not because I’m empty that I have room’.

Upon the release of the new track, the band took the time to chat with Wonderland about the heart of “Tired of Loving You” and the New York influence. Head below to enjoy our conversation with San Fermin…

What is the inspiration behind “Tired of Loving You”, what do you want your fans to take away from this single? What does this mean for you personally?
I set out to write a love song actually, which I rarely do. It was called “I will never get tired of loving you”. But I showed it to Allen and he didn’t buy it. We ended up getting rid of the “don’t want” and it became much rawer and more sincere. It’s about falling in love with someone and not knowing why, which is one of those deeply sad things that you can never really explain. There’s a lyric near the end that sort of sums it up, “just because I’m empty doesn’t mean I have room.”

How does it differ from your previous work?
These were the first San Fermin songs that Allen produced, in addition to singing, so he really shaped the sound. When we started talking about these new songs, he challenged me to write more directly, rely less on arrangement and focus more on the bones of the song, just saying what you meant. I think he made me sit in front of a piano and write them, which I normally write on my computer with a bunch of software instruments and stuff. But it’s a new direction, more classic songs, a little more austere.

Can you tell us a bit more about your songwriting process? And what do you think makes a good song?
I think good music comes from conflict. There’s this thing, “you sing it when you can’t say it”, which is cliché but I think it’s kind of true… for me, the impulse to write always comes from being pulled strongly into two different directions about something. I write the music because it’s the only way to resolve this conflict.

How has NYC influenced the music you make?
Even though I’ve lived in New York for ten years now, I’m only just beginning to feel like it’s really home. We had been on tour for so long; the city sometimes felt more like a home base between trips. But during the pandemic, I really settled into the neighborhood and the pace of life here. Obviously, it’s amazing to live in a place with such a rich creative community. It keeps you from getting into a rut – there’s always someone doing something new and exciting that triggers your own creative impulse.

How have you spent your pandemic time?
Allen and I built a recording studio together in Fort Greene, which has been amazing. This is the home base of our label, Better Company, which we also launched during the pandemic. I wrote a lot, both for the band and for other projects. But I hope that at this point,
can we start thinking about life beyond the pandemic period? I’m starting to want to shoot again, which is a good sign, I think.

SSDF Launches Business Of Music Accelerator Program

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As part of the ministry’s efforts to address social issues that impede youth development, the Saint Lucia Social Development Fund (SSDF), in partnership with the Caribbean Development Bank (CDB), is providing funding in the form of grants for the implementation of the Youth Economic Empowerment through Entrepreneurship (YEETE) Project.

Executed through the Basic Needs Trust (BNTF), the project aims to transform and stimulate youth entrepreneurship through the musical arts. The program launched on May 26, 2022.

The Business of Music Accelerator program is the second component of the YEETE project and targets singers, composers, arrangers, musicians, producers, promoters and those engaged in the marketing of music.

Minister for Equity, Social Justice and Empowerment Hon. Joachim Henry applauded the SSDF for this bold undertaking, saying the timing was right. “I believe this practical and useful intervention comes at a time when the government is looking to improve livelihoods and meet the needs of families. The government also recognizes the need to address vulnerabilities.

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The program will run for 8 weeks through a virtual platform hosted by the Caribbean Export Development Agency (CEDA), with additional resources provided by the European Union (EU). The online platform will host live tutoring and provide participants with an overview of each module before the start and a summary summary towards the end of each module.

Recalling his own upbringing, Minister Henry highlighted the impact of music on the growth and development of stable societies. “As an artist, I would say when you listen to sounds in communities, we want to hear the sounds of music instead of the gunshots, we want to hear the sound of the pan, the singing and the sound of the good music instead of a crying mother. Music as an art adds key dimensions to life that other secular professions lack,” Henry noted.

The Music Business Acceleration Program was launched in the presence of the Minister of Tourism, Investment, Creative Industries, Culture and Information, Hon. Guibion ​​Ferdinand and Minister of Trade, Manufacturing, Business Development, Cooperatives and Consumer Affairs Hon. Emma Hippolyte.

Source: Minister for Equity, Social Justice and Empowerment. Main photo: Minister Joachim Henry speaks with journalists at the launch of Music Accelerator.

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Sex Pistols, The Cure and Adele Rarities Added to White Label Auction

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Rare test pressing records from Sex Pistols, Adele, Wet Leg and more artists have been added to the UK’s White Label auction next Tuesday, June 7.

Buyers will have the chance to get their hands on white label pressings of Adele’s 30, the The Sex Pistols legendary second single “God Save The Queen”, a signed pressing of Wet Leg’s self-titled debut album and a white label pressing of Robbie Williams’ I was waiting for you.

Additions also include: by Mark Knopfler Sailing to Philadelphia, signed by the artist; the human league A very British group of synthesizersand Tom Speight Everything is waiting for youwhich is also signed.

The new batches of items join the press tests previously announced by The treatment, The Spice Girlscold game, The police, Eric Clapton, Simple Minds, Muse and many more. Cure rarities include band albums Disintegration, Pornographyseventeen seconds, head on the door and Acoustic Hits, signed by singer Robert Smith.

Net proceeds from the auction will be used to support the work of music industry charity The BRIT Trust, which since 1989 has donated around £28million to charities and causes that promote education and well-being through the power of music and the creative arts, such as the BRIT Nordoff-Robbins School and Music Therapy. The White Label auction has raised nearly £60,000 for The BRIT Trust in its two editions to date.

For Sex Pistols fans, there are two 7″ test pressings of “God Save The Queen”, which was originally released in 1977 and has been recently re-released to mark Queen Elizabeth II’s Platinum Jubilee this Friday, June 3.

One test pressing is the version originally released on the A&M label which was later pulled, and the other was later released in 1977 by Virgin Records featuring artist Jamie Reid’s iconic artwork.

Both versions (the former highly collectible and historically heavily pirated) were released Friday on limited edition platinum and blue vinyl respectively, although both sold out for pre-order in less than a day, so interest in the pressings should be high.

175 lots of pressings will be auctioned on Tuesday. The auction is being held live onsite/online at 11am BST for UK and international collectors by the music memorabilia and vinyl specialists Omega Auctions from their base in Newton-Le-Willows in Greater Manchester.

Calian Collaborates with Microsoft on Military Distributed Synthetic Training Environments on Microsoft Azure

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Using the Microsoft Azure cloud platform, Calian enables military customers to design, develop and deliver training to physically dispersed units.

OTTAWA, ON/ACCESSWIRE/May 30, 2022/ Calian® Group Ltd. (TSX:CGY), a diversified products and services company providing innovative healthcare, communications, learning and cybersecurity solutions, announces a collaboration with Microsoft to deliver next-generation synthetic training in the Microsoft Azure cloud environment. Significantly for military customers – this enables cost-effective, time-saving, high-quality training for disparate units, including reservist units, regardless of location.

Calian, a Microsoft Gold Partner, is a trusted partner in the military ecosystem. The company’s synthetic training environment is a collective training experience focused on critical decision-making in the face of real and simulated data. When deployed through Azure, all elements of the synthetic training environment, such as cloud computing, virtual and augmented reality, war games, data analytics, after action reviews, group training and individual engagement, are accessible to geographically dispersed military personnel. Cloud-supported individual, team, and command training improves preparedness and decision-making for real-world situations.

“Providing training anytime, anywhere, for any threat is Calian’s promise to defense customers,” said Kevin Ford, CEO of Calian. “Distributed training through the cloud enables militaries to improve individual and collective high readiness while reducing overall costs.”

“Calian has been providing synthetic training to the Canadian Armed Forces (CAF) through the Canadian Army Simulation Center for over 25 years,” said Don Whitty, President Learning, Calian. “Our collaboration with the Canadian Army is the foundation of the success of our synthetic training environment solution and will continue to be our focus as we deploy our distributed training solution through Microsoft Azure.

“Microsoft Azure makes it easy to deploy Calian’s solutions quickly and securely,” said Derek Dobson, defense industry manager, Microsoft Canada. “The product’s deep integration with Calian’s synthetic cloud-based training environment ensures a successful training solution anytime, anywhere.”

Calian also benefits from Microsoft technologies such as HoloLens 2 and Microsoft Windows voice recognition to increase knowledge transfer and retention and improve training objectives in conjunction with the Royal Canadian Navy.

For a demonstration of the Calian Synthetic Training Environment or Naval Augmented Reality Classroom Trainer, visit Calian booth #701/M16 at CANSEC, June 1-2, 2022, at the EY Center in Ottawa, Ontario, Canada.

About Calian
We move the world forward. Calian® helps people communicate, innovate, learn, stay safe and lead healthy lives with confidence. Every day, our employees live our values ​​of customer engagement, integrity, innovation and teamwork to design trusted solutions that solve complex problems. It is Trust. Designed. A stable and growing company for 40 years, our headquarters are in Ottawa with offices and projects covering North American and international markets. Visit calian.com to learn more about innovative healthcare, communications, learning and cybersecurity solutions.

Product or service names mentioned herein may be the trademarks of their respective owners.

Media inquiries:
[email protected]
613-599-8600 ext. 2298

Investor Relations Inquiries:
[email protected]

————————————————————————–

DISCLAIMER
Certain information contained in this press release is forward-looking and is subject to significant risks and uncertainties. The results or events predicted in these statements may differ materially from the actual results or events. These statements are usually accompanied by words such as “intend”, “anticipate”, “believe”, “estimate”, “expect” or similar statements. Factors that could cause results or events to differ from current expectations include, among others: the impact of competitive pricing; limited number of qualified professionals; the impact of rapid technological and market changes; loss of business or credit risk with major customers; technical risks on fixed-price projects; general industry and market conditions and growth rates; international growth and global economic conditions, including currency exchange rate fluctuations; and the impact of consolidations in the business services sector. For further information regarding some of these and other factors, please see the Company’s most recent annual report and other reports filed by Calian with the Ontario Securities Commission. Calian disclaims any intention or obligation to update or revise any forward-looking statement, whether as a result of new information, future events or otherwise. No assurance can be given that the actual results, performance or achievements expressed or implied by the forward-looking statements contained in this disclosure will occur, or if they do occur, that benefits may be derived therefrom.

Calian Corporate Office 770 Palladium Drive Ottawa Ontario Canada K2V 1C8
Tel: 613.599.8600 · Fax: 613-592-3664 · General information email: [email protected]

THE SOURCE: Calian Group Ltd.

See the source version on accesswire.com:
https://www.accesswire.com/703287/Calian-Collaborates-With-Microsoft-on-Military-Distributed-Synthetic-Training-Environments-on-Microsoft-Azure

Widespread panic pays homage to fallen influences with an emotional finale in Huntsville [Video/Full Audio]

Widespread panic pays homage to fallen influences with an emotional finale in Huntsville [Video/Full Audio]

They say to know where you’re going, you have to know where you’ve been. Widespread panic didn’t miss a step in their 30+ years of performing and certainly remember their roots as the band paid homage to their late mentors, influences and friends who are gone but not forgotten. At last night’s pre-Memorial Day show at Orion Amphitheater in Huntsville, AL, Widespread Panic honored Willie Dixon, Billy Joe Razor, Vic Chestnut, Daniel Hutchins, Colonel Bruce Hampton, Garrie Vereen, Todd Nanceand Michael Houser.

As Panic took the stage, an excited buzz began to ripple through the crowd at the sight of John Bell in an upside down hat. A show of upside-down hats in the Dirty South is the perfect setting for a scorching night of WSP tunes. Let’s get down to business, a condensed performance by Wray LinkThe instrumental “Rumble” opened the show before a frenzied “Conrad” sprang from its cocoon.

WSP’s Memorial Day tributes started pouring in when Willie Dixon’s “Weak Brain, Narrow Mind” led the way for Billy Joe Shaver’s “Chunk of Coal.” Follow, Dave SchoolsVocals and bouncy bass graced Vic Chesnutt with a hard-hitting rendition of “Sleeping Man.”

JoJo Hermann and his piano introduced and led the six-piece through “Jaded Tourist” before a sizzlin’ Jimmy Herring guitar solo cut through the mix. For only the third time in the band’s history, JB sang a Roadhouse rendition of Vic Chesnutt’s “Morally Challenged” with the geographically appropriate opening lyric, “She’s your grey-haired granny from Gadsden, Alabama.”

At the end of the first frame, WSP performed the newly inducted anthem “Trashy” as an emotional tribute to Daniel Hutchens of Bloodkin. Back-to-back originals “Jack > Love Tractor” closed the first frame with psychedelic revelry. Appropriate for Memorial Day, the lyrics to “Love Tractor” carried exceptionally significant weight, “I’ve got enough fuel this time to remember!”

Returning to the stage for the second set, Panic paid tribute to his late teammate Todd Nance with a performance of “Down”. This song, sung by Nance on the album, has been played six times since it was pulled from the shelf on June 25 last year. Red Rocks Amphitheater run after a seven-year hiatus.

A reggae version of Jerry Joseph’s “Chainsaw City” was performed (“No bad vibes!”) before WSP honored the loyal community with “Good People.” Breaking it down, JoJo led the audience through the twisting, shady alleyways to a fan-favorite “Dark Bar” midway through the song.

After “Cease Fire > Never Seen” – a nod to former road crew member Garrie Vereen – Widespread Panic morphed into a non-stop stream of jams as “Impossible” segues into a cover of David Earl Johnson“Time is free”. The cover was frequently covered by Colonel Bruce Hampton and radiated the Colonel’s cosmic inspiration with a jam “Zambi” and “Space is the Place.”

Without stopping, Panic plunges into the depths of a funky “Fishwater”, embellished with a Duane Trucks and Sunny Ortiz“Battery” section. After almost an hour of non-stop jamming, Widespread took a short break before closing the second set with “North” by Jerry Joseph.

To wrap up the weekend’s festivities, Widespread Panic paid tribute to their fallen founding comrades, Todd Nance and Michael Houser, with ‘Blue Indian’ and ‘Travellin’ Man’. To punctuate the Huntsville run with an exclamation mark, Panic performed a heartwarming “The Waker” to close out the weekend’s celebrations.

Another exhilarating weekend in the books with the Widespread Panic family in Alabama. Then panic on the rocks. Red Rocks Amphitheater i.e. June 24-26. The five nights rescheduled twice at beacon theater are expected to follow in mid-July and have postponed the Napa and New Years shows to fox theater are also on the horizon. For the full tour, click here. See you soon on the Rocks!

Full audio from the show is available below, along with a collection of fan-shot videos from YouTuber Fred Ramadan. Revisit live for live musicWidespread Panic’s coverage at the Orion Amphitheater Friday and Saturday.

Setlist: Widespread Panic | Orion Amphitheater | Huntsville, AL | 05/29/22

Series One: Rumble, Conrad, Weak Brain, Narrow Mind, Lump of Coal, Sleeping Man, Jaded Tourist, Moral Challenge, Trashy, Jack > Love Tractor (68 mins)

Set Two: Down, Chainsaw City, Good People > Dark Bar > Good People, Cease Fire > Never Seen > Impossible > Zambi Jam > Time Is Free > Space Is The Place Jam > Time Is Free > Fishwater > Mini Drums > Fishwater, North (95 mins)

Again: Blue Indian, Travelin’ Man > The Waker (14 min)

Remarks
– ‘Morally Challenged’ LTP 12/31/19 Atlanta (53 shows) 3rd time played (Brute)
– ‘Time Is Free’ 12/30/19 Atlanta (54 shows)

Vermont is changing the way it funds special education. Some school districts say it’s not done fairly

Photo illustration by Natalie Williams/VTDigger. Stock photography via Pexels

At the next regular meeting of the Champlain Islands School District school board in June, board members will grapple with a thorny question: how to fill a budget hole of about $280,000.

This sum is approximately equivalent to three jobs. Now the school board must decide which positions to leave vacant: should the board decline to take on an advisory role? A music teacher? A French teacher? A maintenance manager?

“It’s the optional things that always suffer,” said Michael Inners, chair of the Champlain Islands School Board. “These are the language programs; it’s art, music, student support, athletics.

Across Vermont, local school authorities face similar funding holes. The cause? Act 173, a law passed by the Vermont Legislature in 2018 that changes how special education funds are distributed to school districts.

Although this law has been in effect for four years, some of its most important provisions — those that some school officials say hurt their districts — are taking effect now.

For years, schools have funded their special education services through a reimbursement model.

According to Mary Lundeen, former president of the Vermont Board of Special Education Administrators.

But this process was widely seen as overly bureaucratic and expensive.

Studies found the state was spending millions more than it should have on special education, and officials said completing the reimbursement process was cumbersome and time-consuming.

“The funding was so restrictive that you really had to document every minute of a special educator’s day and make sure she was (spent) doing special education things,” Lundeen said.

Thus, in 2018, the legislator passed a law aimed at overhauling the funding process. Instead of reimbursing districts for their costs, the Education Agency would simply provide “census block grants” – direct payments to districts based on the number of students in each district.

This change is intended to both save money and give schools more flexibility in how they spend their share. After some delay, the new block grant model is expected to come into effect in the upcoming 2022-23 school year.

But some school officials see problems with how this is being rolled out.

“Inherently inequitable”

For many districts, like the Unified Union of the Champlain Islands, the change means they will simply receive less money for special education than before.

Between the current school year and the upcoming school year, the state of Vermont is expected to spend about $16 million less on special education under the new system, according to data provided by Chief Financial Officer Brad James. agency education. That could change, however, if Governor Phil Scott vetoes legislation on the subject.

According to James’ data, about three-quarters of school districts and supervisory unions in Vermont are expected to lose money under the new funding model.

In the North Country Supervisory Union, schools will face a shortfall of about $1 million over the next school year, Superintendent John Castle said.

The new model “is inherently inequitable,” Castle said. The system assumes that the prevalence of special education students is consistent across the state, which he argued ignores the fact that some low-income districts have greater need than their counterparts.

“There is a relationship (between) poverty and increased need for special education services,” Castle said.

Emilie Knisley, superintendent of the Orange East Supervisory Union, said in an interview in early spring that her districts would lose hundreds of thousands of dollars a year with the change.

“The money we’re getting in the block grant isn’t big enough to make up for the loss,” Knisley said, though she noted that strong tax revenue and federal pandemic assistance have helped. balance budgets for the coming year.

But this change does not necessarily mean that special education services will be eliminated. Federal regulations protect special education services in schools, which means districts could be forced to cut budgets — or spend more — in other areas.

“(If) you’re forced to make cuts in order to make a budget reasonable for taxpayers, the things you’re looking at cutting are math or reading intervention services for students, or things like that,” Knisley said. “Because it’s not like you can eliminate the second year.”

Overlapping reforms

Because Law 173 was passed in 2018, the change in funding system was not a surprise.

But some school districts expected the change to be accompanied by another big financial reform: the upgrade to Vermont’s school funding formula, which the governor signed on May 23 and is expected to begin rolling out. enter into force in 2024.

These upgrades are expected to offset at least some of the losses associated with moving to special education.

During the legislative session, some schools civil servants asked legislators to delay the move to block grants until the new funding formula takes effect.

The two changes “must go together,” Kingdom East School District Superintendent Jen Botzojorns wrote in testimony to legislators. “One without the other contradicts the very law that must be enacted.”

But lawmakers ultimately chose not to delay the block grant system, even though they did. twist rolling out to allow many districts to secure more funds for the upcoming school year. This is intended to provide a cushion for the first year, should Governor Phil Scott sign the bill.

Incumbent Rep. Kate Webb, D-Shelburne, who chaired the House Education Committee in the just-concluded legislative session, said lawmakers have been reluctant to delay Bill 173 any further.

Reforms to the Special Education Act are “the best response to students who have lost ground during the pandemic,” she said.

She noted that some districts, like those in the Orange East Supervisory Union, have been able to fill budget holes with strong tax returns and federal pandemic relief funds.

“We know this conversation is not over,” she said. “Let’s implement Law 173, get things moving, and then we can tackle some of the financial considerations in the years to come.”

Possible legal action

But without delay, some districts could face at least two years of financial losses before the two new systems are implemented.

This will unfairly affect Vermont districts, especially those most reliant on special education services, said Castle, the North Country superintendent.

He pointed to a section of Bill 173 which directs the Education Agency to ‘review and make recommendations’ on whether districts with more special educational needs should receive larger block grants. .

The law notes that “the General Assembly intends to reconsider this matter after receiving this recommendation and prior to the implementation of the census-based model.”

None of that happened, he said.

Ted Fisher, spokesman for the Education Agency, said the issue was “something we will need to monitor over time as new systems come into effect”.

“With the updated weights not going into effect until (fiscal year) 2025 and the census-based funding model still not in effect, it’s likely any changes would be premature,” Fisher said in an e -mail.

But Castle raised the possibility of legal action over what he sees as a failure to act – an option the board of directors of the North Country Supervisory Union should consider, he said. declared.

“There’s a tendency to dismiss this issue by the legislature and by the (education) secretary,” Castle said. “And at some point, if it takes litigation to get someone’s attention, maybe that’s what it takes.”

If you want to keep tabs on Vermont education news, sign up here to receive a weekly email with all of VTDigger’s reports on higher education, early childhood programs, and school policy. K-12 education.

AT YOUR SERVICE – MAY 29, 2022 – At your service

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At your service

Sunday, May 29, 2022 – 30 minutes

Reverend Dr Dee Dee Haines spent over ten years on the Isle of Man, leading Rosemount Methodist Church in Douglas, and despite his ministry in various other countries, the island still holds an incredibly special place in his heart. . Returning here for a brief visit and to share in the Keeills Week of Prayer, Dee Dee joins us in sharing what she has learned through her current ministry at a hospice in Minneapolis, Minnesota, where she is the Supervisor of spiritual care and music therapy, also responsible for bereavement support.
Multitasking might not be a term we would instantly associate with priestly ministry – but it is a reality in the Roman Catholic Archdiocese of Liverpool, of which the Isle of Man is part. Reverend Canon Aidan Prescott joins the program to explain how it works for him – and for his colleagues.
And Ruth Rice is back, to share another letter of her personal wellness alphabet, in case what’s good for her might be good for us too.
Ruth is the founder of Renew Wellbeing – cafe-style safe spaces where everyone is welcomed, supported and gently encouraged to find their own path to mental health and wellbeing.
We have Renew spaces at The Well on Broadway, Douglas, and at Peel Methodist Church – opposite the Centenary Centre.
And there are some fine London Fox Singers anthems
Plus plenty of information on the billboards – including details of those TT cafes – back to business!
If you have bulletin board news or would like to request a favorite hymn or sacred song, email:
[email protected]

Subscribe to this podcast

Coast Guard finalizes plan to close Grand Marais resort – Reuters

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GRAND MARAIS — After nearly 100 years, the U.S. Coast Guard is closing its Grand Marais station, finalizing a plan it made public last year.

The station will be “consolidated” with the larger station in Duluth, the Coast Guard said in a news release Thursday. As the News Tribune reported last year, the Grand Marais station was only manned during the summer months by four people and a boat from its “parent unit” in Duluth and responded to less than a call per year.

It is one of two groupings of Coast Guard stations on the Great Lakes. The other, on Lake Michigan, will mean the closure of Holland, Michigan Station and its consolidation with Grand Haven, Michigan Station.

“We would not consolidate these stations if we believed it would increase the risk to boaters or the marine industry,” Lt. Paul Rhynard, Ninth Coast Guard District public affairs officer, said in the statement. “This decision was made after careful research and with public safety as our top priority. Modern boats and aircraft and strong partnerships with other search and rescue agencies allow us to eliminate redundancies and ensure the best use of limited resources.

The Grand Marais Coast Guard Station, called Station (Small) North Superior, was established in 1928 and has been seasonally staffed since 1988. It is on Artist Point, near the footbridge leading to the Grand Marais Lighthouse . According to the Coast Guard website, it is responsible for the area of ​​the lake from Taconite Harbor to the border with Canada, including Isle Royale.

Nottingham Line of Duty star Vicky McClure calls for music therapy for people with dementia

In 2019, Vicky starred in a two-part BBC documentary Our dementia choirwho explored the vital link between music and dementia.

Around 850,000 people in the UK live with some form of dementia, with many more indirectly affected. Although progress is being made, a cure is unlikely to come fast enough to help these people – and so finding the best way to live with dementia is essential.

The choir took part in a groundbreaking scientific study to measure their emotional and physical responses to singing over three months of regular sessions, culminating in a live performance in a crowded royal concert hall.

Vicky had been inspired to join the BBC documentary after her Nanna Iris died of vascular dementia four years earlier. She had helped take care of herself and had seen with her own eyes how music helped calm her down.

“It was a real shock to me, when we received the death certificate, to see that she had died of vascular dementia. It was the first time I realized that one could die of dementia , it sounds like a silly thing to say but it’s such a confusing disease.When it comes into your world, you start to learn about it.

– Advertising –

“When we got to the end of filming Our dementia choir, it became very obvious that I was never going to turn around and say, well, thank you for exposing your lives and being so honest, and then letting them go and moving on. It was the right thing to do, and with lots of support from the media, many people and Karen who now runs the charity, it kept us going.

“I will never cease to be amazed and proud of this brilliant group of people,” said Angela, leader of the choir. “They take every challenge with both hands and they never disappoint.”

At a special performance at Nottingham’s City Hospital’s Beeston Ward Garden, organized and funded by Nottingham Hospitals Charity, Vicky joined choir members old and new for a fun gig in the sunshine.

“We have a lot of amazing new members, unfortunately we have lost members which is heartbreaking and yet inevitable,” Vicky said. “There is a lot of ambition for Our Dementia Choir, and there are a lot of people who don’t live in the city who would like to be a part of it and I would love nothing more than it to be available for everyone – the music therapy should be available to absolutely everyone who receives a diagnosis.

“We need more research more than ever, more people, more funding, more everything, we are so behind and we have so much to do. Events like this, bringing together two charities, are really important to me, because you don’t know what will come of it.

“There is a stigma there and a pride there, it is very difficult for people to go to the doctor and ask for help knowing that they could receive this diagnosis.

“We need to break this stigma; there is so much research and help we need from the government. It’s hopeless now, because we’re living longer and people are being diagnosed much younger.

“Our dementia choir is a shining example of how well we can live with dementia, how long people live with it. We can’t give people a diagnosis and then say, there you go, fight your way through for as long as you can.

“The choir is an inspiring group of people who show that there are ways to live well. It’s not just music, it’s a community now and they rely on each other a lot, and I’m very proud that we’ve been going on for so long.

The past few years have been busy, but our chorus of dementia isn’t slowing down; it registered as a charity nearly a year ago and is now in the capable hands of Karen Bonser, whose husband Mick was in the very first show, having been diagnosed with dementia at 51 years, and continues to sing in the choir.

“A charity is a very complicated thing to do, but thanks to people like Karen and the support we have around us, we’ve moved mountains,” Vicky said. “Hopefully over the next 12 months we stay in a very stable state and maintain our funding as best we can – that’s the most important thing.

“I want everyone to have access to singing therapy. Unfortunately, I don’t see that being realized in the next 12 months. But I see that it is achieved.

So what would Iris of Our Dementia Choir have thought?

“My Nanna loved a lot of music, Gene Pitney was one of her favourites. She was a very lively, bright, bubbly woman and she would have loved that.

“They’re all dripping red and it was her favorite color – that’s why we have red. She left a real legacy and I’m really proud of her.

For a preview of the performance, please watch here: Vicky McClure and Our Dementia Choir perform at Nottingham City Hospital for Dementia Action Week – YouTube

To learn more about the choir, to join or to donate, please visit: Home | Our dementia choir

How football roots and overseas travel help Brewers’ Devin Williams stay grounded

In an alternate world, one of the best relievers in baseball might have been a football player.

Really.

Well, okay, maybe that’s stretching things just a little.

As Devin Williams was planning to continue his baseball career towards the end of 2018, he came up with the idea of ​​going back to school. And if he had continued his education, he would also have explored his eligibility to play college football.

Things have never gone this far. After posting a 5.84 Class A ERA in 2018, Williams has rebounded in a major way. The following season, at age 24, Williams dominated in the minors and earned a belated promotion to the Brewers. Then 2020 was the year of the airbender, with Williams earning National League Rookie of the Year and Reliever of the Year honors. He proved his performance in the shortened season was no fluke; last year he had a 2.50 ERA and 2.82 FIP with 87 strikeouts in 54 innings.

This season, Williams entered the Brewers’ weekend series against the Cardinals in his hometown of St. Louis with a 3.50 ERA/1.47 FIP with 33 strikeouts and 11 walks in 18 innings. When Josh Hader was on the family’s medical emergency list a few days ago, Williams completed three scoreless innings and two saves. In his last seven appearances (seven innings), he allowed just three hits, no walks and no runs with 14 strikeouts.

Those fleeting thoughts of a football career are decidedly a fantasy of the past. But Williams’ relationship with the game endured and helped him.

Disappointed with his performance and the progress of his career after the 2018 season, Williams decided to take a trip overseas.

“I just took a trip to clear my head, and it kind of became my thing,” Williams said. “I didn’t want to think about baseball. After that, I had the ’19 (season) that I had, I reached the major leagues. So, I said, ‘OK, let’s do it again.’ And then won rookie of the year, reliever of the year. At that time, it became a tradition.

“It’s an escape to get away from it all.”

After the 2018 season, he traveled to London and Paris. He saw Everton and Chelsea play at Stamford Bridge. After the 2019 season, he traveled to Switzerland and Germany and played a game for Borussia Dortmund. COVID-19 then put its tradition on hold. Williams’ 2021 regular season ended early when he went on the injured list after breaking his hand hitting a wall. Following the Brewers’ elimination from the playoffs, Williams went on her therapeutic journey. Last off-season he returned to London and this time saw Manchester United take on Manchester City.

“I really, really wanted to see Ronaldo play for Manchester United in person,” Williams said. “He was my idol when I was a kid. I love Ronaldo.”

Growing up in St. Louis, Williams said, “It was either a baseball in my hand or I was kicking a soccer ball.”

Its falls and winters were for football; the springs and summers were reserved for baseball.

“I wanted to play football all year round,” Williams said. “I was jealous of all the kids on my team who got to play all summer. I just felt like I was missing out. Honestly, it’s probably the most important sport in St. Louis.

So why did he pursue baseball instead?

“I was better at that,” Williams said with a laugh.

“Maybe I didn’t give myself enough time, who knows. Maybe I would have moved on and been really good. But people around me pushed me into baseball because that’s what they saw, that my future would be in baseball.

This is a good thing. In high school, Williams was hitting 95 mph. The Brewers drafted him in the second round of the 2013 MLB Draft at Hazelwood West High in Missouri, and he’s been with the organization ever since. His football days ended after his first year.

At the time, Williams was a forward. When he allows himself to play the simulation game, a defensive position comes to mind. How good would it be?

“I don’t know,” Williams said. “I always joke with my buddy, who played in college, that I’m doing better than when I play with him and his other friends who played in college. I don’t know how good I would have been, though. I stopped playing before I was fully developed.

During the offseason before the 2020 season, before the pandemic spread to the United States, Williams’ conditioning was to play futsal – indoor soccer – twice a week.

These days, he’s mostly just a fan. For a Missouri native, it’s also a good time to be one. St. Louis City SC is an MLS expansion franchise slated to begin play in 2023. Williams said the franchise was meant to make him a super fan. He expects to receive material, but has not received any yet.

In the meantime, he hopes to continue his run as one of baseball’s best late-inning relievers, thriving in American cities as he looks forward to his off-season travels — and seeing more football — around the world. Williams’ second trip to London lasted about a week last November. The next step ? Maybe Spain and Italy.

Travel has worked well for him so far.

The plan is to keep them as routines.

That’s the point.

(Photo: Daniel Shirey/MLB Photos via Getty Images)

Nordoff Robbins Announces Silver Clef Winners

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Artist News Awards

By Andy Malt | Posted on Friday, May 27, 2022

Music therapy charity Nordoff Robbins has announced the winners of this year’s Silver Clef Awards, with Peter Gabriel taking the title grand prize and Jools Holland the Outstanding Achievement trophy.

Back after a two-year hiatus due to all these things, the awards will be presented at a fundraising luncheon at Grosvenor House in London on July 1, hosted by Edith Bowman.

“We look forward to honoring such an array of talented artists and welcoming everyone back to this incredibly special event,” said Sandra Schembri, CEO of Nordoff Robbins. “This year’s ceremony will be the first to be held since 2019, where we raised a record £1m, and we hope it will be our biggest fundraising event to date.”

“Like many other charities,” she adds, “Nordoff Robbins’ revenues have been decimated over the past two years. Despite this, we have continued our work with vulnerable and isolated children and adults, as our services are needed more than ever.”

“Our vision is clear – we see music as a superpower,” she continues. “Music can connect everyone with their human potential and dignity, regardless of profound disability, illness or a society that excludes them. With the support of the incredibly generous music industry, we can come together to to help make music a part of the lives of those struggling to access what we know to be true – music matters and we can truly come alive through music”.

Peter Gabriel, winner of the award, comments: “I am delighted to receive the O2 Silver Clef award. I have always believed that the role of music goes far beyond entertainment, and I am convinced that sound and light have a vital role to play in therapies and healing in the future”.

“It’s wonderful to see Nordoff Robbins using music to reach young people, who would otherwise feel much more isolated and vulnerable, and give them a way to express their emotions,” he adds. “I’m working on a project called Reverberation – about the impact of music on the brain and body, so this award is timely. I fully support Nordoff Robbins’ belief in exploring and expanding the positive role music can have for everyone in our society.”

Here is the full list of winners who will be honored in July:

Best Woman: Becky Hill
Best Male: Tom Walker
Best Group: London Grammar
Best international: Tems
Best Live Act: Yungblud
Best New Music: Griff
Classic Award: Alexis Ffrench
Innovation: Kano
Silver Key: Peter Gabriel
Outstanding Achievement: Jools Holland
Icon: Frankie Valli



LEARN MORE ABOUT: Nordoff Robbins | Pierre-Gabriel


RBC BEARINGS INC MANAGEMENT REPORT OF FINANCIAL POSITION AND RESULTS OF OPERATIONS (Form 10-K)

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The financial and business analysis below provides information which we believe
is relevant to an assessment and understanding of our consolidated financial
position, results of operations and cash flows. This financial and business
analysis should be read in conjunction with the consolidated financial
statements and related notes. All references to "Notes" in this Item 7 refer to
the "Notes to Consolidated Financial Statements" included in Item 8 of this
Annual Report on Form 10-K.



The following discussion contains statements reflecting our beliefs about our future performance that constitute “forward-looking statements” within the meaning of the Safe Harbor WE Private Securities Litigation Reform Act of 1995. See information provided in Part I, Item 1A. “Risk Factors” in this Annual Report on Form 10-K under the heading “Caution Regarding Forward-Looking Information”.



We have omitted our discussion of fiscal 2020 from this section as permitted by
Regulation S-K. Discussion and analysis of our financial condition and results
of operations for fiscal 2020 can be found within Part II, Item 7. "Management's
Discussion and Analysis of Financial Condition and Results of Operations" of our
Annual Report on Form 10-K filed with the SEC on May 21, 2021.



Overview



We are a well-known international manufacturer of highly engineered precision
bearings, components and essential systems for the industrial, defense and
aerospace industries. Our precision solutions are integral to the manufacture
and operation of most machines and mechanical systems, reduce wear to moving
parts, facilitate proper power transmission, and reduce damage and energy loss
caused by friction. While we manufacture products in all major bearing
categories, we focus primarily on the higher end of the bearing market where we
believe our value-added manufacturing and engineering capabilities enable us to
differentiate ourselves from our competitors and enhance profitability. We
believe our unique expertise has enabled us to garner leading positions in many
of the product markets in which we primarily compete. With 56 facilities in 10
countries, of which 37 are manufacturing facilities, we have been able to
significantly broaden our end markets, products, customer base and geographic
reach. We have a fiscal year consisting of 52 or 53 weeks, ending on the
Saturday closest to March 31. Based on this policy, fiscal year 2022 had 52
weeks and fiscal year 2021 had 53 weeks. We currently operate under two
reportable business segments - Aerospace/Defense and Industrial:



? Aerospace and Defense. This segment represents the end markets for the Company’s products

high-tech bearings and precision components used commercially

aerospace, defense aerospace and marine and land defense applications.

? Industrial. This sector represents the end markets for highly

engineering precision bearings, gears and components used in various

industrial applications including: power transmission; construction, mining,

   energy and specialized equipment manufacturing; semiconductor production
   equipment manufacturing; agricultural machinery, commercial truck and
   automotive manufacturing; and tool holding.




                                       25





The markets for our products are cyclical, and we have endeavored to mitigate
this cyclicality by entering into single and sole-source relationships and
long-term purchase agreements, through diversification across multiple market
segments within the Aerospace/Defense and Industrial segments, by increasing
sales to the aftermarket, and by focusing on developing highly customized
solutions.



Currently, our strategy revolves around maintaining our role as a leading manufacturer of high-tech bearings and precision components through the following efforts:

? Develop innovative solutions. Based on our design and manufacturing

expertise and our many relationships with our customers, we continue to develop new

products intended for markets where growth opportunities are significant.

? Expand customer base and penetrate end markets. We are continually looking for

opportunities to access new customers, geographies and rotations

platforms with existing products or profitable new product opportunities.

? Increase aftermarket sales. We believe that increasing our sales in the secondary market

of spare parts will further improve the continuity and predictability of

our revenues and improve our profitability. These sales include sales to third parties

third-party distributors and sales to OEMs for replacement products and the aftermarket

services. The acquisition of Dodge had a profound impact on our sales

volumes to distributors and other aftermarket customers. We go further

increase the percentage of our revenues coming from the replacement market by

continue to implement several initiatives.

? Continued selective acquisitions. Acquisition of complementary businesses

or expand our operations has been and continues to be an important part of

our business strategy. We believe there will continue to be consolidation

   within the industry that may present us with acquisition opportunities.




We have demonstrated expertise in acquiring and integrating bearing and
precision engineered component manufacturers that have complementary products or
distribution channels and have provided significant margin enhancement. We have
consistently increased the profitability of acquired businesses through a
process of methods and systems improvement coupled with the introduction of
complementary and proprietary new products. Since 1992 we have completed 27
acquisitions, which have broadened our end markets, products, customer base
and
geographic reach.



Recent Significant Events



Acquisition of Dodge



On November 1, 2021, the Company purchased 100% of the capital stock of Dodge
Mechanical Power Transmission Company Inc. (now known as Dodge Industrial,
Inc.), and certain other assets relating to ABB Asea Brown Boveri Ltd's
mechanical power transmission business. Collectively, this acquired business is
referred to as "Dodge." The purchase price was approximately $2,908.2 million,
net of cash acquired and subject to certain adjustments. The purchase price was
paid with a mix of financing and cash on hand. Financing for the Dodge
acquisition is discussed further within the "Liquidity and Capital Resources"
section below.


With offices in Greenville, South Carolina, Dodge is a leading manufacturer of
mounted bearings, gearings, motion control products and mechanical products with
market-leading brand recognition. Dodge manufactures a complete line of mounted
bearings, enclosed gearing and power transmission components across a diverse
set of industrial end markets. Dodge primarily operates across the construction
and mining aftermarket, and the food & beverage, warehousing and general
machinery verticals, with sales predominately in the Americas.



                                       26





Outlook



Our net sales increased 54.8% year over year due to an increase of 163.9% in
Industrial sales partially offset by a 3.7% decrease in aerospace and defense
sales. Approximately $291.9 million of the Industrial sales were from the Dodge
business. Excluding those sales, Industrial sales increased 26.7% year over
year, reflecting sustained growth across many different areas. Highlights
included our mining business, which increased more than 50% year over year, oil
and gas, semiconductor, and general industrial markets.



Aerospace and defense decreased 3.7% year over year. Commercial aerospace
decreased 1.5%, despite demonstrating early signs of recovery during the second
half of the year. Defense sales, which represent approximately 39.0% of segment
sales during the year, were down more than 7% for the year, driven by marine and
aerospace markets. The recovery in the commercial aerospace industry has proven
slower than anticipated, but the order rate in recent months signals a positive
sign as we look toward fiscal 2023.



For the twelve months ended April 2, 2022, approximately 60% of our net sales
were attributable to the Industrial segment while the aerospace/defense segment
contributed approximately 40% of our net sales. For the fourth quarter of fiscal
2022, approximately 71.0% of our net sales were attributable to the Industrial
segment compared to approximately 29.0% for the aerospace/defense segment. This
shift in mix is primarily due to $181.9 million of sales attributable to the
Dodge business in the fourth quarter. Approximately 66.0% of Industrial sales in
the fourth quarter were to distribution and aftermarket while approximately
34.0% were made directly to OEM's. Approximately 36.0% of our aerospace/defense
sales were to the defense market. The Company expects net sales to be
approximately $355.0 million to $365.0 million in the first quarter of fiscal
2023, compared to $156.2 million in the prior year, which represents a growth
rate of 127.3% to 133.7%.



We ended fiscal 2022 with a backlog of $603.1 million compared to $394.8 million
for the same period last year, representing a 53% increase year over year. This
increase reflects the benefits of the acquisition of the Dodge business, as well
as an increase in aerospace orders during the period.



We experienced solid operating cash flow generation during fiscal 2022 (as
discussed in the section "Liquidity and Capital Resources" below). With the
addition of Dodge, we expect this trend to continue during fiscal 2023 as
customer demand continues to be significant. We believe that operating cash
flows and available credit under the Revolving Credit Facility and Foreign
Revolver will provide adequate resources to fund internal growth initiatives for
the foreseeable future, including at least the next 12 months. For further
discussion regarding the funding of the Dodge acquisition, refer to Part II,
Item 8 - Notes 8, 11 and 15. As of April 2, 2022, we had cash and cash
equivalents of $182.9 million, of which, approximately $34.9 million was cash
held by our foreign operations.



Sources of Revenue



A contract with a customer exists when there is commitment and approval from
both parties involved, the rights of the parties are identified, payment terms
are defined, the contract has commercial substance and collectability of
consideration is probable. The Company has determined that the contract with the
customer is established when the customer purchase order is accepted or
acknowledged. Long-term agreements (LTAs) are used by the Company and certain of
its customers to reduce their supply uncertainty for a period of time, typically
multiple years. While these LTAs define commercial terms including pricing,
termination rights and other contractual requirements, they do not represent the
contract with the customer for revenue recognition purposes.



Approximately 97% and 96% of the Company's revenue was generated from the sale
of products to customers in the industrial and aerospace/defense markets for
each of the years ended April 2, 2022 and April 3, 2021, respectively. During
fiscal 2022, approximately 3% of the Company's revenue was derived from services
performed for customers, which included repair and refurbishment work performed
on customer-controlled assets as well as design and test work, compared to
approximately 4% for fiscal 2021.



Refer to Note 2 – “Summary of significant accounting policies” for more details on the Company’s policy with respect to revenues.


Cost of Sales


Cost of sales includes employee compensation and benefits, raw materials, subcontracting, depreciation of manufacturing machinery and equipment, supplies and manufacturing overhead.


                                       27





Less than half of our factory costs, depending on product mix, are attributable
to raw materials, purchased components and outside processing. When we
experience raw material inflation, we attempt to offset these cost increases by
changing our buying patterns, expanding our vendor network and passing through
price increases when possible. Although we experienced cost inflation on raw
material for this fiscal year, we were able to mitigate it through pricing
and
strategic sourcing efforts.


We monitor gross margin performance through a process of monthly operation
reviews with all our divisions. We develop new products to target certain
markets allied to our strategies by first understanding volume levels and
product pricing and then constructing manufacturing strategies to achieve
defined margin objectives. We only pursue product lines where we believe that
the developed manufacturing process will yield the targeted margins. Management
monitors gross margins of all product lines on a monthly basis to determine
which manufacturing processes or prices should be adjusted.



Fiscal 2022 vs. Fiscal 2021


Results of Operations



                                               FY22             FY21          $ Change       % Change
Net sales                                  $      942.9     $      609.0     $    333.9           54.8 %
Net income available to common
stockholders                               $       53.1     $       89.6     $    (36.5 )        (40.8 )%
Net income per common share available to
common stockholders: Diluted               $       1.95     $       3.58
Weighted average common shares available
to common stockholders: Diluted              27,214,232       25,048,451




Net sales for the twelve months ended April 2, 2022 increased $333.9 million, or
54.8%, for fiscal 2022 compared to fiscal 2021. This increase in net sales was
the result of a 163.9% increase in our Industrial segment, while sales in our
Aerospace/Defense segment declined 3.7% year over year. Included in the increase
in our Industrial segment was the impact of the Dodge acquisition, which
contributed $291.9 million of sales during the year. Excluding the impact of
Dodge, total net sales increased 6.9%, and Industrial sales increased 26.7% year
over year. The increase in industrial sales reflects a pattern of sustained
growth during the year, led by results in semiconductor, mining, energy, and
general industrial markets. Within Aerospace/Defense, total commercial aerospace
decreased 1.5% and defense decreased 7.1% year over year. The decrease was
mitigated during the second half of the year as conditions began to improve in
the commercial aerospace business, driving increased sales.



Net income available to common stockholders decreased by $36.5 million to $53.1
million for fiscal 2022 compared to fiscal 2021. The net income available to
common stockholders of $53.1 million in fiscal 2022 was impacted by $13.8
million of inventory purchase accounting adjustments associated with the Dodge
acquisition, $30.6 million of other costs associated with the Dodge acquisition,
$41.5 million of interest expense, $12.0 million of preferred stock dividends
and $22.7 million of tax expense. The net income available to common
stockholders of $89.6 million in fiscal 2021 was impacted by $7.3 million of
pre-tax costs associated with restructuring, $1.5 million of costs associated
with the cyber event, $0.2 million of losses on foreign exchange, and $20.4
million of tax expense.



Gross Margin



                  FY22        FY21        $ Change       % Change
Gross Margin     $ 357.1     $ 234.1     $    123.0           52.5 %
Gross Margin %      37.9 %      38.4 %




Gross margin was 37.9% of sales for fiscal 2022 compared to 38.4% for the same
period last year. Gross margin during fiscal 2022 included the unfavorable
impact of $13.8 million of purchase accounting adjustments associated with the
Dodge acquisition and $0.9 million of other inventory rationalization costs
associated with consolidation efforts at one of our facilities. Gross margins in
fiscal 2021 were impacted by $3.1 million of inventory rationalization costs
associated with the consolidation of certain manufacturing facilities and $0.8
million of capacity inefficiencies driven by the decrease in volume.



Selling, general and administrative expenses


                  FY22        FY21        $ Change       % Change
SG&A             $ 158.6     $ 106.0     $     52.6           49.7 %
% of net sales      16.8 %      17.4 %



SG&A fees increased by $52.6 million at $158.6 million for the 2022 financial year compared to the 2021 financial year. The result for the 2022 financial year includes $34.6 million Dodge business costs. The rest of the increase is mainly associated with an increase in personnel costs year over year.


                                       28





Other, Net



                  FY22       FY21       $ Change       % Change
Other, net       $ 68.4     $ 16.7     $     51.7          310.7 %
% of net sales      7.3 %      2.7 %



Other operating expenses for fiscal 2022 totaled $68.4 million compared to $16.7
million for fiscal 2021. For fiscal 2022, other operating expenses were
comprised of $30.6 million of costs associated with the Dodge acquisition, $34.7
million of amortization expense, $1.1 million of plant consolidation and
restructuring costs, $0.5 million of bad debt expense, $0.3 million of losses on
disposal of assets, and $1.2 million of other items. For fiscal 2021, other
operating expenses were comprised of $10.2 million of amortization of intangible
assets, $2.9 million of restructuring and consolidation costs, $1.5 million of
forensic specialist and remediation costs related to a cyber event, $1.3 million
loss on disposal of assets, $0.5 million of bad debt expense, and $0.3 million
of other items.



Interest Expense, Net



                    FY22      FY21       $ Change      % Change
Interest expense   $ 41.5     $ 1.4     $     40.1       2,802.8 %
% of net sales        4.4 %     0.2 %




Interest expense, net, generally consists of interest charged on our debt and
amortization of debt issuance costs offset by interest income (see "Liquidity
and Capital Resources - Liquidity" below). Interest expense, net was $41.5
million for fiscal 2022 compared to $1.4 million for fiscal 2021. This included
amortization of debt issuance costs of $18.9 million for fiscal 2022 and $0.5
million for fiscal 2021. Included in the debt issuance cost amortization in
fiscal 2022 was $16.6 million associated with the fees for a $2,800.0 million
bridge commitment obtained in connection with the Dodge acquisition. The
increase in interest expense is primarily attributable to the debt taken on by
the Company to finance the acquisition of Dodge.



Other Non-Operating Expense



                              FY22       FY21       $ Change       % Change
Other non-operating expense   $ 0.8     $ (0.0 )    $     0.8       (2,790.3 )%
% of net sales                  0.1 %     (0.0 )%



Other non-operating expenses for fiscal year 2022 totaled $0.8 millionconsisting primarily of costs associated with post-retirement benefit plans.


Income Taxes



                                             FY22       FY21
Income tax expense                          $ 22.7     $ 20.4

Effective tax rate with separate items 25.8% 18.6% Effective tax rate without separate items 27.5% 20.6%




Income tax expense for fiscal 2022 was $22.7 million compared to $20.4 million
for fiscal 2021. Our effective income tax rate for fiscal 2022 was 25.8%
compared to 18.6% for fiscal 2021. The effective income tax rates are different
from the U.S. statutory rate due to the U.S. credits for increasing research
activities and foreign-derived intangible income provision which decrease the
rate and differences in foreign and state income taxes which increase the rate.
Further, in fiscal 2022, the effective tax rate was negatively impacted by tax
impacts associated with acquisition costs and increases in tax reserves
associated with Section 162(m) of the Internal Revenue Code. The effective
income tax rate for fiscal 2022 of 25.8% included discrete items of $1.5 million
benefit which are comprised substantially of a benefit associated with
share-based compensation and unrecognized tax benefits associated with the
expiration of statutes of limitations partially offset by tax expense arising
from an increase in the valuation allowance on a capital loss carryforward. The
effective income tax rate for fiscal 2022 without these discrete items would
have been 27.5%. The effective income tax rate for fiscal 2021 of 18.6% includes
discrete items of $2.2 million benefit which are comprised substantially of a
benefit associated with share-based compensation and unrecognized tax benefits
associated with the expiration of statutes of limitations. The effective income
tax rate for fiscal 2021 without these discrete items would have been 20.6%.



                                       29





Segment Information


We previously reported our financial results under four operating segments
(Plain Bearings, Roller Bearings, Ball Bearings, and Engineered Products), but
the Dodge acquisition has resulted in a change in the internal organization of
the Company and how our chief operating decision maker makes operating
decisions, assesses the performance of the business, and allocates resources.
Accordingly, we now report our financial results under two operating segments:
Aerospace/Defense and Industrial. Financial information for fiscal 2021 has been
recast to conform to the new segment presentation. We use gross margin as the
primary measurement to assess the financial performance of each reportable
segment.



Aerospace/Defense Segment:



                          FY22        FY21        $ Change       % Change
Net sales                $ 381.5     $ 396.2     $    (14.7 )         (3.7 )%

Gross margin             $ 155.1     $ 161.2     $     (6.1 )         (3.8 )%
Gross margin %              40.7 %      40.7 %

SG&A                     $  29.0     $  29.1     $     (0.1 )         (0.5 )%
% of segment net sales       7.6 %       7.4 %




Net sales decreased $14.7 million, or 3.7%, for fiscal 2022 compared to fiscal
2021. Commercial aerospace decreased during the period 1.5% year over year. The
commercial aerospace OEM component was flat while commercial distribution and
aftermarket decreased approximately 6% year over year. The decrease was
primarily experienced during the first half of fiscal 2022, with orders and
shipments in the second half, demonstrating early signs of a recovery in the OEM
markets. This was further evidenced by continuing expansion of our backlog
during the period. Our defense markets, which represented about 39.0% of sales,
decreased by approximately 7.1% during the period. Overall distribution and
aftermarket sales, which represent a little less than 20.0% of segment sales,
were down 13.5% year over year.



Gross margin was $155.1 million, or 40.7% of sales, in fiscal 2022 compared to
$161.2 million, or 40.7% of sales, for the same period in fiscal 2021. Gross
margin for fiscal 2022 was impacted by approximately $0.9 million of inventory
rationalization costs associated with consolidation efforts at one of our
facilities.



Industrial Segment:



                          FY22        FY21        $ Change       % Change
Net sales                $ 561.4     $ 212.8     $    348.6          163.9 %

Gross margin             $ 202.0     $  72.9     $    129.1          177.0 %
Gross margin %              36.0 %      34.3 %

SG&A                     $  58.6     $  18.0     $     40.6          225.9 %
% of segment net sales      10.4 %       8.5 %



Net sales increased $348.6 million, or 163.9%, during fiscal 2022 compared to
the same period last year. The increase was primarily due to the inclusion of
five months of Dodge sales in fiscal 2022, as well as sustained strong
performance across the majority of our legacy industrial markets. Excluding
Dodge sales of $291.9 million, net sales increased $56.7 million, or 26.7%,
period over period. This increase was driven by performance in semiconductor,
energy, mining, and the general industrial markets. Sales to distribution and
the aftermarket reflected more than 57.0% of our industrial sales during the
year, which is expected to increase as we move into fiscal 2023. These
distribution and aftermarket sales increased 309.4% compared to the same period
in the prior year, and 26.1% on an organic basis.



Gross margin was $202.0 million, or 36.0% of sales, in fiscal 2022 compared to
$72.9 million, or 34.3% of sales, for the same period in fiscal 2021. The gross
margin for the fiscal 2022 included the unfavorable impact of $13.8 million of
inventory purchase accounting adjustments associated with the Dodge acquisition.
Gross margin for the fiscal 2021 was impacted by approximately $3.1 million of
inventory rationalization costs associated with the consolidation of certain
manufacturing facilities.



                                       30





Corporate:



                        FY22       FY21       $ Change       % Change
SG&A                   $ 71.0     $ 58.9     $     12.1           20.6 %
% of total net sales      7.5 %      9.7 %



Increase in general and administrative costs of the company $12.1 million or 20.6% for fiscal 2022 compared to fiscal 2021. This is explained by the increase in personnel costs, professional fees and stock-based compensation expense during the period.

Cash and capital resources



Our business is capital-intensive. Our capital requirements include
manufacturing equipment and materials. In addition, we have historically fueled
our growth, in part, through acquisitions, including the Dodge acquisition
completed on November 1, 2021. We have historically met our working capital,
capital expenditure requirements and acquisition funding needs through our net
cash flows provided by operations, various debt arrangements and sale of equity
to investors. We believe that operating cash flows and available credit under
the Revolving Credit Facility and Foreign Revolver will provide adequate
resources to fund internal growth initiatives for the foreseeable future. For
further discussion regarding the funding of the Dodge acquisition, refer to Part
II, Item 8 - Notes 8, 11 and 15.



Our ability to meet future working capital, capital expenditures and debt
service requirements will depend on our future financial performance, which will
be affected by a range of economic, competitive and business factors,
particularly interest rates, cyclical changes in our end markets and prices for
steel and our ability to pass through price increases on a timely basis, many of
which are outside of our control. In addition, future acquisitions could have a
significant impact on our liquidity position and our need for additional funds.



From time to time, we evaluate our existing facilities and operations and their
strategic importance to us. If we determine that a given facility or operation
does not have future strategic importance, we may sell, relocate, consolidate or
otherwise dispose of those operations. Although we believe our operations would
not be materially impaired by such dispositions, relocations or consolidations,
we could incur significant cash or non-cash charges in connection with them.



Liquidity


As of April 2, 2022, we had cash and cash equivalents of $182.9 million, of
which, approximately $34.9 million was cash held by our foreign operations. We
expect that our undistributed foreign earnings will be re-invested indefinitely
for working capital, internal growth and acquisitions for and by our foreign
subsidiaries. As discussed further below, we also have the ability to borrow up
to approximately $512.7 million from our existing credit agreements.



Domestic Credit Facility


On November 1, 2021 RBC Bearings Incorporated, our top holding company, and our
Roller Bearing Company of America, Inc. subsidiary ("RBCA") entered into a
Credit Agreement (the "New Credit Agreement") with Wells Fargo Bank, National
Association ("Wells Fargo"), as Administrative Agent, Collateral Agent,
Swingline Lender and Letter of Credit Issuer and the other lenders party
thereto, and terminated the Company's prior Credit Agreement, which was entered
into with Wells Fargo in 2015 (the "2015 Credit Agreement"). The New Credit
Agreement provides the Company with (a) a $1,300.0 million term loan facility
(the "Term Loan Facility"), which was used to fund a portion of the cash
purchase price for the acquisition of Dodge and to pay related fees and
expenses, and (b) a $500.0 million revolving credit facility (the "Revolving
Credit Facility" and together with the Term Loan Facility, the "Facilities").
Debt issuance costs associated with the New Credit Agreement totaled $14.9
million and will be amortized over the life of the New Credit Agreement. When
the 2015 Credit Agreement was terminated the Company wrote off $0.9 million of
previously unamortized debt issuance costs.



Amounts outstanding under the Facilities generally bear interest at either, at
the Company's option, (a) a base rate determined by reference to the higher of
(i) Wells Fargo's prime lending rate, (ii) the federal funds effective rate plus
1/2 of 1.00% and (iii) the one-month LIBOR rate plus 1.00% or (b) the LIBOR rate
plus a specified margin, depending on the type of borrowing being made. The
applicable margin is based on the Company's consolidated ratio of total net debt
to consolidated EBITDA from time to time. Currently, the Company's margin is
0.75% for base rate loans and 1.75% for LIBOR rate loans. The Facilities are
subject to a "LIBOR" floor of 0.00% and contain "hard-wired" LIBOR replacement
provisions as set forth in the New Credit Agreement. As of April 2, 2022, the
Company's commitment fee rate is 0.25% and the letter of credit fee rate is
1.75%.



                                       31





The Term Loan Facility and the Revolving Credit Facility will mature on November
2, 2026. The Company can elect to prepay some or all of the outstanding balance
from time to time without penalty. Commencing one full fiscal quarter after the
execution of the New Credit Agreement, the Term Loan Facility will amortize in
quarterly installments as set forth in Part II, Item 8 - Note 11, with the
balance payable on the Maturity Date unless otherwise extended in accordance
with the terms of the Term Loan Facility.



The New Credit Agreement requires the Company to comply with various covenants,
including the following financial covenants beginning with the test period
ending December 31, 2021: (a) a maximum Total Net Leverage Ratio of 5.50:1.00,
which maximum Total Net Leverage Ratio shall decrease during certain subsequent
test periods as set forth in the New Credit Agreement (provided that, no more
than once during the term of the Facilities, such maximum ratio applicable at
such time may be increased by the Borrower by 0.50:1.00 for a period of twelve
(12) months after the consummation of a material acquisition), and (b) a minimum
Interest Coverage Ratio of 2.00:1.00.



The New Credit Agreement allows the Company to, among other things, make
distributions to shareholders, repurchase its stock, incur other debt or liens,
or acquire or dispose of assets provided that the Company complies with certain
requirements and limitations of the New Credit Agreement.



The Company's domestic subsidiaries have guaranteed the Company's obligations
under the New Credit Agreement, and the Company's obligations and the domestic
subsidiaries' guaranty are secured by a pledge of substantially all of the
domestic assets of the Company and its domestic subsidiaries.



As of April 2, 2022, $1,200.0 million was outstanding under the Term Loan
Facility and approximately $3.5 million of the Revolving Credit Facility was
being utilized to provide letters of credit to secure the Company's obligations
relating to certain insurance programs, and the Company had the ability to
borrow up to an additional $496.5 million under the Revolving Credit Facility.



Senior Notes



On October 7, 2021, RBCA issued $500.0 million aggregate principal amount of
4.375% Senior Notes due 2029 (the "Senior Notes"). The net proceeds from the
issuance of the Senior Notes were approximately $492.0 million after deducting
initial purchasers' discounts and commissions and offering expenses. On November
1, 2021, the Company used the proceeds to fund a portion of the cash purchase
price for the acquisition of Dodge.



The Senior Notes were issued pursuant to an indenture with Wilmington Trust,
National Association, as trustee (the "Indenture"). The Indenture contains
covenants limiting the ability of the Company to (i) incur additional
indebtedness or guarantee indebtedness, (ii) declare or pay dividends, redeem
stock or make other distributions to stockholders, (iii) make investments, (iv)
create liens or use assets as security in other transactions, (v) merge or
consolidate, or sell, transfer, lease or dispose of substantially all of its
assets, (vi) enter into transactions with affiliates, and (vii) sell or transfer
certain assets. These covenants contain various exceptions, limitations and
qualifications. At any time that the Senior Notes are rated investment grade,
certain of these covenants will be suspended.



The Senior Notes are jointly and severally secured on a senior unsecured basis by RBC Bearings and certain of RBCA’s existing and future wholly-owned national subsidiaries which also guarantee the New Credit Agreement.

Interest on the Senior Notes accrues at the rate of 4.375% and will be payable semi-annually in cash in arrears on April 15 and October 15 of each year, starting April 15, 2022.



The Senior Notes will mature on October 15, 2029. The Company may redeem some or
all of the Senior Notes at any time on or after October 15, 2024 at the
redemption prices set forth in the Indenture, plus accrued and unpaid interest,
if any, to, but excluding, the redemption date. The Company may also redeem up
to 40% of the Senior Notes using the proceeds of certain equity offerings
completed before October 15, 2024, at a redemption price equal to 104.375% of
the principal amount thereof, plus accrued and unpaid interest, if any, to, but
excluding, the redemption date. In addition, at any time prior to October 15,
2024, the Company may redeem some or all of the Senior Notes at a price equal to
100% of the principal amount, plus a "make-whole" premium, plus accrued and
unpaid interest, if any, to, but excluding, the redemption date. If the Company
sells certain of its assets or experiences specific kinds of changes in control,
the Company must offer to purchase the Senior Notes.



Foreign term loan and revolving credit facility



On August 15, 2019, one of our foreign subsidiaries, Schaublin SA ("Schaublin"),
entered into two separate credit agreements (the "Foreign Credit Agreements")
with Credit Suisse (Switzerland) Ltd. to (i) finance the acquisition of Swiss
Tool, and (ii) provide future working capital. The Foreign Credit Agreements
provided Schaublin with a CHF 15.0 million (approximately $15.4 million) term
loan (the "Foreign Term Loan"), which was extinguished in February 2022 and a
CHF 15.0 million (approximately $15.4 million) revolving credit facility (the
"Foreign Revolver"), which continues in effect until terminated by either
Schaublin or Credit Suisse. Debt issuance costs associated with the Foreign
Credit Agreements totaled CHF 0.3 million (approximately $0.3 million). When the
Foreign Term Loan was extinguished, Schaublin wrote off $0.1 million of
previously unamortized debt issuance costs.



                                       32





Amounts outstanding under the Foreign Term Loan and the Foreign Revolver
generally bear interest at LIBOR plus a specified margin. The applicable margin
is based on Schaublin's ratio of total net debt to consolidated EBITDA at each
measurement date. Currently, Schaublin's margin is 1.00%.



The Foreign Credit Agreements require Schaublin to comply with various
covenants, which are tested annually on March 31. These covenants include, among
other things, a financial covenant to maintain a ratio of consolidated net debt
to adjusted EBITDA not greater than 2.50 to 1 as of March 31, 2021 and
thereafter. Schaublin is also required to maintain an economic equity of CHF
20.0 million at all times. The Foreign Credit Agreements allow Schaublin to,
among other things, incur other debt or liens and acquire or dispose of assets
provided that Schaublin complies with certain requirements and limitations of
the Foreign Credit Agreements. As of April 2, 2022, Schaublin was in compliance
with all such covenants.



Schaublin's parent company, Schaublin Holding, has guaranteed Schaublin's
obligations under the Foreign Credit Agreements. Schaublin Holding's guaranty
and the Foreign Credit Agreements are secured by a pledge of the capital stock
of Schaublin. In addition, the Foreign Term Loan is secured with pledges of the
capital stock of the top company and the three operating companies in the Swiss
Tool System group of companies.



From April 2, 2022, the foreign term loan has been paid, with no outstanding balance. There was no amount outstanding for the foreign revolver. Schaublin has the option of borrowing up to $16.2 million under the foreign revolver from April 2, 2022.


Cash Flows


Fiscal 2022 vs. Fiscal 2021

The following table summarizes our treasury activities:



                                             FY22          FY21        $ Change
Net cash provided by (used in):
Operating activities                      $    180.3     $  152.4     $     27.9
Investing activities                        (2,847.5 )     (101.5 )     (2,746.0 )
Financing activities                         2,698.5         (3.4 )      2,701.9

Effect of changes in exchange rates on cash 0.5 0.3

0.2

Increase in cash and cash equivalents $31.8 $47.8 $(16.0)




During fiscal 2022 we generated cash of $180.3 million from operating activities
compared to $152.4 million for fiscal 2021. The increase of $27.9 million for
fiscal 2022 was mainly the result of a $51.1 million increase in non-cash
charges and a net favorable change in operating assets and liabilities of $1.4
million, partially offset by a $24.6 million decrease in net income. The
favorable change in operating assets and liabilities is detailed in the table
below. The change in non-cash charges was primarily driven by $32.8 million more
depreciation and amortization, $18.5 million more amortization of deferred
financing costs and debt discount, $2.6 million more share-based compensation,
and $1.0 million in debt extinguishment costs, partially offset by a $2.7
million decrease in deferred taxes, $1.0 million decrease in net loss on asset
disposals, and $0.1 million decrease in consolidation and restructuring charges.



The following graph summarizes the favorable evolution of the operating assets and liabilities of $1.4 million for fiscal year 2022 compared to fiscal year 2021 and $31.1 million
for fiscal year 2021 compared to fiscal year 2020.


                                                    FY22        FY21
Cash provided by (used in):
Accounts receivable                                $ (72.5 )   $  15.7
Inventory                                            (17.1 )      26.3
Prepaid expenses and other current assets             (1.4 )       3.5
Other noncurrent assets                                8.5        (7.0 )
Accounts payable                                      67.2       (15.7 )

Accrued expenses and other current liabilities 19.5 2.6 Other non-current liabilities

                          (2.8 )       5.7

Total change in operating assets and liabilities $1.4 $31.1



                                       33





During fiscal 2022, we used $2,847.5 million for investing activities as
compared to $101.5 million for fiscal 2021. This increase in cash used was
attributable to $2,908.5 million used for the acquisition of Dodge during fiscal
2022 and $18.0 million increase in capital expenditures. This was partially
offset by a $110.4 million increase in proceeds received from the sale of
marketable securities in the current year and $70.1 million less cash used in
the purchase of marketable securities in the current year.



During fiscal 2022, we generated cash of $2,698.5 million from financing
activities compared to $3.4 million cash used in fiscal 2021. This increase in
cash generated was primarily attributable to fiscal 2022 proceeds received from
term loans net of financing costs $1,285.8 million, fiscal 2022 proceeds
received from issuance of common stock $605.5 million, fiscal 2022 proceeds
received from senior notes net of financing costs $494.2 million, fiscal 2022
proceeds received from issuance of preferred stock $445.3 million, $6.7 million
more exercises of stock options and warrants, and $3.0 million less payments
made on revolving credit facilities. These cash generating activities were
primarily offset by $108.7 million more payments made on term loans, $19.5
million more financing fees paid in connection with credit facilities, $7.1
million cash dividends paid to preferred shareholders in fiscal 2022, $1.7
million more treasury stock purchases, and $1.6 million in principal repayments
on finance lease obligations during fiscal 2022.



Capital Expenditures



Our capital expenditures in fiscal 2022 were $29.8 million compared to $11.8
million in fiscal 2021. We expect to make capital expenditures of approximately
2.5% to 3.0% of net sales during fiscal 2023 in connection with our existing
business. We funded our fiscal 2022 capital expenditures, and expect to fund
fiscal 2023 capital expenditures, principally through existing cash and
internally generated funds. We may also make substantial additional capital
expenditures in connection with acquisitions.



Quarterly operating results


                                                                 Quarter Ended (3)
                 Apr. 2,        Jan. 1,        Oct. 2,        Jul. 3,        Apr. 3,        Dec. 26,       Sep. 26,       Jun. 27,
                   2022           2022           2021           2021           2021           2020           2020           2020
                                                                    (Unaudited)
                                                       (in thousands, except per share data)
Net sales       $  358,879     $  266,953     $  160,900     $  156,205     $  160,295     $  145,861     $  146,335     $  156,493
Gross margin       137,486         93,345         62,464         63,773         62,469         55,588         56,596         59,453
Operating
income              57,846         14,371         27,123         30,723         29,740         26,541         26,363         28,814
Net
income/(loss)
available to
common
stockholders    $   26,450     $   (5,814 )   $    6,419     $   25,999     $   24,954     $   21,569     $   20,421     $   22,689
Net
income/(loss)
per common
share
available to
common
stockholders:
Basic(1)(2)     $     0.92     $    (0.20 )   $     0.25     $     1.04     $     1.00     $     0.87     $     0.82     $     0.92
Diluted(1)(2)   $     0.92     $    (0.20 )   $     0.25     $     1.03     $     0.99     $     0.86     $     0.82     $     0.91




(1) See Note 2.



(2) Net earnings per common share is calculated independently for each of the

quarters presented. Therefore, the sum of quarterly earnings per share

    may not necessarily equal the total for the year.



(3) Dodge was acquired on November 1, 2021 and is included in the quarters

    ended April 2, 2022 and January 1, 2022 within the table above.






                                       34




Significant Accounting Policies and Estimates



Our discussion and analysis of our financial condition and results of operations
are based upon our consolidated financial statements, which have been prepared
in accordance with U.S. generally accepted accounting principles. The
preparation of these financial statements requires us to make estimates and
judgments that affect the reported amounts of assets, liabilities, revenues and
expenses and related disclosure of contingent assets and liabilities. We
evaluate our estimates on an on-going basis. Estimates are used for, but not
limited to, the accounting for the allowance for doubtful accounts, valuation of
inventories, goodwill and intangible assets, depreciation and amortization,
income taxes and tax reserves, the valuation of options and the valuation of
business combinations. We base our estimates on historical experience and on
various other assumptions that are believed to be reasonable under the
circumstances, the results of which form the basis for making judgments about
the carrying values of assets and liabilities that are not readily apparent from
other sources. We believe our judgments related to these accounting estimates
are appropriate. Actual results may differ from these estimates under different
assumptions or conditions.



Revenue Recognition.The performance obligations for the majority of RBC's
product sales are satisfied at the point in time in which the products are
shipped, consistent with the pattern of revenue recognition under the previous
accounting standard. The Company has determined that the customer obtains
control upon shipment of the product based on the shipping terms (either when it
ships from RBC's dock or when the product arrives at the customer's dock) and
recognizes revenue accordingly. Once a product has shipped, the customer is able
to direct the use of, and obtain substantially all of the remaining benefits
from, the asset. Approximately 97% of the Company's revenue was recognized in
this manner based on sales for the year ended April 2, 2022 compared to
approximately 96% for the year ended April 3, 2021.



The Company has determined performance obligations are satisfied over time for
customer contracts where RBC provides services to customers and also for a
limited number of product sales. RBC has determined revenue recognition over
time is appropriate for our service revenue contracts as they create or enhance
an asset that the customer controls throughout the duration of the contract.
Approximately 3% of the Company's revenue was recognized in this manner based on
sales for the year ended April 2, 2022 compared to approximately 4% for the year
ended April 3, 2021. Revenue recognition over time is appropriate for customer
contracts with product sales in which the product sold has no alternative use to
RBC without significant economic loss and an enforceable right to payment
exists, including a normal profit margin from the customer, in the event of
contract termination. These types of contracts comprised less than 1% of total
sales for the year ended April 2, 2022 and the year ended April 3, 2021. For
both of these types of contracts, revenue is recognized over time based on the
extent of progress towards completion of the performance obligation. The Company
utilizes the cost-to-cost measure of progress for over-time revenue recognition
contracts as we believe this measure best depicts the transfer of control to the
customer, which occurs as we incur costs on contracts. Revenues, including
profits, are recorded proportionally as costs are incurred. Costs to fulfill
include labor, materials, subcontractors' costs, and other direct and indirect
costs.



Pursuant to the over-time revenue recognition model, revenue may be recognized
prior to the customer being invoiced. An unbilled receivable is recorded to
reflect revenue that is recognized when (1) the cost-to-cost method is applied
and (2) such revenue exceeds the amount invoiced to the customer. Contract
assets are included within prepaid expenses and other current assets or other
assets on the consolidated balance sheets.



Accounts Receivable.We are required to estimate the collectability of our
accounts receivable, which requires a considerable amount of judgment in
assessing the ultimate realization of these receivables, including the current
credit-worthiness of each customer. Changes in required reserves may occur in
the future as conditions in the marketplace change.



Inventory. Inventories are stated at the lower of cost or net realizable value.
Cost is determined by the first-in, first-out method. We account for inventory
under a full absorption method. We record adjustments to the value of inventory
based upon past sales history and forecasted plans to sell our inventories. The
physical condition, including age and quality, of the inventories is also
considered in establishing its valuation. These adjustments are estimates, which
could vary significantly, either favorably or unfavorably, from actual
requirements if future economic conditions, customer inventory levels or
competitive conditions differ from our expectations.



                                       35




Goodwill and Indefinite-Lived Intangible Assets. Goodwill (representing the
excess of the amount paid to acquire a company over the estimated fair value of
the net assets acquired) and indefinite lived intangible assets are not
amortized but instead are tested for impairment annually, or when events or
circumstances indicate that the carrying value of such asset may not be
recoverable. Separate tests are performed for goodwill and indefinite lived
intangible assets. We completed a quantitative test of impairment on the
indefinite lived intangible assets with no impairment noted in the current year.
In addition, we also completed a quantitative test of impairment on goodwill as
of November 1, 2021 in connection with the allocation of existing goodwill
amongst our newly defined business reporting segments. No impairment was noted
as a result of that interim impairment test. The determination of any goodwill
impairment is made at the reporting unit level. The Company determines the fair
value of a reporting unit and compares it to its carrying amount. If the
carrying amount of the reporting unit exceeds its fair value, an impairment loss
is recognized for any amount by which the carrying amount exceeds the reporting
unit's fair value up to the value of goodwill. The Company applies the income
approach (discounted cash flow method) in testing goodwill for impairment. The
key assumptions used in the discounted cash flow method used to estimate fair
value include discount rates, revenue growth rates, terminal growth rates and
cash flow projections. Discount rates, revenue growth rates and cash flow
projections are the most sensitive and susceptible to change as they require
significant management judgment. Discount rates are determined by using a
weighted average cost of capital ("WACC"). The WACC considers market and
industry data as well as Company-specific risk factors for each reporting unit
in determining the appropriate discount rate to be used. The discount rate
utilized for each reporting unit for our fiscal 2022 test was 9.5% and is
indicative of the return an investor would expect to receive for investing in
such a business. Terminal growth rate determination follows common methodology
of capturing the present value of perpetual cash flow estimates beyond the last
projected period assuming a constant WACC and long-term growth rates. The
terminal growth rate used for our fiscal 2022 test was 2.5%. The Company has
determined that, to date, no impairment of goodwill exists and fair value of the
reporting units exceeded the carrying value in total by approximately 53.9%. The
fair value of the reporting units exceeds the carrying value by a minimum of
24.9% at each of the two reporting units. A decrease of 1.0% in our terminal
growth rate would not result in impairment of goodwill for any of our reporting
units. An increase of 1.0% in our discount rate would not result in impairment
of goodwill for any of our reporting units. The Company performs the annual
impairment testing during the fourth quarter of each fiscal year. Although no
changes are expected, if the actual results of the Company are less favorable
than the assumptions the Company makes regarding estimated cash flows, the
Company may be required to record an impairment charge in the future.



Valuation of Business Combinations. We allocate the amounts we pay for each
acquisition to the assets we acquire and liabilities we assume based on their
fair values at the date of acquisition, including identifiable intangible
assets, which either arise from a contractual or legal right or are separable
from goodwill. We base the fair value of identifiable intangible assets acquired
in a business combination on detailed valuations which are prepared with the
assistance of a specialist and consider our best estimates of inputs and
assumptions that a market participant would use. We utilize a specialist for
these valuations due to the complexity and estimation uncertainty involved in
determining the fair value given the significant assumptions involved.
Significant assumptions utilized in the valuation models include discount rates,
revenue growth rates and cash flow projections. We allocate to goodwill any
excess purchase price over the fair value of the net tangible and identifiable
intangible assets acquired. Transaction costs associated with these acquisitions
are expensed as incurred through other, net on the consolidated statements
of
operations.



Income Taxes. As part of the process of preparing the consolidated financial
statements, we are required to estimate the income taxes in each jurisdiction in
which we operate. This process involves estimating the actual current tax
liabilities together with assessing temporary differences resulting from the
differing treatment of items for tax and financial reporting purposes. These
differences result in deferred tax assets and liabilities, which are included in
the consolidated balance sheets. We must then assess the likelihood that the
deferred tax assets will be recovered, and to the extent that we believe that
recovery is not more than likely, we are required to establish a valuation
allowance. If a valuation allowance is established or increased during any
period, we are required to include this amount as an expense within the tax
provision in the consolidated statements of operations. Significant judgment is
required in determining our provision for income taxes, deferred tax assets and
liabilities, accrual for uncertain tax positions and any valuation allowance
recognized against net deferred tax assets.



Stock-based compensation. We recognize compensation expense in the financial statements for all share-based payment transactions based on the grant date fair value of the instruments issued during the required service period.


                                       36





The fair value for our options was estimated at the date of grant using the
Black-Scholes option pricing model with the following weighted-average
assumptions:



                                                    Fiscal Year Ended
                                         April 2,       April 3,       March 28,
                                           2022           2021           2020
Dividend yield                                0.00 %         0.00 %          0.00 %
Expected weighted-average life (yrs.)          5.0            5.0          
  5.0
Risk-free interest rate                       0.95 %         0.35 %          1.82 %
Expected volatility                          43.43 %        41.35 %         26.93 %



The Black-Scholes option pricing model was developed for use in estimating the
fair value of traded options which have no vesting restrictions and are fully
transferable. In addition, option valuation models require the input of highly
subjective assumptions, including the expected stock price volatility. Because
our options have characteristics significantly different from those of traded
options, and because changes in the subjective input assumptions can materially
affect the fair value estimate, the existing models do not necessarily provide a
reliable single measure of the fair value of our options.



Recent accounting pronouncements

For a discussion of recent accounting pronouncements, see Note 2 – “Summary of Significant Accounting Policies – Recent Accounting Pronouncements”.

Impact of inflation, commodity price changes and interest rate fluctuations



In fiscal 2022, the economy experienced inflation. We purchase steel at market
prices, which fluctuate as a result of supply and demand in the marketplace. To
date, we have managed price increases by changing our buying patterns, expanding
our vendor network, and passing increases on to our customers through price
increases on our products, the assessment of steel surcharges on our customers,
or entry into long-term agreements with our customers containing escalator
provisions tied to our invoiced price of steel. However, even if we are able to
pass these steel surcharges or price increases to our customers, there may be a
time lag of several months between the time a price increase goes into effect
and our ability to implement surcharges or price increases, particularly for
orders already in our backlog. As a result, our gross margin percentage may
decline.



Competitive pressures and the terms of certain of our long-term contracts may
require us to absorb at least part of these cost increases, particularly during
periods of high inflation. Our principal raw materials are stainless and 52100
wire and rod steel (types of high alloy steel), which have historically been
readily available. We have never experienced a work stoppage due to a supply
shortage. We maintain multiple sources for raw materials including steel and
have various supplier agreements. Through sole-source arrangements, supplier
agreements and pricing, we have been able to minimize our exposure to
fluctuations in raw material prices.



Our suppliers and sources of raw materials are based in the U.S., Europe and
Asia. We believe that our sources are adequate for our needs in the foreseeable
future, that there exist alternative suppliers for our raw materials and that in
most cases readily available alternative materials can be used for most of
our
raw materials.


Off-balance sheet arrangements



As of April 2, 2022, we had no significant off-balance sheet arrangements other
than $3.5 million of outstanding standby letters of credit, all of which were
under the Revolver.



                                       37

© Edgar Online, source Previews

Mandy Moore Gives Emotional Take on Original Song From ‘This Is Us’ – Watch!

Mandy Moore makes us cry, forever now.

The ‘This Is Us’ star performed a moving rendition of the hit NBC show’s original song, ‘The Forever Now,’ at NBC’s FYC House wrap party on Wednesday.

Mandy shared a heartwarming smile at the end of the song, which marks the end of an era. “This Is Us” aired its series finale earlier this week after six seasons.

It was a date night for the 38-year-old and her husband, Taylor Goldsmith, who joined her on the red carpet before she took the stage.

“This Is Us” composer Siddhartha Khosla, Mandy and Taylor attended the event to perform their song which recently reached number 1 on the music charts.

LOS ANGELES, CALIFORNIA – MAY 25: (L-R) Taylor Goldsmith, Mandy Moore and Siddhartha Khosla attend NBCU FYC House. (Photo by David Livingston/Getty Images)

mandy wowed viewers with her loving portrayal of family matriarch Rebecca Pearson throughout the series and honored her character in a sentimental tribute on Instagram on May 24.

“As we close the final chapter, let me leave you with this…” Take the risks. Take the big steps, even if they are small steps. Move forward with your lives in any direction that moves you. I ask you to be fearless. – Rebecca Pearson,” she captioned the post.

The 38-year-old singer welcomed her first child, a son named August, in February 2021 with her husband and opened up to Access Hollywood in May about how becoming a parent opened up a whole new layer of her acting.

“I feel it. I was saying to someone earlier, like, uh, can we go back? Can we go back to the first episode? I know how to play this woman now, I know what it’s like to ‘being a mother even for three months,” she said. “I think as an actor, as a human, I’m definitely going to bring something else to the table now.”

Access Hollywood’s podcast “The Vault” features decades of top interviews and never-before-seen moments with some of Hollywood’s biggest stars. Listen now!

Copyright © 2022 by NBC Universal, Inc.. All rights reserved.

This material may not be republished, broadcast, rewritten or redistributed.

3 great psychological thrillers, according to a clinical psychologist

People are fascinated by psychology and what makes humans tick. However, for the most part, what happens behind closed doors in a psychologist’s office remains a bit of a mystery. All that is generally known about therapy is that patients are asked to share their wishes, fears, fantasies and vulnerabilities in hopes of finding out what is overwhelming them. But who exactly are these people to whom we confide our innermost thoughts and secrets?

Psychologists and psychiatrists have long been used by crime and thriller writers to provide a protagonist’s backstory, advance theories about a crime, or give us insight into the mind of an unstable character. . Yet, recently, therapists themselves have become the center of attention in this genre. Specifically, the novels ask who this person really is? Are they trustworthy? Could the doctor be lying to protect someone or maybe even himself? What interests do they really have in mind?

Book smart:Add ‘Magnolia Palace’, ‘Woman on Fire’ and ‘Girl in Ice’ to your playlist

It’s no surprise to me that therapists take center stage in thrillers given that most people know little about therapy and the people who practice it. In truth, therapists contribute to the mystery because we generally only provide the most basic personal information to our patients and share nothing of our family life or personal history. What little a patient knows becomes the basic fodder for fantasy and guesswork. This certainly lays the groundwork for using therapists as a source of serious intrigue.

Often, the initial desire to become a therapist can indeed come from difficult experiences in childhood. However, we are usually required during the training process to enter therapy ourselves so as not to contaminate the therapeutic exchange with our own issues. But the lack of personal sharing by the therapist can leave the patient fantasizing that he is seeing only “the tip of the iceberg”.

Cruising in the Danger Zone:‘Top Gun: Maverick’ soars with heart, nostalgia and action

Speculation about a therapist’s motives can also be fueled by very real experiences patients have had or heard of regarding unethical therapists who violate the intimacy of the client-therapist bond, or worse again, engage in sexual boundary violations with their patients. Combined with the perception of a power differential in the clinical relationship, the fear of emotional manipulation can seem very real.

Subsequent novels spotlight incompetent therapists at best and immoral characters from his nightmares at worst.

"blood sugar," by Sascha Rothchild

“Blood Sugar” by Sascha Rothchild is an intensely unsettling yet terrifyingly immersive and fast-paced debut thriller.

Ruby Simon, 30, is a therapist who lives and practices in Miami. She loves her sister Ellie, adores her cat, has close friends and was in love with her diabetic husband until he recently died in his sleep. Now Ruby is charged with her murder. As a therapist, she knows she is not a psychopath. After all, psychopaths are generally not empathetic and do not form close, loving relationships. But that doesn’t impress the detective in charge who thinks she’s actually guilty of four murders. In reality, she’s only really responsible for three. And there were good reasons for each. So if Ruby isn’t a serial killer or a psychopath, what is she?

“The Patient’s Secret” by Loreth Anne White is a powerful, tautly written, twist-filled tale inspired by a real-life Canadian crime.

Lily Bradley is a psychotherapist, wife and loving mother in an affluent seaside community. One morning, her husband, Tom, a psychology professor, finds a dead woman while on his morning jog. Even though he is the one calling the police, he quickly becomes the prime suspect. It seems that the deceased woman, Arwen Harper, a sensual and free-spirited local waitress with her own secrets, attracted not only Tom but other men in the neighborhood. Was his death an accident, a brutal murder, or part of a serial crime? Not only is Lily’s seemingly perfect life thrown into question, but the neighbors begin to mistrust each other. Even the detective in charge, Rue Duval, has secrets she must keep. As all of their secrets begin to unfold, it’s important to remember that ordinary people can do terrible things if pushed to the brink.

"The silent patient," by Alex Michaelides.

The Silent Patient by Alex Michaelides is a smart, slow-paced story of love, loss, and revenge.

Alicia Berenson, famous painter, is married to the handsome fashion photographer Gabriel. One evening after returning to their fabulous London home, Alicia shoots her husband five times in the face and never says a word again. Her total refusal to speak brings Alicia to a secure psychiatric unit in north London, where Theo Farber, a dedicated psychotherapist, hopes to reach her. While Theo is determined to uncover the secrets behind Alicia’s crime, it seems Theo himself has some jaw-dropping secrets.

Book smart:Authors tackle the troubled lives of teenage girls, including ‘My Dark Vanessa’

Book smart:Stories about female friendship, including “The Woman with the Blue Star”

Thank you to our subscribers, who help make this coverage possible. Please consider supporting quality local journalism with a Patriot Ledger subscription. Here is our latest offer.

Book Smart is a monthly column by Nancy Harris, of Scituate, a practicing psychologist and former professor of psychology at Harvard Medical School.

The university recognizes graduates in health, human development, science, mathematics and arts



Cal State Fullerton’s 2022 launch continued Tuesday with ceremonies for the College of Natural Sciences and Mathematics, College of Health and Human Developmentand College of Arts. Ceremonies were held at Titan Stadium and on the intramural field.

College of Natural Sciences and Mathematics

The graduating math and science class entered Titan Stadium for the ‘Pomp and Circumstance’ graduation march playing over loudspeakers, and in front of a cheering crowd of family and friends.

CSUF President Fram Virjee, Dean Marie Johnson and Faculty Marshal Nicholas Brubaker led the procession of faculty members and the class of 2022.

Johnson noted that education is the “great equalizer” in society and “there is no better and surer path to opportunity than higher education.”

“That’s why graduating from college is an especially special event for you who are the first members of your immediate family to graduate with a bachelor’s degree,” she said, noting that 474 undergraduates and 104 graduate students are graduating in math and science.

Johnson then asked graduate students who are the first in their families to graduate from college to come forward and be honored. Guests erupted in applause and whistles in praise of their accomplishments.

As scientists and mathematicians, Johnson shared how college professors are committed to working side-by-side with students in pursuit of the unknown and the thrill of discovery.

“We debug code and look through microscopes knowing that, every day, we might discover something wonderful.”

As senior graduates and masters students prepare to enter the next chapter of their lives, Virjee told a parable about scientist Albert Einstein. While teaching math, Einstein wrote an equation incorrectly – and the class laughed at him for his mistake.

“How often do we only see the error in ourselves or in someone else? We forget the positive and can only focus on the error; however, nothing in life is perfect. Nobody is perfect.”

Virjee told the students that the only way not to make mistakes is to do nothing.

“Moral of the story? Don’t let anyone tell you you’re not enough. You’re enough. Remember everything you’ve achieved over the past few years.

Student lecturer Tahj Stewart graduated with a bachelor’s degree in biological sciences, but early in his studies had doubts about pursuing the rigorous major.

“I can now say that the biology major chose me. It was a hard, sacrificial, sleepless and arduous process, and standing here today was not an easy task and required strong mental commitment. But I can say it was worth it. »

Stewart thanked her parents and sister, a former Titan student, for their support, as well as faculty and staff at the college for their guidance and inspiration. Their encouragement reinforced his love for science and his goal of becoming a doctor.

He likened the many twists and turns brought on by the COVID-19 pandemic to a high-speed roller coaster ride. The pandemic, he said, “threw us and the rest of the world into dramatic social and educational change, prompting two very unorthodox years spent at Cal State Fullerton.”

Stewart then asked everyone present to pause for a moment of silence to remember those who have lost their lives to the coronavirus.

“As scientists and mathematicians – future doctors, engineers, nurses, scientists, statisticians, medical assistants, ecologists, physicists and those in other careers in our field – we must constantly remind ourselves to keep our love for others high, our ethics high integrity and our passion high. We are the ones who are going to change the world.”

Ashley Scholder, a married mother of three, in her commencement speech, recalled how she went back to college to earn a bachelor’s degree in geology as an older adult to “make her family proud.”

“As a mature undergraduate student, I worried about being accepted and adjusting to the apparent age gap. But, much to my delight, early on my peers laughed at my outdated jokes and love for a well-constructed Excel spreadsheet,” said Scholder, a 43-year-old draftsman-turned-geologist.

“These small acts of kindness bridged any imagined age gap. With that supportive mindset, we reveled in each other’s successes and supported each other through temporary setbacks – a true team was built.

Scholder graduated with honors and is the recipient of the 2022 Outstanding Academic Achievement Award, BS Geology. She also received the Beardsley-Kuper Field Camp Scholarship from the Association of Engineering Geologists (AEG) Foundation, which will provide full tuition for a month-long field camp this summer.

In conclusion, Scholder told his fellow graduates that “science is at the forefront of society, and the natural sciences and mathematics are more important than ever”.

“With CSUF as a springboard as we leap into the future, I hope we use our connection made here and the education we have received to do something substantial for the human race. The tools, the drive, passion are ours now – let’s use them to change the world one experience at a time.

Graduates wave to the crowd

College of Health and Human Development

The College of Health and Human Development honored its class of 2022 graduates at two ceremonies, conferring degrees in child and adolescent studies, counselling, social services, kinesiology, nursing , public health and social work.

Faculty Marshal Kate Bono, Associate Dean and Professor of Child and Adolescent Studies, led this year’s ceremonies and honored graduating students with distinction.

Dean Cindy Greenberg congratulated the graduates, discussing the important role they will have as leaders in the fields of health and human development.

“As a graduate, you embark on a personally and professionally rewarding career path and, if you haven’t already, you’re on your way to becoming someone’s hero,” Greenberg said. “Your HHD education has prepared you to make a positive difference in our communities and in the world.”

Recognizing the challenges and profound costs of the pandemic, Vice President and Vice President for Academic Affairs Carolyn Thomas commended the graduates for their resilience and commitment to “beautiful, challenging and essential” majors, while pursuing a society healthier and fairer for future generations.

“It’s true, the pandemic has taken a lot away. But as the ground beneath you shifted and the uncertainty swirled, you leaned into the future,” she said. “The learning you pursued, the focus you maintained, the determination you showed – it brought you to this future, which begins today.

“Only you, as a generation, have experienced the pandemic as fundamental to your education and your first experience of yourselves as practitioners in your chosen fields,” Thomas continued, citing examples from student research. -professor in the areas of body mechanics, health disparities, big data, health policy, stress management, crisis intervention, nonprofit management, social justice and holistic care.

“Trust your voice, trust how these experiences influence your perspective, how they inspire you to interact with others, what opportunities inspire you to seize – and perhaps most importantly, what practices and behaviors you are led to question. Your struggles, your empathy, your ideas and your care – these will guide you to your final destinations. Congratulations, Class of 2022.”

The crowd of graduates celebrates

College of Arts

They have studied, practiced and spent countless hours learning their craft.

Some chose to dance. Others create paintings and drawings, sculptures, ceramics, photographic images and other works of art. Other students learned to sing, play and coax beautiful melodies from a variety of musical instruments.

And on Tuesday night, they lined up for the centuries-old tradition of the beginning…the culmination of years of hard work. Multiple ornate mortar panels made it clear that this was where the best artists would be found.

As befits the College of Arts, the crowd was treated to a special performance of the opera “Ah! My friends” from “La fille du régiment” by Donizettti by Ynqwie Zamarippa, who obtained a bachelor’s degree in music.

“Our graduates today join a long tradition of excellence and dedication to the arts,” said Arnold Holland, Dean of the College of the Arts. “Tonight marks a momentous occasion, and one that reflects the long hours of dedication and hard work of Cal State Fullerton’s new alumni.”

President Fram Virjee also greeted the new graduates, congratulating them on their achievement. He then told the story of a young boy who arrived home with a note from his school teacher. His mother then read it aloud to him. The note said the boy was too smart for his school. He was a genius. He would not reach his full potential in this school. The teacher recommended his mother to teach him at home. So she did, and her son developed a superior intellect.

Several years later, the son discovered the same note from his teacher that his mother had read to him…but it was decidedly different. This note claimed that he was mentally disturbed, unable to learn, and creating so much disruption that it affected his classmates. He implored his mother not to send him to school anymore but to homeschool him.

The subject of this note was Thomas Edison, one of the most famous and prolific inventors of his time. Today many understand that Edison was hard of hearing and probably had ADHD, but we also know that he was a genius. If his mother had revealed the real words written in that note and Edison had believed them, we might not credit him with inventing the light bulb.

“Don’t let anyone you are not enough,” said VIrjee. “Don’t let anyone tell you you’re not smart enough, you’re not strong enough, you’re not enough. You determine your destiny, you chart your future.

Holland also recognized the work of parents, faculty members, family and friends, and others who have supported these student artists over the years.

“I want to thank all the parents there. We know you’ve taken students to thousands of piano lessons, dance lessons, attended countless band concerts, plays, art classes and exhibitions. Thank you for your dedication to the arts.

“And to the graduates, I hope you’ll take a second to call, email, write to all those coaches, dance teachers, high school band directors and thank them…because without them you probably wouldn’t be here today.”